Dublin based disco imprint Fatty Fatty Phonographics return with the 4th instalment of their 'Downtownsounds Classics' series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers Pablo and Shoey. Voiced by Leroy Burgess, with drums by hip hop legend Marley Marl and production by The Aleem Brothers, 'Release Yourself' was a huge across-the-board anthem in the clubs of NYC on its release in 1984. The lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. The B side features two under appreciated classics from the pen of one Billy Nichols, a man known for his work with West End Records (the Levan mixed 'Give Your Body Up To The Music') and the funky band of brothers that was BT Express. On 'Take Me...' Nichols' hooked up with disco master Patrick Adams for an emotional, string drenched disco belter that has found favour with the likes of Dimitri from Paris, Floating Points and Hunee. While 'Dance If Off' is a wonky proto Acid-Disco trip beloved of Rahaan and Eric Duncan of Rub 'n' Tug. With copies going for over 300 euros, you can do your bank account and your dancefloor a favour here...

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For their 5th volume of the 'Downtownsounds Classics' series, Fatty Fatty Phonographics are proud to present these gems from the West End Records catalogue, the famed underground disco label that gave us so many of our dancefloor staples.

"Tell You Today" is probably the Downtownsounds anthem, a sweet song of yearning, regret and innocent joy married to Arthur Russell's wonky, wobbly percussive genius, with a perfect pop climax that has led to many moments of collective disco joy on the DTS dancefloor.

We didn't need to do much on this edit beyond adding some elements from Arthur's B-side dub, so the joy goes on for just that little bit longer.

On the flip is 'When The Shit Hits The Fan', a no-nonsense, hit-the-floor and forget your troubles disco-rap stompout from 1980.
A favourite with the likes of Theo Parrish and Dave Lee, this one always get the sneaky shebeen vibes a going...Check those lyrics!

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With their latest 'International Disco Mafia 2' release getting love from the likes of Marc Grusane and Jacques Renault, these Dublin based modern discotheque messers are on a roll.
Their latest sees Yorkshire based machine squelcher Perseus Traxx coming heavy on the A side with 'Pump It', which grinds a crashing jack track in and out of some choice disco snippets to create a relentless floorburner for 2019.
Sir Leon Greg is another of the Traxx-man's many pseudonyms, and 'Shakey' is an acid house tinged makeover of an old Northern Soul classic he made a few years back.
Fatty Fatty head honcho Pablo supplies his 'Warehouse Mix'Â of the track, which strings it out into a wild 10 minute trip that teases and caresses you before the strings and that chorus send you over the edge completely.
Last but not least, 'Last Days' will be, to some ears, the pick of the bunch - a rich, ever circling slice of funked up house music that will touch you in all the right spots, rounding off the package in some style.

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After a spell on the disco sidelines, Dublin label Fatty Fatty Phonographics are back with the 2nd instalment of their 'International Disco Mafia' series.
Extending its reach around Ireland and then again over the sea to Italy, it begins with a 13 minute disco trip by a young man called The Crown Prince of Waterford, with the wirey Catholic white boy spirit of Walter Gibbons in his veins.
The immortally titled 'Getting Fingered On The Waltzers' is overloaded with fizzing disco-rock dynamics, crazy organs and driving endless drum breaks that keep on pushing you all the way to an inevitable, gushing disco climax. Phew!
On the flip we have another Irish up and comer, Island Times, and his chunky disco driver 'Together'.
Just like his debut on the first volume, this one comes up trumps with a big, drum driven sound and a loose, live feel.
Last but not least, we're travelling up along the Adriatic from Trieste with Umberto Lumber, who takes a classic slow jam and pitches it down Baldelli style to a sweet cosmic sludge.
Perfect as a mood setter or as a spaced out bump and grind to finish the night off, it rounds off this 3 tracker in some style...

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Irish label Fatty Fatty spreads its wings with their 'International Disco Mafia' EP. Extending from Dublin out to Drogheda and Galway and onward overseas, the EP provides something peak-time for all tastes. The lead off track sees label top dog Pablo going off on a solo tip, delivering an end of nighter take on an eternal UK street Soul classic. Chopping together many different mixes to create an epic whole, this one has been road-tested thoroughly, and always brings the house down. While Pablo was fiddling around endlessly with that one, usual production partner Shoey slithered off with newcomer Kellser to produce a dreamy, stretched out take on a late 70's staple , another guaranteed winner, and possibly the most bliss inducing song ever to run at 130BPM The international part of the EP comes from Italian edit king Belabouche, who delivers a lovely take on 'Willie and The Hand Jive'. Last but not least, Galway boy Island Time makes his bow with a straight up, brassy slice of soulful Disco aimed straight at the dancefloor...


