Mr. Neville Watson at the controls on RVRT012. Ultra-phat stunning EP.


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Neville Watson makes his DBA debut proper after appearing on Special Editions in 2013 with four rave-ready belters. Coming fresh from releases for ASOK's Scenery label and Craig Richards' The Nothing Special, Watson continues to explore the house sound of the UK, replete with bleeps, acid yells and basslines. Amongst the track titles some will also note a tongue in cheek tribute to the UK's least

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Chewed up and spat out the other side of the UK’s Acid House scene, Neville Watson was bitten hard by the house music bug and has not looked back since. His brand of deep, raw and jacking house has been released on labels like Clone, Dissident, Rush Hour and Creme Organisation. Neville says 'I kind of like music that sounds like it’s all about to start falling apart at any given moment. There’s plenty of clean music that I do like but as a rule I like it rough'

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Neville Watson ends 2013, the year in which he released his debut album for Crème Organization, with a club-focussed 12” and the second in the DBA Special Editions series. Since remixing DBA003, and thereby providing one of the most requested tracks in the label’s history, it has only been a matter of time before the legendary UK producer joined the DBA camp for a full 12” release. In keeping with the remit of the Special Editions sub-label, all three tracks are aimed squarely at the dancefloor, but relative to previous Neville Watson releases they tread a significantly more Techno line, from the fused circuitry of Crossing The I’s to the deeper strains of Hot & Heavy, and the twisted bassline assault of Wired.





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Hot on the heels of the release of Neville Watson’s Songs to Elevate Pure Hearts album, Crème Organization releases a three track EP of remixes from the longplayer. Drawing on diverse names, each of the remixers transforms their given track into something quite different from the original. The first is by Watson’s frequent collaborator, Bulgarian producer and live specialist KiNK. He tackles 'Songs To Elevate Pure Hearts' and laces it up with some lazy old rave breakbeats and plenty of lucid synth and melody pattern before fast rising Dixon Avenue Basement Jams associate Marquis Hawkes takes on 'Against The Tide'. He imbues it with what is fast become a trademark sonic weirdness, with wrought iron synth bars interlocking with molten synth lines and a slow, purposeful and predatory mood. Finally, American Moon B turns in a trippy outsider house version of 'Son Of House' with off kilter claps, see-sawing synths and organic drums.

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English producer and DJ Neville Watson will release his debut album on Dutch label Crème Organization in May 2013. Entitled Songs To Elevate Pure Hearts, it sees Watson explore similar ground to that of the EPs he has released on labels like Teng and Clone Jack For Daze dating back a whole decade. Watson, who also set up Windsor’s much loved Mighty Atom record store and label, has become synonymous with re-interpreting classic Chicago house sounds in his own heavily analogue way. His productions often deal in an authentic rawness and roughness, whilst as a live specialist he has been much in demand in recent times thanks to boundary nudging outings at clubs around Europe with Bulgarian partner in Crime, KiNK. The album offers eleven tracks, kicking off with the serene ‘Dark Star’ before immediately getting fractious with the twisted lines and crisp percussion of the title track. Though containing plenty of material for the dancefloor, so too is this a carefully programmed trip that takes you up as well as down, with the likes of ‘The Girl From Kowloon Tong’ exploring beat-less, melodically intoxicating territory between harder hitting joints like the widescreen, dubby techno of ‘Against The Tide’ and controlled, machine frenzy of ‘Everything I Know About House (I Learnt On Facebook)’. Tracks like ‘Axiomatic’ prove Watson as adept at crafting occult moods and unusual feelings as he is the more physical beats and classicist stylings of the ode to real house music that is ‘Son of House’. Taking you up, down, backwards and forwards through time and space, ‘Songs To Elevate Pure Hearts’ does exactly what the title suggests, no matter how pure your heart.

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Tracklisting:
A1 Calibre - Trimming
B1 Calibre - Getter Go

Sales Note:
- 2022 repress -

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Tracklisting:
A1 Trevino - Backtracking
B1 Trevino - Backtracking (Schatrax remix)

Sales Note
- 2022 repress -

Trevino & Schatrax on TNS!

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full colour sleeve / 180 grams

Tracklisting:
A1 Mathew Jonson - Diamond Eyes
B1 Freedom Engine - Rain in Kyoto

Release Note:
Mathew Jonson on The Nothing Special!

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Tracklisting:
A1 Calibre - Double Bend
B1 Calibre - Hostage
B2 Calibre - Savoury Skank
C1 Calibre - Grinch
D1 Calibre - Turtle Duv
D2 Calibre - Going to Ground
E1 Calibre - Frinzingly
F1 Calibre - Rare Groove
F2 Calibre - Im Ent

Release Note:
Calibre's new album - Double Bend. Nine tracks pressed over three pieces of 180 gram vinyl with artwork by Craig Richards.


