Radioactive Man (Keith Tenniswood) presents his 6th album ‘Jam Out The Kicks’ released on self-operated label Asking For Trouble this November 28th. Written while immersed in the throes of touring over the last four years - the album showcases Tenniswood’s singular sound, honed for the international dance floors that he is charged with. Jam Out The Kicks will be released on a triple 12” vinyl package with artwork by renowned artist Lung.

Working together UK rave, jungle, breakbeat and Detroit electro and techno the album plays between these different genres and styles. It brings the grit, joy, grime and funk but also with a big lot of heart in its sensitive softer elements and moments. Opening track ‘Under The Counter’ has been the lead to his live performances - soft and gleaming and with deep warm bass tones it’s his reset track to set the tone for the set. We then move into slap bass funk on ‘See Above’ and through the many sounds on the release - from dense textured and kicking techno to bass heavy rave. Curveball on the release is ‘Sinkhole’ starting out as a collaboration with Suade Bergemann, vocallists Ali Love and Chloe Raunet (C.A.R) both put their touch on it. It’s just one example of Radioactive Man’s desire not to want to be held down to any one sound and to always be developing and moving forward.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Keith Tenniswood returns in 2016 with Dub Vault Vol. 2, the second emission of dubwise productions under his Radioactive Man moniker, originally recorded a decade ago while based in Scrutton Street Studios. A long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. Explosion begins the EP recorded utilising new toy at the time, a Korg ESX1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. Second track Razor sees Tenniswood also take up the guitar as well as beat programming in this track named after the ‘Stepping Razor’ Peter Tosh and a nod to his music hero Adrian Sherwood and On U Sound vibes.
Blazer rounds off the EP, a collab with long term dub head and band member with Keith from Bargecharge (check Fuel Records early releases late 90s) James Foster. Tape echo and distorted bass make up the thick sound of this track.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Tuppence is a new seven inch single label, the latest venture from esteemed Disc Jockey and Epicurean Craig Richards (Fabric / The Nothing Special). The debut release is courtesy of electro techno genius Radioactive Man (Keith Tenniswood). Please note these are limited 7” only releases. Watch out for other forthcoming releases on Tuppence from Convextion and Deadbeat.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Unshaken in his vision, Keith Tenniswood is an artist who's emotive electronic music, and ethos has seen him lorded as an innovator and machine funk specialist. As long term collaborator to Andrew Weatherall in their now defunct Two Lone Swordsmen guise, and with his continual sonic experiments as Radioactive Man he mans a landscape of music without rules or boundaries. Opening the his debut release on Reinhardt, lead track White Light Monochrome channels a mechanical rhythm, with a tip of the hat to electronic music founders Kraftwerk. Intensively building to the 3 minute plus mark, before haunting keys lead the way, descending into a cybernetic electro workout. Future driver Space Ranger takes to the audio freeway, mainlined for Detroit. Imprinted with Tenniswood' unmistakable style, finely honed snares layer up around distorted low end frequencies, coursing in a hypnotic expedition towards the outer districts. Channeling the tendencies of Bauhaus and Joy Division, the warping Transponder documents the ever prevalent post-punk influence within the output of Radioactive Man. In close pursuit EP closer Mechanical Music Menace levels the floor. Beaming into the stratosphere, live bass pulsates through the system as man and machine fuse, xylophone keys take front and centre taking us beyond the stars. Digital bonus track Hideout evokes a sound with one foot in the past, and an eye on the future. A trademark continually present through the music of this uncompromising and inventive producer.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Keith Tenniswood returns in 2016 with Dub Vault Vol. 2, the second emission of dubwise productions under his Radioactive Man moniker, originally recorded a decade ago while based in Scrutton Street Studios. A long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. Explosion begins the EP recorded utilising new toy at the time, a Korg ESX1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. Second track Razor sees Tenniswood also take up the guitar as well as beat programming in this track named after the ‘Stepping Razor’ Peter Tosh and a nod to his music hero Adrian Sherwood and On U Sound vibes.
Blazer rounds off the EP, a collab with long term dub head and band member with Keith from Bargecharge (check Fuel Records early releases late 90s) James Foster. Tape echo and distorted bass make up the thick sound of this track.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore