Ransom Note stalwart Bawrut presents his debut album "In The Middle", featuring vocalists Liberato, Glitter??, Cosmo and Chico Blanco. The LP is a striking eleven-track journey through sunset pop, electronic melancholia and delusive migrations taking place around the Mediterranean.
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Summer's in the air, and with impeccable timing, Bawrut returns with his fourth EP for Ransom Note Records! From ‘Ciquita’ to ‘Rumba’ to ‘Three Sounds’, the Madrid-based producer has been providing DJs with off-kilter dance floor ammunition for years now, amassing a dedicated following in the process. Out 13th September on 12” and digital, the Pronto Arpeggio EP is arguably his biggest and best collection to date. It’s certainly his silliest, kicking things off with a frankly absurd title track. Clocking in at almost 11 minutes, ‘Pronto Arpeggio’ is a prog techno labyrinth of fakeouts, tempo switches, thwacking kickdrums, and huge synths like if Giorgio Moroder did the music for Tomorrow’s World . So yeah, not your average mid-set toilet break tool (although if you want to use it for that, we won’t judge you). ‘Shooreee’ is classic Bawrut with a psychedelic twist, like spiking your own Negroni with mescaline. This sweaty, slow-burn acid weapon bides its time before erupting into a potent payoff. ‘Atchu’ carves its way through laser bleeps and dub FX, built around an unforgettable vocal sample that’ll be lodged in your skull for months whether you like it or not.
When it came to the remixes, we thought it was only right to enlist some of Bawrut’s biggest supporters. KiNK chisels ‘Pronto Arpeggio’ into a vlean slab of high-velocity machine funk, while Ruf Dug teases out the gentler side of ‘Shooreee’, resulting in a melodic track that feels tailor- made made for Mediterranean sunsets.
Bawrut absolutely ruled the festivals in 2018 with ‘More Cowbell’ and we’re expecting more of the same this year as he continues to go from strength to strength. Forza! More

We’re proud to kickstart Bawrut’s 2018 with 4x4, a brand new EP of typically leftfield bangers. These four tracks come on like a whirlwind journey through a Bawrut DJ set, with something for every time of the night. 'Ghettoscar' fuses African chants with burbling acid, building the kind of goodtime dancefloor warmth Bawrut is famed for. 'More Cowbell' does exactly what you’d expect, giving DJs a glorious, cowbell-powered disco bomb that fuses the spirit of Incredible Bongo Band with classic NYC house. 'I Hear Voices' is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. Throw in Bawrut’s trademark kitbag of carnival whistles, rattling Latin percussion and a creeping acid line that works itself up into a soul-salving joy and you’ve got a modern classic on your hands. More

Second release from mystical label Hard Fist. Madrid based musician Bawrut is bringing an alchemical concoction of percussion, acid, weird sounds trippy vocals. And always for the the best. More

Bawrut’s Ciquita was the first 12” we released on Ransom Note Records. It sold out in a month, got hammered by as disparate range of DJs we could have hoped for (everyone from Jackmaster to Optimo to Boys Noize to Alfredo gave it a rinsing) and single-handedly deflected the rampaging forces of 2016 shittiness wherever it went. Opener Rumba is exotic space trance made to soundtrack lysergic orgies on hothouse planets (or, as Boiler Room put it “a piping hot acidic screamer specially crafted for peak times”). Routa is a beefy banger dedicated to Ruta Del Bakalao (aka the greatest Spanish rave doc ever made), with all the gleefully belligerent stomp of Homework era Daft Punk. Tano is an alchemical concoction, transmuting handclaps, chirrups, chants, 303s, and deep state meditation into a starburst explosion of unfettered joy. More

To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . . More

TRACKLIST
1.1 Centuras - Tokyo
1.2 Bandulu - Amaranth - Love Lies Bleeding
1.3 Strontium 90 - Rave On The Congo
1.4 Orr-Some - We Can Make It
2.1 Biff'um Baff'um Boys - Bombing
2.2 Epoch 90 - V.L.S.I. Heaven (Zone Mix)
2.3 Mind Over Rhythm - Kubital Footstorm (Global Beatmix)
2.4 Dream Frequency - Dream The Dream
2.5 As One - Isatai
2.6 Uvx - Elevator (Trancefloor Transporter)


