Ahead of an interestingly cheeky release schedule in 2023 from Seven Davis Jr., collaborators and fellow associates on Secret Angels Records, we present to you “savedbythebell”. Described as a vibey intermission project. Music you might hear on an elevator ride inside a massive mothership that’s traveling through multiple dimensions. Sounds from an 80s themed alternate timeline. There are no rules here. There are no one set descriptions and multiple meanings abound. Although this be more of an instrumental adventure with only one song (chorus and verses etc). Its all interdimensional vibes. Featuring 5 fresh tracks produced within in the last 2 years by Sev. (who previously had the habit of releasing mixtures of older tracks/reworked
demos along with new songs). And with all releases from Seven Davis Jr., this one picks up where the previous ended. Sev’s 2021 song based album “I See The Future” left us with an unpredictable track titled “New Life Who Dis”. This ep introduces us to forthcoming new sounds from that new life. Not just for dance floors, also for “chillen” or lounging on a nice day, or disassociating in the depths of a wormhole, or at an after hours where everyone’s faces are on fire and no one ever sleeps! We hope you enjoy and if you do, please play it, share it and reach out to let us know so we can be friends. Because we aren’t jerks, we swear. At least not in this timeline.

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7 years after debut album “Universes” on Ninja Tune, Seven Davis Jr. returns with the official follow up titled “I See The Future” on his own Secret Angels imprint. The 11 song adventure provides a fun concentrated blend of deep house, soul, disco, funk, electronica and underground textures. The album brings together Sev’s different flavors into a finely aged familiar yet new atmosphere. First two tracks “Records” featuring L3ni (member of Natasha Diggs Soul In The Horn collective in New York) and “U Already Know” featuring bassist Neil White (half of Canadian Rock duo The Carps), were originally produced in London early 2016 at a studio provided to Jr. by Domino Publishing located in the basement of a run down home rumored to formerly belong to The Rolling Stones. Title track “I See The Future” was produced in Houston Texas early 2017 and features fellow Texan Oye Manny (Sure Shot, Secret Angels), who co-produced the track. “Figure It Out” featuring LA soulful house DJ Juliet Mendoza (Dusk Recordings), was recorded early 2021 post-lockdown. While “Escape The Matrix” was a demo produced around 2013 then reworked in 2020. “Share Your Toys” featuring Toribio (front man of NYC live band Conclave), “Boys & Girls” and “N’Joy” were all produced in Los Angeles late 2019 pre-covid. “Mission Completed” was produced during 2020 in Seattle Washington, where Sev spent lockdown. “Let’s Travel...” the most recent of the recordings, was produced in Houston Texas over the summer of 2021 in a hotel room during a road trip. Closing track “New Life, Who Dis” was produced in early 2019 and has a different origin. The moody instrumental was first made for a celebrity that Sev had been invited to ghost produce for. We cannot mention said celeb (because, NDA). After many sessions it became clear the celeb only wanted criminally watered down and copy cat ideas. So Sev respectfully declined the invitation and decided to save this track for something special.

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Part Two of the "Sev Was Here" series. While Part One playfully flirts with edgy club bangers. This follow up continues with 4 new dance floor love songs.

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Singer, Producer and DJ Seven Davis Jr returns to his underground Soulful and House roots while fusing flavors from various era's in this uptempo sophomore album. "Live From The Other Side", plays like the soundtrack to a lovely weekend with visual designs inspired by underground festival culture and contemporary art. Dedicated to his fans, Sev hopes this album will conjure up good vibes and enhance sessions, from living room to club, for generations.


