Release : 09.12.2013
Tracklist : A1: Subversive A2: Spacey B1: GAT B2: L.T.B.C.Y.B
An unexpected treat for you all: here at Recognition HQ we happened to find some
boxes containing all remaining copies of "Repetitive Digital Noise" by I, a.k.a.
AtomTM! Four tracks of timeless, minimal, acidic techno recorded in 1992 and rereleased
- for the first time on vinyl - on Recognition in 2006.
As these tunes are still making rounds in DJ sets of, among others, Marcel
Dettmann, Ben Klock or Nina Kravitz, we thinks it's the great opportunity to get hold
of some of the most archetypical tracks that helped to shape techno as we know it
today…
AtomTM is about to release a new EP via Ostgut Ton (with .tobias), and his split with
Recognition boss Jacek Sienkiewicz, an homage to Richard Wagner, is still available
as well.
Last remaining copies - don't sleep on this!

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2025 Repress

Territories: World excl. UK

FORMAT 12" 180g vinyl

TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49

RELEASE INFO:

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.


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2022 repress

Format Notes: 180g vinyl, mastered from the original tapes

Track List:

A1 : Karam Bani (4:27)
A2 : Them Yebtheyet (5:12)
A3 : Ku Ka Maria (2:45)
A4 : Advice From Father (5:47)

B1 : Iro Le Pa (4:55)
B2 : Ye Koaba (4:27)
B3 : Peace (3:00)
B4 : Oh! Africa (5:37)

Release Notes:

A surefire Afro-Funk classic, long treasured by collectors across the globe, the fantastic self-titled LP from Ghanaian singing/percussion sensation Sidiku Buari nevertheless remains a criminally hard-to find gem. We’re honoured to present the first ever officially licensed vinyl reissue of this undoubted masterpiece.

Originally released on RCA in 1975, this is, quite simply, a ridiculous record. This super-rare album boasts an all-star cast of top funk instrumentalists playing alongside Buari as he blends heavy African rhythms with American soul-funk grooves. The arrangements and the playing are incredibly tight and the album is stacked with killer tracks including “Advice From Father” (sampled brilliantly by Kenny Dope) and “Ku Ka Maria”, with its intense, neck-snapping breaks and funky drumming from legend Bernard ‘Pretty’ Purdie. Purdie is in the pocket for the entirety of this stunning LP - the drumming is just straight out of hand; so varied yet so precise.

It’s not hard to fathom why these tracks have always been huge on the b-boy/breaking scene. Other standouts include the wonderful disco-tinged afro monsters “Karam Bani” and “Iro Le Pa” plus the cool laidback groove of “Them Yebtheyet”.

With access to the original analogue tape transfers, the stellar mastering by Simon Francis elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g.


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2026 Repress

FORMAT 2LP black vinyl, full printed sleeve, download code

TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05

Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood

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Territory: EU (excluding France & UK)
GATEFOLD LP incl CD - "Garden of Love" one of the first single tracks feat Peter Hook (New Order)

On the cover of their new album Malamore, their first album for Because Music, Lionel and Marie Limiñanas are back in black, and looking ineffably cool, standing next to a classic silver Fifties trailer, shot at a beach festival in the French town of Paulilles by the Spanish border, just 30 minutes drive from the duo's home town of Perpignan. They'd been playing a DJ set, "only with 45 rpm vinyl - Sixties punk, Italian pop, movie soundtracks and Seventies rock tracks," they recall. "The picture syncs well to the colour of Malamore, like the artwork of a movie soundtrack. The lettering on the cover is significant too."

The content of their DJ set, and the fact that Malamore is also the title of a 1982 Italian film and a word that describes an obsessive brand of unrequited love, are the keys to unlocking The Limiñanas, one of France's most beloved treasures, and their latest and greatest album, rooted in garage-punk but with the flair and range of a movie soundtrack: Serge Gainsbourg, meets Yé-Yé meets Phil Spector, the Nuggets compilations and early Stooges and Suicide albums meets the Sixties film genres of Commedia All'italiana and FrenchNouveau Vague, while sounding only like The Limiñanas. "We integrate a lot of different influences," Marie and Lionel declare, "but most of the time, it's unconsciously, and very naïve."

