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Last in:24.06.2016
Label:Una sound
Cat-No:una003
Release-Date:17.06.2016
Genre:Techno
Configuration:12"
Barcode:
Keith Tenniswood returns in 2016 with Dub Vault Vol. 2, the second emission of dubwise productions under his Radioactive Man moniker, originally recorded a decade ago while based in Scrutton Street Studios. A long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. Explosion begins the EP recorded utilising new toy at the time, a Korg ESX1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. Second track Razor sees Tenniswood also take up the guitar as well as beat programming in this track named after the ‘Stepping Razor’ Peter Tosh and a nod to his music hero Adrian Sherwood and On U Sound vibes.
Blazer rounds off the EP, a collab with long term dub head and band member with Keith from Bargecharge (check Fuel Records early releases late 90s) James Foster. Tape echo and distorted bass make up the thick sound of this track. More
Blazer rounds off the EP, a collab with long term dub head and band member with Keith from Bargecharge (check Fuel Records early releases late 90s) James Foster. Tape echo and distorted bass make up the thick sound of this track. More
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Label:Asking For Trouble
Cat-No:AFT009
Release-Date:09.12.2022
Genre:Electro
Configuration:10"
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Last in:17.01.2023
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Last in:17.01.2023
Label:Asking For Trouble
Cat-No:AFT009
Release-Date:09.12.2022
Genre:Electro
Configuration:10"
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1
Radioactive Man - Lord Of Dem Tings
2
Radioactive Man - Rubber Dub
10" Translucent Pink Vinyl / Full Sleeve!
My Idea with these series of 10” records was to do 5 in around a year to 18 months. This got scuppered by the situation at world pressing plants with the extreme wait for records.
The tracks are all taken from my live set which I’ve been doing over the last few years which has taken in some huge gigs and festivals including Houghton, Dimensions, Ion and extensive club gigs too.
All of them have the dance floor funk and the artwork is from long term design partner Lung.
The vibe on these is rolled plasticine using a different coloured vinyl each time. So making the series quite collectable too.
Lord of Dem Tings is a tribute to the late great Lee Scratch Perry and theres a nod to him on the sticker for this one.
Rubber Dub is a nod to my most excellent distributor and friends at the Glasgow record and music gear shop Rubadub!!! :) More
My Idea with these series of 10” records was to do 5 in around a year to 18 months. This got scuppered by the situation at world pressing plants with the extreme wait for records.
The tracks are all taken from my live set which I’ve been doing over the last few years which has taken in some huge gigs and festivals including Houghton, Dimensions, Ion and extensive club gigs too.
All of them have the dance floor funk and the artwork is from long term design partner Lung.
The vibe on these is rolled plasticine using a different coloured vinyl each time. So making the series quite collectable too.
Lord of Dem Tings is a tribute to the late great Lee Scratch Perry and theres a nod to him on the sticker for this one.
Rubber Dub is a nod to my most excellent distributor and friends at the Glasgow record and music gear shop Rubadub!!! :) More
Label:Asking For Trouble
Cat-No:AFT008
Release-Date:09.07.2021
Genre:Electro
Configuration:10"
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Last in:13.07.2021
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Last in:13.07.2021
Label:Asking For Trouble
Cat-No:AFT008
Release-Date:09.07.2021
Genre:Electro
Configuration:10"
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1
Radioactive Man - Unsaid
2
Radioactive Man - Born In The USB
Radioactive Man reveals his new10” series Sonicus Croniclus on Asking For Trouble, with the incredible first release - Sonicus Croniclus Vol 1 set for release on 14th April. This new project sees Radioactive Man launch a series of 10" records taking mostly live set jams and turning them into full tracks. The artwork as ever comes from long-time design partner Lung. Using plasticine to make the art for the covers, with matching coloured vinyl this will be a collectors series.
Side A ‘Unsaid’ sees Radioactive Man launching into a bass heavy stepper, peppered with broken-beats and spurts of Amen. The track has a stripped-back, slowed down junglist vibe. Side B ‘Born in the USB’ is a more moody affair. A low-slung, dubby, driving jam, bubbling up with acid lines and just enough machine funk.
