Koehler opened into the hill a spacious wound and digged out ribs of gold. This is his second o?ering for the ESP Institute. Side A, behold a wonder! They but now who seemed in bigness to surpass Earth's giant sons, now less than smallest dwarfs, in narrow room throng numberless—like the conjurers of Light Magic beyond the Tuscan mount; or faery elves whose midnight revels by a forest-side or fountain some belated peasant sees, or dreams he sees, while overhead the moon sits arbitress, and nearer to the Earth wheels her pale course: they, on their mirth and dance, intent with jocund music charm our ear; at once with joy and fear our hearts rebound. Such place eternal justice has prepared for those rebellious; as far removed from the rave and light of a sunrise set as from the centre thrice to th' utmost pole. Oh Side B, how unlike the place from whence they danced! There the companions of the artist’s departure, o'erwhelmed with ?oods and whirlwinds of tempestuous ?re, he soon discerns; and, weltering by his side, one next himself in power and next in crime, long after known at the ESP Institute, and named Koehler. If he whom mutual league, united thoughts and counsels, equal hope and hazard in the glorious enterprise joined with me once, now misery hath joined in equal ruin; into what pit thou seest from what height fallen: so much the stronger proved he with his thunder; and till then who knew the force of those dire arms. Farewell, happy ?elds, where joy for ever dwells! Hail, The Grand Illusion, receive thy new possessor—one who brings a mind not to be changed by place or time. These two songs will sit you dove-like brooding on the vast abyss. TRACK LISTING: A. Light Magic,, B. The Grand Illusion


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Koehler was hurled headlong flaming from the ethereal sky. This is his first offering for the ESP Institute. Side A recalls the hazy memory of an ear-worm chant heard over a decade ago on the streets of Thailand, a melody that since haunted the artist and has finally been exorcised by his own hand in the shape of 'Melencolia V'. Somewhere between an enchanted bashment and a sailor’s watering hole, Koehler found a gargantuan kick drum that lands solely on the 4, slammed it together with a wide pulsing bassline and brutalized Dancehall snare, then laced it all up with his elusive synth melody. Add to this a generous sprinkle of finely-ground cosmic dust and we’re all tripping the light fantastic. On the flip side, the artist buckles up for a rough and rapid-paced journey with 'Invidiosa' — a relentless snare scrapes, gouges and corrodes over 7 minutes, coupling with a simplistic bass loop and swiftly marauding through a demented assembly line, accumulating various nuts and bolts of instrumentation along the way — an undeniable dancefloor exciter for those hours when the club becomes unhinged, dancing becomes raving, and slightly more audacious folk can channel their inner truth. These two songs will have you question your existence.

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Koehler returns to Berceuse Heroique with his third release for the label. Contra Blood invokes the spirit of early No U Turn records, infusing some techno dynamics, creating a very interesting anthem for people who don't care about boundaries in dance music. Flammarion Breach combines his classic 'ardcore techno sound with a repetitive arpeggio that recalls the tension of some of the best film scores by John Carpenter. With Rotating Rupees, Koehler delivers another beautiful ambient tune and this time its his ode to Zelda.

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out of nowhere white label on Skudge...

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Summing up 2017, Skudge dug through the archive material from the formative years of 2009 and 2010. For the keen ear and reflective soul, the basis of the much-liked Skudge sound is present here in a updated, perhaps more refined record. While working hard to pursue a specific set of labels, sound and aesthetic, SKUDGE 011 presents us a welcomed look into the retrospect of their unique sound.


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Solid, powerful and eclectic... Skudge has yet again delivered a fine remix 12". Blue Hour's remix is featuring on the A-side, where a pumping and pushing reinterpretation of 'Hunted' takes the lead.For the B-side, Skudge invited Parisian and underground House music purveyor Brawther, who literary beefs up ?Below? with his Steroids Mix. a perfect mixture of both House and Techno, a place where Skudge are coming from.


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This is the debut album of Swedish producer Daniel Andréasson, an artist that has both a sonically and artistic resemblance to the Skudge family of labels and artists.


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This is the second 12" from Taken, the duo effort of Elias Landberg and Nihad Tule.


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Fresh of the 'Balancing Point' LP, Skudge levitates into 2017 with tracks from a well-known place... Infectious groove and stabs reflects our most fond warehouse memories. The A-side track has that special Skudge vibe that managed to establish them as a force to reckon with. As proven with the LP from last year, things are sounding and looking as exciting as ever!


