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Daniel Avery - Digital Rain
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Daniel Avery - I Miss You
Daniel Avery returns to fabric Originals with his second EP of 2024 following on from the ‘Wonderland / Running’ EP back in March, Avery’s only officially releases for this year.“Broken euphoria. The other side of Room 1 that will crush your skull and fill your soul in equal measure. Being blinded by the most beautiful light you’ve ever seen.”Daniel Avery plays fabric, 15th November – ALL NIGHT – Divided Love Party
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More records from Daniel Avery
Rights : World excluding Fr & UK
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
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Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
More
2021 repress
UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
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UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
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daniel avery - Citizen // Nowhere (Manni Dee Remix
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daniel avery - Glitter (Anatasia Kristensen Remix)
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daniel avery - Diminuendo (Patrick Russell Remix)
Daniel Avery broadens the exquisite sonic universe established on last year’s critically-acclaimed sophomore LP Song For Alpha, presenting the collected B-sides & Remixes. Showcasing cuts from the album’s writing and recording process, as well, Avery also invites a number of his contemporaries and some of the most vital underground producers in the world to rework his original material, with transformative results. The frosty melancholy of Citizen // Nowhere is reworked by London producer Manni Dee into something altogether monstrous. Introducing itself with a kick drum powerful enough to level a warehouse, and only getting more urgent from there forward, Dee’s remix blends a knowing rave glint in the eye with a nonetheless uncompromising stance. The Copenhagen-via-Moscow producer Anastasia Kristensen immediately justifies her status as a rapidly rising talent on the scene, locking into a delicate yet no less powerful groove for her sparkling remix of Glitter. Seamlessly heightening the almost meditative qualities of Avery’s original, she weaves a blissful rhythmic trip, taking in razor-sharp percussions and spectral dub techno. A longstanding fixture on the Midwest US rave scene, Patrick Russell applies his typical grit to ‘Song For Alpha’s firmly dancefloor focused centrepiece, Diminuendo. In subtly shifting the focus to the track’s passages of overwhelming feedback, he sculpts a black hole of snarling electro and piston-like breaks, sure to prove an inviting wormhole to those willing to surrender further, deeper and darker.
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daniel avery - Diminuendo (Luke Slater Remix)
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daniel avery - Projector (Obscure Shape & SHDW Remix)
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daniel avery - Days From Now (Richard Fearless Remix)
Daniel Avery broadens the exquisite sonic universe established on last year’s critically-acclaimed sophomore LP Song For Alpha, presenting the collected B-sides & Remixes. Showcasing cuts from the album’s writing and recording process, as well, Avery also invites a number of his contemporaries and some of the most vital underground producers in the world to rework his original material, with transformative results. Luke Slater takes care of the album’s high-tempo centrepiece, ‘Diminuendo’, the obvious choice to take an already pummeling rave highlight in a direction that arguably hits even harder without sacrificing anything cerebral; Slater’s dense, swarming synths wrap around the original with catharsis. German duo Obscure Shape & SHDW twist ‘Projector’ into an irresistible, warehouse-tooled rave weapon, transforming the understated source material into a groove-focused anthem that recalls the no-nonsense spirit of nineties rave. Avery’s studio neighbour and partner in PSSU, Richard Fearless offers up the most brooding cut with his take on ‘Days From Now’, delivering a texturally rich and boldly minimal deconstruction that oscillates between industrial gristle and weightless suspense, ultimately shining light on a creeping, patient melody.
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daniel avery - No Title
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daniel avery - No Title
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daniel avery - No Title
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daniel avery - No Title
A memorably bracing, momentarily pummeling highlight of ‘Song For Alpha’, Daniel Avery perfectly bridges the light and dark contrast of his influences on standout cut, ‘Diminuendo’. Uncompromising tech-noid drums establish genuine frenzy, matched by a pulsating industrial drone, ultimately collapsing into ethereal feedback, before one final round of frenetic rhythm. On ‘Hyper Detail’, the intense acid lurking beneath the surface of ‘Song For Alpha’ is dramatically unleashed, easily matching the frantic energy of the previous track, and upping the potential for wide-eyed, rave-friendly electronic hypnosis. ‘Light Of Falling Rain’ is more severe and equally intricate, creating immediate enormous tension and re-lease with a barrage of snarling electro and expertly intertwined mi-crorhythms. Finally, on ‘Time Marked Its Irregular Pulse In Her Eyes’, the disem-bodied elements of Avery’s studio communicate something cryptic and unnerving as a farewell. The most uncompromising and purely physical batch of material to emerge in the wake of ‘Song For Alpha’, the ‘Di-minuendo’ EP finds Avery on urgent and ruthless form.