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The second release on Kutmah's IZWID imprint is a rare collection of bugged out electronic soul from the Los Angeles-based vocalist, producer and poet, Seven Davis Jr. "The Lost Tapes Vol. 1" spans 12 years of experimental, cosmic out-of-body-and-mind music, of mostly four and eight track recordings once lost in storage via a lengthly hiatus due to drug addiction and depression. Resurfacing in 2012, Seven Davis Jr.'s 'Thanks' appeared on Kutmah's much lauded "Worldwide Family Vol. 2" compilation on Brownswood Recordings, after which the kaleidoscopic artist released the clattering funked beats of "Lo-Fi Vintage" and house-inspired "One" EP. For IZWID, "The Lost Tapes Vol. 1" is a creative blueprint for Davis Jr.'s brilliantly unorthodox approach with his beautifully raw drums and psychotropic harmonies. "I made a lot of this music many years ago and other labels and artists hated on me for it," says Davis Jr. of the lost tapes. "They said it was too weird, too different, sounded like drug music (it was) and they told me I was going to hell, for 'Pornostar'. Years later; new life, new city, new day and age. I found the music again, which I never stopped loving and decided to send it all to Kutmah.


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Classic is incredibly pleased to announce that a certain man of the moment has joined the Classic family. ‘One’ was brought to the attention of Classic when it featured on vinyl only release late last year. Ears pricked up and more information was sought. Who was this man from nowhere - producing music that was modern yet soulful, funky - and best of all coupled with his own vocal talents. Luke Solomon then championed not only ‘One’, but the general excitement surrounding something that ticked all of his boxes. Reminiscent of the old Classic sound that reminded him of Iz and Diz, Losoul and the like… Seven was approached and not only offered Classic ‘One’ to re-release, but two brand new cuts featured exclusively here. An EP aptly entitled ‘Friends’ is the freshest thing that has been around for some time - and Classic are proud to welcome Seven into their ever expanding family.


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Two years after his ?Apron Records debut in 2017, ?Molinaro makes a poignant return to Funkineven?’s forward-facing label. ?What The Future Was is both an ode to personal growth and a reminder of the responsibility to keep the tradition of musical trailblazers alive.
What The Future Was is the result of 10+ years spent honing his craft and home studio into his finest, most progressive work to date. Fans of his APRON35 debut will find home in the rugged, cosmic ruckus of “EMBER”, “PURITY” and “THE PNEUMA”. Elsewhere, tracks like “AEVEA FOREST”, “ENTITY” and “HER THEME” expose a more vulnerable and tender side to his growing palette of sound and feeling.
In a world where online personalities and reach are increasingly glorified more than ?actual skill, hard work and talent, Molinaro has ?constructed an alternative, sonic utopia where soulful, groove-based music is the antidote

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Producer, DJ and visual artist, Dreams, has become a standout voice in the Los Angeles electronic landscape. The following he’s amassed locally is due, in part, to his own imprint, Private Selection, who’s focus so far has been split between releasing music and throwing events. An ethos that runs through both the his music and parties is indebted in part to house and techno, but also industrial, resulting in a mutated take on dance life forms that is becoming increasingly recognizable in his own records and DJ sets.

Dreams’ first 12’, ‘Twisted Karma’, came out in 2015 via Private Selection. Most recently, he released a record which saw light through Greek Imprint Nous Disques, and now, Apron Records.



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AshTreJinkins is a Compton based Producer and DJ. Known for his involvement with the Low End Theory community for years, he has now taken a new form into the world of uptempo electronic music. With his “ Fruit in Failure EP”, Tre dives into the fruit of sound with vibrant synths and wholesome melodies. Starting from the deep, into the soulful, and onto the future.


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Since his first release in 1997, Hanna has been a body of art with the agenda of putting ambiguous chord structures and harmonies into an electronic music envelope. The more popular works lying in the deep house and techno genre. The Apron release called The Never End, opens and closes with ambient pieces without drums or percussion with strange titles ''Being'' and ''When'' which are improper adjectives or nouns that symbolize the ambiguity of the chords and beauty of the sound. The other 4 pieces nudge previous unique Hanna minerva that makes this a special and impressive release.