Asking For Trouble est. 2017
Mastered / Cut by Keith Tenniswood at Curve Pusher More
Side A ‘Unsaid’ sees Radioactive Man launching into a bass heavy stepper, peppered with broken-beats and spurts of Amen. The track has a stripped-back, slowed down junglist vibe. Side B ‘Born in the USB’ is a more moody affair. A low-slung, dubby, driving jam, bubbling up with acid lines and just enough machine funk.
Asking For Trouble est. 2017
Mastered / Cut by Keith Tenniswood at Curve Pusher More
Label:tuppence
Cat-No:tup001
Release-Date:07.04.2016
Genre:Electronic
Configuration:7"
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Last in:20.12.2016
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Last in:20.12.2016
Label:tuppence
Cat-No:tup001
Release-Date:07.04.2016
Genre:Electronic
Configuration:7"
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1
radioactive man - Go Ahead London
2
radioactive man - Hector's Blues
Tuppence is a new seven inch single label, the latest venture from esteemed Disc Jockey and Epicurean Craig Richards (Fabric / The Nothing Special). The debut release is courtesy of electro techno genius Radioactive Man (Keith Tenniswood). Please note these are limited 7” only releases. Watch out for other forthcoming releases on Tuppence from Convextion and Deadbeat.
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Last in:26.02.2015
Label:reinhardt
Cat-No:rr002a
Release-Date:21.01.2015
Genre:Electro
Configuration:12"
Barcode:
Unshaken in his vision, Keith Tenniswood is an artist who's emotive electronic music, and ethos has seen him lorded as an innovator and machine funk specialist. As long term collaborator to Andrew Weatherall in their now defunct Two Lone Swordsmen guise, and with his continual sonic experiments as Radioactive Man he mans a landscape of music without rules or boundaries. Opening the his debut release on Reinhardt, lead track White Light Monochrome channels a mechanical rhythm, with a tip of the hat to electronic music founders Kraftwerk. Intensively building to the 3 minute plus mark, before haunting keys lead the way, descending into a cybernetic electro workout. Future driver Space Ranger takes to the audio freeway, mainlined for Detroit. Imprinted with Tenniswood' unmistakable style, finely honed snares layer up around distorted low end frequencies, coursing in a hypnotic expedition towards the outer districts. Channeling the tendencies of Bauhaus and Joy Division, the warping Transponder documents the ever prevalent post-punk influence within the output of Radioactive Man. In close pursuit EP closer Mechanical Music Menace levels the floor. Beaming into the stratosphere, live bass pulsates through the system as man and machine fuse, xylophone keys take front and centre taking us beyond the stars. Digital bonus track Hideout evokes a sound with one foot in the past, and an eye on the future. A trademark continually present through the music of this uncompromising and inventive producer.
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Last in:27.10.2014
Label:Una sound
Cat-No:una002
Release-Date:17.10.2014
Genre:Techno
Configuration:12"
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1
radioactive man - Tuf
2
radioactive man - Ram
3
radioactive man - Magnetic
Radioactive Man: "Dub has always been a major influence in my music, mainly roots a la King Tubby, Marley, Lee Scratch, King Jammy etc. I used to religiously tune into the Manasseh show on Kiss FM on Saturday nights after Coldcut, that introduced me to the massive amount of Roots Reggae and Dub that was made in the 70’s. I always loved the fact there was two versions, a vocal and a dub, which was always played in that order... The original remix music i guess.
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Last in:27.10.2014
Label:Una sound
Cat-No:una002
Release-Date:17.10.2014
Genre:Techno
Configuration:12"
Barcode:
1
radioactive man - Tuf
2
radioactive man - Ram
3
radioactive man - Magnetic
Radioactive Man: "Dub has always been a major influence in my music, mainly roots a la King Tubby, Marley, Lee Scratch, King Jammy etc. I used to religiously tune into the Manasseh show on Kiss FM on Saturday nights after Coldcut, that introduced me to the massive amount of Roots Reggae and Dub that was made in the 70’s. I always loved the fact there was two versions, a vocal and a dub, which was always played in that order... The original remix music i guess.
More