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Dublin based disco imprint Fatty Fatty Phonographics return with the 4th instalment of their 'Downtownsounds Classics' series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers Pablo and Shoey. Voiced by Leroy Burgess, with drums by hip hop legend Marley Marl and production by The Aleem Brothers, 'Release Yourself' was a huge across-the-board anthem in the clubs of NYC on its release in 1984. The lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. The B side features two under appreciated classics from the pen of one Billy Nichols, a man known for his work with West End Records (the Levan mixed 'Give Your Body Up To The Music') and the funky band of brothers that was BT Express. On 'Take Me...' Nichols' hooked up with disco master Patrick Adams for an emotional, string drenched disco belter that has found favour with the likes of Dimitri from Paris, Floating Points and Hunee. While 'Dance If Off' is a wonky proto Acid-Disco trip beloved of Rahaan and Eric Duncan of Rub 'n' Tug. With copies going for over 300 euros, you can do your bank account and your dancefloor a favour here...

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After seducing the likes of Optimo, Horse Meat Disco, Rub'N'Tug and Bicep with their floor-friendly reworks of classic disco, funk and electro, the lads over at Fatty Fatty Phonographics are expanding their repertoire with their first 12 inch of original material. The man they've chosen for this mission, Tim Blake, is a Dublin born music maker with a bank of vintage keyboards and drum machines in his spare room and a full blooded romantic's heart beating in his chest. Now based in Berlin, his debut 'Heat Crime' EP came out on Kleine Reise Records, a label run by a set of Irish messers who throw some of the city's very best parties, and a track on the recent Dirt Crew Recordings 10th anniversary compilation has helped spread the word about this special talent further. 'United States of Hinterland' in its demo form was described as 'The Shit' by none other than Mad Mike Banks of Underground Resistance and you can see why - banks of emotive, UR drenched synths and pads married to overpowering piano chords, wild psychedelic guitar, crazed drum patterns and an unmistakeable 21st Century P-Funk squelch. Pablo and Shoey have their fun with the track on the flip, upping the ante with a big fat 303 assault while retaining the elements that make the original such a trip. The package is rounded off nicely with a hypnotic dub for the Dj's, not to mention 'Haunting Passion', a churning,yearning deep house roller that pushes all the right buttons for the modern dancefloor. You can imagine this one cooling the dancers off at 6am, or providing just the right soundtrack for a blissed out summer sunset moment...

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After a sell-out EP by Rahaan in the spring, Dublin label Fatty Fatty Phonographics returns to the home of house with two murky 21st Century excursions aimed straight at dark'n'sweaty dancefloors. Rahaan flips the script here with 'Secondo Coro Della Lavendie', a propulsive update of Roberto Di Simone's 1976 modern opera piece of the same name. Over the years it's become a cult club hit in Chicago, Detroit and Montreal and found it's way into the record bags of the likes of Brennan Green. The title translates as 'The Song Of The Working Girls' and it sounds like it, a hipshakin', Afro-delic chant married to a relentless b-line and wired Chi-Town electronics. On the flip-side comes DJ Darryn Jones, yet another Chicago native with a bottomless record collection and the production chops to know what to do with it. 'Mouth Passion' weaves elements of The Flirt's 'Passion' in and out of another ruff track of rumbling percussion,raw bass and spooky sound effects and comes out right on top, transporting you down into a darkened basement with your eyes closed and your disco fist in the air!

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After a superlative EP from Chicago's DJ Rahaan, Dublin's Fatty Fatty Phonographics is back with another installment of Pablo and Shoey's 'Rejigs', which have had support from the likes of Hot Toddy, Bicep, Get Down Edits, Leftside Wobble, House of Disco and Rub'N'Tug. ‘No Good (Start The Jack) sees them take on Kelly Charles’ ‘You’re No Good’, a late 80’s New Jersey house bomb and source of the infamous vocal hook from The Prodigy’s ‘No Good (Start The Dance). After one of the great 80’s dance music clichés – an intro where some sassy mama gives her boyfriend shit down an old school telephone line - they go straight for the jugular with that big big hook, spinning the whole thing out for 10 minutes with lots of hypnotic piano loops and large chunks of the great song at the heart of it all. This is one that the crowd will be immediately singing right back at ya at 2am! ‘Gonna Get Ya’, meanwhile, goes for some Greg Wilson ‘Edit The Edit’ style shenanigans, taking on Barna Soundmachine’s sly, slinky funk loops. The Barna man’s original had a whole heap of Diana Ross’ vocals from ‘I’m Gonna Make You Love Me’ at the centre but never let rip with the big hands in the air chorus. The lads have rearranged it here so it’s alot less teasin’ and alot more ease-in! The 3rd track is as important to Pablo and Shoey as it is to Moodymann, so ‘Funky Rump (Tribute To MCA)' pays tribute to the sadly deceased Beastie Boy by looping up some busy jazz drums from ‘Paul’s Boutique’ and splicing it with a very fitting in concert tribute from the one and only Flava Flav of Public Enemy. The full track, when it eventually arrives, is a relentless clav funk monster that just keeps going and going....

