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daniel avery - Knowing We'll Be Here (Kink Remix)
2
daniel avery - New Energy (Beyond The Wizard's Sleeve Re-Animation)
Phantasy release the next in a series of remix 12s for Daniel Avery's hugely acclaimed "Drone Logic" album. First up, KiNK applies his ever-masterful touch to "Knowing We'll Be Here" for a wholly euphoric house embrace whilst, on the flip, label boss Erol Alkan resurrects Beyond The Wizard's Sleeve, his neu-pysche collaboration with Richard Norris, to push "New Energy" fully into the realm of the third mynd with a very special re-animation.
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Label:fabric Originals
Cat-No:FRO030
Release-Date:06.12.2024
Genre:Electronic
Configuration:12"
Barcode:5060845325374
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Cat-No:FRO030
Release-Date:06.12.2024
Genre:Electronic
Configuration:12"
Barcode:5060845325374
1
Daniel Avery - Digital Rain
2
Daniel Avery - I Miss You
Daniel Avery returns to fabric Originals with his second EP of 2024 following on from the ‘Wonderland / Running’ EP back in March, Avery’s only officially releases for this year.“Broken euphoria. The other side of Room 1 that will crush your skull and fill your soul in equal measure. Being blinded by the most beautiful light you’ve ever seen.”Daniel Avery plays fabric, 15th November – ALL NIGHT – Divided Love Party
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Label:Because Music
Cat-No:BEC5613166
Release-Date:08.12.2023
Genre:House
Configuration:2LP Excl
Barcode:5056556131663
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Label:Because Music
Cat-No:BEC5613166
Release-Date:08.12.2023
Genre:House
Configuration:2LP Excl
Barcode:5056556131663
Rights : World excluding Fr & UK
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
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Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
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Label:phantasy sound
Cat-No:PHLP19X
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Cat-No:bec5161627
Release-Date:19.02.2021
Genre:Minimal
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2021 repress
UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
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UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
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Label:phantasy sound
Cat-No:ph78
Release-Date:27.02.2019
Genre:Techno
Configuration:12"
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1
daniel avery - Diminuendo (Luke Slater Remix)
2
daniel avery - Projector (Obscure Shape & SHDW Remix)
3
daniel avery - Days From Now (Richard Fearless Remix)
Daniel Avery broadens the exquisite sonic universe established on last year’s critically-acclaimed sophomore LP Song For Alpha, presenting the collected B-sides & Remixes. Showcasing cuts from the album’s writing and recording process, as well, Avery also invites a number of his contemporaries and some of the most vital underground producers in the world to rework his original material, with transformative results. Luke Slater takes care of the album’s high-tempo centrepiece, ‘Diminuendo’, the obvious choice to take an already pummeling rave highlight in a direction that arguably hits even harder without sacrificing anything cerebral; Slater’s dense, swarming synths wrap around the original with catharsis. German duo Obscure Shape & SHDW twist ‘Projector’ into an irresistible, warehouse-tooled rave weapon, transforming the understated source material into a groove-focused anthem that recalls the no-nonsense spirit of nineties rave. Avery’s studio neighbour and partner in PSSU, Richard Fearless offers up the most brooding cut with his take on ‘Days From Now’, delivering a texturally rich and boldly minimal deconstruction that oscillates between industrial gristle and weightless suspense, ultimately shining light on a creeping, patient melody.
