2024 repress, full cover, same set up as before

Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer


Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.

All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More

UPC/EAN: 827170576162
Tracklisting:
A1 Nowhere Is A Place B1 Manhattan B2 Dark & Stormy
Info:
Two years after his "In A Rush" EP, Lawrence is back on Smallville with another release dedicated to the island of lunacy and love: Manhattan! Approved by visionary dancers from all around the globe, Smallville41 presents three enthusiastic tracks- the pulsating tech-jazz ballad "Nowhere Is A Place",
the title track featuring Ghostly International's most wanted Heathered Pearls and a particular forward stepping bouncer sending greetings from Sten. The cover artwork shows Stefan Marx's favorite flower shop on Hester Street, Manhattan.
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UPC A Barcode: 827170486867 Releasedate: 18.02.2013
Tracklisting: A1 In A Rush B1 Tangled Track
Lawrence is always in a rush. Running Dial Records, Smallville and Laid with his friends, being part in an awesome arts gallery, jamming some outerspace music with his mates RVDS and Christian Naujoks, DJ-travelling around the globe: How can he ever find the time for producing high quality House Music!? Between the floors on any Shinkansen Express, TGV or intercontinental flight Lawrence draws music scetches- still highly influenced by the night outs from Nagasaki to New York. Smallville 34 prooves once more how far you can go with some wonderful inspiration. Simplicity meets beyondness, confusion meets love. Be in a rush to just arrive back dancing your life away.

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For almost as long as there have been DJs, there have been DJ tools: Bonus beats, acapellas and ambient overlays have long been the stock in trade of selectors interested in more than simple crossfades from outro to intro. But back at the beginning of 2007, Luciano put a new twist on a triedand- true idea with No Model No Tool. The inaugural release on Cadenza Split Composition, a sublabel of the iconic Swiss imprint, No Model No Tool revitalized the recombinant concept, offering DJs a selection of readymade miniatures that worked like sonic building blocks—oddly-shaped bits and pieces designed to be stacked and shuffled to the DJ's delight. In retrospect, it was a prescient move: the past few years have seen a resurgence of interest in layering, looping and Lego-like play, thanks to the rise of CDJs, Ableton and Traktor/Serato Scratch. And now, at long last, Cadenza Split Composition returns with another grab-bag of toys and tools designed to inspire. CSC02 showcases the architectural talents of Alexkid, a veteran of the French electronic scene and staple of Laurent Garnier's F Communications label, who delivers a set of origami blueprints that practically beg DJs to get their hands dirty. The A- and B-sides serve as the twin foundations: Both "El Cinco" and "Mocco" offer loose and lanky rhythms, rich with crystalline details and crusted with dubby delay. The chugging "El Cinco" might remind you of Wolfgang Voigt's classic studio 1 project, while "Mocco" follows a corkscrewing groove through a psychoacoustic hall of mirrors, all face-melting harmonics and throbbing oscillators. Both cuts more than hold their own as standalone tracks, in fact, but the second vinyl offers ample opportunities for more mischievous mixes. On side C, "Instrulentro," "Lampara" and "Fosforo" are oozy, woozy drones, reminiscent of a seasick Subotnick, while "Sheiker" coaxes supple, unquantized rhythms from a disintegrating gourd. Side D, meanwhile, pops the top on a bottle full of spirits, unleashing eerie whistles, Banshee sighs and lilting female vocals. Recalling the Electronic Voice Phenomena (EVP) of early 20th century ghost recordings, they turn these easygoing grooves into something approaching haunted house. More