From 1989 onwards, Richard was an obsessive collector of house and techno music, frequenting legendary London record shops such as Fat Cat, Silverfish, Trax and Red Records. He took record buying trips to New York to find second-hand disco, house and techno 12"s, which were lying around in bargain bins. The selection for this compilation are his own personal favourites from that era. Back then, electronic dance music was young, innocent and fun; it hadn"t been analysed, theorised and fragmented into the multi-genre industry it is today. More

Ransom Note stalwart Bawrut presents his debut album "In The Middle", featuring vocalists Liberato, Glitter??, Cosmo and Chico Blanco. The LP is a striking eleven-track journey through sunset pop, electronic melancholia and delusive migrations taking place around the Mediterranean.
More

Summer's in the air, and with impeccable timing, Bawrut returns with his fourth EP for Ransom Note Records! From ‘Ciquita’ to ‘Rumba’ to ‘Three Sounds’, the Madrid-based producer has been providing DJs with off-kilter dance floor ammunition for years now, amassing a dedicated following in the process. Out 13th September on 12” and digital, the Pronto Arpeggio EP is arguably his biggest and best collection to date. It’s certainly his silliest, kicking things off with a frankly absurd title track. Clocking in at almost 11 minutes, ‘Pronto Arpeggio’ is a prog techno labyrinth of fakeouts, tempo switches, thwacking kickdrums, and huge synths like if Giorgio Moroder did the music for Tomorrow’s World . So yeah, not your average mid-set toilet break tool (although if you want to use it for that, we won’t judge you). ‘Shooreee’ is classic Bawrut with a psychedelic twist, like spiking your own Negroni with mescaline. This sweaty, slow-burn acid weapon bides its time before erupting into a potent payoff. ‘Atchu’ carves its way through laser bleeps and dub FX, built around an unforgettable vocal sample that’ll be lodged in your skull for months whether you like it or not.
When it came to the remixes, we thought it was only right to enlist some of Bawrut’s biggest supporters. KiNK chisels ‘Pronto Arpeggio’ into a vlean slab of high-velocity machine funk, while Ruf Dug teases out the gentler side of ‘Shooreee’, resulting in a melodic track that feels tailor- made made for Mediterranean sunsets.
Bawrut absolutely ruled the festivals in 2018 with ‘More Cowbell’ and we’re expecting more of the same this year as he continues to go from strength to strength. Forza! More

We’re proud to kickstart Bawrut’s 2018 with 4x4, a brand new EP of typically leftfield bangers. These four tracks come on like a whirlwind journey through a Bawrut DJ set, with something for every time of the night. 'Ghettoscar' fuses African chants with burbling acid, building the kind of goodtime dancefloor warmth Bawrut is famed for. 'More Cowbell' does exactly what you’d expect, giving DJs a glorious, cowbell-powered disco bomb that fuses the spirit of Incredible Bongo Band with classic NYC house. 'I Hear Voices' is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. Throw in Bawrut’s trademark kitbag of carnival whistles, rattling Latin percussion and a creeping acid line that works itself up into a soul-salving joy and you’ve got a modern classic on your hands. More

Mother of Mars is the latest evolution of Vito & Druzzi, two New Yorkers who have provided the 21st century with some of its most innovative dance music. The duo first came to fame as the rhythmic backbone of The Rapture, NYC pioneers who found global fame with their angular post-punk and howling disco. Since then Vito & Druzzi have had a prolific career as remixers and producers, producing leftfield disco killers for a range of labels including Warp and Throne of Blood. Seed 2 Sky - their first release as Mother of Mars - sees the duo fuse live krautrock drums with pulsating synth loops, creating two epics of space and rhythm that owe a debt to ‘70s kosmische pioneers like Tangerine Dream.
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Marlon Hoffstadt is a rising star as both a DJ and producer, effortlessly joining the dots between classic rave and the future of techno. Taking a break from running his Retrograde label, Marlon has cooked up Observing The Known for Ransom Note Records. Over three tracks of warm synths, bubbly acid and emotional chord progressions, the EP sees Marlon reimagining house music for today’s dancefloor, taking the passion and energy of ‘80s Chicago and giving it the production heft of 2017 Berlin. Opener ‘Floating’ is a piano house classic, shot through with chimes and 303 gurgles, nostalgic for a golden age whilst optimistically looking forward. This is peak time house for dancefloors with heart. It’s followed by the computerised funk of ‘ARP+’, an acid house roller that teams jacking 303 bass with mournful strings, as sorrowful as it is uplifting. B-side opener ‘Batavus’ is a driving tribute to Detroit, Kevin Saunderson-esque keys stabbing over soaring washes of synth, the sound of late nights and starry eyes. London-based Scott Fraser has added a remix of ‘ARP+’ that takes Marlon’s classic techno to darker lands, with snapping electro drums and deliberately seasick bass pressure ramping up the claustrophobia. This mix has already been causing huge damage when dropped on dubplate at Fraser’s feted Body Hammer night...

