Monty Luke release ‘Nightdubbing’ LP on Rekids.The Black Catalogue bosses' second album explores dub-infused dance music and, following the recent two EP drops on Rekids, will be released on Radio Slave’s imprint on 29 March. Succeeding part two of Monty Luke’s ‘Nightdubbing’ series on Rekids, the US-via-Berlin artist unveils an album of the same name on Radio Slave’s lauded Rekids imprint. ‘Nightdubbing’ encompasses the ?rst two instalments and adds ?ve more tracks of intricate sonic material, completing this gorgeous work of art already supported by Fred P, nd_baumecker, Louise Chen, and Laurent Garnier. Luke’s ‘Nightdubbing’ album starts in the club, with the rave-primed ‘40 Acres And A Terabyte’ utilising the rich melodies of deep house alongside the crushing weight of subs. It is followed by the title track, with ‘Nightdubbing’ taking a more traditional house route, its soothing sounds enveloping the listener while honing in on that reverb sweet spot. Black Catalogue boss and former Planet-E label manager Monty Luke’s timeless ‘Nightdubbing’ e?ortlessly traverses deep house and techno rife with bass-rattling low-end and experimental rhythms. It is no surprise, then, that the album is heavily inspired by ‘70s and mid-80s dub reggae, seeing Luke incorporate and modernise the genre’s iconic rhythms, spoken word poetry, and spacious bursts of harmony across the LP. ‘Bob Molly’ picks up pace with nods to Caribbean dem bow-like rhythms of old, Monty Luke ?lling the space between its infectious beat with tumbling percussion and echoing plucks. Tracks like ‘Supernova’, ‘New World / Old Future’ and ‘Starstorms’ return to the modern-day traditions of club music while ‘Future Mystic’ and ‘Avant Garde Dance Hall ‘, again ?nd room in between the dance?oor and sound system listening sessions. Monty Luke spent ten formative years in Detroit, where the city's unique musical spirit in?uenced him immensely. He has since distilled this experience into the music he has released on labels like Rekids, Planet-E, Hypercolour, and his own Black Catalogue. His raw, dub-infused sound comes with plenty of futuristic designs, and this ?nal complete iteration of ‘Nightdubbing’ continues to push the boundaries of his music.

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It’s safe to say that Detroit, a city steeped in economic, cultural and musical history, will soon weave its way into your soul should you spend any sustained time there. This rings all too true for Monty Luke. He has immersed himself in Detroit’s scene since moving to the Motor City in 2008. His new eight track LP, released via Dogmatik, showcases the style of a new generation of Detroit producers carrying the beacon for a deep, Detroit sound that blends analogue weight and punchy drum programming together with masterful synth work and raw emotion.

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Detroit's Monty Luke delivers Full Flavor Music's seventeenth release, the Bomb On Bomb EP. Other than being Carl Craig's right-hand man at Planet E Communications, Monty Luke has been building quite the reputation lately with solid releases on labels like Planet E, Mothership, and his own Black Catalogue imprint. The Bomb On Bomb EP consists of three originals that cross the boundaries from acid house to funky techno to four-on-the-floor downtempo. "In Love With A Dancer" is the EP's total driver, with meaty synth stabs, teasing builds, and cleverly processed vocal treatments that scatter though the mix. "Bomb On Bomb" is a sly combination of classic-sounding acid house keys, pulsating rhythms, and a soulful vocal going on about a sexy lady. "13th City Stranger" is a sleek, downtempo house track and one of the first things Monty recorded after moving to Detroit from San Francisco. Solid stuff all around from Monty Luke and Full Flavor Music.


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"This is the 4th Black Catalogue release. “Through The Galaxies.” was originally released on the ‘Modern Underground Music’ sampler. This version is a full release with some great remixes….by both Lucy from Stroboscopic and Shigeto from Ghostly. These mixes are fantastic, and really show a nice array of sounds. I decided to add a dub version inna future reggae stylee, too. I hope you enjoy it!" - Monty Luke

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It’s safe to say that Detroit, a city steeped in economic, cultural and musical history, will soon weave its way into your soul should you spend any sustained time there. This rings all too true for Monty Luke. He has immersed himself in Detroit’s scene since moving to the Motor City in 2008. His new eight track LP, released via Dogmatik, showcases the style of a new generation of Detroit producers carrying the beacon for a deep, Detroit sound that blends analogue weight and punchy drum programming together with masterful synth work and raw emotion.