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Following the release of his Projector EP earlier this month, Daniel Avery has enlisted revered London producer Four Tet aka Kieran Hebden for a remix of ‘Quick Eternity’, taken from the former’s long-awaited second album Song For Alpha. Hebden flips the warm, undulating synths and crystalline percussion of Avery’s original in his own inimitable style, building shimmering, skittering flourishes before a pneumatic final half.
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daniel avery - Projector
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daniel avery - Shadow Mountain
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daniel avery - Glass
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daniel avery - REHBGBV4367
Complimenting the long-awaited release of sophomore LP, Song for Alpha, Daniel Avery presents the Projector EP. Taking its title from one of the album’s spectral highlights this additional trio of original productions expands on Avery’s regenerated sonic vision. Leaning further towards the rhythmic and propulsive intent behind his recent, marathon DJ sets, the record serves to delve further still into his unfolding, ever-deepening sound. Following the lead of ‘Projector’ itself, the record transitions into the first exclusive cut, ‘Shadow Mountain’. Soft in texture and bathed in ethereal feedback, a glitching, transfixing synth line gradually reveals itself as the spine of the piece. Throughout ‘Glass’, an intimate, breathy vocal sample contrasts with a more industrially tinged base of heavily processed drums. Influenced by Song for Alpha’s embrace of the small hours, “the light emerging from the darkness”, both tracks conjure an almost overwhelmingly tender atmosphere, rich in the hazy strains of rave history.On the more experimental REHBGBV4367, the seams of Avery’s influences lap against one another in a steady crescendo of beautiful yet beatless noise, dissipating into ambience. Expanding on the delicate core ideas at the centre of his creative ethos, the EP invites listeners on a further excursion of transient, psychedelic bliss.
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daniel avery - Radius (Surgeon remix)
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daniel avery - Slow Fade (Actress Remix)
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daniel avery - Fever Dream (Inga Mauer Remix)
Following the surprise release of his Slow Fade EP last month, Daniel Avery presents a collection of remixes from Surgeon, Actress and Inga Mauer. The remix EP will be released digitally and on 12” vinyl on March 9th. Widely regarded as one of UK electronic music’s leading lights and “arguably the finest techno DJ in the world” (FACT), with a career spanning over 20 years, Surgeon lends his clinical touch to ‘Radius’, adding an erratic, propulsive beat to Avery’s warm synth layers for one of his best remixes yet. Werkdiscs head Actress meanwhile delivers a pared back and introspective rework of ‘Slow Fade’, shrouding the synth refrain in hypnotic, distorted production, in his first remix following the release of his critically acclaimed 2017 album AZD. Bunker Records’ Inga Mauer completes the package, offering a claustrophobic mix pierced with metallic shards that confirms what Resident Advisor said of the uncompromising Russian-born Amsterdam-based DJ and producer last year: “Mauer is destined for big things.”
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Daniel Avery returns to Phantasy for a 4-track limited edition 12” vinyl EP, Slow Fade, featuring the title track and first single from his much-anticipated sophomore LP, upcoming in April via Phantasy. A prelude to the LP’s sonic exploration of the twilight world of a personal, transient life spent between clubs, hotel rooms, airports and home, Slow Fade captures the expanded foundations of Avery’s sonic palette. Arresting club moments linger under the surface, but the focus is on the smudged ambience that underpin Avery’s grasp on rave euphoria.
