Tracklisting
A1 Calibre - Little Blend
A2 Calibre - Free One
A3 Calibre - Tricklemore Sea
A4 Calibre - Deflower
B1 Calibre - Living In Your Head
B2 Calibre - Modest
B3 Calibre - Able Son Dub
C1 Calibre - Pigeon Luncheon
C2 Calibre - Hyndsight
C3 Calibre - United Pull
D1 Calibre - Bit Broken Stream
D2 Calibre - Mizzle Mine
D3 Calibre - Inbetween

Sales Note
Calibre announces his new album 'Tricklemore Sea', set for release on vinyl and digital on 1st May via Signature Recordings.

A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality.

The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods.

Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it.

Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity.

With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language.

He describes it simply: "The river inside of me flowing into the sea."

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Tracklisting
A1 Calibre - Little Blend
A2 Calibre - Free One
A3 Calibre - Tricklemore Sea
A4 Calibre - Deflower
B1 Calibre - Living In Your Head
B2 Calibre - Modest
B3 Calibre - Able Son Dub
C1 Calibre - Pigeon Luncheon
C2 Calibre - Hyndsight
C3 Calibre - United Pull
D1 Calibre - Bit Broken Stream
D2 Calibre - Mizzle Mine
D3 Calibre - Inbetween

Sales Note
Calibre announces his new album 'Tricklemore Sea', set for release on vinyl and digital on 1st May via Signature Recordings.

A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality.

The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods.

Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it.

Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity.

With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language.

He describes it simply: "The river inside of me flowing into the sea."

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Tracklisting
A1 Calibre - Mr. Maverick
B1 Calibre - Highlander

Sales Note
-- 2026 repress --

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Tracklisting
A1 Calibre - living is truth
A2 Calibre - don't feel for me
B1 Calibre - tame
B2 Calibre - possession dub
C1 Calibre - outside man
C2 Calibre - bit broken Stream
D1 Calibre - badger in forth
D2 Calibre - sally broke
E1 Calibre - they want you
E2 Calibre - ratbag dub
F1 Calibre - dim light
F2 Calibre - low hanging

Sales Note
New Calibre D&B album 'they want you'

All Vocals, lyrics and production by Calibre

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2025 Repress

Tracklisting
A1 Calibre - Carry Me Away
B1 Calibre - Mr Right On

Sales Note
- 2025 repress

Carefully remastered at Stardelta to meet today's standards.

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Little Foot is a 120bpm to 140bpm version of Shelflife. A collection of 20 Calibre tracks made over the last 20 years.

This 500 copy limited edition boxset comes with 5 x 12" Vinyl in full colour sleeves. Plus a free download code of all tracks.

Please note the artwork labels on sides I&J are reversed.

A1 Blame Dub
A2 Come With Me
B1 Special
B2 Sinner Time
C1 Ukrained
C2 Jump Around
D1 Threadvare
D2 Introbert
E1 Choosing Beggar
E2 Froze
F1 Run Tun
F2 Front Loader
G1 Humbreed
G2 Struggle Dub
H1 Stir The Pot
H2 The Saki
I1 Dr Low
I2 Babylon Shuffle
J1 Fastest
J2 Feel The Heat

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Tracklisting
A1 Calibre - Blame Dub
A2 Calibre - Come With Me
B1 Calibre - Special
B2 Calibre - Sinner Time
C1 Calibre - Ukrained
C2 Calibre - Jump Around
D1 Calibre - Threadvare
D2 Calibre - Introbert
E1 Calibre - Choosing Beggar
E2 Calibre - Froze
F1 Calibre - Run Tun
F2 Calibre - Front Loader
G1 Calibre - Humbreed
G2 Calibre - Struggle Dub
H1 Calibre - Stir The Pot
H2 Calibre - The Saki
I1 Calibre - Dr Low
I2 Calibre - Babylon Shuffle
J1 Calibre - Fastest
J2 Calibre - Feel The Heat

Sales Note
Little Foot is a 120bpm to 140bpm version of Shelflife. A collection of 20 Calibre tracks made over the last 20 years.

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C.A.R. (Choosing Acronyms Randomly) is the musical project of Chloé Raunet, a Canadian-born, London-based artist known for her icy synths, warm vocals, and left-field pop sensibility. Drawing from post-punk, electro, and experimental songwriting, she creates music that’s both emotionally charged and sonically adventurous.

Following a five-year hiatus, C.A.R. returns with Shyana, the first single from her long-awaited fourth album, Dance at Oscar’s. Produced by Nathan Ridley, the release marks a creative rebirth: a new label, a new live formation with Joni Green, and a sound pulsing with revitalised energy. After a pandemic-induced break to focus on filmmaking — and a period of burnout and disillusionment — Raunet was ready to walk away from music altogether. But a pair of carried-over festival dates and an impromptu onstage reunion with longtime friend Joni Green unexpectedly reignited the spark. What was meant to be a farewell became the start of something new.

Shyana is a shimmering slice of machine-funk — a warped and groovy tribute to Paul Anka, filtered through C.A.R.’s surreal pop lens. A meditation on teen hysteria, pop manufacture, and the strange alchemy of early fame, the track pulses with wonky elegance and strutting confidence. One of the most playful cuts from Dance at Oscar’s, it showcases Nathan Ridley’s tight, swaggering production while capturing the album’s embrace of movement, humour, and the weirdness of cultural nostalgia.

