As Warp’s longest serving signing, Nightmares on Wax has been consistently at the forefront of contemporary music, creating a unique blend of electronica, jazz, hip-hop, dub, funk, soul and techno.

Although 9 albums in, he may have only just truly stepped into his own groove. Lockdown forced a change of pace and offered some time for meaningful reflection and introspection. “I've been gigging non-stop for 10 years,” he says. “And that experience has been beautiful but it also drained me emotionally.”

He began to reassess some things. “As a creative you're always questioning everything,” he says. “So having the time and the space has meant that I could do a proper deep dive into this stuff. So it was all about this journey of going back to myself, and realising being at home with my wife and my daughter that I’ve not really been here properly. It’s like I've just woken back up to what I actually have - and it's already here.”

Evelyn already had the wheels in motion for making a collaborative album with a variety of guests but now he took this personal element and asked them to run with it. “The world had stopped and I'd slowed down but time speeded up,” he reflects. “So there was a lot of static going on in the world at that time. So my conversation with people was more like, ‘what's going on inside? What's the inner voice saying?’ As a result, he formed creative bonds with new and upcoming talent that slotted in nicely with both the history and evolution of N.O.W. The likes of Shabaka Hutchings, Haile Supreme, Mara TK, Sabrina Mahfouz. Greentea Peng, OSHUN and Pip Millett all feature.


- Specs: 1 LP in paper inner in printed outer. Download card insert

Tracks lifted from critically acclaimed new album ‘Shout Out To Freedom…':
- Mixmag cover feature
- 'Surpassing even the low-slung gait of 1995’s previous career milestone Smokers Delight.' - MOJO****
- 'An extraordinary album, which gives up more and more wonders with every repeat playing.' - Arts Desk
- 'Bold, fresh and full of freedom.'- Mixmag
- 'Iinspired, as ever.' - The Guardian
- 'Shout Out! To Freedom is a joy.' - The Quietus

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Nightmares On Wax - Shout Out! To Freedom...
Featuring: Shabaka Hutchings, Greentea Peng, Haile Supreme, Mara TK, Sabrina Mahfouz + Pip Millett


Shout Out! To Freedom Bio - By Don Letts

Where do you start with Leeds-born Ibiza based producer George Evelyn, the man from N.O.W that pioneered British electronic music? Well for those already hip to his world the following will serve as a timely reminder. For new arrivals it’ll provide a crucial guide to a musical ride that ends with ‘Shout Out! To Freedom’.

As Warp Records longest serving signing N.O.W opened doors to new sonic landscapes for countless producers and musicians. Via his father and juxtaposed with soca from the islands, young George’s imagination was captured by the likes of Curtis Mayfield, Sarah Vaughan and Quincy Jones. In his early teens, inner city bass heavy reggae sound systems would also make their mark. But it was the arrival of hip-hop in the UK, complete with its loop, sample, cut ‘n’ paste aesthetic that would provide the icing on the cake and a way forward. George alongside then writing partner Kevin Harper made his first contribution to the sonic continuum with two defining singles of the emerging rave scene, 1989’s ‘Dexterous’ and 1990’s ‘Aftermath’. This was closely followed by N.O.W’s 1991 debut album ‘A Word of Science: The First and Final Chapter’ for which George parked his techno sensibilities and mixed in more hip hop with a down tempo vibe. Its combination of loops and sample driven dubbed out funk, soul and hip hop would really establish the sound of N.O.W. 1995’s ‘Smokers Delight’ saw this downtempo vibe taken to a whole other level. Essentially designed to kick back and relax it pioneered what would become known as ‘chill’. To bookend the nineties came 1999’s ‘Carboot Soul’, the third chapter in a series of albums that for those of a certain persuasion perfectly captured the spirit of the decade – and you don’t stop…

N.O.W entered the 21st century with a whole new spin on things, 2002’s ‘Mind Elevation’ arrived with a combination of melody, beats and vocals that would see some serious success across radio airwaves with cuts like ‘Know My Name’ and ‘70’s 80’s. ‘In A Space Outta Sound’ released in 2006 was a veritable culture clash of musical influences, urban and international, informed by the travels of George’s alter ego DJ E.A.S.E. Recorded in transition between Leeds and Ibiza 2008’s ‘Thought So’ stayed true to his now distinctive style and seemed to mirror ‘95’s ‘Smokers Delight’ with raw yet typically well produced cuts featuring a splash of guest vocalists and his trademark dubbed out techniques. Whilst others chased the new 2013’s ‘Feeling Good’ pinned N.O.W’s colours firmly to the mast with another musical journey that continued to move forward without straying too far from the very path he’d paved. It somehow managed to tap into your emotions with a mesmerising laid back selection that earned George the reputation of being able to ‘bottle sunshine’. 2018’s ‘Shape The Future’ contained all the original ingredients, soul, dub, rap n’ reggae underpinned with some serious food for thought and George’s magical talent for creating something new whilst echoing so much our musical past. All these albums are an integral part of George’s musical journey and as such are essential but back to the matter at hand…

