2025 repress

UPC: 827170489462 Release : 18.03.2013
Tracklist: A. La Duquesa // ISRC: DEMM11300036 B. Burn with me // ISRC: DEMM11300049
"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.


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TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19


Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.



AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.

A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.

Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.

--

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt

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7"
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)

A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.

Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.

"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.

AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.


On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com




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2023 repress

Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein

Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.



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2023 repress

Tracklist:

A: Blume Der Nacht
B: Rue Burnout


DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.


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UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.



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12”

TRACK LIST
A1 - DJ Koze – Wespennest (feat. Sophia Kennedy) 8:03
B1 - DJ Koze – Candidasa 10:21

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
A1 - Vocals and lyrics by Sophia Kennedy


Release Info:
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".

"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.

On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.

With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.


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2023 repress

12”

TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12

PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.

Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.


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2025 repress

UPC: 827170489462 Release : 18.03.2013
Tracklist: A. La Duquesa // ISRC: DEMM11300036 B. Burn with me // ISRC: DEMM11300049
"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.


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2025 repress

Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min

Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.




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2025 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.






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2025 Repress

For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.


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TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19


Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.



AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.

A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.

Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.

--

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt

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WAS - Word and Sound Medien GmbH
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7"
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)

A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.

Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.

"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.

AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.


On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com




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12”

TRACKLIST 12” Vinyl
A1 - Dave DK - Herzen Auf (8:08)
B1 - Dave DK - Ross 308 (7:21)
B2 - Dave DK - Don´t Eat The Homies (6:22)


PR EN: We'll spare everyone the Promo Palaver and let the wonderful music speak for itself.

Original Tracks written and produced by Dave DK / Published by Kosikos Publishing
"Don't Eat The Homies" contains a sample of the recording, "Run Between The Raindrops (While My Teardrops Fall)" performed by Sharon Revoal, courtesy of The Numero Group. Used with permission. All rights reserved.
Written by Ellis Clarence Taylor Sr and published by Cleanteen Music Pub (BMI), administered by Secretly Publishing.


P+C Pampa Records 2024

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2024 repress


UPC/EAN: 827170589568 Tracklist:
A1. Cybekks A2. Anton B1. Volta Cobby B2. Anton II
Info:
Robag Wruhme is well-known for flights of the fantastic; his many productions, remixes and DJ sets act as conversations between melancholic, melodic tenderness, the urgent thrill of dancefloor-ready moments, and the neutralising power of pared-down minimalism. 2015 marks the return of Robag Wruhme to the Pampa Records fold, following the whirlwind of acclaim for his 2011 album Thora Vukk. The intervening years now prove to have been worth the wait: Cybekks EP finds Robag on stunning form yet again. Title track "Cybekks" leads off with a weighty tread, thundering downwards with heavy drums and robotic feel, but as always with Robag, there is more than initially meets the ear. His signature blend of shifting textures begins to emerge: cloud-like chords of suspenseful pads appear and disappear on the horizon, shuffling high hats appeal directly to the dancing instinct, while gleaming constellations of high-frequency sounds are dotted over the arrangement's second half. "Anton" returns Robag to melancholic brilliance, with a lilting piano loop and subtle digital trickery that blurs the edges of each note. It is a short reprise with deep emotional impact, and its poignancy remains long after the final fade out. "Volta Cobby" reinvigorates the classic collision of tech, house and stipped-back body music; exploring a multitude of moods via saw-edged melodies, fast-forward voices, and snatches of cymbals, all expertly combined for a late night trip into what makes a dancefloor tick. "Anton2" is the the yin to the yang of its predecessor, drawing on electronica with a pastoral feel to finish the EP on an uplifting note, evoking the dreamy, hazy sunrise of a brand new day. This is another thing of brief yet undeniable beauty, with a revealing glimpse towards the end of Robag's songwriting prowess.



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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.