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Skudge White returns with Finnish legend Mono Junk who delivers three tracks that together spans 23 years.

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Going back to classics could fall so easily, luckily for Skudge Presents, the persistent and class-act of Mark Broom leaves the mediocre in its rubble.
Eric Cloutier: "Broom is a legend. i can't even count how many of his records i own. both of these are pure fire - loving it!" The kicking A-side, Moments1, with the high paced energy and flirtations with the Dutch classic style of Techno-House crossover brings a smile upon DJs and dancers alike - without going too much into nostalgia, this track is sure to find its way through the peak times. Moments2 on the flip submerges deeper into this record’s vibe, with a progression that throbs more than kicks, with a saw tooth lead that keeps the moody atmosphere intact. A sure-shot 2 tracker is what we need and what we get

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13th Skudge White release, and a welcome return of Daniel Andréasson. Going a different route than his previous 12" for the label, this time it's four melodic/braindance tracks. Tip!

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Hong Kong born / Toronto raised Stuart Li lands an EP on Skudge records, delivering four tracks for your late night escapades. Four tracks that will make your head spin like a crazy Cantonese tongue twister. Comes on natty red vinyl with a folded poster insert.*

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The long awaited album on SKUDGE! The Pig on firing form here! We expect this on to go right off... double vinyl set. The LP features more pacey excursions while the additional 10" features more experimental and ambient material...BIG TIP! Label Copy: "Often referred to as 'The Pig' and rarely spotted without shades, Mike 'Aardvarck' Kivits has remained a compelling figurehead within the Dutch underground for decades, happily flitting between down tempo and high octane styles from release to release and generally sounding like no-one else out there. Kivits has developed a strong affiliation with the Skudge Records operation which commenced with his humongous remix of the Swedish act's "Convolution" in 2010. Having committed two full 12? releases to the Skudge Presents cause, news now arrives of a full Aardvarck long player on the label. Due for release in September, the cryptically-titled Co In Ci features eight new Aardvarck productions from Kivits and represents the ninth album the Dutch producer has released in the 13 years since his 2002 debut LP for Delsin."

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The Recognition is a new alias from Johan Antoni who works in Stockholm’s finest Synth shop JAM Syntotek. All the tracks are produced in his home...dope stuff!

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After 2014's set of acclaimed releases on L.I.E.S, Creme Organization and Rush Hour, Jorge Velez comes to Skudge White to drop a proper dose of relentless subterranean Techno. 4 tracks created with the adventurous dancefloor in mind. This is the sound of Velez at full command. "Les Méandres" leads the heavy charge as factory rhythms carry a sinister, echoed call-and-response synth pattern. Next "Blue Bottle", the heart of the 12" according to Velez, brings volcanic, hissing synths to an intense peak over hammering rhythms. "Tunnel" is the sound of "the most intense moment on the floor when it's just a blur of all sounds and lights and the pound of the drums" says Velez. Furious and abandoned yet with the floor firmly in view.
"Hydrocution" ends the 12" with a hypnotic, shining metallic combination of rhythm and dissonant synths. The original artwork is by Pauline Gouablin, who co-created the artwork on Velez's "Territories" LP for L.I.E.S

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Cool new material from from Kimmo Rapatti - this is his second release on Skudge White and it's another killer! TIP! ‘’Little Elephant’’ Was previous released on a various compilation CD on kim’s own DUM records in 1995 So we are very honored to be able to finally release it for the first time on vinyl!

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First new solo Skudge EP since two years. They're back.

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Argentine Jonas Kopp continues his Untidy alias with two bass heavy techno gems, inspired by the 90s US school sound. Check!
While releasing under different aliases for labels as Tresor and Indigo Area, contemporary techno artist Kopp decided to start his own Untidy series. After two cuts, Skudge has the honor to present Kopp's first appearance under this moniker outside of his own imprint.

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In December 2013 Fishermen released their debut album ''Patterns and Paths'' An album that was very well-received. Now they're back! This time with remixes from some of the standout tracks from the album. Cut Hands, Florian Kupfer, Steve Bicknell, Abdulla Rashim and Varg's project Ulwhednar is delivering the remixes

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the man with more machines than you drops 3 tracks of syncopated science on Skudge...

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October is back with his first solo 12" after appearing on Fred P's SPM label last year. Both cuts will please lovers of October's trademark slow techno sound and also hint at the industrial influences which he explores more heavily on his debut LP, forthcoming on Skudge White.



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