Two years after his ?Apron Records debut in 2017, ?Molinaro makes a poignant return to Funkineven?’s forward-facing label. ?What The Future Was is both an ode to personal growth and a reminder of the responsibility to keep the tradition of musical trailblazers alive.
What The Future Was is the result of 10+ years spent honing his craft and home studio into his finest, most progressive work to date. Fans of his APRON35 debut will find home in the rugged, cosmic ruckus of “EMBER”, “PURITY” and “THE PNEUMA”. Elsewhere, tracks like “AEVEA FOREST”, “ENTITY” and “HER THEME” expose a more vulnerable and tender side to his growing palette of sound and feeling.
In a world where online personalities and reach are increasingly glorified more than ?actual skill, hard work and talent, Molinaro has ?constructed an alternative, sonic utopia where soulful, groove-based music is the antidote

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Producer, DJ and visual artist, Dreams, has become a standout voice in the Los Angeles electronic landscape. The following he’s amassed locally is due, in part, to his own imprint, Private Selection, who’s focus so far has been split between releasing music and throwing events. An ethos that runs through both the his music and parties is indebted in part to house and techno, but also industrial, resulting in a mutated take on dance life forms that is becoming increasingly recognizable in his own records and DJ sets.

Dreams’ first 12’, ‘Twisted Karma’, came out in 2015 via Private Selection. Most recently, he released a record which saw light through Greek Imprint Nous Disques, and now, Apron Records.



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AshTreJinkins is a Compton based Producer and DJ. Known for his involvement with the Low End Theory community for years, he has now taken a new form into the world of uptempo electronic music. With his “ Fruit in Failure EP”, Tre dives into the fruit of sound with vibrant synths and wholesome melodies. Starting from the deep, into the soulful, and onto the future.


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Since his first release in 1997, Hanna has been a body of art with the agenda of putting ambiguous chord structures and harmonies into an electronic music envelope. The more popular works lying in the deep house and techno genre. The Apron release called The Never End, opens and closes with ambient pieces without drums or percussion with strange titles ''Being'' and ''When'' which are improper adjectives or nouns that symbolize the ambiguity of the chords and beauty of the sound. The other 4 pieces nudge previous unique Hanna minerva that makes this a special and impressive release.


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Hailing from the UK, Tokyo-based J M S KHOSAH drops his debut EP on Apron. J M S Is the joint owner of NCA with Apron's 'Brassfoot'



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Simbad (aka SMBD) is a stalwart of the underground music scene in UK and because of his vast arrays of releases it's very hard to put him into any box or music category. Since his 2007 album Supersonic Revelation & his worldwide acclaimed dancefloor hit Soul Fever, the London based frenchy has been constantly travelling the five continents entertaining delighted clubbers with his super energetic dj skills or producing and recording various artists from many different genres including deeper Dubstep don Mala (DMZ), UK Hip Hop star Roots Manuva, Cuban songstress Dayme Arocena, Detroit House producer Kai Alce, Berlin based deep Techno artist Fred P, Seun Kuti from Afrobeat's most famous family, Brazilian superstar artist/actor Seu Jorge and being production mentor for the king of cool, radio DJ Gilles Peterson (who made him one of the resident at his Worldwide Festivals). With the Moon Theory EP Simbad demonstrates his talent on some deep analog frequencies for the very solid & ever growing label that is Apron Records. As the music wizard puts it himself : ‘im just trying to make some timeless shhhhh man, soul in all forms really, trying anyway ! And I guess that the best is yet to come.


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The fallen angel. The rebellious soul expelled from the pearly gates and forced to live in hell among mere mortals for eternity. Here they endeavour to condition and corrupt everything around them; a bold middle finger aimed in the direction of its former home in the promised land. Now imagine a soundtrack to this tragic tale. FunkinEven—also known as Steven Julien— has made just that with his debut album Fallen. Split into two contrasting chapters, Fallen follows the trail of our main character. The first six songs introduce us to utopia; a collection which is matched by the light and airy tones of this initial set. The twist comes right down the middle, where we descend into the project's darker, hellish bogs. Both episodes intertwine seamlessly, and all composed, written and produced by Steven himself. Julien plays the majority of the instruments you hear on the record, using session musicians — including three appearances from Hercules on bass — sparingly to plug any gaps. All the above choices combine to emit a contagious warmth that blankets the whole record. Within the dozen tracks, he jumps between everything from jazz fusion to techno. It's easily his best work to date. Steven Julien first surfaced in 2009 with a refreshing sound unlike many of his contemporaries. While his peers flirted with R&B, abstract grime and whatever else, Julien forged his own path; one which partnered an organic, analogue sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, he eventually formed his own label, Apron Records, which has become a reliable outlet in its own right; not only for his own workings, but also as a home base for talents like Seven Davis Jr and Greg Beato. He's also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil. Comes in special double front sleeve - flip it!!


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L.M.Y.E. (Lend Me Your Ears) are two Bristol based friends who met via the Idle Hands record shop which is central to the city's burgeoning house scene. The pair combine their love for digging with a taste for the sound of classic 70's and 80's studio hardware.

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New Apron artist 'Bastien Carrara', Parisian bad boy beats the hell out of his MPC & records onto tape.. Out 3rd May 2016


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Brassfoot's first two outings on Apron - the Lord Tusk hook-up Space Invaders, and last year's untitled EP - were typically unfussy. "Unlucky Charms", the opening salvo of this third release for Funkineven's imprint, takes a similar approach, with vintage electro motifs underpinning distorted percussion and wild electronics. Elsewhere, his trademark fuzziness is applied in a number of contrasting ways, from the clanking, locked-in, rave-inspired throb of "Retune & Runaway", to the bizarre sonic assault that is crusty closer "Black Pow Wow". For pace purposes, he also offers a breather in the shape of jazz-tinged deep house shuffler "Lost In The Sauce".

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The mighty Shanti Celeste makes her debut for Apron, backed by a killer edit from the one and only Funkineven on the flipside

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Seven Davis Jr back on the scene with this killer live bonus 12" of P.A.R.T.Y, easily one of the hottest sides to land this year.


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Apron return with Lord Tusk & Brassfoot in tow for this damaging split 12". Lord Tusk steps up with the colossal, elephantine beats of "Space Invaders", while Brassfoot brings the raw with "Foxhole" & "Chugginville".

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After a knock-out disc for Jay Simon's Must Have Records, Seven Davis Jnr steps into the Apron fold with four foot-stomping party cuts.

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Fierce and emotive machine jams from St. Julien. Elements of acid, industrial and cold wave styles

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