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2023 Repress

Tracklist:
A Blaue Moschee
B1 Petardo
B2 Empire

Pampa is a new label from old pals DJ Koze and Marcus Fink, dedicated to releasing club music that's seriously danceable without recourse to the tried and tested ingredients. A home for house and techno tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The first release is by Die Vogel, a collaborative project between Jakobus Siebels and Mense Reents. Jakobus is an innovative multi-instrumentalist who has previously recorded distinctive albums for Tomlab, Chicks On Speed Records, Karaoke Kalk; the no less talented Reents is a member of the groups Egoexpress, Die Goldenen Zitronen and Stella, and operates the Art Blakey Studios in Hamburg where this EP was recorded. Listening to A-side 'Blaue Moschee' you immediately know this going to be a strange and wonderful trip: oompa-style brass looped and layered over a stripped-back kickdrum, this tunes messes with all received notions of what house/techno music is! With a musicality and wicked sense of humour that naturally appealed to Koze and Fink, Siebels and Reents have created a timeless dancefloor banger using the most unlikely of elements. The result definitely isn't "jazzy techno" - the brass, far from being an afterthought, it's the very substance of the thing; it provides the melody, the bass, and the rhythm. Brass is the driving force behind the whole EP. B1, 'Petardo', is likewise driven by growling trombones and tubas, this time offset by cooing woodwind and set to a rolling, almost tribal drum tattoo. The horn chords are reminiscent of moody 60s British jazz, while the woodwind lends a South American fire and flair to proceedings. The track is full of subtle edits, but Siebels and Reents don't overwhelm the mix with synthesized sounds, instead letting the acoustic instruments speak for themselves. Closer 'Empire' again finds exquisitely arranged brass parts interlocking into a tough, single-minded groove, underscored with a skippy, broken 4/4 pulse and handclaps. Often when a new label claims to be taking risks and trying something new, the truth is rather less remarkable. Not in this case: Siebels and Reent have created a terrifically original, inimitable trio of tracks that combine the pop and the avant-garde, the cerebral and the physical, to absolutely stunning effect. It might be unusual and it might be clever, but it's still dance music pure and simple. magic!






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2023 repress

Tracklist:

A: Blume Der Nacht
B: Rue Burnout


DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.


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2023 repress

Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein

Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.



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2023 Repress


Tracklist:
A. Jelly Legs 6:59
B1 El Point 7:41
B2 Chicama 7:46


Release Info:
A crackling fire is burning under the bridge.
BANG! the brow hits against the steel drum, Hey!
I only bowed down! BOING! The elbow jabs into the door of an abandoned ragtop, To lash the laces! CRACK! the knee strikes the rusty trash can, Of my brand new black sneakers!

RASP! YAWP! SCREEECH! The gang rabbles on the dancefloor. Metallic sounds blaze out of the speakers. A rustle, a chatter, a rattle, a flapper. Cops troop in gazing in wonder while converting into liquid coppers. A warm kicking bass sets in. A voice from down below. Though, right next to your ear. The floor is demanding a sacrifice.
Jog your head, swing your hip. Wave your hands, and shake a leg: Tighten up, and then let go, for this Dance aboulic!

Producer and DJ Dave DK with his new »Chicama« EP on Pampa. Three kicking, bumping tracks for all day and all of the night. Euphoric percussive floorkillers with a hint towards an alluring gloominess.






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UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.



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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)