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Label:phantasy sound
Cat-No:ph75
Release-Date:27.02.2019
Genre:Techno
Configuration:12"
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daniel avery - Citizen // Nowhere (Manni Dee Remix
2
daniel avery - Glitter (Anatasia Kristensen Remix)
3
daniel avery - Diminuendo (Patrick Russell Remix)
Daniel Avery broadens the exquisite sonic universe established on last year’s critically-acclaimed sophomore LP Song For Alpha, presenting the collected B-sides & Remixes. Showcasing cuts from the album’s writing and recording process, as well, Avery also invites a number of his contemporaries and some of the most vital underground producers in the world to rework his original material, with transformative results. The frosty melancholy of Citizen // Nowhere is reworked by London producer Manni Dee into something altogether monstrous. Introducing itself with a kick drum powerful enough to level a warehouse, and only getting more urgent from there forward, Dee’s remix blends a knowing rave glint in the eye with a nonetheless uncompromising stance. The Copenhagen-via-Moscow producer Anastasia Kristensen immediately justifies her status as a rapidly rising talent on the scene, locking into a delicate yet no less powerful groove for her sparkling remix of Glitter. Seamlessly heightening the almost meditative qualities of Avery’s original, she weaves a blissful rhythmic trip, taking in razor-sharp percussions and spectral dub techno. A longstanding fixture on the Midwest US rave scene, Patrick Russell applies his typical grit to ‘Song For Alpha’s firmly dancefloor focused centrepiece, Diminuendo. In subtly shifting the focus to the track’s passages of overwhelming feedback, he sculpts a black hole of snarling electro and piston-like breaks, sure to prove an inviting wormhole to those willing to surrender further, deeper and darker.
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Label:phantasy sound
Cat-No:ph79
Release-Date:02.10.2018
Genre:Techno
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daniel avery - No Title
2
daniel avery - No Title
3
daniel avery - No Title
4
daniel avery - No Title
A memorably bracing, momentarily pummeling highlight of ‘Song For Alpha’, Daniel Avery perfectly bridges the light and dark contrast of his influences on standout cut, ‘Diminuendo’. Uncompromising tech-noid drums establish genuine frenzy, matched by a pulsating industrial drone, ultimately collapsing into ethereal feedback, before one final round of frenetic rhythm. On ‘Hyper Detail’, the intense acid lurking beneath the surface of ‘Song For Alpha’ is dramatically unleashed, easily matching the frantic energy of the previous track, and upping the potential for wide-eyed, rave-friendly electronic hypnosis. ‘Light Of Falling Rain’ is more severe and equally intricate, creating immediate enormous tension and re-lease with a barrage of snarling electro and expertly intertwined mi-crorhythms. Finally, on ‘Time Marked Its Irregular Pulse In Her Eyes’, the disem-bodied elements of Avery’s studio communicate something cryptic and unnerving as a farewell. The most uncompromising and purely physical batch of material to emerge in the wake of ‘Song For Alpha’, the ‘Di-minuendo’ EP finds Avery on urgent and ruthless form.
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Label:phantasy sound
Cat-No:ph73
Release-Date:28.06.2018
Genre:Techno
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Following the release of his Projector EP earlier this month, Daniel Avery has enlisted revered London producer Four Tet aka Kieran Hebden for a remix of ‘Quick Eternity’, taken from the former’s long-awaited second album Song For Alpha. Hebden flips the warm, undulating synths and crystalline percussion of Avery’s original in his own inimitable style, building shimmering, skittering flourishes before a pneumatic final half.
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Label:phantasy sound
Cat-No:ph72
Release-Date:11.05.2018
Genre:Techno
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daniel avery - Projector
2
daniel avery - Shadow Mountain
3
daniel avery - Glass
4
daniel avery - REHBGBV4367
Complimenting the long-awaited release of sophomore LP, Song for Alpha, Daniel Avery presents the Projector EP. Taking its title from one of the album’s spectral highlights this additional trio of original productions expands on Avery’s regenerated sonic vision. Leaning further towards the rhythmic and propulsive intent behind his recent, marathon DJ sets, the record serves to delve further still into his unfolding, ever-deepening sound. Following the lead of ‘Projector’ itself, the record transitions into the first exclusive cut, ‘Shadow Mountain’. Soft in texture and bathed in ethereal feedback, a glitching, transfixing synth line gradually reveals itself as the spine of the piece. Throughout ‘Glass’, an intimate, breathy vocal sample contrasts with a more industrially tinged base of heavily processed drums. Influenced by Song for Alpha’s embrace of the small hours, “the light emerging from the darkness”, both tracks conjure an almost overwhelmingly tender atmosphere, rich in the hazy strains of rave history.On the more experimental REHBGBV4367, the seams of Avery’s influences lap against one another in a steady crescendo of beautiful yet beatless noise, dissipating into ambience. Expanding on the delicate core ideas at the centre of his creative ethos, the EP invites listeners on a further excursion of transient, psychedelic bliss.