There’s no two ways about it, ‘Shout Out! To Freedom’ firmly establishes N.O.W as one of the most important and influential black British producers of his generation. This soundtrack for your soul feels like hooking up with a long lost friend. It’s immediately recognisable and wraps itself around you creating a world that’s unmistakably N.O.W. I’ve been a fan since way back when, yet I still find it almost impossible to vocalise my love for his sound ‘cause what George does can’t really be put into words, that’s why he does it on ‘wax’. But it was the advent of three unlikely and surprising events that would really set this particular record apart: personal trauma, time a by-product of the Covid pandemic and Black Lives Matter. It was a period during which the world stopped but in a way time also sped up for George against a backdrop of constant negative global noise.

What was happening on the outside was more than self-evident but what was the inner voice saying? That is the question George asked when he embarked on the creation of this, his 9th studio album. To seek answers he was forced to make the most of lockdown initially accessing voices from around the world via the net. Finding his feet as a bandleader, he formed creative bonds with new and upcoming talent that somehow connected with the history of N.O.W. The likes of Shabaka Hutchings, Haile Supreme, Mara TK, Sabrina Mahfouz. Greentea Peng, OSHUN and Pip Millett got the call, heard the brief and got on board with their own personal take on the very idea of freedom and ultimately that is what this record is all about. The enforced lockdown naturally led to a period of reflection and George himself sure had a lot to think about. Ten years on the road constantly touring didn’t leave a lot of time to ponder the ups, downs, sacrifice and success that comes with the territory. This personal re-examination came into sharp focus when a serious health scare saw him hospitalised. Vibrating between life and death it brought his own mortality into the mix. He emerged from this very private episode free and somehow more connected to himself and the planet - and then there was/is BLM. So what is freedom? Obviously many things to many people. We all know the problems but who’s brave enough to offer a way forward? Not necessarily an answer, just a medium to facilitate dialogue, a step towards the light. That was the driving force behind the making of ‘Shout Out! To Freedom’. For George that freedom came in the form of a return to family, a deep appreciation of his musical circumstance and the realisation that he was his best friend. Written with the gift of time each song comes from somewhere else literally, mentally and geographically. This cinematic selection of tracks are typified by cuts like ‘Imagineering’ which seems to perfectly set the scene as we emerge into a new cultural landscape - such is the power of N.O.W - rearranging the past to create new and brighter futures. ‘Breathe In ft. OSHUN’ was written and recorded during the first peak lockdown in NYC and shortly after George Floyd’s murder. The soul and hip-hop duo from NYC continue to explore the theme of freedom backed by a beat n’ bass heavy rhythm designed for you to look within and without. Continuing the movie vibe comes ‘3D Warrior’, an emotional horn driven piece straight from the heart courtesy of UK saxophonist Shabaka Hutchings and complemented by the haunting tones of Brooklyn sonic shaman Haile Supreme. By way of contrast the absolutely gorgeous ‘Wonder’, which also features Supreme n’ Hutchings, goes straight to your head with a galactic groove and an echoing refrain that you know will be with you for the rest of your life. With the final offering ‘Up To Us’ N.O.W leaves us with a soul-soothing soundtrack and positive lyrics to help you on your way.

At the end of the day all of the songs on this record are a call, a chant, a yearning for freedom in whatever form it may take. So ditch your emotional baggage for the journey and recognise the fact you’re not alone in your want. ‘Shout Out! To Freedom’ gives musical licence to set yourself free and acknowledge we’re in this thing together whatever this thing may be.

