Following the release of their debut LP, 'Keep Up Appearances' on their new label Modelmaker, Dan Berkson and James What draft in Frank & Tony, Dana Ruh, Dorisburg and Alan Doe for remixes. Berkson & What have chalked up many releases on Poker Flat and Crosstown Rebels over the years whilst most recently turning heads outside of their own Modelmaker imprint via singles for Dogmatik and Seth Troxler's Play it Say It. The duo's LP, released in January, marked a new chapter in their production history and has seen support from Josh Wink, Mr G and Skream over the past few months. 'Keep Up Appearances - Remixes' opens with Anthony Collins and Francis Harris' superb Frank & Tony alias taking on 'Seraphim' which results in a tense but understated piece of layered, classic sounding house music while Dana Ruh, fresh from her excellent debut LP on Underground Quality last year, drops an eerie recreation of 'Worship' that draws on spacey synths and unsettling ambience. Dorisburg, known for outstanding material on Sweden's Aniara amongst others, continues a sterling run of form with a rendition of 'Feel Free' which employs soaring chords to fashion a luscious and elevating take on the original. Rounding off the package is Berlin producer Alan Doe, an artist who debuted on Rue De Plaisance in 2014. Doe's 'Worship' remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys.


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Long-established house and techno twosome Dan Berkson & James What are proud to announce the arrival of their debut album, Keep Up Appearances, on their own recently minted Modelmaker label. To be released in December on beautiful double gatefold vinyl and CD, with reworked woodcut artwork by Conrad Felixmuller, it has been a long time in the making but the wait has more than been worth it. Before now, Berskon & What have become synonymous with raw, machine made house and techno with no frills but plenty of heft on labels like Poker Flat and Crosstown Rebels. Their music engages dancers in the head, heart and heel in equal measure and this considered new album proves that once again. Keep Up Appearances was written over the course of 18 months and has been whittled down from over 20 tracks, all made using mostly analogue gear with the usual Roland and Moog boy's toys, whilst the trusty Fender Rhodes, Space Echoes and Moogerfooger pedals are featured on many of the tracks. "At first we had a much more eclectic approach to making the album," says the pair. "But as time went on we found it worked better if we presented only the more electronic tracks together. It's not a straight up home listening album, but it still has a beginning, an end, and a couple of slower tracks that hint at our wider tastes away from the dancefloor." Opening up with the deep space atmospherics of 'Quiet Life' the album immediately transports you to another world. The title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. Tracks like 'We Search For Answers' combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. Across the course of the album there are dark, moody and emotive pieces like 'Worship' (previously released in extended form on the MDL02 single) featuring Qzen who reads a poem by Patience Agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like 'Shadow Theory.' 'Make It True' (of which Seth Troxler will be releasing an extended edit on his Play it Say it label, complete with high profile remixes) is another great collab featuring the vocals of JoJo de Freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. The otherworldly, snaking 'Feel Free' again showcases Berkson & What's ability to coax alluring emotions out of their machines and closer 'Logan Five' wraps things up in suitably spangled, textural fashion. Despite the fact much of this album will work on a dancefloor in the hands of the right DJ, there's an invention and musicality to it that renders the whole thing hugely listenable away from the club. A testament to Berkson & What's analogue invention and fluid ideas, Keep Up Appearances really is a master electronic oeuvre.


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It’s safe to say that Detroit, a city steeped in economic, cultural and musical history, will soon weave its way into your soul should you spend any sustained time there. This rings all too true for Monty Luke. He has immersed himself in Detroit’s scene since moving to the Motor City in 2008. His new eight track LP, released via Dogmatik, showcases the style of a new generation of Detroit producers carrying the beacon for a deep, Detroit sound that blends analogue weight and punchy drum programming together with masterful synth work and raw emotion.

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DJ Aakmael brings 4 classic house cuts to Dogmatik. His trademark sound is infused with infectious melodies, hard hitting rhythms and soulful vocals, and with this debut EP he doesn't disappoint. Stepping effortlessly from one beat to the next, Aakmael brings the sound of Virginia to life on this standout EP.

