Mark Broom returns to Rekids with the ‘Showtime’ EP.

Mark Broom’s return to Radio Slave’s Rekids imprint takes in four tracks that showcase the UK techno legend’s sample-twisting style of house and techno. With a slew of EPs, LPs and remixes for Rekids and sister label RSPSX in recent years, Broom is one of the label’s core roster and most in-demand artists.

Tough drums meet soulful, recognisable strings in ‘Klashjamz’, a real blast to the past chopped up in creatively funky ways. The title track ‘Showtime’ is next, its groove skipping and stuttering before breaking out into jazzy electro swing done right.

On the flip, broom brings in ‘HIGHNRG’, a percussive, peak-time treat that expertly does what it says on the tin via a pulsating, rolling bassline accompanied by hypnotic vocals and infectious rhythm. ‘Jazz Ting’ then closes Mark Broom’s ‘Showtime’ EP, a hyped-up number with an earworm, classic & classy melody.

Techno, house, hardgroove and rave, Mark Broom is one of UK dance music’s legends and has a myriad of production credits to his name dating back to 1989. Warp, M-Plant, Hardgroove, and his own Pure Plastic and Beardman imprints are just a handful of the labels he’s worked with, while studio collaborations with the likes of Baby Ford and James Ruskin have cemented his reputation as a storied and vital part of electronic music culture.

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UK Techno stalwart Mark Broom returns to Rekids Special Projects with the fourth instalment of his ‘Mutated Battle Breaks’ series. Following the third volume of ‘Mutated Battle Breaks’ released in July 2022, the UK-based DJ/producer Mark Broom returns yet again to Radio Slave’s techno-focussed imprint for his fourth collection of essential, hard-hitting club tools. Delivering another full-blown set of eight belting tracks for the series, Broom again shows that he’s a true Techno tour-de-force. Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 3 of his ‘Mutated Battle Breaks’ series. Following the first two volumes of ‘Mutated Battle Breaks’ and two recently acclaimed albums in ‘Funfzig’ and ‘100% Juice’, UK stalwart Mark Broom returns to Rekids. Bringing the third collection of heavy-hitting techno weapons for Radio Slave’s techno-focussed imprint, ‘Mutated Battle Breaks Vol. 3’ showcases eight precision-built no-nonsense tools, delivering yet another techno masterclass across the release. Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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UK techno legend Mark Broom releases ‘100% Juice’ LP on Rekids. Following the acclaimed ‘Funfzig LP’ on Rekids in 2021 as well as his ‘Mutated Battle Breaks’ series on the techno focussed Rekids Special Projects, Mark Broom returns to Radio Slave’s imprint for his latest full length, ‘100% Juice’, dropping this April. Title track ‘100% Juice’ leads the charge, barreling forward with phased hats and trippy bleeps, before ‘Slush’ carries the rest of the A-side with dense synths and stereo trickery. ‘Rainbow’ bridge sees muted chords drifting in and out of focus alongside rattling drum programming before ‘Reverse’ mutates dub techno inspired elements with swathes of spacious FX and pitch-perfect processing. Opening the second disc is the aptly titled ‘Wonky Workout’, which sees hard-hitting kicks meeting freaked out leads, followed by the fast-paced ‘I Want’, which brings crunchy, shuffling percussion and effected vocal samples together to devastating effect. The final side of vinyl is the one-two punch of ‘Boxed In’ and ‘Wiggle Me This’, with the former bringing sharp keys, rumbling low end and glistening pads, while the latter closes out the LP with warped acid lines and crisp drums.
Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently beenat the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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UK techno legend Mark Broom returns to Rekids ahead of new album with ‘100% Juice Album Sampler’. Following the acclaimed ‘Funfzig LP’ on Rekids in 2021 as well as his ‘Mutated Battle Breaks’ series on the techno focussed sub-label Rekids Special Projects, UK stalwart Mark Broom returns to Radio Slave’s Rekids with ‘100% Juice Album Sampler’, a four-track taster for his next album titled ‘100% Juice’, scheduled to be released in April. Leading the A-side is ‘100% Juice (Sampler Mix)’, a jacked-up take on the album’s title track, with chunky kicks, off-kilter stabs, and crunching claps kickstarting the record. ‘Contigo’ follows, with trippy synths providing a dose of silliness alongside razor-sharp drums. On the flip, ‘Nod To The D’ pays homage to classic Detroit sounds, as light arpeggios and bright synths weave their way through silky pads before closer. ‘Spiked’ sees a funk-laden groove take charge as unruly leads flutter atop the jacking groove.