On the B-side, Cecilia Road offers a more reflective counterpoint — a nostalgic, synth-drenched ballad built around a call-and-response vocal, throbbing melodies, and emotional tension. Intimate yet expansive, it hints at vulnerability without losing the pulse.

Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau.

Credits
Rupert Cross – Synths, production
Joni Green – Live performance, energy generator, chaos coordinator
Chloé Raunet – Vocals, synths, production
Nathan Ridley – Synths, drums, bass, percussion, production

Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau

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Tracklisting:
A1 Trevino - Backtracking
B1 Trevino - Backtracking (Schatrax remix)

Sales Note
- 2022 repress -

Trevino & Schatrax on TNS!

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full colour sleeve / 180 grams

Tracklisting:
A1 Mathew Jonson - Diamond Eyes
B1 Freedom Engine - Rain in Kyoto

Release Note:
Mathew Jonson on The Nothing Special!

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Tracklisting:
A1 Calibre - Double Bend
B1 Calibre - Hostage
B2 Calibre - Savoury Skank
C1 Calibre - Grinch
D1 Calibre - Turtle Duv
D2 Calibre - Going to Ground
E1 Calibre - Frinzingly
F1 Calibre - Rare Groove
F2 Calibre - Im Ent

Release Note:
Calibre's new album - Double Bend. Nine tracks pressed over three pieces of 180 gram vinyl with artwork by Craig Richards.


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Tracklisting:
A1 Josh Brent feat. Tempo O’Neil - Then Again
A2 Josh Brent - Underground Renegades
B1 Josh Brent - Dicargo
B2 Josh Brent - Ruff Wi Da Smooth

Sales Note:
- 2022 repress -

Next up is Josh Brent - revered throughout the globe for releases on his own Schatrax label, Josh has been releasing records since 1994 and has built a back catalogue of exceptional consistency. Stepping aside from his habitual sound Josh turns in 'Then Again', a 4-track collection of tumbling Breaks and Garage shuffles that have been tried and tested on Fabric's system. As usual, the artwork is by Craig Richards.

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New Calibre 4 track EP on Craig Richards’ The Nothing Special Label, that plays with Breakbeat Garage, House and Dubstep..

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Somewhere between extraterrestrial techno and intergalactic disco lies Oli Silva. A waveform of multi-dimensional energy filled with analog heart and electric soul.
His first outing finds him land his spaceship directly on Craig Richards' The Nothing Special, with the genre bending Unlikely Punctuality EP.

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Craig Richards' 2013 track 'Sleeping Rough' is finally repressed alongside two new mixes on the flip side B1: 'Trying To Sleep' remix and B2: 'Trying Not To Sleep' remix.

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'Sometimes life can kick you in the nads,' says Dominick Martin (aka Calibre). 'When life does do that, I need to make music like this. With its tones of hope and gospel-level layers of self-recorded vocals. Raw, uplifting, soulfull... Even to the most ardent of Calibre follower, ' Grow' sounds like nothing else he's done before. Yet it's not actually on the album it gave a name to. Partly because its ultimately positive veneer (even though it was written in the midst of two toxic relationships - one personal, one with the bottle) doesn't quite complement the deeper, more contemplative aesthetic of the album. But also because this is the start of a whole new story for Calibre... 'A part of Dominick is a poet and a part of him is a man who's lived through Northern Ireland at its worst,' observes Craig Richards . 'There's a gentleness and a tension to him and his past and his experiences. Somewhere in that middle ground is his music.'



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Despite building their careers out of strikingly different musical places, both dBridge and Radioactive Man have taken influence from the field in which each other operate. dBridge (Darren White) was part of the iconic drum & bass outfit Bad Company and he helms one of the scene's most solid and quality imprints in Exit Records and Radioactive Man (Keith Tenniswood) was born from the acid house scene and the off kilter electronics of his Two Lone Swordsman projects (alongside Andrew Weatherall) which led him to create his decidedly UK take on Drexciyan electro. It's by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they've also found a mutual respect and connection in the studio over the last few years, leading to the dBRm moniker for Craig Richards' The Nothing Special label.

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Despite building their careers out of strikingly different musical places, both dBridge and Radioactive Man have taken influence from the field in which each other operate. dBridge (Darren White) was part of the iconic drum & bass outfit Bad Company and he helms one of the scene's most solid and quality imprints in Exit Records and Radioactive Man (Keith Tenniswood) was born from the acid house scene and the off kilter electronics of his Two Lone Swordsman projects (alongside Andrew Weatherall) which led him to create his decidedly UK take on Drexciyan electro. It's by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they've also found a mutual respect and connection in the studio over the last few years, leading to the dBRm moniker for Craig Richards' The Nothing Special label.

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DJ support from Seth Troller, Neville Watson, Tim Sweeny, Doc Martin, Subb-an, Slam, Tensnake, Ewan Pearson

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At the 2014 SXSW festival in Austin, Texas, BACARDI turned the movements of 100,000 wild bats into an exclusive music track. Using bespoke motion tracking technology, the team used the swarming of the bats to trigger unique beats and mix the track's tone and tempo as they flew. This limited Vinyl pressing of 200 copies features three Craig Richards remix's of that track.

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Chewed up and spat out the other side of the UK’s Acid House scene, Neville Watson was bitten hard by the house music bug and has not looked back since. His brand of deep, raw and jacking house has been released on labels like Clone, Dissident, Rush Hour and Creme Organisation. Neville says 'I kind of like music that sounds like it’s all about to start falling apart at any given moment. There’s plenty of clean music that I do like but as a rule I like it rough'

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