4 rather good arias by Manchester’s finest xo. More

Hot on the heels of releases from Tom Shorterz, Bodhi and DJ Haus, Rinse continue to roll them out and present their latest from a label favourite - Rupert Taylor a.k.a xxxy. With a back catalogue that's touched Ten Thousand Yen, Pollen, Well Rounded and Orca, xxxy is an artist who has astutely touched on many bases and evinced a serious knack for turning his hand to the variety of styles that build the broad genre of Bass music. This: his latest 'Regrets' EP stands to illustrate this knack perfectly and is a vibrant blend of analogue drums, swooning synths and thick, warm bass tones. The title track kicks things off with sharp hats galloping atop brooding chord changes before filters open up and build a thick and tense tone. Tense, jarring stabs push progress forwards before 12049 drives a rubbery and reverberated kick under softly warped synth tones and stripped but purposeful percussion. Over Peover then sits a panned synth string circling atop tough, crunching percussion and a propulsive synth riff. A rich, heart-rending bass tone is driven in beneath ahead of a rapturous, elongated breakdown that wraps up another coup for Rinse and a solid addition to the catalogue.
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The next release on Rinse is the second in a series of three EPs of gorgeous, punch-drunk house music from label regular Rupert Taylor, aka Xxxy. The follow-up to last year's acclaimed 18 Hours, it's a further spiral inwards for the tripped-out, wistful style he's increasingly come to make distinctly his own, with clouds of arpeggiated synth notes and vapourised voice rolling atop pillow-soft, droning bass. melody and disembodied vocals. Yet listen closer - or at peak time - and it's deceptively tough, building to a mesmerising blur of colour amid body-shuddering kickdrums. In contrast, 'Lately' is one of the brightest and most upfront Xxxy tracks to date, with its major key melody, synthetic chord stabs and spiralling momentum channeling both the spirit of electro pop and the futurist impulses of early Detroit techno - a heady cocktail. EP closer 'Close The Door Behind You' occupies a perfect middle point between the two; an eerie, noise-scratched slow-build leads to a sudden explosion of energy, with a barrage of bass swoops and hi-hats abruptly sweeping the dancefloor upward as it goes.




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The next release on Rinse is the 18 Hours EP, the latest missive of stargazing, spaced-out house from label regular Rupert Taylor, aka XXXY. Over the last few years Taylor's music has formed a launch pad for his explorations of the styles that fascinate him, from the heartbeat swing of UK garage to lysergic experimentation and the heady pulse of peak-time house. The 18 Hours EP follows up this year's deliriously catchy Rinse single 'Never Enough' and the arrow-sharp 'Goldfish' on Ten Thousand Yen. Each of its three tracks captures the XXXY sound from a distinctly different angle, but they're united by his music's long-running personality traits: a devilish ear for space and melody, which bubbles through even its starkest moments. '18 Hours' itself is a gorgeous, limpid whirlpool of a club track. Rolling out over nearly six minutes, it emerges from shimmery beginnings into a wave-like rush of drums and synthlines that seethes forward and repeatedly crests in eddies of harmonic activity. The EP's other two tracks are among XXXY's hardest-hitting floor burners to date: 'Tool (Satire Mix)' is a tough, bristling mass of acidic bleeps and steely percussion custom honed for maximum impact in the early hours. 'Clap Pitch' is harder still: perhaps the freakiest XXXY track to date, it razes the dancefloor in salvos of static, distortion and wild electronic shrieks.

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housand Yen for these collection of rough and ready, yet soul burning dance floor bombs. These have been doing serious business in the clubs. I NEED YOU!

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"I made another record for the lovely Welshmen at Ten Thousand Yen. The A side is an arpy thing with bass the flip is a vocally thing with bass. They both contain breakdowns - please don't hold this against me xoxo”

xxxy

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London's XXXY goes ALL CITY with these two dope cuts...2 track 12 from Manchester born, London based producer XXXY. Combining an intense work-rate with a fusion of classic and new styles this is another fine 12 to add to his burgeoning discography. Brimming with energy the A side Kerpow is a dense cocktail of detailed arrangement and mutated bass styles with the flip side slowly building to a booming climax around an infectious vocal hook! Full colour hand drawn Pop Art cover... More