…..Don Letts aka The Rebel Dread


- Specs 2LP black vinyl in poly lined inners in gatefold outer. Download card

Tracklist:
A1. Shout Out! (Intro) feat. Beautiful People
A2. Imagineering
A3. Creator SOS feat. Haile Supreme and Wolfgang Haffner
A4. 3D Warrior feat. Shabaka Hutchings, Haile Supreme and Wolfgang Haffner
B1. Miami 80
B2. GTP Call
B3. Wikid Satellites feat. Greentea Peng
B4. Breathe In feat. OSHUN
C1. To Freedom (Interlude) feat. Beautiful People
C2. Wonder feat. Haile Supreme and Shabaka Hutchings
C3. Own Me feat. Haile Supreme
C4. Widyabad
D1. Isolated feat. Pip Millett and Sabrina Mahfouz
D2. Trillion feat. Mara TK
D3. Up To Us feat. Haile Supreme

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Nightmares on Wax can now announce an extra special package of hand selected remixes for soulful stand out album cut 'Deep Shadows' feat Sadie Walker. Released as a 12" on July 13th the package features leading lights of all the components of the NoW sound. A rare remix from elusive Detroit legend Moodymann brings the deep dancefloor emotion, fellow Detroit son Illa J brings the blunted hip-hop bounce and Nightmares’ DJ E.A.S.E himself steps up the tempo for his club version. Since the release of his pivotal album ‘Shape The Future’ which was released very early this year, Nightmares on Wax has toured all over the world, with a forthcoming US tour and summer jam packed with festival dates still to come.
The album is a true testament to Nightmares on Wax’s 25 year career and showcases his ability to influence a whole new generation of artists. As Warp’s longest serving active artist, he has broadened the sound of the label and paved the way for artists such as Flying Lotus, Hudson Mohawke and Mount Kimbie.

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When Coldcut, the electronic pioneers, dropped their groundbreaking Journeys by DJ mixtape in '95, one of its standout moments came towards the end of the mix. Amidst the era's finest beat-makers and electronic visionaries, the duo teased a hypnotic, looping double bass line, followed by haunting sax, thunderous drums, and guitar, before seamlessly blending into the Radiophonic Workshop's Doctor Who theme. That earworm bass line? It's the signature sound of Red Snapper's Hot Flush, forever etched in the listener's brain.

Fast forward 30 years, and Red Snapper is reissuing their Reeled & Skinned compilation on Warp Records. The collection includes Hot Flush in both its original form and the remix by Andrew Weatherall's Sabres of Paradise. It brings together the trio's self-released early EPs from '94 and '95, a time when they quickly gained a reputation on the London live scene, captivating jazz, hip-hop, and dance heads alike. Word of their unique sound soon spread, catching the attention of Warp Records founder Steve Beckett, who signed the band shortly after.

Now, Reeled & Skinned is available on vinyl again for the first time in decades, remastered and featuring an additional track, Area 51, recorded during the same period. Beyond this milestone reissue, Red Snapper's influence continues to resonate in today's UK jazz scene, where their fearless fusion still inspires new generations. The band will be touring the UK this March with 13 dates, and they have new music lined up for release on Lo Recordings later this year.

Selling points:
" 30th anniversary edition - remastered and pressed to vinyl for the first time in decades
" Includes extra track Area 51 - recorded in the same period.
" Features guest vocals from Beth Orton and a remix from Sabres of Paradise
" The band play a 13 date UK tour through March

- Specs: Black 2LP vinyl in paper inner sleeve in wide spine outer sleeve

Tracklisting:
A1. Snapper (feat. Beth Orton)
A2. Hot Flush
A3. Cortina
B1. Swank
B2. In Deep (feat. Beth Orton)
C1. Area 51
C2. Lobster
D1. Hot Flush (Sabres Of Paradise Remix)
D2. Wesley Don't Surf
D3. One Legged Low Frequency Guy

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Blackbox Life Recorder 21f / In a Room7 F760 by Aphex Twin will be released on the 28th July via Warp Records.
This is the first new music from Aphex Twin in five years.
He headlines nine festivals this summer.
Artwork by Weirdcore
- Specs: Black 12" vinyl in printed inner sleeve packed inside 6 panel fold out anamorphic diorama, download code, packed in resealable bag
Tracklisting:
A1. Blackbox Life Recorder 21f
A2. zin2 test5
AA1. in a room7 F760
AA2. Blackbox Life Recorder 22 [Parallax Mix]


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Squid's new album Cowards is about evil. Nine stories whose protagonists reckon with cults, charisma and apathy. Real and imagined characters wading into the dark ocean between right and wrong.