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Bawrut’s Ciquita was the first 12” we released on Ransom Note Records. It sold out in a month, got hammered by as disparate range of DJs we could have hoped for (everyone from Jackmaster to Optimo to Boys Noize to Alfredo gave it a rinsing) and single-handedly deflected the rampaging forces of 2016 shittiness wherever it went. Opener Rumba is exotic space trance made to soundtrack lysergic orgies on hothouse planets (or, as Boiler Room put it “a piping hot acidic screamer specially crafted for peak times”). Routa is a beefy banger dedicated to Ruta Del Bakalao (aka the greatest Spanish rave doc ever made), with all the gleefully belligerent stomp of Homework era Daft Punk. Tano is an alchemical concoction, transmuting handclaps, chirrups, chants, 303s, and deep state meditation into a starburst explosion of unfettered joy. More

For the 5th installment of Adultnapper's illustrious Ransom Note, we welcome into the fray Paul Kominek, otherwise known as Pawel (Dial/Orphan Ear) with two sublimely beautiful compositions of modern electronic music. There is not many words to describe the feeling of these pieces. They run deep into the soul of house and techno. Moving, yet intelligent, Pawel's plaintive take on dance music is unique in sound, but profoundly universal in feeling, connecting to emotions that seem rare these days on the dance floor. With powerful peak time remixes by New York's Alexi Delano and Brendon Moeller, Ransom Note Part Five should make some noise in the coming months. From the desk of Adultnapper, as inspired by Lines and Curves... As you well know, parallel paths are foreordained entities of diversity. As they travel further away from their origins, the more attraction tends to set in, not as a spiritual mechanism, but, rather, as a physical replication or limitless mimicry. One trajectory makes reference to the other, leading to a barrier, a zero crossing, some sort of cessation of thought. Lines become curves and act as waking agents for the soul as it approaches its limit. Sometimes this process is disrupted, as is the case this time. I have lost something on the way and I seem to be stuck in the place where I lost it. I feel anchored here and need to find a way to move again. There is not much time.


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Fooled only by qualities insomuch as they indicate not only the direction of my movements, but also their magnitude, I can only assume that momentum as it pertains to my own thoughts, is linear, but often the concepts floating around in my head tell me there is an expiration date on reason, as the clarity of vision relating to thought is fading into a remarkable ineptitude. However, as luck will have it, I have shifted into another sign, leading me to believe that thought can sometimes flip. Into what you ask? I can only answer succinctly once I have established that we are together and that I am not alone. I have conserved all that I am allowed brick by brick. Now it‚ is your turn. Incl.Vincenzo's Phantom Image Remix !!!!
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delusional machinery of everyday life blindly stretches the forces that shape our lives into an asinine periphery, an ultraviolet fantasy for weak minds, nature has only a fleeting sufferance for the reversal of its involuntary movements. Maxwell’s Demon is not just a mathematical proposition, it is alive and kicking in the beige strip malls, sweaty megaplexes, and vertiginous mini golf parks of class optimism. As the ordered penchant for division increases, paranoia proliferates a thousandfold, and in this constant state of implosion the laughably purposeful complexities of human machinery reveal themselves as a collective sublimation from matter organized under the sign of a smoking gun. Adultnapper lays down a fresh original mix and mastermind Alexi Delano cleans and tightens the cut. More