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Label:phantasy sound
Cat-No:ph70
Release-Date:22.02.2018
Genre:Techno
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daniel avery - Radius (Surgeon remix)
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daniel avery - Slow Fade (Actress Remix)
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daniel avery - Fever Dream (Inga Mauer Remix)
Following the surprise release of his Slow Fade EP last month, Daniel Avery presents a collection of remixes from Surgeon, Actress and Inga Mauer. The remix EP will be released digitally and on 12” vinyl on March 9th. Widely regarded as one of UK electronic music’s leading lights and “arguably the finest techno DJ in the world” (FACT), with a career spanning over 20 years, Surgeon lends his clinical touch to ‘Radius’, adding an erratic, propulsive beat to Avery’s warm synth layers for one of his best remixes yet. Werkdiscs head Actress meanwhile delivers a pared back and introspective rework of ‘Slow Fade’, shrouding the synth refrain in hypnotic, distorted production, in his first remix following the release of his critically acclaimed 2017 album AZD. Bunker Records’ Inga Mauer completes the package, offering a claustrophobic mix pierced with metallic shards that confirms what Resident Advisor said of the uncompromising Russian-born Amsterdam-based DJ and producer last year: “Mauer is destined for big things.”
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Label:phantasy sound
Cat-No:ph60
Release-Date:19.01.2018
Genre:Techno
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Daniel Avery returns to Phantasy for a 4-track limited edition 12” vinyl EP, Slow Fade, featuring the title track and first single from his much-anticipated sophomore LP, upcoming in April via Phantasy. A prelude to the LP’s sonic exploration of the twilight world of a personal, transient life spent between clubs, hotel rooms, airports and home, Slow Fade captures the expanded foundations of Avery’s sonic palette. Arresting club moments linger under the surface, but the focus is on the smudged ambience that underpin Avery’s grasp on rave euphoria.
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Label:phantasy sound
Cat-No:ph50
Release-Date:19.11.2015
Genre:Techno
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daniel avery - Sensation
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daniel avery - Clear
Phantasy are proud to present their 50th release. With two years having passed since 2013’s hugely acclaimed Drone Logic, Daniel Avery returns to Phantasy to offer a much anticipated taste of his restless studio experimentation. Sensation projects Avery’s distinctive feedback and engrossing modulations onto his widest canvas yet. Surges of noise link the track to artists such as Cortini and Basinski in its ability to echo purposefully across vast halls, yet proving to be just as absorbing in more intimate circumstances. Still, tough drums amid the shifting atmospherics nonetheless hint at Avery’s continuing stride towards techno’s more relentless facets. While Sensation floats freely, Clear continues Avery’s occasional forays into unapologetically trippy realms. Revisiting an evolved but no less addictive form of the acidic psychedelia touched on throughout the duration of Drone Logic, Clear spirals seamlessly into both paranoia and euphoria. This year Avery launched Divided Love, a “semi-regular gathering for like-minded sonic souls” at London’s fabric which has also travelled to Paris, Lisbon, LA, New York and Lyon’s Nuits Sonores festival. Guests have included Rødhåd, KiNK, Factory Floor and Roman Flügel, acts who all contributed to Avery's New Energy remix collection released last winter which also featured reworks by Silent Servant, Powell, Ø [Phase] and Beyond The Wizard’s Sleeve.
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klaxons - Love Frequency (Tom Rowlands Remix)
2
klaxons - Love Frequency (Mild Pitch Mix)
Phantasy is proud to welcome Klaxons to the family with this exclusive vinyl only release. Remixed by Chemical Brother and original producer of the title track from the forthcoming Klaxons album 'Love Frequency', Tom Rowlands returns to Phantasy after the huge 2013 double A sided single 'Through Me' / 'Nothing But Pleasure'. On the flip side, Erol Alkan (also a producer on the album) brings down the tempo and ups the dub on his 'Mild Pitch' Mix.