Cowards is Squid's most courageous album: simultaneously growing in scope and returning to basics. The band recorded Cowards at Church Studios in Crouch End with Mercury prize winning producers Marta Salogni and Grace Banks. On additional production is longtime shifu and collaborator Dan Carey, who recorded the band's first two albums. The record was mixed in Seattle by John McEntire, before being compressed by the rich analogue chain of Heba Kadry's mastering in Brooklyn, New York.

Squid have come a long way since forming in 2016 as an instrumental jazz band for a monthly night in Brighton. Their debut album Bright Green Field (2021) arrived as the world was starting to open up after the pandemic and they broke into the top 5 in the UK chart. In 2023 they released their sophomore album, the brooding O Monolith, which took the band all over the world and broke new ground that hardly seemed possible years prior.

- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve. Housed in printed PVC wallet with flap.

Tracklist:
A1. Crispy Skin
A2. Building 650
A3. Blood On The Boulders
A4. Fieldworks I
A5. Fieldworks II
B1. Cro-Magnon Man
B2. Cowards
B3. Showtime!
B4. Well Met (Fingers Through The Fence)

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Originally released in 2017, PHANTOM BRICKWORKS is an ongoing ambient/drone project by Stephen James Wilkinson a.k.a. Bibio. The work explores the human echoes still present in various sites around Britain. Wilkinson has visited these locations, observed their gradual decline, and responded with improvised and composed music. New in 2024, a sequel titled PHANTOM BRICKWORKS (LP II) is a 10-track LP, mastered by Guy Davie and vinyl cut by Hendrik Pauler. The new record draws attention to new sites - some are intriguing, vast scars on the natural landscape, others survive only in local memories, historic clips and photographs. A few remain submerged from ordinary sights, while some exist purely as legends and stories.

- Specs: Black 2LP Vinyl in printed inner sleeve in wide spine outer sleeve and download code

TRACKLIST:
A1. DINORWIC
A2. DOROTHEA'S BED
B1. PHANTOM BRICKWORKS VI
B2. SURAM
B3. LLYN PERIS
C1. PHANTOM BRICKWORKS VII
C2. TEGID'S COURT
D1. BROGRAVE
D2. SPIDER BRIDGE
D3. SYCHDER MCMLXXXIX

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An album beloved by fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher's entire discography. A unique blend of studio and live recordings, it's an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of "Iambic 9 Poetry" to the sunlit bliss of "Tommib Help Buss" and beyond.

For the 20th anniversary, Warp is proud to present this expanded deluxe version, a limited edition one-time pressing, carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson. Never entirely happy with the sound of the original release, Tom has relished the opportunity to revisit the tapes, bringing out fresh dynamics and details in the tracks.

Bonus album Venus No.17 Maximised is compiled from tracks originally released as part of the Ultravisitor promo EP, released 26 January 2004; the Square Window 3" CD, a free bonus disc given out with WarpMart pre-orders of the Ultravisitor album; and the Venus No.17 EP. The accompanying booklet contains rare photos, flyers, and recording documentation.

- Specs Black 2LP in 5mm wide spine sleeve, printed inner sleeves + 1LP in 3mm spine sleeve, polylined sleeve + 16 page booklet all in printed O-card sleeve

Tracklist:
A1. Ultravisitor
A2. I Fulcrum
A3. Iambic 9 Poetry
A4. Andrei
B1. 50 Cycles
B2. Menelec
B3. C-Town Smash
C1. Steinbolt
C2. An Arched Pathway
C3. Telluric Piece
C4. District Line II
D1. Circlewave
D2. Tetra-Sync
D3. Tommib Help Buss
D4. Every Day I Love
E1. Square Window
E2. Abacus 2
E3. Venus No.17
E4. Itti-Fack
E5. Melt 14.6
F1. Venus No.17 Acid Mix
F2. Tundra 4
F3. Talk About Me & You

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An essential piece of electronic history is restored to its full glory for the 30th anniversary, with all 25 tracks of Selected Ambient Works II reunited in this Expanded Edition alongside two extras. Constantly referenced and revered decades after its release, SAWII has seen accolades such as the Pitchfork perfect 10 and #2 best ambient album of all time.

Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.

From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.

The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.


- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer

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Selected Ambient Works Volume II (Expanded Edition) is due for release on Oct 4, 2024, celebrating the original album's 30th anniversary.

