Mark Broom returns to Rekids with the ‘Showtime’ EP.

Mark Broom’s return to Radio Slave’s Rekids imprint takes in four tracks that showcase the UK techno legend’s sample-twisting style of house and techno. With a slew of EPs, LPs and remixes for Rekids and sister label RSPSX in recent years, Broom is one of the label’s core roster and most in-demand artists.

Tough drums meet soulful, recognisable strings in ‘Klashjamz’, a real blast to the past chopped up in creatively funky ways. The title track ‘Showtime’ is next, its groove skipping and stuttering before breaking out into jazzy electro swing done right.

On the flip, broom brings in ‘HIGHNRG’, a percussive, peak-time treat that expertly does what it says on the tin via a pulsating, rolling bassline accompanied by hypnotic vocals and infectious rhythm. ‘Jazz Ting’ then closes Mark Broom’s ‘Showtime’ EP, a hyped-up number with an earworm, classic & classy melody.

Techno, house, hardgroove and rave, Mark Broom is one of UK dance music’s legends and has a myriad of production credits to his name dating back to 1989. Warp, M-Plant, Hardgroove, and his own Pure Plastic and Beardman imprints are just a handful of the labels he’s worked with, while studio collaborations with the likes of Baby Ford and James Ruskin have cemented his reputation as a storied and vital part of electronic music culture.

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UK Techno stalwart Mark Broom returns to Rekids Special Projects with the fourth instalment of his ‘Mutated Battle Breaks’ series. Following the third volume of ‘Mutated Battle Breaks’ released in July 2022, the UK-based DJ/producer Mark Broom returns yet again to Radio Slave’s techno-focussed imprint for his fourth collection of essential, hard-hitting club tools. Delivering another full-blown set of eight belting tracks for the series, Broom again shows that he’s a true Techno tour-de-force. Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 3 of his ‘Mutated Battle Breaks’ series. Following the first two volumes of ‘Mutated Battle Breaks’ and two recently acclaimed albums in ‘Funfzig’ and ‘100% Juice’, UK stalwart Mark Broom returns to Rekids. Bringing the third collection of heavy-hitting techno weapons for Radio Slave’s techno-focussed imprint, ‘Mutated Battle Breaks Vol. 3’ showcases eight precision-built no-nonsense tools, delivering yet another techno masterclass across the release. Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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UK techno legend Mark Broom releases ‘100% Juice’ LP on Rekids. Following the acclaimed ‘Funfzig LP’ on Rekids in 2021 as well as his ‘Mutated Battle Breaks’ series on the techno focussed Rekids Special Projects, Mark Broom returns to Radio Slave’s imprint for his latest full length, ‘100% Juice’, dropping this April. Title track ‘100% Juice’ leads the charge, barreling forward with phased hats and trippy bleeps, before ‘Slush’ carries the rest of the A-side with dense synths and stereo trickery. ‘Rainbow’ bridge sees muted chords drifting in and out of focus alongside rattling drum programming before ‘Reverse’ mutates dub techno inspired elements with swathes of spacious FX and pitch-perfect processing. Opening the second disc is the aptly titled ‘Wonky Workout’, which sees hard-hitting kicks meeting freaked out leads, followed by the fast-paced ‘I Want’, which brings crunchy, shuffling percussion and effected vocal samples together to devastating effect. The final side of vinyl is the one-two punch of ‘Boxed In’ and ‘Wiggle Me This’, with the former bringing sharp keys, rumbling low end and glistening pads, while the latter closes out the LP with warped acid lines and crisp drums.
Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently beenat the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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UK techno legend Mark Broom returns to Rekids ahead of new album with ‘100% Juice Album Sampler’. Following the acclaimed ‘Funfzig LP’ on Rekids in 2021 as well as his ‘Mutated Battle Breaks’ series on the techno focussed sub-label Rekids Special Projects, UK stalwart Mark Broom returns to Radio Slave’s Rekids with ‘100% Juice Album Sampler’, a four-track taster for his next album titled ‘100% Juice’, scheduled to be released in April. Leading the A-side is ‘100% Juice (Sampler Mix)’, a jacked-up take on the album’s title track, with chunky kicks, off-kilter stabs, and crunching claps kickstarting the record. ‘Contigo’ follows, with trippy synths providing a dose of silliness alongside razor-sharp drums. On the flip, ‘Nod To The D’ pays homage to classic Detroit sounds, as light arpeggios and bright synths weave their way through silky pads before closer. ‘Spiked’ sees a funk-laden groove take charge as unruly leads flutter atop the jacking groove.