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UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 2 of his ‘Mutated Battle Breaks’ series. Following the acclaimed ‘Funfzig LP’ on Rekids earlier this year, as well as the first volume of ‘Mutated Battle Breaks’, UK stalwart Mark Broom returns to the Rekids universe with another set of eight fully charged techno bombs for Radio Slave’s techno-focussed imprint in ‘Mutated Battle Breaks Vol. 2’. From the punchy stabs of opener ‘Recessive’ through to the deep and bumping ‘Pump’, Broom turns in masterclass in high-energy techno tools. With the quality remaining as consistent as the 4/4 kicks across both sides of the record, ‘Mutated Battle Breaks Vol. 2’ is set to make an appearance in the record bags and USBs of any techno DJs worth their salt worldwide. Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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Stretched across a double LP, ‘Fu¨nfzig’ is a full-throttle display of Brooms’ funk-laden take on a wide range of electronic-inspired music, covering house, techno, disco, dub, electro, and beyond. Speaking of the LP, Broom states that “Fu¨nfzig is a continuation of my previous releases for Rekids & displays my various styles of House, Techno & the bits in-between”. ‘Mover’ kicks off proceedings with swinging drums and chopped-up piano licks, moving into the hand-in-the-air, disco-inflected ‘We Gonna Dance’, featuring vocals from his daughter Ella Fleur. ‘Stark’ takes inspiration from soundsystem culture, bringing cavernous reverbs atop a monstrous bass while siren-esque leads ring throughout. Opening the B-side, ‘Let’s Roll’ sees Broom head into full-blown techno territory, as crunching bass and fierce drums collide with a series of stabs and whistles, a theme continued in the no-nonsense steamroller ‘EFX’. ‘Dub Me Good’ closes the B-side with a heady dose of FX-drenched outboard trickery as mammoth drum hits rocket around a languid bassline. ‘Machine’ opens the second disc with fluttering synthesis and robust, dramatic drums for a pounding affair, followed by the bright and squelchy ‘Memories’ which works its way through emotive pads and crisp drums before ‘Lovers Rock’ lowers the tempo, bringing swirly atmospherics amongst machine-driven patterns. The final side of vinyl sees Broom hit the gas pedal with ‘Living For Ya’, ‘The 114’, and ‘What To Do’, delivering a raucous finalé of sample-driven, barn-storming disco pumpers. With appearances on legendary imprints such as Robert Hood’s M-Plant, Warp Records, Pure Plastic, Bpitch Control, and of course Rekids, Broom is one of the UK’s foremost techno luminaries. Alongside contemporaries such as Ben Sims, Luke Slater, Surgeon, and James Ruskin, with collaborations under the Fear Ratio with the latter counted as favourites amongst fans, Broom has flown the flag for UK techno for decades. Delivering one of his most accomplished collections of work to date on ‘Fu¨nfzig’, his return to Radio Slave’s vital Rekids imprint showing an artist whose best work is far from behind him.

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Mark Broom returns to his Beardman imprint with a 10 inch of blistering techno weapons. In signature style Mark’s already got his foot firmly to the floor with ‘Loop 132’ - a twisted affair, that layers metallic synths and de-tuning rides over a chest crunching kick drum.

Flip it over for 'Loop 131', a high octane, heavy hitting techno with a pounding kick and mesmerising stabs.

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Beard Man label boss Mark Broom returns to Radio Slave’s Rekids with a swinging techno focused four-tracker entitled ‘Raver EP’ Since the early 90s, renowned UK artist and DJ Mark Broom has been cherished for his consistent output of rhythmically charged techno and energy spiking performances with releases on Warp, R&S, Soma, Hardgroove and Blueprint alongside collaborations with artists such as Baby Ford, James Ruskin, Discrete Circuit and Gary Beck. A regular on Rekids, Broom's contributed numerous releases and remixes to Matt Edwards' label - notably last year's massive 'Break 97 EP' - and his next outing sees the prolific producer return with four more versatile club-focused cuts. ‘Raver’ opens with boomy kicks, splashing cymbals and aggressive stabs until ‘Insta’ trembles the floor with rolling snares, driving rides, distorted claps and arpeggiated synth patterns. On the flip, ‘Midnight’ takes retro sounding keys and adds peak time drive with lofi drums, distant vocals and a sleek funk line sample before ‘Hear Me’ electrifies with a tease of classic 90s-esque lyrics, bouncing toms and elated chords. A1. Raver, A2. Insta ,B1. Midnight, B2. Hear Me

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Re-issue of Mark Broom's Drift and Flip Flop tracks originally released on Mosaic in 1998. Remastered and adjusted versions. Previously unreleased dub mixes of both tracks included as well as two previously unreleased electro tracks found on the original master tapes!

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UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP. Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more. ‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.


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For the 2nd Release Proper Techno Tunes is proud to welcome UK Hero Mark Broom with his Dank EP.
Remixes coming along from german Labelhead Dave Simon, Luca Agnelli from Italy and argentinian producer Flug.

