Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

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*2024 repress*

Leon Vynehall’s beautiful ambient, cinematic race car track now reconstructed for the dancefloor…Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip.

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After the success of last year’s Fabric Presents compilation and sold-out take-over of the club in London, launch of his own label Studio Ooze with the Endless (I&II) (songs Resident Advisor hailed as “…among the best dance music he's ever made.”), and a widely lauded BBC Radio One Residency, Vynehall starts 2023 with the release of Rosebud, out March 24th as part of a double a-side offering slated for full release in the coming months. Speaking of the Rosebud, Vynehall says… “"After my Fabric Presents compilation I released Endless (I&II), and stated that I wasn't going to write 'out n-out' club music for a while. Well, it turned out I wasn't quite finished. I had a real hankering to make something that would make people banded in the same feeling – a joyful one. Different from what I have written before in its most basic emotiveness. More direct. Out came 'Rosebud'. It's a product of many positive moments and memories from seeing friends and peers play in the summer of 2022”

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Leon Vynehall follows his second album Rare, Forever that landed in many of 2021’s Best Album charts with a spot on the ‘fabric presents’ series. His mix bursts with exclusives from collaborators Skee Mask, Or:la, Gaunt, Avon Blume and Ehua, and his own ‘Sugar Slip (The Lick) that merges a garagey bassline with euphoric moments of 90s trance. The compilation opens with a spoken word introduction from Wesley Joseph, and proceeds effortlessly through ambient from artists Zebrablood and Newworldaquarium, hip-hop (from Wax), breakbeat, the dense dub of Mala and the Afro-Portuguese edge of house with tracks from Bubas Produçoes and A.k.Adrix. Vynehall displays his unique ability to weave together different genres and textures in a way that is technically fascinating while still warm and very listenable.


Tracklisting:
A1. Leon Vynehall - Sugar Slip (The Lick)
A2. Or:la - Allaballa
B1. Skee Mask - Untitled 279
B2. Ehua - Helios
C1. Avon Blume - South Bermo
C2. Gaunt - Raw Cartoon
D1. Piero Umiliani (Zalla) - Produzione
D2. Ana Roxanne - Suite Pour l’Invisible

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Debut album Nothing Is Still on black heavyweight vinyl.Plus accompanying Novella co-written by Leon Vynehall and 60 x 40 poster housed in a hard back box. Includes download code.
Following on from 2 critically acclaimed double EPs in Music For The Uninvited & Rojus, Leon presents his first album proper, expanding on his already well crafted sound to offer an exciting and immersive sonic journey. The album follows a multi layered and ambitious narrative inspired by Leon's grandparents emigration to New York, where they spent nearly a decade living throughout the 1960's.
The story is presented over four different mediums, Literature, Music, Film, and Photography, culminating with a live experience bringing each element together to form a modular and multi-faceted campaign.
As mentioned above, this is a multi-faceted campaign & accompanying the LP will be a Novella written by Leon & his friend. Inspired by the mood and feeling of each chapter of the Novella, Leon has composed music conveying the mood, emotion and flow of the writing which form sonic representations of the narrative. As a scene is set in the literature, or the mood and pace of a chapter changes, so does the music, so every shift in dynamics cleverly complements the writing.
In addition to writing, composing, playing and producing this album, Leon conducted a 10 piece string section headed by arranger and composer Amy Langley. Vynehall also called upon saxophonist and flautist Finn Peters, and jazz pianist Sam Beste to provide additional playing, all mixed with Blue May at the legendary Konk Studio.
The result is an album which displays Vynehall's growth and maturity as a musician and sees him release his first proper debut LP as a fully fledged artist.

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Repress!
Leon Vynehall makes his debut on the Clone Royal Oak Series with the already much anticipated track ''Butterflies''

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I ?rst met Leon Vynehall in Berlin before a gig at the amazing About_Blank. We had a fun conversation and he played a really good set that night. Much later I realized I had been playing one of his tracks ("Total S") for ages! We stayed in touch and I asked if I could hear some of his new music. He sent me ?ve tracks and I signed four, that's a pretty good score if you ask me! Smart and conscious about his music and his output, I think this EP is really only the beginning for Leon Vynehall. I'm glad I'm able to give it a platform and share these amazing tracks with you. Also special props to D&M for doing a great mastering job on these..



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Repress!

Welcome to “Through Lines”, a collection of hand picked tracks by genre nomad and bass innovator Martyn, made between 2005 and 2015, carefully recovered and remastered for vinyl and digital release on 3024. Previously only available on 12” across a scattering of different labels, this set includes essential ‘Martyn Music’ (as the producer likes to classify it); tracks like “Vancouver” (A 140 staple to this day), “Mega Drive Generation” and his classic remix of TRG’s “Broken Heart”, as well as deeper cuts like the rare “Friedrichstrasse” and house gem “For Lost Relatives”.

This is not just a compilation of remastered music, it’s a document of an era of UK inspired dance music where ideas, genres, tempos and scenes seemed to rapidly merge and splinter off. An exciting time where producers constantly tried to one-up each other with new ideas and influences, in a vibrant international scene of small club nights from FWD>> and DMZ in London to Red Zone (co-run by Martyn) in the periphery, the earliest online forums like Dubstepforum and radio shows like Dj Flight’s BBC 1xtra show and Mary Anne Hobbs’ Breezeblock. Innovation in music never happens in a vacuum and is always a product of community, producers, writers, and other makers continuously inspiring and pushing each other to come up with the next thing. This ethos is present in all of Martyn’s music throughout the years, but also in his work with Jeroen Erosie as 3024 and within the 3024 Mentoring Program he runs today.