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Cat-No:ph32rmx2
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erol alkan - Hold On Love (Tom Trago's Tokyo Mix)
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erol alkan - Bang (Emperor Machine Extended)
After the success of Erol Alkan's debut 'Illumination EP', Phantasy is proud to present the second remix 12". 'Bang' gets another outing with Emperor Machine's stunning 8 minute extended remix, bringing the crystalline synth to the forefront, and Rush Hour's house maestro Tom Trago completes the 12" with a rolling intergalactic take on 'A Hold On Love', titled his 'Tokyo Mix'.
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After the success of Erol Alkan's debut 'Illumination EP', Phantasy is proud to present the first remix 12". Man Make Music's U - delivers a psychedelic freakbeat version of ‘Check Out Your Mind’, while Chicago producer and recent L.I.E.S. signing Beau Wanzer offers a mesmerizingly propulsive, mechanical rework of ‘Bang’.
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Label:phantasy
Cat-No:ph23rmx
Release-Date:16.08.2013
Configuration:12"
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Label:phantasy
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DJ W!ld’s history in music dates back to the tail end of the 80’s where his young and fascinated mind embraced the explosion of Graffiti culture, Disco, Funk and Hip-Hop in his hometown of Dijon. Later as the infectious sounds of Detroit Techno and Chicago House filtered through to Europe, and Laurent Garnier exposed them to Paris, W!ld’s interest was peaked and a move to the capital was made. He’s now at the forefront of electronic music culture, DJ’ing at some of the worlds leading nightclubs and boasting releases on OFF, Robsoul and Adult Only, as well as running his own Catwash and The W Label imprints. The release opens with ‘Rendez-Vous Love’, a dubbed out house number, employing sparse, organic drum programming, insistent low-end tones and subtly delayed guitar licks to take the lead. W!ld rides this groove out for the tracks eight and a half minute duration, while the focal stages introduce ethereal pads, emotive vocal snippets and whispering reverse effects to create a stunning, intricate record. Up next is ‘BCN’, taking on a different format entirely, with its brooding bass, dark, swirling synth stabs and heavily distorted kicks, showing a brilliantly contrasting side to the Frenchman’s productions, this time he delivers a raw, edgy cut full of grit, while the slow blooming structure truly does the elements justice as they intricately evolve throughout. On the flip side, first up is ‘Boys Don’t Cry’, staying on a moody tip, W!ld opts for minimalistic, swinging drums, alongside resonant acid lines and tension building pads, soaked in reverb, the result is a classy, afterhours number for those head-nodding moments. Then to close the release, title track ‘Feel Me’ is offered up, taking things in a deeper direction this time, as soft chords, bubbling background atmospherics and weighty drums lead the way, the latter stages see things stripped back to a celestial breakdown with glitchy electronic tonesand warm strings, alongside Latin vocal lines, adding a unique character to the record.
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Label:phantasy
Cat-No:ph19
Release-Date:23.08.2012
Configuration:12"
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Last in:17.09.2012
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Last in:17.09.2012
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Cat-No:ph19
Release-Date:23.08.2012
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Switch, Erol Alkan, - A Sidney Jook
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Switch, Erol Alkan, - A Sidney Jook
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Switch, Erol Alkan, - A Sidney Jook
Switch and Erol Alkan come together on what is possibly Phantasy's heaviest release to date. Saturated acid lines, scratches, vocal snippets and the biggest kick drum this side the Planet 808 dominate a track originally conceived back in 2009. Brilliant remixes come from Night Slugs co-founder Bok Bok, and New York's Willie Burns who's recent release on L.I.E.S has been staple in Erol Alkan's sets for musch of 2012. Released on limited edition acid splash vinyl. Artwork by Greek artist Dimitris Rokos, label and postcard design by North Internet
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