Mile High Records presents a new EP from the Rawthenticity label boss : Fulbert ! Mastered by Matt Colton, this release clearly demonstrates a new direction in his productions, from twisted analog experiments to raw and dusty grooves. 6000 Miles Away is a slice of life from this confirmed producer who spends his time between Europe and Asia, merging different influences to bring this specific sound, which he holds the secret to.
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Rawthenticity is proud to present this new EP from Fulbert - where distorted raw drums meet soulful deep house. Powerful cuts.. slamming Detroit influenced 'Pernicious Planet', gritty deep ghetto-reminiscent 'Ideals', raw drum madness 'Meditation in a Forest of Shimmering Mirrors' and the ethereal 'Clouds of..' as a closing track for this EP. Maybe - or maybe not - Fulbert's most introspective release to date. More

French producer Fulbert launches his newly found Rawthenticity imprint with 4 raw deep cuts made by himself. The significant Fulbert sound is heavily present on this piece of wax. Thumping drums are subtly combined with vocal cuts and floating pad sounds. Raw house music in it's essense. More

Hong Kong based label FGHB. (Short for “Fragrant Harbour”) is continuing their steady outputs of two releases a year with this time an EP from BBRB, a Taiwan based duo composed of Riles Jay Bilgo and Benoit Bouquin (who usually released under “L’Amour Fou” along with Move D and Marco Wollenberg) as a 6th release. Powder (Cocktail D’Amore) and Mr. Ho (Klasse Wrecks) completes the EP with a signature space workout of a remix of ‘Cat Slaves’ and a powerful EBM version of “Two Policemen”.

Supported By: Roi Perez (Panorama Bar), rRoxymore (Ostgut Ton / Human Level), Yu Su More

Fragrant Harbour has invited General Ludd's Richard McMaster (Golden Teacher) and Tom Marshallsay (Dam Mantle) to end the year long hiatus since the last FGHB release. The first track What brings dark, African rhythms alongside meticulously structured techno elements, coming together to create an intense and maddening energy. Later Last Night continues forward with interspersed percussion layered on top of inventive sub-frequencies bringing a constant pulse to the track. The fastest track of the record, Making Strange ends with more madness; a hollow mid-low range drives unrelenting throughout, visited unexpectedly by frenzied percussive highs. "
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