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daniel avery - Sensation
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daniel avery - Clear
Phantasy are proud to present their 50th release. With two years having passed since 2013’s hugely acclaimed Drone Logic, Daniel Avery returns to Phantasy to offer a much anticipated taste of his restless studio experimentation. Sensation projects Avery’s distinctive feedback and engrossing modulations onto his widest canvas yet. Surges of noise link the track to artists such as Cortini and Basinski in its ability to echo purposefully across vast halls, yet proving to be just as absorbing in more intimate circumstances. Still, tough drums amid the shifting atmospherics nonetheless hint at Avery’s continuing stride towards techno’s more relentless facets. While Sensation floats freely, Clear continues Avery’s occasional forays into unapologetically trippy realms. Revisiting an evolved but no less addictive form of the acidic psychedelia touched on throughout the duration of Drone Logic, Clear spirals seamlessly into both paranoia and euphoria. This year Avery launched Divided Love, a “semi-regular gathering for like-minded sonic souls” at London’s fabric which has also travelled to Paris, Lisbon, LA, New York and Lyon’s Nuits Sonores festival. Guests have included Rødhåd, KiNK, Factory Floor and Roman Flügel, acts who all contributed to Avery's New Energy remix collection released last winter which also featured reworks by Silent Servant, Powell, Ø [Phase] and Beyond The Wizard’s Sleeve.
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UPC: 5060421560298 Release: 02.03.2015
Tracklist:
CD 1
1/ FACTORY FLOOR (GABE GURNSEY REMIX) , 2/ ALL I NEED (ROMAN FLÜGEL REMIX) , 3/ PLATFORM ZERO (VOLTE - FACE REMIX) , 4/ NAIVE RESPONSE (Ø [PHASE] REMIX) , 5/ SPRING 27 (SILENT SERVANT REMIX) , 6/ FREE FLOATING (MATT WALSH REMIX) , 7/ KNOWING WE'LL BE HERE (KINK REMIX) , 8/ NEW ENERGY (BEYOND THE WIZARD'S SLEEVE RE-ANIMATION)
CD2
1/ DRONE LOGIC (RØDHÅD REMIX) , 2/ NEED ELECTRIC (AUDION REMIX) , 3/ RECEPTION (PERC REMIX) , 4/ THESE NIGHTS NEVER END (RICARDO TOBAR REMIX) , 5/ SIMULREC (CONFORCE REMIX) , 6/ WATER JUMP (POWELL REMIX) , 7/ TASTE (SPECIAL REQUEST REMIX) , 8/ NAIVE RESPONSE (DANNY DAZE REMIX)
Short info:
Following the international success of his much acclaimed debut LP, Drone Logic, Daniel Avery expands on his wide reaching world with a carefully curated collection of remixes from the artists with whom Avery's forward facing electronic style shares the deepest affinity.
Inviting each producer to either compliment, reconstruct or occasionally rebuild his original compositions, New Energy stands as a testament to the strength of the current state of affairs in electronic music, borne out of one of its most original talents.
More
Tracklist:
CD 1
1/ FACTORY FLOOR (GABE GURNSEY REMIX) , 2/ ALL I NEED (ROMAN FLÜGEL REMIX) , 3/ PLATFORM ZERO (VOLTE - FACE REMIX) , 4/ NAIVE RESPONSE (Ø [PHASE] REMIX) , 5/ SPRING 27 (SILENT SERVANT REMIX) , 6/ FREE FLOATING (MATT WALSH REMIX) , 7/ KNOWING WE'LL BE HERE (KINK REMIX) , 8/ NEW ENERGY (BEYOND THE WIZARD'S SLEEVE RE-ANIMATION)
CD2
1/ DRONE LOGIC (RØDHÅD REMIX) , 2/ NEED ELECTRIC (AUDION REMIX) , 3/ RECEPTION (PERC REMIX) , 4/ THESE NIGHTS NEVER END (RICARDO TOBAR REMIX) , 5/ SIMULREC (CONFORCE REMIX) , 6/ WATER JUMP (POWELL REMIX) , 7/ TASTE (SPECIAL REQUEST REMIX) , 8/ NAIVE RESPONSE (DANNY DAZE REMIX)
Short info:
Following the international success of his much acclaimed debut LP, Drone Logic, Daniel Avery expands on his wide reaching world with a carefully curated collection of remixes from the artists with whom Avery's forward facing electronic style shares the deepest affinity.
Inviting each producer to either compliment, reconstruct or occasionally rebuild his original compositions, New Energy stands as a testament to the strength of the current state of affairs in electronic music, borne out of one of its most original talents.