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Babylon is the debut 4 track EP on Dogmatik from Okain. Title track Babylon opens the EP with its rolling bass, claps and gritty rhodes, followed by the mainframe processed beats of Radio Therapy, signal processed, countercultural, surveilled. Permeable delivers another trademark Dogmatik elastic bass groove hovering above its classic pads, and the EP closes with the secret weapon, r4r5r6, reprising the same sticky groove, but backed up with a killer bass riff.


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Dogmatik kick start the year with a solid 12" from Steve Mc Cready that includes remixes from Gwen Maze & Kuba Sojka.



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Dogamtik deliver a quality EP from Detroit's Monty Luke, who gives us three killer tracks in a moodyman/theo vein. Tip!



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Dogmatik label owner Alex Arnout delivers a quality release with the Touch EP that includes a remix from Abe Duque.



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Dogmatik records deliver the goods once again with Maya Jane Coles 'Watcher' getting the remix treatment from Burnski and Vakula.

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The Dogmatik imprint returns with a fresh four-track EP from Lumina, entitled 'Long Time Coming' and backed with Rndm and Jimmy Clanfield remixes. Alison Marks and Helen Copnall aka Lumina met during studies at Manchester University where the pair embraced the diverse and thriving rave scene the city has to offer. Soon after meeting the duo begun to craft compositions together, Marks focuses on the sound design, mixing and vocal aspects of the productions, much like she does in her other project Wallflower, while Copnall works the synthesizers with an acute attentiveness for programming. Here we see Lumina offer up a stunning debut under this title via the Dogmatik imprint, following the footsteps of now established artists such as Maya Jane Coles, Dusky and of course label-head Alex Arnout. The original mix of title cut 'Long Time Coming' opens up the release, a charming, understated record led by dreamy arpeggiated synth lines and soft ethereal atmospherics. Wh ile the rugged rhythms and throbbing sub bass tones generate a powerful dance-floor focused edge to contrast the hypnotic textures. Following we're provided with a remix of 'Long Time Coming' from the ever on-point Rndm, a producer who maintains a quality over quantity release schedule, as expected we're treated to a raw and gritty workout fuelled by punchy offkilter drums, infectious low-end grooves and an ever-evolving dynamic laid out over seven minutes, yet another intelligent and dexterous piece of work here from the German producer. On the flip side we have a second offering from Lumina entitled 'Gina X', once again taking on a dreamy feel with jazz-tinged synth lines, swirling, shuffled percussion and tension building strings as the bumpy bass hook carries the groove with ease throughout the tracks duration. The package is then rounded off with a 'Long Time Coming' rework from London based producer Jimmy Clanfield, who tips the focus over to a more reserved, stripped-back feel, bringing penetrating rhythms, heady bass and processed vocal snippets to the forefront, while the subdued synth sounds simmer away in the depths of the background.



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Chris Lattner & East End Dubs deliver the next release on Dogmatik Records with a quality EP of deep house cuts, perfect for the early hours...



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London's Dogmatik label return with remixes of Dusky's massive 'Flo Jam EP'. 4 remixes coming on 2 ep's. Part one comes with a heavy A side with "Eats Everything" under his Mange Tout alias remix 'Flo Jam', whilst the flip see's 'Numerical' getting the remix treatment from the extremely talented Kris Wadsworth!!! Worthy remix ep on one of 2012 biggest club releases!



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London's Dogmatik label return with remixes of Dusky's massive 'Flo Jam EP'. 4 remixes coming on 2 ep's. Part one comes with a heavy A side with "Eats Everything" under his Mange Tout alias remix 'Flo Jam', whilst the flip see's 'Numerical' getting the remix treatment from the extremely talented Kris Wadsworth!!! Worthy remix ep on one of 2012 biggest club releases!



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Some proper peak time house tracks on UK's Dogmatik label blending Uk garage vibes with traditional US house. One of London’s finer house imprints (the label introduced some fine works by the talents of Maya Jane Coles, Stojche and Alex Arnout)!. They deliver the goods once more with talented London producers Dusky, with the “Flo Jam EP”, four tracks of quality house already gathering support from the likes of Lee Foss, Maya Jane Coles and Huxley, to name a few.



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