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Autoreply begins its 10th year with a 12" from one of the scenes favourite ambassadors, Dana Ruh. Equally happy co-running Brouqade and her own Cave Recordings, dropping LP's for Underground Quality or stepping up to Ostgut Ton & Cocoon, hers is a story of emotive, reduced floor-theory. The "Round 2 Reel EP" delivers three such movements kicking-off with an undeviatingly playable A-Side displaying her prowess for swinging, stripped-back house complete with discreet sound design and compulsory bass. The B-Side concentrates on the deeper, dubbier aspect of her sound displaying unparalleled levels of warmth and texture. Written & produced at Polynomstudio, Berlin, recorded to tape for your listening pleasure!

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OCH's release rate has been sturdy since he first emerged in 2010, but he's hitting his stride like never before as he follows up last year's "Love Unconditional" for London's Trelik with a new double 12" EP for his own Autoreply label. All the hallmarks of his sound are in place, from intricate and delicate melodic threads to immersive house and techno rhythms, all draped in the kind of atmospheric finery that can't fail to transport you to otherworldly places. By keeping a cool head about what to use and when, OCH has once again demonstrated his talent for reduced but verdant dance music that speaks volumes without having to shout.


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Presented in 5mm spine, LTD edition full-artwork colour sleeve which fits Parts 1-3. Having scored on Mosiac, Bodyparts and Project London, Kashawar returns to Autoreply to complete his critically acclaimed "Moments & Lost Memories" series. Here the young German star steps up with "Time Cures" a hook driven weapon possibly paying a slower respect to Mill's "Purpose Maker" releases. MPC style swing infects the groove on "Rise and Shine" adding soothing vocals and subtle acid lines to Side A. Flip the disc for deep, funking atmospherics on "Knotting" and "Spheres" adds some of Kashawar's early morning dub magic to the package. Look out for repressed Parts 1 & 2 to complete your collection!

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Perbec is Mark Broom and Baby Ford. Their last vinyl outing was "Variety Club" for the seminal Ifach imprint in 2001. Here they return with "Chaser" an epic journey into the original principles of house music. Infectious bass, Chicago-style keys and deep, analog synth pads announce that the party is very much in full force. Flip the disc for "Long John" which features stripped rhythms with plenty of swing and energy - equally suited to the main room or afterhours. Mastered at D & M.


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Following on from his 2012 Autoreply debut The Model steps up again with a precise, deadly-effective two tracker. As a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like Traum Schallplatten, Crosstown Rebels and his own Clone-powered Adult Central imprint . "Night Time's The Right Time" finds the Romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth-tension. Flip the disc for "Wolf" and you get a darker, dub-driven take over the same infectious, floor-shaking beats. Long tracks, mastered to perfection and playable to the max - check it.


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Autoreply label owner OCH invites Kashawar into the fold for their 16th & 17th release, following the rising German producer's breakout releases for underground imprints Project London and Soul.on Records. For his Autoreply debut, Kashawar presents Moments and Lost Memories (Parts 1 & 2) which covers all bases of his production palette. With collaborations with Steve O'Sullivan on Mosiac plus Pluie/Noir appearances approaching, it's clear Kashawar is a special young talent!


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Autoreply release label owner OCH invites Kashawar into the fold for their 16th release, following the rising German producer's breakout releases for underground imprints Project London and Soul.on Records. For his Autoreply debut, Kashawar presents Moments and Lost Memories (Parts 1 & 2) which covers all bases of his production palette. Kicking off with "A Feeling" you'll instantly get a "Hi-Tek Jazz" flavour before moving onto "Broken" - a playful yet refined ten minute contemporary minimal work-out. Flip the disc for "Over" and the tension starts to build before the release climaxes with "Flos" a speaker shaking dub work-out of the highest order. With collaborations with Steve O'Sullivan on Mosiac plus Pluie/Noir appearances approaching, it's clear Kashawar is a special young talent!


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2013 marks Autoreply Music's 5th year of quality vinyl releases and welcomes the label's 14 release which sees label boss OCH welcome two of Tokyo's most influential players to the family. As co-founder of the Pan Records label and collaborator with Mathias Kaden as Mathimidori, DJ PI-GE has been integral to the capital's current wave of house and techno, whilst his high standing as a DJ has seen bookings at respected European haunts Panorama Bar, Womb and Robert Johnson. His track "Down Map" features soft vocals, and catchy drifting synths which build and tease over an 8 minute backdrop of tight, club orientated percussion. Expertly mixed and pre-mastered by David Koch aka Dewalta. op.disc regular DEN has an equally fruitful musical heritage having lived in London and Berlin and recorded for electronic institutions like Soma and Trapez. Returning to his homeland he's now established himself as one of the nations premium DJ's. "Rushing For Love" is built around powerful drums and speaker shaking bass, its perfect for the peak time with haunting piano's creating a mood of euphoric tension and suspense. OCH is no stranger to labels like Trelik, PAL SL, All Inn and SECT. He kicks of the 12" with "Fika" which embraces his early UK House and Garage roots with warm vintage keys and lush female vox. "Doctors Orders" is a unique beatless weapon of spoken word and analogue synths completing the line-up of this very special EP.