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UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 2 of his ‘Mutated Battle Breaks’ series. Following the acclaimed ‘Funfzig LP’ on Rekids earlier this year, as well as the first volume of ‘Mutated Battle Breaks’, UK stalwart Mark Broom returns to the Rekids universe with another set of eight fully charged techno bombs for Radio Slave’s techno-focussed imprint in ‘Mutated Battle Breaks Vol. 2’. From the punchy stabs of opener ‘Recessive’ through to the deep and bumping ‘Pump’, Broom turns in masterclass in high-energy techno tools. With the quality remaining as consistent as the 4/4 kicks across both sides of the record, ‘Mutated Battle Breaks Vol. 2’ is set to make an appearance in the record bags and USBs of any techno DJs worth their salt worldwide. Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

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Stretched across a double LP, ‘Fu¨nfzig’ is a full-throttle display of Brooms’ funk-laden take on a wide range of electronic-inspired music, covering house, techno, disco, dub, electro, and beyond. Speaking of the LP, Broom states that “Fu¨nfzig is a continuation of my previous releases for Rekids & displays my various styles of House, Techno & the bits in-between”. ‘Mover’ kicks off proceedings with swinging drums and chopped-up piano licks, moving into the hand-in-the-air, disco-inflected ‘We Gonna Dance’, featuring vocals from his daughter Ella Fleur. ‘Stark’ takes inspiration from soundsystem culture, bringing cavernous reverbs atop a monstrous bass while siren-esque leads ring throughout. Opening the B-side, ‘Let’s Roll’ sees Broom head into full-blown techno territory, as crunching bass and fierce drums collide with a series of stabs and whistles, a theme continued in the no-nonsense steamroller ‘EFX’. ‘Dub Me Good’ closes the B-side with a heady dose of FX-drenched outboard trickery as mammoth drum hits rocket around a languid bassline. ‘Machine’ opens the second disc with fluttering synthesis and robust, dramatic drums for a pounding affair, followed by the bright and squelchy ‘Memories’ which works its way through emotive pads and crisp drums before ‘Lovers Rock’ lowers the tempo, bringing swirly atmospherics amongst machine-driven patterns. The final side of vinyl sees Broom hit the gas pedal with ‘Living For Ya’, ‘The 114’, and ‘What To Do’, delivering a raucous finalé of sample-driven, barn-storming disco pumpers. With appearances on legendary imprints such as Robert Hood’s M-Plant, Warp Records, Pure Plastic, Bpitch Control, and of course Rekids, Broom is one of the UK’s foremost techno luminaries. Alongside contemporaries such as Ben Sims, Luke Slater, Surgeon, and James Ruskin, with collaborations under the Fear Ratio with the latter counted as favourites amongst fans, Broom has flown the flag for UK techno for decades. Delivering one of his most accomplished collections of work to date on ‘Fu¨nfzig’, his return to Radio Slave’s vital Rekids imprint showing an artist whose best work is far from behind him.

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Mark Broom returns to his Beardman imprint with a 10 inch of blistering techno weapons. In signature style Mark’s already got his foot firmly to the floor with ‘Loop 132’ - a twisted affair, that layers metallic synths and de-tuning rides over a chest crunching kick drum.

Flip it over for 'Loop 131', a high octane, heavy hitting techno with a pounding kick and mesmerising stabs.

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Beard Man label boss Mark Broom returns to Radio Slave’s Rekids with a swinging techno focused four-tracker entitled ‘Raver EP’ Since the early 90s, renowned UK artist and DJ Mark Broom has been cherished for his consistent output of rhythmically charged techno and energy spiking performances with releases on Warp, R&S, Soma, Hardgroove and Blueprint alongside collaborations with artists such as Baby Ford, James Ruskin, Discrete Circuit and Gary Beck. A regular on Rekids, Broom's contributed numerous releases and remixes to Matt Edwards' label - notably last year's massive 'Break 97 EP' - and his next outing sees the prolific producer return with four more versatile club-focused cuts. ‘Raver’ opens with boomy kicks, splashing cymbals and aggressive stabs until ‘Insta’ trembles the floor with rolling snares, driving rides, distorted claps and arpeggiated synth patterns. On the flip, ‘Midnight’ takes retro sounding keys and adds peak time drive with lofi drums, distant vocals and a sleek funk line sample before ‘Hear Me’ electrifies with a tease of classic 90s-esque lyrics, bouncing toms and elated chords. A1. Raver, A2. Insta ,B1. Midnight, B2. Hear Me

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Re-issue of Mark Broom's Drift and Flip Flop tracks originally released on Mosaic in 1998. Remastered and adjusted versions. Previously unreleased dub mixes of both tracks included as well as two previously unreleased electro tracks found on the original master tapes!

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UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP. Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more. ‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.


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For the 2nd Release Proper Techno Tunes is proud to welcome UK Hero Mark Broom with his Dank EP.
Remixes coming along from german Labelhead Dave Simon, Luca Agnelli from Italy and argentinian producer Flug.

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Summing up 2017, Skudge dug through the archive material from the formative years of 2009 and 2010. For the keen ear and reflective soul, the basis of the much-liked Skudge sound is present here in a updated, perhaps more refined record. While working hard to pursue a specific set of labels, sound and aesthetic, SKUDGE 011 presents us a welcomed look into the retrospect of their unique sound.