Written when Aphex Twin (Richard D. James) was in his early 20s, the album gained critical acclaim both upon release and retrospectively (10/10 Pitchfork review, #2 Best Ambient Album of All Time, 4 star Rolling Stone review + more).

Aphex Twin and SAW II’s influence continues to grow and take new meaning across generations.

Selling Points
• 30th anniversary edition of Aphex Twin’s critically acclaimed Selected Ambient Works II
• Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
• Artwork by Paul Nicholson, original album designer + Aphex Twin logo designer

- Specs 3CD in foil blocked case bound sleeve with booklet

Tracklist:
CD01:
1. #1
2. #2
3. #3
4. #4
5. #5
6. #6
7. #7
8. #8
9. #9

CD02
1. #10
2. #11
3. #12
4. Blue Calx
5. #14
6. #15
7. #16
8. #17
9. #18
10. #19

CD03
1. #20
2. #21
3. #22
4. #23
5. #24
6. #25
7. th1 [evnslower]
8. Rhubarb Orc. 19.53 Rev

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Distant Call, In contrast to Spell Blanket, is a collection of early demos of songs that would subsequently appear as finished productions on the albums Haha Sound, Tender Buttons and The Future Crayon.

The album also includes two songs discovered by James after Trish’s passing: “Come Back To Me” and “Please Call To Book”. These were her response to Broadcast’s 2006 ‘Let’s Write A Song’ project, where fans were asked to submit lyrics on a postcard which would then be worked into a finished song.

Distant Call is a closing of the door on Broadcast and will be the last release from the band.

- Spec Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve

- Listen: https://warp.ffm.to/broadcast-tittp

Tracklisting:
A1. Tears In The Typing Pool [Demo]
A2. Still Feels Like Tears [Demo]
A3. Come Back To Me [Demo]
A4. The Little Bell [Demo]
A5. Distant Call [Demo]
A6. Valerie [Demo]
A7. Colour Me In [Demo]
B1. Ominous Cloud [Demo]
B2. Flame Left From The Sun [Demo]
B3. Where Youth And Laughter Go [Demo]
B4. Poem Of A Dead Song [Demo]
B5. O How I Miss You [Demo]
B6. Pendulum [Demo]
B7. Please Call To Book [Demo]

https://broadcast.warp.net/

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Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.

The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.

The album will be available on black 2LP vinyl with d-side etching as well as CD.

- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.

Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10

Praise for Space 1.8:

"An ambient jazz classic" - The Guardian

"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork

"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise

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After critically acclaimed reissues of their mid-90s material, Seefeel return with their first new music since 2011. Everything Squared is a one-off 6-track mini-album which presents a contemporary evolution of their trademark sound. Mainly composed and performed by the core duo of Mark Clifford and Sarah Peacock, with bass on two tracks from Shigeru Ishihara. Mastered by Berlin-based engineer Stefan Betke aka Pole at Scape Mastering, and designed by Ian Anderson at The Designers Republic.

- Specs Black 12" Vinyl in paper inner sleeve in 3mm spine sleeve

Tracklist:
A1. Sky Hooks
A2. Multifolds
A3. Lose The Minus
B1. Antiskeptic
B2. Hooked Paw
B3. End Of Here

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Spell Blanket - Collected Demos 2006-2009 comprises songs and sketches drawn from Trish’s extensive archive of 4-track tapes and MiniDiscs. The recordings lay the groundwork for what would have been Broadcast’s fifth album, offering a window into Trish and James’ creative process during the post-Tender Buttons period from 2006-2009.

Photography used in its artwork is by Trish and James and the artwork is designed by Broadcast’s long-time collaborator Julian House. Spell Blanket - Collected Demos 2006-2009 will be released via Warp Records on May 3rd and available on standard black 2LP and CD.

- Spec Black 2LP Vinyl in printed inner sleeve in 3mm spine sleeve

- Listen: https://warp.ffm.to/broadcast-ftl

Tracklisting:
A1. The Song Before The Song Comes Out
A2. March Of The Fleas
A3. Greater Than Joy
A4. Mother Plays Games
A5. My Marble Eye
A6. Roses Red
A7. Hip Bone To Hip Bone
A8. Running Back To Me
A9. I Blink You Blink
A10. Infant Girl
A11. I Run In Dreams
B1. Luminous Image
B2. A Little Light
B3. Hairpin Memories
B4. My Body
B5. Follow The Light
B6. Tunnel View
B7. Where Are You?
B8. Singing Game
B9. I Want To Be Fine
C1. The Games You Play
C2. Grey Grey Skies
C3. Puzzle
C4. The Clock Is On Fire
C5. Petal Alphabet
C6. Tell Table
C7. Fatherly Veil
D1. Dream Power
D2. Heartbeat
D3. Call Sign
D4. Crone Motion
D5. Sleeping Bed
D6. Join In Together
D7. Colour In The Numbers
D8. I Am The Bridge
D9. Spirit House

https://broadcast.warp.net/

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Scottish and Danish composer Clarissa Connelly’s debut album on Warp Records, “World of Work”, is set to be released on April 12th.

