SM002, Rahan Edits Vol.1, is the first of a series of compilation projects with some of the best artists from the scene. Rahaan is without doubt one of the most traveled and in demand disco disc jockeys on the circuit, and according to the Redbull Academy he’s not only a Dj, but a Dj’s Dj. Rahaan’s been spinning music since the 80s, he got his schooling in disco music when he heard Ron Hardy play at the Music Box in his native Chicago. At the time other Djs like DJ Pierre or Frankie Knuckles were throwing parties there too, but it was the unique fashion Ron Hardy served up his disco and house - raw and real - that had left a long lasting impression on Rahaan. Over the years Rahaan has personalized many obscure as well as classic tracks by transforming them into his trademark edits, in a style similar to Ron Hardy or Theo Parrish, with the only exception that he keeps close to the disco sound in his output, occasionally dipping into soul, boogie, fusion jazz and funk territory. But above all, the essence of Rahaan’s trademark sound is still undeniably ‘Chicago’ in its energy. There are plenty of soulful and uplifting, but never cheesy vocals. There is consistent groove in his boogie along type sets - all the way to his more bouncing and jackin’ basement party vibe that house music has brought us. With Rahaan’s choice cuts, you can literally feel the music, sweat and funk in the air! Over the years, plenty of Rahaan mixes that have appeared on sites like Bring The Heat, Deep House Page or the Chuck Brothers, which have left many fans wondering about those special extended and re-arranged and nowhere to find tracks. Finally, many of these in the mention come to light here! Spacemachine Recordings is delighted to bring Rahaan Edits Vol.1 to a record shop near you. CD1 features 10 track tastefully edited and DJ friendly tracks, whereas bonus CD2 is a continuous DJ mix. Artwork comes from Munich’s talented Benjamin Roeder. The product is scheduled for world-wide release in February 2011.

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For their 5th volume of the 'Downtownsounds Classics' series, Fatty Fatty Phonographics are proud to present these gems from the West End Records catalogue, the famed underground disco label that gave us so many of our dancefloor staples.

"Tell You Today" is probably the Downtownsounds anthem, a sweet song of yearning, regret and innocent joy married to Arthur Russell's wonky, wobbly percussive genius, with a perfect pop climax that has led to many moments of collective disco joy on the DTS dancefloor.

We didn't need to do much on this edit beyond adding some elements from Arthur's B-side dub, so the joy goes on for just that little bit longer.

On the flip is 'When The Shit Hits The Fan', a no-nonsense, hit-the-floor and forget your troubles disco-rap stompout from 1980.
A favourite with the likes of Theo Parrish and Dave Lee, this one always get the sneaky shebeen vibes a going...Check those lyrics!

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With their latest 'International Disco Mafia 2' release getting love from the likes of Marc Grusane and Jacques Renault, these Dublin based modern discotheque messers are on a roll.
Their latest sees Yorkshire based machine squelcher Perseus Traxx coming heavy on the A side with 'Pump It', which grinds a crashing jack track in and out of some choice disco snippets to create a relentless floorburner for 2019.
Sir Leon Greg is another of the Traxx-man's many pseudonyms, and 'Shakey' is an acid house tinged makeover of an old Northern Soul classic he made a few years back.
Fatty Fatty head honcho Pablo supplies his 'Warehouse Mix'Â of the track, which strings it out into a wild 10 minute trip that teases and caresses you before the strings and that chorus send you over the edge completely.
Last but not least, 'Last Days' will be, to some ears, the pick of the bunch - a rich, ever circling slice of funked up house music that will touch you in all the right spots, rounding off the package in some style.

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After a spell on the disco sidelines, Dublin label Fatty Fatty Phonographics are back with the 2nd instalment of their 'International Disco Mafia' series.
Extending its reach around Ireland and then again over the sea to Italy, it begins with a 13 minute disco trip by a young man called The Crown Prince of Waterford, with the wirey Catholic white boy spirit of Walter Gibbons in his veins.
The immortally titled 'Getting Fingered On The Waltzers' is overloaded with fizzing disco-rock dynamics, crazy organs and driving endless drum breaks that keep on pushing you all the way to an inevitable, gushing disco climax. Phew!
On the flip we have another Irish up and comer, Island Times, and his chunky disco driver 'Together'.
Just like his debut on the first volume, this one comes up trumps with a big, drum driven sound and a loose, live feel.
Last but not least, we're travelling up along the Adriatic from Trieste with Umberto Lumber, who takes a classic slow jam and pitches it down Baldelli style to a sweet cosmic sludge.
Perfect as a mood setter or as a spaced out bump and grind to finish the night off, it rounds off this 3 tracker in some style...