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Chicago's DJ Rahaan comes correct on this latest release from Dublin disco heads Fatty Fatty Phonographics. 'Dirtyboyz' takes an old Bobby O production and sticks a rocket up it's arse, blending in rough Chi-Town beats and some vocals from another Music Box/Warehouse classic for some proper peak-time dancefloor devastation. 'Getting Up and Dance' is the kind of string drenched disco-boogie that he laces throughout his epic club sets, with some fiery Ron Hardy style edits to drive 'em wild. 'Clap Your Hands, Stomp Your Feet', meanwhile, rounds it off beautifully, a summery dancefloor swinger with a hellishly catchy chorus and a bouncy groove that just won't quit....

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Fatty Fatty Phonographics is a new label out of Dublin determined to dispense with lazy loop button editing and get back to the original point - to make great songs work better on the dancefloor . First on the chopping block is the rambunctious disco-funk of The Emotions' 'I Don't Wanna Lose Your Love'. Produced by Earth, Wind and Fire's Maurice White and legendary arranger Charles Stepney, this one plays heavily on the gospel flavoured vocal breakdown and heavy funk horns, which Andy Weatherall et al chewed a chunk off of for the Primal Scream classic 'Loaded'. Following Dead Rose Music Company's recent hypno-house floor-smasher 'Just A Bitter Love', the lads take the Gladys Knight belter 'Taste Of Bitter Love' and put the song right back at the centre, playing around with the luscious piano line and keening strings, even creating a dreamy new 2 step outro for sweet and smooth mixing out... Last but not least we have legendary funky drummer Bernard Purdie and his 1972 cut 'Good Livin' Good Lovin'. It's a heavy funk bomb with a psychedelic wah-wah led intro and an absolutely killer piano line.

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Tracklisting:
A1 DJ Mudak 2000 & FTL - I Wanna
A2 DJ Mudak 2000 & FTL - Barriers
B1 DJ Mudak 2000 & FTL - Braindance
B2 DJ Mudak 2000 & FTL - Chasing A Dream

Sales Note
Braindance is the second, highly anticipated, collaborative EP from Irish producer DJ Mudak 2000 and French producer FTL, landing on their new label as the debut release.

Produced in Dublin & Paris, the two prolific junglists have encapsulated the intricacies of modern jungle while still highlighting the emotive elements of yesteryear.

The first track "I Wanna" begins as a fantastically light, classic jungle track with piercing soul vocals that unpacks into a soaring brawl of amens and intense 808s. A great representation of the duality of light and dark elements which make this whole EP a standout.

A2 "Barriers" is a driving, high tempo club ready cut. There is absolutely no messing about with this one, in your face reese business for the peak timers. On the flipside, title track "Braindance" is a complex yet ethereal roller carried along by hovering staccato vocals that are contrasted with a deep cutting sub that will hit you in all of the right spots.

The final track "Chasing A Dream" lives up to its name as its emotive synth lines and Sad Boys-esque cowbells will fill you with the tangible feelings of want and passion.

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Tracklisting:
A1 M4A4 - Import
A2 M4A4 - Stepgroove
B1 M4A4 - Friends
B2 M4A4 - Bhouse

Sales Note
- Repress -

Dublin based producer M4A4 releases his debut 12" for Running Out of Steam, with 4 luscious cuts of NY House inspired goodness.

It's hard to believe that 'Forever Underground' was scene newcomer M4A4's first vinyl outing, the talented young Irish producer flawlessly blends the sounds of Deep House with those of Jersey & NY House, creating a record that's destined to make people dance.


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A continuation of the extensive research project initiated last year between Sound Metaphors, Transmigration and surviving eye-witness/historian Ray Castle. An in depth analysis of the dancefloor landscape that developed in Goa during the 80s' and early 90's well before "Trance" became the unfortunate dirty word it is today. Before "trance" was even a genre, Goa was brewing a scene with unparalleled aesthetics, with a constant influx of dedicated collectors and DJs coming and going to this tropical underground dancefloor haven, filtering through vast amounts of emerging electronic music of the times and distilling only the finest of "Special Goa Music". Here is another compilation of our chosen most impactful tracks that would have been soundtrack to a very special and pure moment of freedom in dancefloor culture before the bastardisation of what we now know as "Goa Trance". A highly sought after selection of New Beat, Proto Techno, early Progressive/Trance, Industrial, EBM and House Music. Featuring photographs of the events presented in a double LP gatefold with poster and liner notes by Ray Castle himself. Re-mastered at Manmade mastering in Berlin. A generous body of research essential to any well rounded record collection.