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Solid, powerful and eclectic... Skudge has yet again delivered a fine remix 12". Blue Hour's remix is featuring on the A-side, where a pumping and pushing reinterpretation of 'Hunted' takes the lead.For the B-side, Skudge invited Parisian and underground House music purveyor Brawther, who literary beefs up ?Below? with his Steroids Mix. a perfect mixture of both House and Techno, a place where Skudge are coming from.


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This is the debut album of Swedish producer Daniel Andréasson, an artist that has both a sonically and artistic resemblance to the Skudge family of labels and artists.


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This is the second 12" from Taken, the duo effort of Elias Landberg and Nihad Tule.


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Fresh of the 'Balancing Point' LP, Skudge levitates into 2017 with tracks from a well-known place... Infectious groove and stabs reflects our most fond warehouse memories. The A-side track has that special Skudge vibe that managed to establish them as a force to reckon with. As proven with the LP from last year, things are sounding and looking as exciting as ever!


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Skudge White returns with Finnish legend Mono Junk who delivers three tracks that together spans 23 years.

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13th Skudge White release, and a welcome return of Daniel Andréasson. Going a different route than his previous 12" for the label, this time it's four melodic/braindance tracks. Tip!

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Hong Kong born / Toronto raised Stuart Li lands an EP on Skudge records, delivering four tracks for your late night escapades. Four tracks that will make your head spin like a crazy Cantonese tongue twister. Comes on natty red vinyl with a folded poster insert.*

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The long awaited album on SKUDGE! The Pig on firing form here! We expect this on to go right off... double vinyl set. The LP features more pacey excursions while the additional 10" features more experimental and ambient material...BIG TIP! Label Copy: "Often referred to as 'The Pig' and rarely spotted without shades, Mike 'Aardvarck' Kivits has remained a compelling figurehead within the Dutch underground for decades, happily flitting between down tempo and high octane styles from release to release and generally sounding like no-one else out there. Kivits has developed a strong affiliation with the Skudge Records operation which commenced with his humongous remix of the Swedish act's "Convolution" in 2010. Having committed two full 12? releases to the Skudge Presents cause, news now arrives of a full Aardvarck long player on the label. Due for release in September, the cryptically-titled Co In Ci features eight new Aardvarck productions from Kivits and represents the ninth album the Dutch producer has released in the 13 years since his 2002 debut LP for Delsin."

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The Recognition is a new alias from Johan Antoni who works in Stockholm’s finest Synth shop JAM Syntotek. All the tracks are produced in his home...dope stuff!

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Comes with an insert.

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After 2014's set of acclaimed releases on L.I.E.S, Creme Organization and Rush Hour, Jorge Velez comes to Skudge White to drop a proper dose of relentless subterranean Techno. 4 tracks created with the adventurous dancefloor in mind. This is the sound of Velez at full command. "Les Méandres" leads the heavy charge as factory rhythms carry a sinister, echoed call-and-response synth pattern. Next "Blue Bottle", the heart of the 12" according to Velez, brings volcanic, hissing synths to an intense peak over hammering rhythms. "Tunnel" is the sound of "the most intense moment on the floor when it's just a blur of all sounds and lights and the pound of the drums" says Velez. Furious and abandoned yet with the floor firmly in view.
"Hydrocution" ends the 12" with a hypnotic, shining metallic combination of rhythm and dissonant synths. The original artwork is by Pauline Gouablin, who co-created the artwork on Velez's "Territories" LP for L.I.E.S

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Cool new material from from Kimmo Rapatti - this is his second release on Skudge White and it's another killer! TIP! ‘’Little Elephant’’ Was previous released on a various compilation CD on kim’s own DUM records in 1995 So we are very honored to be able to finally release it for the first time on vinyl!

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First new solo Skudge EP since two years. They're back.

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Argentine Jonas Kopp continues his Untidy alias with two bass heavy techno gems, inspired by the 90s US school sound. Check!
While releasing under different aliases for labels as Tresor and Indigo Area, contemporary techno artist Kopp decided to start his own Untidy series. After two cuts, Skudge has the honor to present Kopp's first appearance under this moniker outside of his own imprint.

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In December 2013 Fishermen released their debut album ''Patterns and Paths'' An album that was very well-received. Now they're back! This time with remixes from some of the standout tracks from the album. Cut Hands, Florian Kupfer, Steve Bicknell, Abdulla Rashim and Varg's project Ulwhednar is delivering the remixes

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the man with more machines than you drops 3 tracks of syncopated science on Skudge...

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October is back with his first solo 12" after appearing on Fred P's SPM label last year. Both cuts will please lovers of October's trademark slow techno sound and also hint at the industrial influences which he explores more heavily on his debut LP, forthcoming on Skudge White.



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