Following on from his Make It Hot six-tracker, Rinse are pleased to announce the release of Burnin' Up, the debut full-length album by DJ Haus. One of the UK's most exciting DJs and boss of acclaimed labels Unknown To The Unknown and Hot Haus. Over the last few years Haus has honed his own unique, anarchic strain of bass-heavy house music, both solo and in duos Trumpet & Badman (with DJ Q) and Hot City. The result has been a salvo of raucous, dancefloor-focused records joining the dots between classic Chicago acid and ghetto house, hints of UK garage's compulsive bump 'n' swing, old-skool hardcore and the brusque splatter of the Bunker Records sound - a vivid hybrid sound that channels sheer energy in the club. Burnin' Up picks up and expands on that track record to date. Gathering twelve brand new club tracks, including collaborations with Innershades and Chambray, it showcases Haus as a dancefloor alchemist par excellence. Refracting the rawest styles of house-rooted music from the last two decades through the gleefully recombinant, mutagenic tendencies of UK dance music, its tracks are all united by Haus' characteristic diamond-hard percussion and distinctively deft ear for a vocal sample flip. Indeed, there's barely space for breath as the album burns through bleep 'n' bass opener 'Won't Let U Get Away', 'Houz Muzik' featuring Chambray, firey 303 lines 'Acid Stringz', saucer-eyed rave 'EEE Werkin and the dizzying percolations of ghetto house (the title track, 'Make Me Feel') Innershades collaboration 'Track 10' evolves from a stripped-back, staccato drum machine workout into a hypnotic Motor City groove, while album centrepiece 'No More Loving', whose disorienting whirl of 8-bit bleeps tears upwards through a brusquely funky bassline. Burnin' Up is a sweat-soaked end to end, body-jacking debut album.
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Following on from his Make It Hot six-tracker, Rinse are pleased to announce the release of Burnin' Up, the debut full-length album by DJ Haus. One of the UK's most exciting DJs and boss of acclaimed labels Unknown To The Unknown and Hot Haus. Over the last few years Haus has honed his own unique, anarchic strain of bass-heavy house music, both solo and in duos Trumpet & Badman (with DJ Q) and Hot City. The result has been a salvo of raucous, dancefloor-focused records joining the dots between classic Chicago acid and ghetto house, hints of UK garage's compulsive bump 'n' swing, old-skool hardcore and the brusque splatter of the Bunker Records sound - a vivid hybrid sound that channels sheer energy in the club. Burnin' Up picks up and expands on that track record to date. Gathering twelve brand new club tracks, including collaborations with Innershades and Chambray, it showcases Haus as a dancefloor alchemist par excellence. Refracting the rawest styles of house-rooted music from the last two decades through the gleefully recombinant, mutagenic tendencies of UK dance music, its tracks are all united by Haus' characteristic diamond-hard percussion and distinctively deft ear for a vocal sample flip. Indeed, there's barely space for breath as the album burns through bleep 'n' bass opener 'Won't Let U Get Away', 'Houz Muzik' featuring Chambray, firey 303 lines 'Acid Stringz', saucer-eyed rave 'EEE Werkin and the dizzying percolations of ghetto house (the title track, 'Make Me Feel') Innershades collaboration 'Track 10' evolves from a stripped-back, staccato drum machine workout into a hypnotic Motor City groove, while album centrepiece 'No More Loving', whose disorienting whirl of 8-bit bleeps tears upwards through a brusquely funky bassline. Burnin' Up is a sweat-soaked end to end, body-jacking debut album.
More

Hot on the heels of releases from Tom Shorterz, Bodhi and DJ Haus, Rinse continue to roll them out and present their latest from a label favourite - Rupert Taylor a.k.a xxxy. With a back catalogue that's touched Ten Thousand Yen, Pollen, Well Rounded and Orca, xxxy is an artist who has astutely touched on many bases and evinced a serious knack for turning his hand to the variety of styles that build the broad genre of Bass music. This: his latest 'Regrets' EP stands to illustrate this knack perfectly and is a vibrant blend of analogue drums, swooning synths and thick, warm bass tones. The title track kicks things off with sharp hats galloping atop brooding chord changes before filters open up and build a thick and tense tone. Tense, jarring stabs push progress forwards before 12049 drives a rubbery and reverberated kick under softly warped synth tones and stripped but purposeful percussion. Over Peover then sits a panned synth string circling atop tough, crunching percussion and a propulsive synth riff. A rich, heart-rending bass tone is driven in beneath ahead of a rapturous, elongated breakdown that wraps up another coup for Rinse and a solid addition to the catalogue.
More

The next release on Rinse is the second in a series of three EPs of gorgeous, punch-drunk house music from label regular Rupert Taylor, aka Xxxy. The follow-up to last year's acclaimed 18 Hours, it's a further spiral inwards for the tripped-out, wistful style he's increasingly come to make distinctly his own, with clouds of arpeggiated synth notes and vapourised voice rolling atop pillow-soft, droning bass. melody and disembodied vocals. Yet listen closer - or at peak time - and it's deceptively tough, building to a mesmerising blur of colour amid body-shuddering kickdrums. In contrast, 'Lately' is one of the brightest and most upfront Xxxy tracks to date, with its major key melody, synthetic chord stabs and spiralling momentum channeling both the spirit of electro pop and the futurist impulses of early Detroit techno - a heady cocktail. EP closer 'Close The Door Behind You' occupies a perfect middle point between the two; an eerie, noise-scratched slow-build leads to a sudden explosion of energy, with a barrage of bass swoops and hi-hats abruptly sweeping the dancefloor upward as it goes.




More

The next release on Rinse is the 18 Hours EP, the latest missive of stargazing, spaced-out house from label regular Rupert Taylor, aka XXXY. Over the last few years Taylor's music has formed a launch pad for his explorations of the styles that fascinate him, from the heartbeat swing of UK garage to lysergic experimentation and the heady pulse of peak-time house. The 18 Hours EP follows up this year's deliriously catchy Rinse single 'Never Enough' and the arrow-sharp 'Goldfish' on Ten Thousand Yen. Each of its three tracks captures the XXXY sound from a distinctly different angle, but they're united by his music's long-running personality traits: a devilish ear for space and melody, which bubbles through even its starkest moments. '18 Hours' itself is a gorgeous, limpid whirlpool of a club track. Rolling out over nearly six minutes, it emerges from shimmery beginnings into a wave-like rush of drums and synthlines that seethes forward and repeatedly crests in eddies of harmonic activity. The EP's other two tracks are among XXXY's hardest-hitting floor burners to date: 'Tool (Satire Mix)' is a tough, bristling mass of acidic bleeps and steely percussion custom honed for maximum impact in the early hours. 'Clap Pitch' is harder still: perhaps the freakiest XXXY track to date, it razes the dancefloor in salvos of static, distortion and wild electronic shrieks.

More

Katy B : Katy On A Mission A1 Original B1 Instrumental B2 Acapella More

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B2 Headhunter: Prototype (Modeselektor Remix)
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