Following the collaboration between Elysia Crampton, Kelela and Adrian Piper, ‘Final Exam’, The Vinyl Factory join with Elysia on her next solo release. ‘Spots y Escupitajo’. The release braids legacies from both American club culture and sonic miniature compositions in the form of a 12” sample pack. The LP honours classical American composers such as William Gran Still & John Adams, as well as Central/South American club producers like DJ Rodini, DJ Saiber & Mega DJs from Cochabamba More

STASIS005 is another vinyl issue of Elysia Crampton's digital work, following STASIS003, the 'Bound Adam 2011’ 7". It is the first pressing of 'The Light That You Gave Me To See You', originally released under the name E+E. The arrangements were conceived between 2011 and 2012, and the l.p. was finally assembled in 2013, while the artist was homeless in Los Angeles, California. This edition also includes a previously unreleased bonus track, "Troll Song", which originates from the same period. As with 'Bound Adam 2011’, the art is by Felix Lee, and the master is by Brandon Hocura.

More

I've always tried to make music for clubs and outward facing experiences, but often in spite of my best efforts I end up supplying a sound that translates best on a private level. The communal listening experience is great, but not my favorite, never been. I have been escaping into albums on a solo mission for as long as I can remember. As a result I've developed a familiar closeness with dealing with myself and the emotions I navigate on a daily basis. Heaven is for Quitters is at it's heart about dealing with yourself, both the good and the bad. I want to share this album with the hope that it can be used as I have; a guide, a blanket, a reassurance that the path I have chosen is the right one. It is my job to share my experience and there is a lot of work to be done here on Earth, the thought of going to Heaven too early is paralyzing. I venture to think you'll agree. When I started Blueberry Records I didn't fully know what I was creating. It is fitting then that I release Heaven is for Quitters on my label, as it has become abundantly clear how much I love this label and what it is and can be, my future but ultimately continue to be a platform for others as well. When artists hand me their demos I see what Blueberry can be, this megaphone for peoples inner existence and a clear channel for their articulation. You know that feeling when you are so close to something you can't see the bigger picture, but when you step back you see what you have made and it is a mirror image of yourself? That. This album is for those who've chosen their own path and all of its uncertainty and end up finding themselves along the way. How the roller coaster of life sounds. It is about Blueberry Records as much as it is about my daily life. I am thankful everyday for opportunity, both granted and created. Follow your own inner light. And please, please listen loudly. * I make music to the specifications of my studio. It honestly all sounds best right here. And even better at one spot at the mixing desk in particular. You should come over and hear it. More

I've always tried to make music for clubs and outward facing experiences, but often in spite of my best efforts I end up supplying a sound that translates best on a private level. The communal listening experience is great, but not my favorite, never been. I have been escaping into albums on a solo mission for as long as I can remember. As a result I've developed a familiar closeness with dealing with myself and the emotions I navigate on a daily basis. Heaven is for Quitters is at it's heart about dealing with yourself, both the good and the bad. I want to share this album with the hope that it can be used as I have; a guide, a blanket, a reassurance that the path I have chosen is the right one. It is my job to share my experience and there is a lot of work to be done here on Earth, the thought of going to Heaven too early is paralyzing. I venture to think you'll agree. When I started Blueberry Records I didn't fully know what I was creating. It is fitting then that I release Heaven is for Quitters on my label, as it has become abundantly clear how much I love this label and what it is and can be, my future but ultimately continue to be a platform for others as well. When artists hand me their demos I see what Blueberry can be, this megaphone for peoples inner existence and a clear channel for their articulation. You know that feeling when you are so close to something you can't see the bigger picture, but when you step back you see what you have made and it is a mirror image of yourself? That. This album is for those who've chosen their own path and all of its uncertainty and end up finding themselves along the way. How the roller coaster of life sounds. It is about Blueberry Records as much as it is about my daily life. I am thankful everyday for opportunity, both granted and created. Follow your own inner light. And please, please listen loudly. * I make music to the specifications of my studio. It honestly all sounds best right here. And even better at one spot at the mixing desk in particular. You should come over and hear it. More

A perfect blended mixture of real instrument playing and sampling, Uffe concocts a delicious menu across the entire EP. Clearly a product of many influences, Uffe demonstrates his full range of artistry with vocalized tracks on the A side by himself and dub analog studio pressure on the B side. As Long As It lasts' and 'When There Is No Sun' both show Uffe as the Lothario crooner that one ...
More

BBRX002. The second installment in FaltyDL’s edit series. Vinyl only. Follow up to Umi Says edit. 2 choice cuts, River Girl flips a Jets classic while Do You Box? is an original Falty production that only existed on dubplate until now. Never to be repressed, limited vinyl goodness. Last one went quick!
More

Absolute tip of the cap to Tom & Jerry the originators of the cartoon 12"s. Putting sex beck into techno - no more of this rigid cold lifeless nonsense. We want the focus on the dancers, and aren't afraid to be a little slutty ourselves. More