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Irish label Fatty Fatty spreads its wings with their 'International Disco Mafia' EP. Extending from Dublin out to Drogheda and Galway and onward overseas, the EP provides something peak-time for all tastes. The lead off track sees label top dog Pablo going off on a solo tip, delivering an end of nighter take on an eternal UK street Soul classic. Chopping together many different mixes to create an epic whole, this one has been road-tested thoroughly, and always brings the house down. While Pablo was fiddling around endlessly with that one, usual production partner Shoey slithered off with newcomer Kellser to produce a dreamy, stretched out take on a late 70's staple , another guaranteed winner, and possibly the most bliss inducing song ever to run at 130BPM The international part of the EP comes from Italian edit king Belabouche, who delivers a lovely take on 'Willie and The Hand Jive'. Last but not least, Galway boy Island Time makes his bow with a straight up, brassy slice of soulful Disco aimed straight at the dancefloor...


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Dublin based disco imprint Fatty Fatty Phonographics return with the 4th instalment of their 'Downtownsounds Classics' series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers Pablo and Shoey. Voiced by Leroy Burgess, with drums by hip hop legend Marley Marl and production by The Aleem Brothers, 'Release Yourself' was a huge across-the-board anthem in the clubs of NYC on its release in 1984. The lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. The B side features two under appreciated classics from the pen of one Billy Nichols, a man known for his work with West End Records (the Levan mixed 'Give Your Body Up To The Music') and the funky band of brothers that was BT Express. On 'Take Me...' Nichols' hooked up with disco master Patrick Adams for an emotional, string drenched disco belter that has found favour with the likes of Dimitri from Paris, Floating Points and Hunee. While 'Dance If Off' is a wonky proto Acid-Disco trip beloved of Rahaan and Eric Duncan of Rub 'n' Tug. With copies going for over 300 euros, you can do your bank account and your dancefloor a favour here...

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After seducing the likes of Optimo, Horse Meat Disco, Rub'N'Tug and Bicep with their floor-friendly reworks of classic disco, funk and electro, the lads over at Fatty Fatty Phonographics are expanding their repertoire with their first 12 inch of original material. The man they've chosen for this mission, Tim Blake, is a Dublin born music maker with a bank of vintage keyboards and drum machines in his spare room and a full blooded romantic's heart beating in his chest. Now based in Berlin, his debut 'Heat Crime' EP came out on Kleine Reise Records, a label run by a set of Irish messers who throw some of the city's very best parties, and a track on the recent Dirt Crew Recordings 10th anniversary compilation has helped spread the word about this special talent further. 'United States of Hinterland' in its demo form was described as 'The Shit' by none other than Mad Mike Banks of Underground Resistance and you can see why - banks of emotive, UR drenched synths and pads married to overpowering piano chords, wild psychedelic guitar, crazed drum patterns and an unmistakeable 21st Century P-Funk squelch. Pablo and Shoey have their fun with the track on the flip, upping the ante with a big fat 303 assault while retaining the elements that make the original such a trip. The package is rounded off nicely with a hypnotic dub for the Dj's, not to mention 'Haunting Passion', a churning,yearning deep house roller that pushes all the right buttons for the modern dancefloor. You can imagine this one cooling the dancers off at 6am, or providing just the right soundtrack for a blissed out summer sunset moment...

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After their very large re-make of 'Dinosaur's 'Kiss Me Again' on Volume 2, Pablo and Shoey go straight for the jugular again here, extending an old housed up bootleg version of Eddie Kendricks' 'Keep On Truckin' into 8 minutes of dancefloor devastation. Pre- Discogs, pre MP3's of everything ever recorded on the 'net, this little gem was one of the most potent secret weapons for The Unabombers in the heyday of Electric Chair. Some old fashioned, dusty crates digging by Pablo turned it up - now the world gets to have a listen ! Also included in the package is Detroit legend Terrence Parker and his deep, shimmering 1996 house classic 'Your Love', an after hours staple for the DTS boys since year dot. Drenched in a hypnotic organ loop and a beautiful, tender vocal, it's house music with a warm heart and a sharp kick, perfect for a 'Let's All Have A Hug' moment at 5am !