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Tracklisting:
A1 Josh Brent feat. Tempo O’Neil - Then Again
A2 Josh Brent - Underground Renegades
B1 Josh Brent - Dicargo
B2 Josh Brent - Ruff Wi Da Smooth

Sales Note:
- 2022 repress -

Next up is Josh Brent - revered throughout the globe for releases on his own Schatrax label, Josh has been releasing records since 1994 and has built a back catalogue of exceptional consistency. Stepping aside from his habitual sound Josh turns in 'Then Again', a 4-track collection of tumbling Breaks and Garage shuffles that have been tried and tested on Fabric's system. As usual, the artwork is by Craig Richards.

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New Calibre 4 track EP on Craig Richards’ The Nothing Special Label, that plays with Breakbeat Garage, House and Dubstep..

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Jonny Rock a familiar face on the London house and disco scenes is recognized by many for working behind the counter at Phonica Records & Blackmarket Records during the 00’s and as the dude for playing the guitar in ‘Freaks’ project. Rock skillfully joins the dots between the old school house, underground disco and boogie vibes in a party setting.

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Somewhere between extraterrestrial techno and intergalactic disco lies Oli Silva. A waveform of multi-dimensional energy filled with analog heart and electric soul.
His first outing finds him land his spaceship directly on Craig Richards' The Nothing Special, with the genre bending Unlikely Punctuality EP.

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Craig Richards' 2013 track 'Sleeping Rough' is finally repressed alongside two new mixes on the flip side B1: 'Trying To Sleep' remix and B2: 'Trying Not To Sleep' remix.

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'Sometimes life can kick you in the nads,' says Dominick Martin (aka Calibre). 'When life does do that, I need to make music like this. With its tones of hope and gospel-level layers of self-recorded vocals. Raw, uplifting, soulfull... Even to the most ardent of Calibre follower, ' Grow' sounds like nothing else he's done before. Yet it's not actually on the album it gave a name to. Partly because its ultimately positive veneer (even though it was written in the midst of two toxic relationships - one personal, one with the bottle) doesn't quite complement the deeper, more contemplative aesthetic of the album. But also because this is the start of a whole new story for Calibre... 'A part of Dominick is a poet and a part of him is a man who's lived through Northern Ireland at its worst,' observes Craig Richards . 'There's a gentleness and a tension to him and his past and his experiences. Somewhere in that middle ground is his music.'



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Despite building their careers out of strikingly different musical places, both dBridge and Radioactive Man have taken influence from the field in which each other operate. dBridge (Darren White) was part of the iconic drum & bass outfit Bad Company and he helms one of the scene's most solid and quality imprints in Exit Records and Radioactive Man (Keith Tenniswood) was born from the acid house scene and the off kilter electronics of his Two Lone Swordsman projects (alongside Andrew Weatherall) which led him to create his decidedly UK take on Drexciyan electro. It's by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they've also found a mutual respect and connection in the studio over the last few years, leading to the dBRm moniker for Craig Richards' The Nothing Special label.

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DJ support from Seth Troller, Neville Watson, Tim Sweeny, Doc Martin, Subb-an, Slam, Tensnake, Ewan Pearson

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At the 2014 SXSW festival in Austin, Texas, BACARDI turned the movements of 100,000 wild bats into an exclusive music track. Using bespoke motion tracking technology, the team used the swarming of the bats to trigger unique beats and mix the track's tone and tempo as they flew. This limited Vinyl pressing of 200 copies features three Craig Richards remix's of that track.

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Chewed up and spat out the other side of the UK’s Acid House scene, Neville Watson was bitten hard by the house music bug and has not looked back since. His brand of deep, raw and jacking house has been released on labels like Clone, Dissident, Rush Hour and Creme Organisation. Neville says 'I kind of like music that sounds like it’s all about to start falling apart at any given moment. There’s plenty of clean music that I do like but as a rule I like it rough'

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Music by Dominick Martin, Drawings by Craig Richards. Limited to 300 Vinyl pressing. DJ support from: DJ Zinc, T++, Mistajam,
Skream, Jamie Hypercolor, Soulclap, A Sagittariun, Flight, Spectrasoul, Klaus Fiehe Om Unit, DJ Marky, Joszif.

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After the success of The Nothing special events a label of the same name begins. The events so far have been held at Fabric of course and New York. The concept is simply that Craig plays all night around live acts. Previous guests have been Pole, Deadbeat, Moritz von Oswald Trio, Emperor Machine, Convextion, Dopplereffekt. 2652, Shackleton and Conforce.....The depth of Craig's musical knowledge as a DJ provides a sense of structure to the parties. The Nothing Special in weekly radio show format commences imminently. First release is by Radionasty - The combined force of Billy Nasty and Keith Tenniswood.


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