First salvo of a family affair between the Bristol label Happy Skull and the London-Athens nexus Berceuse Heroique. The slamming, futuristic, widescreen willies of classic Kowton — megaton drums, bass-up-the-walls — landing a massive spaceship just across from Ray Keith, in a landscape from Europe After The Rain. Plus collaborations between Billebob — best-kept secret of Underground Resistance — and Marshallito, boss of the mighty Subbass Sound System imprint, crossing freakin’ P-Funk and Detroit electro. The family that slays together, stays together, as Phil Ochs put it.
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