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After a sell-out EP by Rahaan in the spring, Dublin label Fatty Fatty Phonographics returns to the home of house with two murky 21st Century excursions aimed straight at dark'n'sweaty dancefloors. Rahaan flips the script here with 'Secondo Coro Della Lavendie', a propulsive update of Roberto Di Simone's 1976 modern opera piece of the same name. Over the years it's become a cult club hit in Chicago, Detroit and Montreal and found it's way into the record bags of the likes of Brennan Green. The title translates as 'The Song Of The Working Girls' and it sounds like it, a hipshakin', Afro-delic chant married to a relentless b-line and wired Chi-Town electronics. On the flip-side comes DJ Darryn Jones, yet another Chicago native with a bottomless record collection and the production chops to know what to do with it. 'Mouth Passion' weaves elements of The Flirt's 'Passion' in and out of another ruff track of rumbling percussion,raw bass and spooky sound effects and comes out right on top, transporting you down into a darkened basement with your eyes closed and your disco fist in the air!

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After a superlative EP from Chicago's DJ Rahaan, Dublin's Fatty Fatty Phonographics is back with another installment of Pablo and Shoey's 'Rejigs', which have had support from the likes of Hot Toddy, Bicep, Get Down Edits, Leftside Wobble, House of Disco and Rub'N'Tug. ‘No Good (Start The Jack) sees them take on Kelly Charles’ ‘You’re No Good’, a late 80’s New Jersey house bomb and source of the infamous vocal hook from The Prodigy’s ‘No Good (Start The Dance). After one of the great 80’s dance music clichés – an intro where some sassy mama gives her boyfriend shit down an old school telephone line - they go straight for the jugular with that big big hook, spinning the whole thing out for 10 minutes with lots of hypnotic piano loops and large chunks of the great song at the heart of it all. This is one that the crowd will be immediately singing right back at ya at 2am! ‘Gonna Get Ya’, meanwhile, goes for some Greg Wilson ‘Edit The Edit’ style shenanigans, taking on Barna Soundmachine’s sly, slinky funk loops. The Barna man’s original had a whole heap of Diana Ross’ vocals from ‘I’m Gonna Make You Love Me’ at the centre but never let rip with the big hands in the air chorus. The lads have rearranged it here so it’s alot less teasin’ and alot more ease-in! The 3rd track is as important to Pablo and Shoey as it is to Moodymann, so ‘Funky Rump (Tribute To MCA)' pays tribute to the sadly deceased Beastie Boy by looping up some busy jazz drums from ‘Paul’s Boutique’ and splicing it with a very fitting in concert tribute from the one and only Flava Flav of Public Enemy. The full track, when it eventually arrives, is a relentless clav funk monster that just keeps going and going....

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Fatty Fatty Phonographics is a new label out of Dublin determined to dispense with lazy loop button editing and get back to the original point - to make great songs work better on the dancefloor . First on the chopping block is the rambunctious disco-funk of The Emotions' 'I Don't Wanna Lose Your Love'. Produced by Earth, Wind and Fire's Maurice White and legendary arranger Charles Stepney, this one plays heavily on the gospel flavoured vocal breakdown and heavy funk horns, which Andy Weatherall et al chewed a chunk off of for the Primal Scream classic 'Loaded'. Following Dead Rose Music Company's recent hypno-house floor-smasher 'Just A Bitter Love', the lads take the Gladys Knight belter 'Taste Of Bitter Love' and put the song right back at the centre, playing around with the luscious piano line and keening strings, even creating a dreamy new 2 step outro for sweet and smooth mixing out... Last but not least we have legendary funky drummer Bernard Purdie and his 1972 cut 'Good Livin' Good Lovin'. It's a heavy funk bomb with a psychedelic wah-wah led intro and an absolutely killer piano line.

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