1 HYPNAGOGIA PART 2 (EFDEMIN REMIX)
2 INDUB (LUIGI TOZZI REMIX)
3 ATOMS SPEAK (RROXYMORE REMIX)
4 MOTH LINES (MATTHEIS REMIX)
BNJMN's album Hypnagogia gets the remix treatment. The Berlin based Brit is a common name seen on Delsin since 2014. Here he invites four of his favourite producers to give their twist to his latest album. Featuring Efdemin, Luigi Tozzi, rRoxymore and Mattheis. Up first, Efdemin turns one of the title tracks into a driving and fierce techno twister where Italian producer Luigi Tozzi eases out the bounciness of Indub's original into an atmospheric dub-techno floater. On the flip rRoxymore does her magic with squeaky percussion riffs and playful melodies turning the original ambient jam into a vivid dance floor roller. Finalizing the pack is Nous'klaer mainstay Mattheis using his instinctive feeling for melodies to create a hypnotizing yet gentle version of Moth Lines.

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BNJMN returns to Bright Sounds with Sensei; following on from the foundations laid by his "Final Network" EP released in the spring of 2018 he again showcases the melodic, yet hypnotic and pulsating side of his sound that he has become renowned for.
Starting with the almost house-like "Soared Above" synths fly over syncopated rhythms which build and then descend into something harsher and earthier.
"Intercellular" goes somewhat harder, yet still retaining the hypnotism and lightness of touch which will suit most hours in the club.
The title track is an exercise in restraint, one for the early hours when everything blurrs and only the space in between the sounds carry you along.
"Walking Into Yourself" showcases the dreamiest side of BNJMN, in slowing down the BPM the producer shows the intricate details of his sound, letting the listener in on a dense forestlike journey.

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After making his debut on the label in 2014, Berlin based Brit BNJMN returns to Delsin to release his latest artist album, Hypnagogia. This album comes after years of experimenting but is the first time since his Black Square album on Rush Hour in 2011 that the artist has felt he has finished a cohesive body of work. Hypnagogia counts ten tracks of atmospheric techno that ranges from deeply comforting to turbulent and edgy. There are moments of beautiful ambient reflection on tracks like 'Glowed' and 'Over White Peaks', plenty of the unique sense of melody BNJMN is known for as well as hypnotic tracks that trap you in a trance. Tracks like 'Theta Wave' show BNJMN is always conjuring up unique patterns and beguiling textures, while 'Hypnagogia Pt 2' is built on the sort of drum programming that will always lock in the floor.



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Since its launch in 2013, Bright Sounds has established itself as a label bridging the gap between the dancefloor and more experimental sounds, releasing EPs by the likes of Shlomo, Tilliander, Burnt Friedman or more recently Conforce. On its eleventh release, the label welcomes Ben Thomas aka BNJMN with 'Final Network EP', the UK producer based in Berlin and releasing on Tresor, Delsin, Counterchange or more recently on his newly founded imprint: Tiercel. The EP opens up with 'Reticuli', an ambient techno journey into a forest of otherworldly sounds. 'Neurocity' comes next with its rattling sounds met by disorienting and spooky melodies. On the B-Side 'Cloaked' starts off with bare kick and congos before waves of
drones add textures producing an eerie atmosphere. The title track closes this EP, slowly building to create an ecstatic floating mood, leaving you longing for more as it gently fades away.

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the second release of the newly minted Tiercel label by UK born, Berlin-based BNJMN sees the producer venture into murkier, deeper waters.

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Delsin's dance floor focussed Inertia series taps up Berlin based producer BNJMN for his Droid EP. It's a whirring fusion of wild synths and thumping drums. It's tough and direct and, as ever, is filled with unusual sounds and textures. Remixes on the flipside come from Cassegrain and Inland.



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Berlin based Brit BNJMN returns to his regular label home of Delsin with a brand new mini-album of experimental cuts that continue his journey into ever more decayed, lo-fi and gritty sound sculpture. As well as albums on Rush Hour and Astro: Dynamics, BNJMN has put out a fine EP on Stolen Kisses and in 2015 started his own label Brack with two great releases. This new release features six tracks and kicks off with 'Microgravity,' a shadowy exercise in suspensory dub that ripples and groans, growing in menace over its static laced three minutes. Next, 'Womb' is a vast chamber of glory synths and rippling pads that sounds like it comes from the after life, 'P-Tr' is a high tension, nerve jangling brew of glassy electronics with heavy kicks buried deep below and '1987', a fuzzy, darkened brew of spacious kicks, whirring machines and bubbly tape sounds that are seriously foreboding. 'Oder' is a more emotional work where multiple synth lines echo about and emit cautious rays of light, then finally 'Amygdala' is based around a frazzled, oversized and spraying bassline that is backed by radiant pads and a dystopian house groove and it rounds out another expertly outlier collection full of strange yet compelling tracks and textures.



