Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart. More

*2024 repress*

Leon Vynehall’s beautiful ambient, cinematic race car track now reconstructed for the dancefloor…Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip. More

After the success of last year’s Fabric Presents compilation and sold-out take-over of the club in London, launch of his own label Studio Ooze with the Endless (I&II) (songs Resident Advisor hailed as “…among the best dance music he's ever made.”), and a widely lauded BBC Radio One Residency, Vynehall starts 2023 with the release of Rosebud, out March 24th as part of a double a-side offering slated for full release in the coming months. Speaking of the Rosebud, Vynehall says… “"After my Fabric Presents compilation I released Endless (I&II), and stated that I wasn't going to write 'out n-out' club music for a while. Well, it turned out I wasn't quite finished. I had a real hankering to make something that would make people banded in the same feeling – a joyful one. Different from what I have written before in its most basic emotiveness. More direct. Out came 'Rosebud'. It's a product of many positive moments and memories from seeing friends and peers play in the summer of 2022” More

Leon Vynehall follows his second album Rare, Forever that landed in many of 2021’s Best Album charts with a spot on the ‘fabric presents’ series. His mix bursts with exclusives from collaborators Skee Mask, Or:la, Gaunt, Avon Blume and Ehua, and his own ‘Sugar Slip (The Lick) that merges a garagey bassline with euphoric moments of 90s trance. The compilation opens with a spoken word introduction from Wesley Joseph, and proceeds effortlessly through ambient from artists Zebrablood and Newworldaquarium, hip-hop (from Wax), breakbeat, the dense dub of Mala and the Afro-Portuguese edge of house with tracks from Bubas Produçoes and A.k.Adrix. Vynehall displays his unique ability to weave together different genres and textures in a way that is technically fascinating while still warm and very listenable.


Tracklisting:
A1. Leon Vynehall - Sugar Slip (The Lick)
A2. Or:la - Allaballa
B1. Skee Mask - Untitled 279
B2. Ehua - Helios
C1. Avon Blume - South Bermo
C2. Gaunt - Raw Cartoon
D1. Piero Umiliani (Zalla) - Produzione
D2. Ana Roxanne - Suite Pour l’Invisible More

Debut album Nothing Is Still on black heavyweight vinyl.Plus accompanying Novella co-written by Leon Vynehall and 60 x 40 poster housed in a hard back box. Includes download code.
Following on from 2 critically acclaimed double EPs in Music For The Uninvited & Rojus, Leon presents his first album proper, expanding on his already well crafted sound to offer an exciting and immersive sonic journey. The album follows a multi layered and ambitious narrative inspired by Leon's grandparents emigration to New York, where they spent nearly a decade living throughout the 1960's.
The story is presented over four different mediums, Literature, Music, Film, and Photography, culminating with a live experience bringing each element together to form a modular and multi-faceted campaign.
As mentioned above, this is a multi-faceted campaign & accompanying the LP will be a Novella written by Leon & his friend. Inspired by the mood and feeling of each chapter of the Novella, Leon has composed music conveying the mood, emotion and flow of the writing which form sonic representations of the narrative. As a scene is set in the literature, or the mood and pace of a chapter changes, so does the music, so every shift in dynamics cleverly complements the writing.
In addition to writing, composing, playing and producing this album, Leon conducted a 10 piece string section headed by arranger and composer Amy Langley. Vynehall also called upon saxophonist and flautist Finn Peters, and jazz pianist Sam Beste to provide additional playing, all mixed with Blue May at the legendary Konk Studio.
The result is an album which displays Vynehall's growth and maturity as a musician and sees him release his first proper debut LP as a fully fledged artist. More

Repress!
Leon Vynehall makes his debut on the Clone Royal Oak Series with the already much anticipated track ''Butterflies'' More

I ?rst met Leon Vynehall in Berlin before a gig at the amazing About_Blank. We had a fun conversation and he played a really good set that night. Much later I realized I had been playing one of his tracks ("Total S") for ages! We stayed in touch and I asked if I could hear some of his new music. He sent me ?ve tracks and I signed four, that's a pretty good score if you ask me! Smart and conscious about his music and his output, I think this EP is really only the beginning for Leon Vynehall. I'm glad I'm able to give it a platform and share these amazing tracks with you. Also special props to D&M for doing a great mastering job on these..

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