More
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Enzo Siragusa - 95 Variant
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Enzo Siragusa - Listen
The EP is a natural evolution of Siragusa’s sound, one that continues to command respect across the underground scene. Known for his ability to channel a range of UK rave influences while remaining firmly forward-thinking, Siragusa’s work is consistently pushing the boundaries of what modern house music can achieve. In support of the release, Siragusa will be returning to fabric with Enzo Siragusa Invites, where he’ll take control of the decks alongside a curated selection of top-tier talent. The event is set to be a fitting celebration of the new EP and promises to be an essential date in the London clubbing calendar. The Odyssey EP will be available on all platforms via fabric Originals on Novmber 1st, cementing Enzo Siragusa's long-standing relationship with one of the most iconic institutions in dance music.
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Or:la - Milky Way Of Glitter Feat. SOAK
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Or:la - Cooking Up Pepper Spray With Mary Lake
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Out through fabric Originals (DJ Mag – Best of British breakthrough label 2023), Trusting Theta draws inspiration from Irish and Greek mythology. It features collaborations with Eliza Rose, Mary Lake and fellow Derry-born artist SOAK. Trusting Theta is the debut studio album by Or:la.
The LP follows EPs on Hotflush Recordings and fabric Originals. Looking ahead, Or:la will play at Love International, Dekmantel Festival, Houghton, Lost Village and Body Movements before the album arrives.
Mastered and cut on 140g black vinyl by legendary mastering engineer Matt Colton at Metropolis Studios, London. Pressed at optimal media, Germany. More
The LP follows EPs on Hotflush Recordings and fabric Originals. Looking ahead, Or:la will play at Love International, Dekmantel Festival, Houghton, Lost Village and Body Movements before the album arrives.
Mastered and cut on 140g black vinyl by legendary mastering engineer Matt Colton at Metropolis Studios, London. Pressed at optimal media, Germany. More
1
Enzo Siragusa - - Last E
2
Traumer - - Fabrication
3
Sweely - - Minimal Satisfaction
4
Voigtmann - - Something Nice
5
Laidlaw - - Under Control
Fabric Selects is the fifth instalment of the series, this time with a selection of house and minimal groves from artists connected to the club. The hand - stamped white label Vinyl V/A sampler, will be the first of its kind for fabric, featuring 5 original cuts from the compilation. A dreamy house track from fuse head honcho Enzo Siragusa that you can be sure you will hear this summer all over Ibiza. Traumer’s track "Fabrication" showcases his trademark sound of irresistible drum patterns and bassline grooves, Sweely's "Minimal Satisfaction" delivers exactly what the title describes, a masterclass in minimal house production; Laidlaw’s contribution is a chunky filtered house track with that drops into a beautiful chord progression and Voigtmann rounds off this “must have ” 300 limited vinyl edition with a peak time bass-heavy sophisticated house banger.
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1
MJ Cole & K-Lone - - Stand Up
2
MJ Cole - - Lay It All On The Line
3
K-Lone - - Bonez
Frequent collaborators DJ Nobu and Wata Igarashi come together for an anticipated joint release on fabric Originals. This will be the first offering by the fabric imprint for fabric?fs 25 Year celebrations. The pair also announce a forthcoming back-to-back set at fabric London on Saturday 2nd March 2024. The split single release features two luminaries of the techno realm with the DJ Nobu track ?eFlares?f and Igarashi?fs "–A (Abuku)?h . which translates as ?ebubbles?f or ?efoam?f in Japanese. The productions explore two of the multifaceted sides of the techno genre. Nobu revels in a driving urgency that is not without delicate nuance. Igarashi embraces the more europhoric and psychedelic side of 4-4. Both hit the sweet-spot of club-floor pleasure and headphone delight.