Over the years Clarissa has explored sacred sites and mythology, finding inspiration in Celtic and Nordic culture. For her most recent album, “The Voyager”, Clarissa walked the Scandinavian landscape, channelling melodies from ancient pre-Christian sites. The album received global acclaim and was awarded the prestigious Nordic Music Prize.

On “World of Work”, Clarissa explores themes of acceptance and growth, by creating a sonic embroidery, a powerful testimony of her production and composition abilities.

- Specs Black 12" Vinyl in printed inner sleeve in 3mm spine sleeve and download code

Tracklist:
A1. Into This, Called Loneliness
A2. The Bell Tower
A3. An Embroidery
A4. Life Of The Forbidden
A5. Wee Rosebud
B1. The Excess Of Sorrow, Laughs
B2. Turn To Stone
B3. Tenderfoot
B4. Crucifer
B5. S.O.S. Song Of The Sword

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Mount Kimbie’s fourth studio album, The Sunset Violent, is seeded in the wake of 2017’s Love What Survives and marks an important full circle moment for the group as they return to a band-like setup (Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell).

The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.

On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.

- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code

Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule)

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Over the past decade, New York-based composer and producer Kelly Moran has solidified her status as a trailblazing figure in modern music, challenging the piano's traditional, classically-imposed school of thought with a more contemporary, experimental approach. An accomplished and highly sought-after composer, Moran has collaborated with artists the likes of Oneohtrix Point Never as part of his touring ensemble for 2018 album Age Of, as well as singer and composer FKA Twigs' live ensemble. Moran has also composed for classical musician Margaret Leng Tan and worked with other visionary contemporaries like Kelsey Lu and Yves Tumor. As a solo artist, Moran's critically acclaimed albums, Bloodroot and Ultraviolet, have explored a variety of extended piano techniques like John Cage-inspired prepared piano and exercises in improvisation. Her unique strand of experimental piano compositions, which conjure hypnotizing textures and dramatic compositional arcs, have been included on year-end lists across classical, avant-garde, and metal genres.

Moran’s upcoming album, Moves in the Field, is a series of duets for herself and the Yamaha Disklavier – a technologically advanced version of a player piano. Able to perfectly replicate humanlike playing through intense fine-tuning and programmable dynamics, the Disklaviers used on Kelly’s new music act as a foil to her own striving for a balance of technical perfection and emotional expression in her performances and compositions.

Kelly Moran Shares: “In early 2020, Yamaha loaned me a Disklavier player piano - a special instrument that allows you to record your performance for the piano to play back on its own. I was initially working on a duet for myself and another pianist, but when the pandemic hit, the player piano became my duet partner. I began writing a series of duets for myself and the Disklavier, exploring all the different ways I could utilize this instrument to merge its inhuman capabilities with my own playing. The Disklavier allowed me to record multiple layers of my playing so I could create music on the piano that would require more fingers or greater endurance than I physically have - like chords that had more than 10 notes in them, or chords that were spaced out farther than my hands could stretch. Sometimes I’d record a pattern and then speed it up to play back faster than I could ever physically play. My imagination exploded at all the possibilities this instrument allowed me to create, and these explorations culminated in my new record Moves in the Field.”

- Specs Clear 12" Vinyl in printed inner sleeve in 3mm spine sleeve and download code

Tracklist:
A1. Butterfly Phase
A2. Superhuman
A3. Don’t Trust Mirrors
A4. Dancer Polynomials
A5. Sodalis (II)
B1. Leitmotif
B2. It’s Okay To Disappear
B3. Hypno
B4. Moves In The Field
B5. Solar Flare

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- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.

Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.

All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.

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Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.

The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.

The album will be available on black 2LP vinyl with d-side etching as well as CD.

- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.

Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10

Praise for Space 1.8:

"An ambient jazz classic" - The Guardian

"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork

"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise

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