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Breakbot AKA Thibaut Berland - Ed Banger's newest and brightest star announces his debut album 'By Your Side''.
Having delighted dancefloors around the world with his infectious discoid funk of 'Baby I'm Yours' and 'Fantasy', and killer re-rubs for Justice and Metronomy amongst others, 'One Out Of Two' is the first single to be taken from this multi-instrumentalist's highly anticipated debut album 'By Your Side'. Crammed with soulful, robo-disco and emotive ballads, 'By Your Side' conjures up the ghosts of the Doobie Brothers, Todd Rundgren and Hall and Oates, as well as the nostalgic TV themes to 'Silver Spoons' or 'Punky Brewster'.
Berland explains : "My elder brothers had a huge influence on me when was I a kid. David the oldest introduced me to soul, funk and pop, making me tapes of michael jackson, prince, stevie wonder, madonna, phil collins and many other things. I remember spending lots of time in his bedroom listening to his records"
An art school friend of Justice's Xavier De Rosnay, in later years, the likes of Air, Alex Gopher, Mr Oizo and of course Daft Punk were on heavy rotation for Thibaut, this heady melange of all of the above helping to create the Breakbot sound.
Just like one of his biggest inspirations, in the form of Michael Jackson's "Thriller" it was Berland's intention to make an album that rewards you for listening to as a whole: "I guess you could say my album is more a pop songs album than a Berlin techno record with water drops sounds in it - I wanted to make a pop journey that would have all my influences, without being a reference catalog"
From the opening perfect slice of retro/future summer funk 'Break Of Dawn', it's clear that this has to be one of 2012's funkiest albums... 'Fantasy features the vocals of L.A. based vocalist Ruckazoid - an astonishing discovery whose honied pipes are a dead ringer for the late, lamented King Of Pop..'One Out of Two' features Irfane's irresistible vocals, in addition to four other tracks ('Baby I'm Yours', 'A Mile Away', 'Another Dawn' and 'Mayfly and the Light'). Björn from Pacific sings on the glorious 'By Your Side (Pt 1 & 2)".
"I do everything myself except the vocals. I just fiddle about, I couldn't play a classical part, I do what I can. There are pieces of guitar samples, friends drop-in and play over my instrumentals. I love pop and funk, so I try to take that direction. That's where that hybrid sound comes from. Breakbot is a dude in a basement looking for melodies", says the ever modest Thibaut.
Tracklist
SIDE A
1. BREAK OF DAWN
2. FANTASY feat. RUCKAZOID
3. ONE OUT OF TWO feat. IRFANE
SIDE B
1. BY YOUR SIDE PART1 feat. PACIFIC!
2. BY YOUR SIDE PART2 feat. PACIFIC!
3. YOU SHOULD KNOW feat. RUCKAZOID
4. THE MAYFLY AND THE LIGHT feat. IRFANE
SIDE C
1. PROGRAMME
2. EASY FRACTION
3. BABY I'M YOURS feat. IRFANE
4. ANOTHER DAWN feat. IRFANE
SIDE D
1. WHY feat. RUCKAZOID
2. A MILE AWAY feat. IRFANE
3. INTERSECTION


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Tracklist:
A1) Head On (07:10 min)
A2) Trick (06:40 min)
B1) Wand (07:37 min)
B2) Head On Dub (07:05 min)
B3) 1 More Loop for Hard DJs (03:38 min)

Short info:
A glory anniversary! Big Beat Manifesto Volume X. That is 10 x Eden Burns delivering Big Beats.
Some cheeky, some epic, some tools, some balearic, some absolutely wild style….
You know the message. Beat moves feet, feet do dance, dance is life.
May the prophet serve plenty more. House Non-Stop.

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12" - Fully Authorised Reissue on Original Release Label!

GENRE/S:
House

TRACKLISTS:
A1 Fruit Loops - Dance Dance Dance
A2 Fruit Loops - Keep on Running
B1 Fruit Loops - The Message of Love
B2 Fruit Loops - Clap Ya Hands

SHORT INFO:

Canadian deep house don Nick Holder's Fruit Loops EP is next to get the remaster and reissue treatment from Definitive Recordings. This label, now overseen by Get Physical Music, first released the EP back in 1995 when Toronto-based Holder had already become one of house music's most tasteful operators. He went on to release over 125 EPs and singles under countless aliases, in various groups, and on his labels DNH Records and Treehouse Records, as well as !K7 Records and NRK. His style spans house, disco loops and minimal Chicago grooves and is always high on immersive atmosphere. Opener 'Dance Dance Dance' brings together all those aspects of the Holder sound with its funky guitar riffs looping beneath raw drums and disco basslines. Classic Chic samples burst out of the mix to bring an air of celebration and party, and it makes for an irresistibly feel-good sound. 'Keep on Running' is a steamy and sweaty house jam with loopy drums and bass and more smartly chosen samples, this time from Roy Ayers, that bring the funk and never let up. It has long been a go-to anthem for house DJs, and the realness and rawness of the emotions in Holder's work also shine through with the filtered synths and jazzy keys of 'The Message of Love', which is complete with bumpy and irresistible drums. Last of all is the unfettered party spirit and diva vocals of the brilliantly lo-fi funk-house pumper that is 'Clap Ya Hands'. This EP hasn't aged one bit and remains a definitive piece of early Deep House history.




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Rights: World excluding France,UK, US, Belgium, Netherlands & Canada

Packaging: 1 x Solid White Vinyl, 3mm spine sleeve with UV Gloss finish , printed inner sleeve , marketing front sticker

SHORT BIOG
Marie Davidson's new album 'City of Clowns' will be released on Deewee/Because.
This fifth album of the Canadian artist has been produced by Belgians artists and producers Soulwax, longtime collaborators of Marie Davidson.