Malamore, like its 2013 predecessor Costa Blanca, is even structured like a soundtrack, "or a reading book record, like we had in our childhoods,' the couple explain. "With Malamore, we were thinking of Sixties Italian sketch movies: Dino Risi'sLes Monstres [The Monsters] is a great example. The main idea is a story with a start and an end, which can be linked even if they exist in different universes. Everything here is about love stories - thwarted love, aborted passions, funny or dramatic. But our album isn't directly related to the Italian movie, we just found the title adapted to our record, and the title alone sounded really good!"

As usual, Marie is on drums and vocals, and Lionel on guitar, bass, keyboards and vocals, but Malamore also features a stable of guests. Their high school friend Guillaume Picard sings on four tracks; Nika Leeflang, who is part of The Limiñanas' live incarnation, and Sarah McCoy, also sing; Laurent Sales plays bouzouki; Nicolas Delseny plays some epic acid-fuzz guitar; Franck Mengin plays the 'Stoogie' drum on "Zippo"; Pascal Comelade (with whom The Limiñanas collaborated on the 2013 instrumental album Traité De Guitarres Triolectiques À L'usage Des Portugaises Ensablées) wrote, and plays INSTRUMENT on, the closing instrumental "The Train Creep A-Loopin'", which sounds exactly like it reads.

But the most notable guest features on the duo's favouriteMalamore track, the hypnotic, dreamy "Garden Of Love": on bass and chorus vocals is none other than the legendary Peter Hook. "We are huge fans of Joy Division and New Order, and Peter completely transformed the song," Marie and Lionel say. "We are really proud of the song, and that he agreed to spare us a little bit of his time."

There are other legends on Malamore, such as The Kingmen's garage classic "Louie Louie" (one of Lionel's all-time favourite singles) named in the hypnotic "The Dead Are Walking" and actors Robert Mitchum and Robert Duvall referenced in the pulsing title track: "Our story needed two tough characters who were ready to fight, to take revenge on an flouted honour. Think of Duvall in The Godfather or Apocalypse Now, and Mitchum's psycho from Cape Fear or Night Of The Hunter!"

Shifting from dramatic scene to scene, Malamore - just like The Limiñanas themselves - is a magnificently moody experience, music for the ears and the eyes, and quite unlike any other record you'll hear in 2016.


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No Return!

Limited, Vinyl Only, Mastered by DJ Steaw, Mixdown by Matt Flores.
Made in Europe

A1: Flesh to Flesh
A2: Kiss Kiss
B1: Set Me Free
B2: You Like it We Love it


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Genre: House, Microhouse

Tracklist 12":

A1 I Kid You Not
A2 Up The River
B1 The Nothingness


Short Info:
Twisted House patterns for Sundays or Mondays when your mind has become calm, you have arrived in the Now and your phone remains in your pocket.

VITAL SALES POINTS:
First Mountain People Vinyl since the Fall of 2023




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GENRE/S: Disco, funk, house

TRACKLIST:
A1. Come on People
A2. Fire & Desire
B1. Say No No
B2. The Streets

SHORT INFO:
4 dancefloor-certified groovy cuts. Mega tip for selectors!




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2LP

A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II

B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit

C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada

D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope



NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.






















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No Returns!

Shadow Pressings hits release number 3 with a fully stacked EP from Detroit luminary Mike Agent X Clark. Founding father of the Beatdown sound, Mike’s productions can be found on labels such as Third Ear, Planet E and Shockwave Records as well as being a member of the Underground Resistance crew.

For his Shadow Pressings debut Mike has conjured up some classic house tracks with his trademark Detroit touch. Lead track In The House Club features the spoken word of fellow Detroit native Dr. Tinglefingers who lays down his call to the dance floor making for a solid slice of raw, minimal, classic house music. Jimpster gets busy on the remix working up a similar mood to that of his evergreen 2005 remix for Delano Smith’s Message For The DJ. Keeping all the elements in place, Jimpster thickens up the stabs with extra Rhodes and adds some choice touches to keep the energy bubbling nicely.

Get Up is just the kind of stripped back, bass-heavy drum tool that Ron Hardy might have worked the dancers into a frenzy with at the Muzic Box. Closing out the release we have Fresh Air which keeps things deep and minimal for a proper heads-down, no nonsense basement jam with that authentic Agent X flair.

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Tracklist:

1. Cherry
2. Blush
3. Grasshopper
4. Brown
5. Bubbles
6. Old Vine
7. Jaune
8. Summer Rot
9. Hogshead
10. Legends
11. Botrytis
12. Daddles


Short info:

Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.

Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.

A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.




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