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Tempo Records sublabel TempoCore presents Pugilist & Tamen; with four True To The Core Jungle & Drum and Bass tracks. A diverse quality production with amens, drumfunk and heavy bass ingredients. This beautiful crafted LIMITED EDITION crystal clear vinyl 12? comes in a new designed Tempo Records "Logo" high quality "Kraft" outer sleeve + a white innersleeve. All tracks mastered by Stuart Hawkes of Metropolis Mastering, London.

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Following Chicago’s tradition in special edits and dj personal reworks to extend crucial parts and surprise the dancers, Theo Parrish has always sparkled his legendary sets with his own versions of classic and obscure disco, funk and soul cuts to maximum effect! Some of those were available to fans in mid 2000s via the Ugly Edits series, now it’s finally time for the LOVELY EDITS.

Officially licensed and using the original parts from the master tapes, here we have Theo’s takes on two absolute staples: BT EXPRESS ‘Peace Pipe’ and GEORGE DUKE ‘I Want You For Myself’.

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Canada's Solar Phenomena presents three DJ Sotofett remixes of Tokyo producer Mystica Tribe. With a unique and unpredictable approach, Norwegian DJ Sotofett who runs Sex Tags Mania, Amfibia and Wania opens the remix EP with "Ash of Dub Mix", and as the names suggests, a fat dub with huge rubbery kicks, oodles of echoing hits and a spaced out curiousness that sonically draws inwards. "Dub Lawn Dub" eight minutes strips it back with a meandering top line, whimsical, dreamy and encouraging synths contrasting the rickety drums tumbling below. Lastly, "Dub'right Mix" continues the producer trademark loose limbed and jumbled drums, working into a lather while synths squelches and wobbled pads parallely prospects other dimensions. Heavy deepness with percussive highlights.

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Hailing from the West side of St. Louis, Missouri, Mikahl Anthony’s sonic roots spread far across the global Alt-Soul / Hip-Hop scene. A highly sought- after multidisciplinary artist (who has collaborated with the likes of Mick Jenkins, Chance The Rapper, Joey Purp, Smino & more), as well as being a founding member of Chicago’s THEMpeople collective, he now prepares to unveil his masterful full-length debut ‘MUSE’ via R&S Records.

Listen: https://listen.k7.com/3b4be142-df9a-4c7f-8800-9dff08eb70a8

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- What you can see, from here to the right, to the left, until the very end grew from the ashes. We had nothing, we came with empty hands, nothing to lose and this is what we got.- The man with the grey beard was announcing with humid eyes and pale inland when suddenly the younger one who was missing appears-
- Welcome my son, -the man with grey hair continues- AS WE WERE SAYING: All this was fire.

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Tracklisting:
A1 Chontane - Tiama
A2 Chontane - Moellex
A3 Chontane - Cryo
B1 Chontane - Apeth
B2 Chontane - Chrome Foil

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After releasing five sold out various artists EP’s featuring 25 artists, positivesource is excited to present a new chapter for the label with a diverse and anthemic EP from Berlin based producer Regent.

No stranger to the label, Regent contributed to src005 last year with his smooth techno roller ‘Off Agenda’ alongside music from Neri J, Alpha Tracks, Vil & Cravo. His tracks have featured heavily in DJ sets by label founders Blue Hour and Philippa Pacho over the years, naturally the idea to present the first artist EP on positivesource with Regent comes as no surprise. The record starts on a hypnotic tip with ‘Occult’, grooving along with an infectious bass-line swung beats and blissed out atmospherics before stepping up the energy levels on ‘Khmera’, a relentless chord driven percussive anthem with nostalgic vocals rising to new heights. On the flip the title track ‘Aphid Riot’ is bold and vibrant leaning heavily into UK flavours using sliced up vocals, breakbeats and a classic ‘Reece’ bass-line. Completing the record is a ‘broken’ version of ‘Aphid Riot’ highlighting an ethereal tonal melody with a deeper and more introspective take on the original. It’s a new sound exploration from the producer, demonstrating his versatility and perhaps a rare moment in his discography.

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Pure Virgin EP, compiling 3 original tracks that were produce by Vietnamese artist "TrinhNu" during the most intense lockdown in Vietnam, is considered as a love letter to the early 90s dance music - unconventional, progressive and fearlessly fun. “A Shout Going Out” kicks off as a quasi-breakbeat House track, accompanied by the nostalgic samples. “The Cliffhanger”, inspired by European proto-Trance, offers a mystical ambience and a darker atmosphere to the club. On the other side, peak-time “Tu Nay” is the journey of ravey sounds with euphoric M1 synth-lines and classic samples. Liquid Earth guides “Tu Nay” into an orbit around a trippier and richer sphere of Tech House.

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