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Four deadly cuts of timeless, jackin' house and deep techno professionalism. OCH returns to his Autoreply home with a new series of split 12"s inviting a diverse group of producers to share a slab of wax. For the A Side he opens with "Deltic" which sets the mood with tough yet soulful Chicago vibes. OCH's second contribution is "Freeze-Thaw" showcasing a deep, hypnotic groove alongside powerful sub-bass, lush female vox with dreamy analogue pads that bridge the gap between artistic creativity and memorable club versatility. On the flip side it's Romanian all-rounder, The Model, who has previously graced premium labels such as Traum Schallplatten and International DJ Gigolo. Here he delivers two ultra-phat workouts in the form of "Dungeon Man", an infectious chord driven floor-burner and "Stancuto" a stripped back, percussive take on the same theme demonstrating his emerging new warehouse sound with just the slightest salute to Echocord or Dehnert.


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Hot on the heels of his critically acclaimed Whalesong EP for Trelik, OCH returns with another equally crucial deep club orientated two tracker. The A Side cut, "Sophisticated Animated", contains a level of funk and energy that is often lost in today's house music. Being constantly inspired by the US pioneers of the genre, OCH presents stripped back Chicago grooves alongside heavy analogue bass and jacking percussion, teasing with a sprinkling of 303 acid and a sparse yet deadly piano solo. Up next, "Moonlight Sonata" is OCH's deepest work to date, incorporating dubstep inspired drums and ambience with lush old-school synth chords which build and modulate before the track climaxes into a thundering four to the floor workout. Shrink-wrapped clear vinyl pressing.



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Autoreply Music marks the coming of the summer season with a very tidy little 10" from OCH. This man recently recorded for Baby Ford's PAL SL imprint, gaining support from a diverse range of DJing luminaries including ZIP, Sammy Dee and Efdemin. Now the mysterious producer steps up with a big room floor rocker that has been described as Ian Pooley's "Chord Memory" meets Christian Vogel. Thunderous drums, hypnotizing chords and a cheeky sample that the old house heads will be sure to recognise make this one for the peak time. Claro Intelecto's Warehouse Sessions on Modern Love is regarded by many as one of the most definitive collections of contemporary techno to hit the shelves in recent years. Fresh back from remixing Depeche Mode he takes time out of his busy schedule for remix duties. Taking his cues from the warehouse classics that accompanied him through years in Manchester's revered clubs like the Hacienda, Home and Paradise Factory, he serves up a powerful, stripped down reworking of the original track that is equally suited to sweaty dance floors. Fasten your seatbelts.

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Baby Ford has been making electronic music since the late 1980's and is regarded by most as having been one of the key players in the UK acid house scene. Since then he has steadily released countless numbers of compositions ranging from the chart topping Oochy Koochy and Ford Trax to the blissfull underground walks in space that have recently appeared on labels such as Perlon not to mention the work he has done with fellow collaborators such as Ian 'Eon' Loveday as Minimal Man, Mark Broom and Thomas Melchior on his own highly respected Ifach, Trelik & Pal SL imprints.2009 See's the man himself open a Tin Of Worms for London's Autoreply with a classy, versatile 2 track EP that sums up the present & future on the A side + tells a story of what once was on the flip.The title track Tin Of Worms showcases crisp, tight linear drum programming - a ribcage shaking sub base & supernatural sounding synth sounds which build & drop in a question & answer format over its 8 minute cycle displaying the original principles of minimal techno alongside forward thinking sound design.For the flip side we proudly introduce Westway which is original Baby Ford material written on the eve of the millennium, recorded on Ford's now defunkt hardware set up and mastered from DAT. This track conjours images of smoky late night jazz clubs with its smooth intermittent piano chords & strings that seem to float in an out of the mix like the warm breeze on a long summer's evening - set starter, nightclub techno lesson, afterparty showpiece the choice is yours!This EP has been mastered by the legendary Kevin Metcalfe of 'The Soundmasters' who has worked as an engineer at RCA Records, CTS and Townhouse Studios. Kevin mastered Bford 9 and the entire Ifach catalogue not to mention 'Diamond Dogs' by David Bowie as well as countless projects with Lee 'Scratch' Perry & King Tubby.


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