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Hailing from the UK, Tokyo-based J M S KHOSAH drops his debut EP on Apron. J M S Is the joint owner of NCA with Apron's 'Brassfoot'



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Simbad (aka SMBD) is a stalwart of the underground music scene in UK and because of his vast arrays of releases it's very hard to put him into any box or music category. Since his 2007 album Supersonic Revelation & his worldwide acclaimed dancefloor hit Soul Fever, the London based frenchy has been constantly travelling the five continents entertaining delighted clubbers with his super energetic dj skills or producing and recording various artists from many different genres including deeper Dubstep don Mala (DMZ), UK Hip Hop star Roots Manuva, Cuban songstress Dayme Arocena, Detroit House producer Kai Alce, Berlin based deep Techno artist Fred P, Seun Kuti from Afrobeat's most famous family, Brazilian superstar artist/actor Seu Jorge and being production mentor for the king of cool, radio DJ Gilles Peterson (who made him one of the resident at his Worldwide Festivals). With the Moon Theory EP Simbad demonstrates his talent on some deep analog frequencies for the very solid & ever growing label that is Apron Records. As the music wizard puts it himself : ‘im just trying to make some timeless shhhhh man, soul in all forms really, trying anyway ! And I guess that the best is yet to come.


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Montreal's Adam Feingold returns for his 2nd release on Apron!


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The fallen angel. The rebellious soul expelled from the pearly gates and forced to live in hell among mere mortals for eternity. Here they endeavour to condition and corrupt everything around them; a bold middle finger aimed in the direction of its former home in the promised land. Now imagine a soundtrack to this tragic tale. FunkinEven—also known as Steven Julien— has made just that with his debut album Fallen. Split into two contrasting chapters, Fallen follows the trail of our main character. The first six songs introduce us to utopia; a collection which is matched by the light and airy tones of this initial set. The twist comes right down the middle, where we descend into the project's darker, hellish bogs. Both episodes intertwine seamlessly, and all composed, written and produced by Steven himself. Julien plays the majority of the instruments you hear on the record, using session musicians — including three appearances from Hercules on bass — sparingly to plug any gaps. All the above choices combine to emit a contagious warmth that blankets the whole record. Within the dozen tracks, he jumps between everything from jazz fusion to techno. It's easily his best work to date. Steven Julien first surfaced in 2009 with a refreshing sound unlike many of his contemporaries. While his peers flirted with R&B, abstract grime and whatever else, Julien forged his own path; one which partnered an organic, analogue sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, he eventually formed his own label, Apron Records, which has become a reliable outlet in its own right; not only for his own workings, but also as a home base for talents like Seven Davis Jr and Greg Beato. He's also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil. Comes in special double front sleeve - flip it!!


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L.M.Y.E. (Lend Me Your Ears) are two Bristol based friends who met via the Idle Hands record shop which is central to the city's burgeoning house scene. The pair combine their love for digging with a taste for the sound of classic 70's and 80's studio hardware.

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New Apron artist 'Bastien Carrara', Parisian bad boy beats the hell out of his MPC & records onto tape.. Out 3rd May 2016


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Brassfoot's first two outings on Apron - the Lord Tusk hook-up Space Invaders, and last year's untitled EP - were typically unfussy. "Unlucky Charms", the opening salvo of this third release for Funkineven's imprint, takes a similar approach, with vintage electro motifs underpinning distorted percussion and wild electronics. Elsewhere, his trademark fuzziness is applied in a number of contrasting ways, from the clanking, locked-in, rave-inspired throb of "Retune & Runaway", to the bizarre sonic assault that is crusty closer "Black Pow Wow". For pace purposes, he also offers a breather in the shape of jazz-tinged deep house shuffler "Lost In The Sauce".

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The mighty Shanti Celeste makes her debut for Apron, backed by a killer edit from the one and only Funkineven on the flipside

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Apron return with Lord Tusk & Brassfoot in tow for this damaging split 12". Lord Tusk steps up with the colossal, elephantine beats of "Space Invaders", while Brassfoot brings the raw with "Foxhole" & "Chugginville".

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After a knock-out disc for Jay Simon's Must Have Records, Seven Davis Jnr steps into the Apron fold with four foot-stomping party cuts.

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Fierce and emotive machine jams from St. Julien. Elements of acid, industrial and cold wave styles

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