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DJ Aakmael brings 4 classic house cuts to Dogmatik. His trademark sound is infused with infectious melodies, hard hitting rhythms and soulful vocals, and with this debut EP he doesn't disappoint. Stepping effortlessly from one beat to the next, Aakmael brings the sound of Virginia to life on this standout EP.

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Babylon is the debut 4 track EP on Dogmatik from Okain. Title track Babylon opens the EP with its rolling bass, claps and gritty rhodes, followed by the mainframe processed beats of Radio Therapy, signal processed, countercultural, surveilled. Permeable delivers another trademark Dogmatik elastic bass groove hovering above its classic pads, and the EP closes with the secret weapon, r4r5r6, reprising the same sticky groove, but backed up with a killer bass riff.


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Dogmatik kick start the year with a solid 12" from Steve Mc Cready that includes remixes from Gwen Maze & Kuba Sojka.



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Dogmatik label owner Alex Arnout delivers a quality release with the Touch EP that includes a remix from Abe Duque.



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Dogmatik records deliver the goods once more with a quality release from Berkson & What with 'The Psychedelic Underground'. The 12'' comes with the original mix and a remix from Neville Watson, as well as another fine Berkson & What original production 'Back to me'.



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Dogmatik records deliver the goods once again with Maya Jane Coles 'Watcher' getting the remix treatment from Burnski and Vakula.

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The Dogmatik imprint returns with a fresh four-track EP from Lumina, entitled 'Long Time Coming' and backed with Rndm and Jimmy Clanfield remixes. Alison Marks and Helen Copnall aka Lumina met during studies at Manchester University where the pair embraced the diverse and thriving rave scene the city has to offer. Soon after meeting the duo begun to craft compositions together, Marks focuses on the sound design, mixing and vocal aspects of the productions, much like she does in her other project Wallflower, while Copnall works the synthesizers with an acute attentiveness for programming. Here we see Lumina offer up a stunning debut under this title via the Dogmatik imprint, following the footsteps of now established artists such as Maya Jane Coles, Dusky and of course label-head Alex Arnout. The original mix of title cut 'Long Time Coming' opens up the release, a charming, understated record led by dreamy arpeggiated synth lines and soft ethereal atmospherics. Wh ile the rugged rhythms and throbbing sub bass tones generate a powerful dance-floor focused edge to contrast the hypnotic textures. Following we're provided with a remix of 'Long Time Coming' from the ever on-point Rndm, a producer who maintains a quality over quantity release schedule, as expected we're treated to a raw and gritty workout fuelled by punchy offkilter drums, infectious low-end grooves and an ever-evolving dynamic laid out over seven minutes, yet another intelligent and dexterous piece of work here from the German producer. On the flip side we have a second offering from Lumina entitled 'Gina X', once again taking on a dreamy feel with jazz-tinged synth lines, swirling, shuffled percussion and tension building strings as the bumpy bass hook carries the groove with ease throughout the tracks duration. The package is then rounded off with a 'Long Time Coming' rework from London based producer Jimmy Clanfield, who tips the focus over to a more reserved, stripped-back feel, bringing penetrating rhythms, heady bass and processed vocal snippets to the forefront, while the subdued synth sounds simmer away in the depths of the background.



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Chris Lattner & East End Dubs deliver the next release on Dogmatik Records with a quality EP of deep house cuts, perfect for the early hours...



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London's Dogmatik label return with remixes of Dusky's massive 'Flo Jam EP'. 4 remixes coming on 2 ep's. Part one comes with a heavy A side with "Eats Everything" under his Mange Tout alias remix 'Flo Jam', whilst the flip see's 'Numerical' getting the remix treatment from the extremely talented Kris Wadsworth!!! Worthy remix ep on one of 2012 biggest club releases!



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London's Dogmatik label return with remixes of Dusky's massive 'Flo Jam EP'. 4 remixes coming on 2 ep's. Part one comes with a heavy A side with "Eats Everything" under his Mange Tout alias remix 'Flo Jam', whilst the flip see's 'Numerical' getting the remix treatment from the extremely talented Kris Wadsworth!!! Worthy remix ep on one of 2012 biggest club releases!



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Some proper peak time house tracks on UK's Dogmatik label blending Uk garage vibes with traditional US house. One of London’s finer house imprints (the label introduced some fine works by the talents of Maya Jane Coles, Stojche and Alex Arnout)!. They deliver the goods once more with talented London producers Dusky, with the “Flo Jam EP”, four tracks of quality house already gathering support from the likes of Lee Foss, Maya Jane Coles and Huxley, to name a few.



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