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London-based producer Otik releases his first album 'Cosmosis' on Martyn's label 3024. The 11-track LP signifies the fourth album on the imprint across its ten-year tenure, showcasing a more introspective side to Otik's musical output.

The album leans into delicate melodies, hazy atmospheres and lush analogue sounds, often evoking blissed-out feels and ripples of brilliant colour. Produced three years ago during lockdown, 'Cosmosis' comes after a period of spiritual struggles, where Otik questioned his faith, religious beliefs, and the concepts of right and wrong. While the pandemic allowed ample time for reflection, Otik translated these thoughts into music from his Peckham-based studio, later finding a home on 3024's evolving discography.

Following Otik's EP 'Soulo' in 2021, 'Cosmosis' marks the second release from the Bristol-born DJ and producer on 3024. This time, his sound stems from a broader palette, touching on slower, aerated ambient notes through to rugged D'n'B, displaying the far-reaching breadth, vision and maturity of Otik's aesthetic.

Keen to release a body of work that explores the journey of enlightenment and the struggles to get there, Otik drew inspiration from the luminary filmmaker Terrence Malick and how Malick portrayed ideas and philosophies in films like The Tree of Life and Voyage of Time. As a result, the record conveys a compelling narrative of rebirth, told through exquisite sound design and a push-pull pace that oscillates across the album.

The lead single 'Cosmosis' binds astral breakbeats with a star-lined melody stitched against a spacious backdrop. Sparse, celestial vocals punctuate the soundscape and add a spiritual feel, culminating in a dazzling trip at just over five minutes.

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Repress!
Label owner Martyn teams up with fellow bpm- and genre-nomad Om Unit for four switch stance dance numbers.

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Repress!
Melbourne producer Pugilist hitting hard with a four track EP for these dark days.. As you may be used to by now on 3024, the artist showcases his wide ranging pallette of styles and flavors, and "Blue Planet" is no different. The title track is a slinky UKG informed dub roller reminiscent of early Shed. Acid Flange is a menacing 8am (or later) track for the deeper dancefloor or headphones. Pugilist's collab with Tamen is on a uplifting dnb tip and as a digi only extra we have "Quick Fix", a slinky Detroit electro piece.

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Washington DC's very own Djoser steps up for 3024 with a solid EP of electronic bass mutations for the body and the soul

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Yak returns to 3024 for a widely varied EP of his signature percussive flavors. Kicking off the EP is the neo UKG flex of "Dire Hit", with its frantic drum programming and hypnotic themes. "Esper" is Yak in a 165bpm workout, and do not underestimate the spacey beauty of "Knothole", reminiscent of some of the 90s best Warp IDM. Tip!

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After a stunning debut EP on Whities, Italian-born London resident Anunaku (aka TSVI) continues his quest for international drum domination with "Stargate": Three percussive workouts that are both contemporary and body moving, exploring different parts of the drum spectrum.

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After years of releasing other artists on the label, Martyn returns to 3024 himself with two brand new tracks. Properly reflecting the music he has been DJ'ing out recently, these are two high energy drum workouts that can go straight in the bag. One Eye is an electro based melodic builder, while Nerve Centers is heavily inspired by a more international Drum sound, forwarded by producers such as Noire, NKC, Ahadadream, Principe crew etc.

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3024 returns for another action packed V.A. EP with tracks from label head Martyn, UK Hard Drum master NKC, Washington DC local Djoser and an unreleased gem from Jacques Greene!



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3024 is back with another fully loaded release bringing together an unlikely band of artists into a surprisingly coherent Various Artists EP. Label owner Martyn kicks off the show with the twisted UKG reese bass roller "Frozen Bread Snaps", followed by a nifty dnb workout by Sin, Gremlinz & Jesta called "Door of Guf". The flip features UK "hard drum" master Noire with the headzy "Ballas" and last but certainly not least there's the sonic bliss of "Dusty Glass Bubbles" by the inimitable Parris. Enjoy!

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Yak presents his first solo EP on the 3024 imprint! Three intricate percussive excursions showcasing this man's amazing talent. Rhodes Island is a vibey drum 'n bass number with dazzling edits and beat trickery, reminding us of the legacies of Nucleus and Paradox while still sounding extremely 2018. Don Greno is a more garage influenced roller that has been doing the rounds as a dub on Rinse. Ocean Floor is a sluggish, dubbed out drum groove perfect for those late night early morning vibrations.

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3024 is back with a quintessentially unique and current take on the hardcore continuum with a brand new Various Artists EP featuring music by label head Martyn, advanced percussive science by Yak, midsummer melancholy by Baltra and avant-techno by the Manchester/Berlin duo Juniper.

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After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

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After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

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The second chapter of this young Danish talent's Spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of Belgian labels like R&S and Buzz.

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Dutch power duo Doms & Deykers a.k.a Steffi and Martyn step up to the plate with a brand new action packed offering. Following up their "Fonts for the People EP" and their track "Whirling" on Ostgut Ton's Zehn LP, the two take their continuous collaboration to a new level. The three tracks on "Dedicated to those who feel" see Steffi and Martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. "Dedicated to those who feel" serves as the introduction to a full length Doms & Deykers LP, scheduled for later this year.

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These three vibrant little nuggets of funk are the introduction to Erosion Flow's ambitious Spectrums series. Artwork by Erosie (no relation)

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The illustrious duo Doms & Deykers debuts on 3024 with this three song "Fonts for the People" EP

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