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Limited to 300 copies. Support from Josh Wink, Luke Slater, DVS1, Pfirter, Marco Bernardi, Markus Suckut, Ambivalent, Ben Sims, Marcel Fengler, Randomer & Mosca. BRACK, the new imprint from UK-born Berlin-based producer BNJMN, is back in quick succession with another strong transmission from the label boss. After plunging into dirtier, darker sonic waters on the Pitchfork-tipped BRACK001, Chromed continues the descent. While the propulsive rhythms and skilfully stacked samples remain intact, these 4 tracks are imbued with subtler elements that become more apparent with repeated listens. Drums don't just bang, they scrape, stab and shudder, and the typically mesmeric synth-lines are swathed in analogue hiss and seething low-end. Idiosyncratic aural details have always been a specialty of the young producer, but here they rise to the fore. The rapidly flourishing sound world that is BRACK comes more into focus, and it appears it is even more intricate and musically rich than on first glance.

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BNJMN comes with an entirely new and different project, BRACK. Receiving support from George Fitzgerald on Radio 1. Following a string of excellent releases for the likes of Rush Hour and Delsin, the Berlin-based British producer has launched his own imprint. Its inaugural release promises to simultaneously satisfy long-time listeners, and throw them for a loop. BRACK001 sees BNJMN venturing outside his digital domain for the first time, eschewing polished, computer-based constructions for an altogether dirtier, darker sound.

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Jericho One, the Creme Organization off shoot, is back with a new EP from Ebony vs 'R' entitled Real Truth. It features three cuts in all, one by Ebony and two by 'R', and all them are intoxicating techno affairs. Continuing in the label's tradition of making modern sounds that draw on breaks and bass, it is another fine EP after great offerings from BNJMN and Noface amongst others. Ebony goes first with Real Truth and offers a track that is both punchy and powerful thanks to its raw and thumping drums, but spiritual and serve thanks to the pained and soul infused vocal wails up top. Glistening glass pads and over sized hi hats add to the intensity of this classy rave banger. 'R' then serves up Focus, eight minutes of freaky and hypnotic techno with creepy voices moving about the space as distorted kicks and droning reverb brings a physical feel. It's intense and dark and then comes Colossus, a breakbeat driven track with heavenly pads making for a grand and atmospheric headspace. Cosmic signifiers and far off pads add to the serenity of it all and will leave you with both a heavy heart and a stomping foot.

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Completing a brand new trio of EPs, fledgling Creme Organization off shoot Jericho now looks to HoBl for four fresh tracks. HoBl is a Houndstooth related producer who also records as King Cannibal and has already played at fabric, so is sure to go on to even bigger things once the world hears this fine new EP. First up is 'Cold (This City)' which is a chilly bit of techno futurism with weird vocals panning around icy synth lines and reflective metal surfaces. It is dramatic and large in scale as it unfolds with you right at the centre of the unsettling world. 'Deep Devotion' is then a compelling ambient cut with the distant crackle of white noise, afro-vocals and spare drum hits all making for an absorbing bit of ambience that sweeps, sweeps and swoons at a super slo-mo pace. 'Midnight Caller' is a more electro focussed jam with thick synths, crisp pinging drums and more background ambience that is dark and foreboding, whilst final cut 'A Girl Called Pity' is another free roaming electro jam with pain in its synths, paranoia in its atmospheres and funk in its drums. This is truly otherworldly music transmitted from a failed galaxy far off into deepest darkest space.

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After a first EP from BNJMN, new Creme Organization label off shoot Jericho now serves up a second release, this time from NOFACE. This is a moniker of Mella Dee, a producer who in the last few years has released rough house tracks on labels like Shabby Doll, Omena and Manucci's Misstress. Here he offers three new pieces that show a passion for high energy, lo-fi tracks with inventive grooves. 'Saturate' is littered with old school signifiers but is essential a brutal, high power techno banger with immovable kick drums, slithering percussive patterns and fiery vocal ad libs that imbue the track with a sense of afro-futurism. 'Polar' is a similarly physical track with massive, monstrous kicks, reverberating synth lines and a barreling sense of groove that washes over you like a braking wave. Finally, 'Warrior Charge' is another physical and functional cut with robust drums, oversized hi hats and woodpecker like hook that demands you stomp and head bang from start to finish.

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