VINYL

A Side
1 Validations Weight
2 Demolition
3 Sexy Clown
4 Push Me Fuckhead

B Side
1 Fun Times
2 Statistical Modelling
3 Y.A.A.M.
4 Contrarian
5 Unknowing


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2025 Repress

Tracklisting:
A) One Step Ahead
B) I Can't Wait Until I See My Baby's Face

Info:
You may know Aretha Franklin's scintillating "One Step Ahead" from its vital role in the Oscar-winning movie Moonlight. You may also know it as providing the beautifully melancholic backdrop for Mos Def's 1999 hit "Ms Fat Booty". The inaugural Be With 7" is a special one indeed, containing the first ever officially licensed reissue of Aretha's all-time deep soul classic. "One Step Ahead" was not included on any of her Columbia studio albums, and remains one of her rarest releases. On the flip, "I Can't Wait Until I See My Baby's Face" is a thrilling, goosebump-inducing killer and an unfairly slept-on rendition of this eternal track.

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2020 repress

Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)

Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.

This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.

Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.

The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.




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GENRE/S: Deep House

TRACKLISTS:
A1. Rhythm & Simplicity
A2. A New World To Forget
A3. Tape Jam Pt. 2
B1. 0221 (Serious Mix)
B2. Motion Anthem

New Jersey-born Ali Berger is a drum machine specialist and low-key US electronic music standby, now based in Pittsburgh after spending the 2010s in Boston and Detroit. His catalog of original music runs deep, with over 60 releases on his Trackland label and EPs on imprints like Spectral Sound and Sequencias, all resulting from a lovingly-cultivated studio approach which respects improvisation as a spiritual practice.

Here with this sublime release on Scissors and Thread, Ali shares a multitude of sounds and atmospheres across the five tracks. As Ali himself puts it "This record collects tracks from the last three years, plus 0221 (Serious Mix) which is from 2018. There's a full cross-section of production techniques represented here, from one-take jams to multi-tracked compositions, but through it all there's a deep melancholy which (I hope) is tempered by enough groove to be uplifting. Maintaining emotional balance takes constant, caring attention; music is a part of that process for me and these tracks reflect that."
This balancing of melancholic atmospheres and groove is evident throughout - Rhythm & Simplicity is a low key thoughtful banger for the more discerning dancefloors, while A New World To Forget also exhibits a deep love of cultured house music and analog drum machines. Tape Jam Pt 2 is the perfect mix of improvisation and pure groove, put down in a rough and gritty fashion. 0221 (Serious Mix) merges a breakbeat with pads and synths that give off a balearic sunrise vibe, while Motion Anthem wraps up the EP with a tougher groove coupled with wistful melodies and oceans of feeling.













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Format Notes: 2025 first time ever, official vinyl reissue, 140g vinyl

Track List:

A1 Lust 7:30
A2 Sloth 7:48
A3 Gluttony 7:15

B1 Pride 5:35
B2 Envy 5:17
B3 Anger 5:50
B4 Covetousness 5:37

Release Notes:


Laurin Rinder & W. Michael Lewis's Seven Deadly Sins is a hugely influential, synth-powered, atmospheric space-disco masterpiece. It's arguably the best American Disco LP ever made. It's certainly one of the most important albums in the history of dance music. And, like its innovative producers, it's absolute genius.

During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects such as El Coco, Saint Tropez, Le Pamplemousse (with vocals from The Jones Girls), In Search Of Orchestra and many others.

Like all of their work, Seven Deadly Sins comprises beautifully arranged and incredibly well produced deep disco that is revered by aficionados. A seven track, largely instrumental concept album covering each of the sins, it was recorded for AVI in 1977. It's a brilliantly conceived, groove-fuelled album that layers moogy keys and druggy synths over club-ready rhythms. The idea that this record is celebrating rather than condemning the sins is said to be another factor that made the record a big one in the underground clubs.

Opening sin “Lust” is an intense, swelling, seven minute blockbuster synth journey. An ethereal Loft/Garage classic, it's a sprawling, brooding slice of epic dancefloor dynamite that remains a firm favourite of discerning disco heads like Harvey. So ahead of its time, it still sounds ridiculously fresh today, drifting through a multitude of melodies over a smooth, lightly percussive mid-tempo beat. A slow-mo sexy killer.

Up next, the sprightly-manic “Sloth” is nothing like its title. A driving, swaggering instrumental incorporating the same Euro-disco elements as our Daft Parisian friends did a few decades on, it's certainly not for the faint-hearted.

A clear highlight, the cosmic, throbbing proto-techno of “Gluttony” gets things firmly back on track. Pure industrial vibes with dark synth bass punctuated by uplifting melodic sequences that brilliantly utilise guitar and horns, is this the sound of Wax! Trax being born? You won't be able to get enough of this.

Opening up the B-Side, “Pride” is a breezy slice of classic late seventies jazz/funk with deft Hammond and clavinet grooves and expansive horn sections. It's absolutely fantastic. The wicked leftfield vocal cut “Envy” provides more disco pump with squelchy acid synth flourishes, funky guitar and neck-snapping percussive breaks.

The dark proto-techno/house cut “Anger” is a fully on top tour de force of drums. With heavy African percussion throughout and a short Afrobeat section towards the end, it was sampled by Carl Craig and Laurent Garnier for their Tres Demented project and was also a massive Ron Hardy / Music Box favourite. The album is rounded out by the hard-grooving “Covetousness”, another driving jazz-funk workout par excellence with liberal use of the syndrum.

As Laurin Rinder recalled in an interview with Dream Chimney, the duo essentially lived in the studio: “we really had cots, beds and the whole thing, we were just pumpin’ them out. 7 days a week, 3 different projects at the same time. I played drums on everything but had to play a little differently. I had to ask the engineer ‘What’s the name of this group?‘”.

Evidently, their prolific output was the result of a crazy cocaine-fuelled production schedule: “The amount of coke we did, to do all this, you can’t even imagine. $300 a day. I had to have plastic inserts in my nose so I could do more.” Looking at the frankly terrifying cover, you'd have never known!

Be With is beyond delighted to present the first ever legit vinyl reissue of Seven Deadly Sins, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The unforgettable cover artwork has been reproduced here at Be With - dare you stare back at it for too long?


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Double-LP

GENRE/S:
House, Deep House

TRACKLIST:
A1. The Nature Of Reality
A2. Wander Being
B1. Turn To The Music
B2. At The Feeling Level
C1. Jazz Intent
C2. Thematicism
C3. Wade Away
D1. Natural Causality
D2. In The Meadow
D3. See Urchin

SHORT INFO:
DaRand Land, who hails from the post industrial confines of Buffalo, NY was one of the leading figures of Deep4Life, a cult label known for submersible oriented, yet dancefloor-friendly productions. With ambient synth-driven tones and heavy funk basslines being at the center of his sound, DaRand Land’s music often evokes an introspective quality, without losing its groove fundamental. DaRand’s works, which span decades on deep house labels such as Downbeat, Confluence and Pulp have been described as “uncompromising” and has afforded him a passionate following of listeners who seek a more emotive, thought-provoking brand of underground music.
Teaming up once again with Scissors and Thread - the perfect fit for his sound - DaRand Land drops an album full of crafty, trippy house for the heads. Wander Being contains 10 tracks on the double vinyl release with a pair of additional tracks for the digital release. The vibe is deep and sleek, with a rough, bumping edge. The title track sets the tone, a smattering of percussion accompanying a thick, round kick drum and Rhodes chords, giving off a classic Detroit feel. Tracks like Turn to The Music ramp up the energy somewhat, but overall the tracks sit in the sweet spot between dancefloor burners and soulful, jazzy, deep cuts. Noticeable is the space given to each element across the tracks - the hi-hats sparkle, the snare snaps, and the basslines roll and rumble. Add to this the magic melodic flourishes provided by the pads and synths, reminiscent of the late Mike Huckaby in places, made this whole album a thoughtful, joyful experience.
„The genesis for the Wander Being LP”, says DaRand “was a desire to return to the essence of some of my original Deep4Life productions. How was this accomplished? Principally, through the exclusive use of hardware components, minimalist arrangement, and a minds-eye approach to source the musical elements. In particular, the single, The Nature of Reality was written to convey a sense of what it feels like to be in a state of suspended animation. There is a natural tension introduced via the organic, swirling pad progression juxtaposed against endless vocal echoes and the low-end groove of the bassline. Thematically, I wanted to carry this forward through the entirety of the album.
balancing subdued keys and strings with ethereal tones and atmospheres













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