Tracklisting:
1. DJ Nobu - Flares [fabric Originals]
2. Wata Igarashi - –A (Abuku) [fabric Originals] More
Tracklisting:
1. DJ Nobu - Flares [fabric Originals]
2. Wata Igarashi - –A (Abuku) [fabric Originals] More
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Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level. More
On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level. More
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Drexciya - Digital Tsunami 06:20
2
Drexciya - Soul Of The Sea 04:30
3
Drexciya - Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
4
Drexciya - Song Of The Green Whale 04:56
5
Drexciya - Lake Haze 05:16
6
Drexciya - Mission To Ociya Syndor And Back 05:12
7
Drexciya - Under Sea Disturbances 08:06
Territories: World excl. UK + North America
FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish
Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and
related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the
Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have
commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of
Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting
early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12"
'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on
November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope'
- at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor
label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations. More
FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish
Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06
Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and
related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the
Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have
commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of
Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting
early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12"
'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on
November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope'
- at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor
label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations. More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
1
Steve Watson - "Born To Boogie"
2
Jam Band 80 - "Jammin'"
3
Sonny Khoeblal - "Craziest"
4
Errol De La Fuente - "Happiness"
5
Explosion - "Wakka Mang"
6
Eddie Tailor - "Love Dance"
7
Ronald Snijders - "Kaseko Attack"
8
Astaria - "Jamasa Roro"
9
Sound Track Orchestra & Silvy - "Tirsa Song"
*2024 repress* Revised Tracklisting*
A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended! Fresh Artwork by Cosmo Knex (Johann Kauth)..
MCDE: "Killer compilation! lots of favorites on there and stuff i still need to find"
Gilles Peterson: "Jammin is a salacious boogie number, cooked up with quick-fingered bass work, female harmonising and guitar solos." More
A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended! Fresh Artwork by Cosmo Knex (Johann Kauth)..
MCDE: "Killer compilation! lots of favorites on there and stuff i still need to find"
Gilles Peterson: "Jammin is a salacious boogie number, cooked up with quick-fingered bass work, female harmonising and guitar solos." More
1
Nils Frahm - Prolog (Paris)
2
Nils Frahm - Right Right Right (Paris)
3
Nils Frahm - Briefly (Paris)
4
Nils Frahm - You Name It (Paris)
5
Nils Frahm - Some (Paris)
6
Nils Frahm - Re (Paris)
7
Nils Frahm - Spells (Paris)
8
Nils Frahm - Opera (Paris)
9
Nils Frahm - Our Own Roof (Paris)
10
Nils Frahm - Hammers (Paris)
Recorded at the Philharmonie de Paris and one and a half years after releasing his magnum opus "Music For Animals"—described by PopMatters as “a musical waterfall of monumental proportions”—Nils Frahm shares a new live album, due for release by his LEITER label on December 6. In what’s becoming a tradition, it follows 2013’s "Spaces", a Pitchfork Album of the Year taped at shows over the preceding 18 months, and 2020’s "Tripping With Nils Frahm", also released as a film. "Paris", nonetheless, is Frahm’s first live album from a single night, March 21, 2024, and contains ten tracks over a running time of 84 minutes.
Frahm’s performances have always been known for expanding upon his studio recordings, and "Paris" is no exception. Drawing on his substantial catalogue, the German composer and producer reworks tracks from various albums, and also adds the brand new, luxurious and strangely gripping ‘Opera’ to the track list.
If he leaves the stage to the same uproarious jubilation with which he was initially greeted, "Paris" makes it clear why he’s been so in demand. He’s been booked, frequently for multiple nights, at halls around the world, including Sydney’s Opera House, London’s Barbican and LA’s Orpheum Theatre. Indeed, the LA Times wrote, “Watching him at work, and hearing the audience react, is a little like watching an athlete at the top of his game.” Expect nothing less from Nils Frahm on "Paris", a vital document of this ingenious, gifted musician’s endless pursuit of fresh perspectives.
All tracks written, produced and mixed by Nils Frahm.
Mastered by Zino Mikorey, recorded by Terence Goodchild.
Vinyl cut by Andreas Kauffelt at Schnittstelle.
All tracks published by Manners McDade Music Publishing Ltd.
Cover artwork and design by Studio Torsten Posselt. More
Frahm’s performances have always been known for expanding upon his studio recordings, and "Paris" is no exception. Drawing on his substantial catalogue, the German composer and producer reworks tracks from various albums, and also adds the brand new, luxurious and strangely gripping ‘Opera’ to the track list.
If he leaves the stage to the same uproarious jubilation with which he was initially greeted, "Paris" makes it clear why he’s been so in demand. He’s been booked, frequently for multiple nights, at halls around the world, including Sydney’s Opera House, London’s Barbican and LA’s Orpheum Theatre. Indeed, the LA Times wrote, “Watching him at work, and hearing the audience react, is a little like watching an athlete at the top of his game.” Expect nothing less from Nils Frahm on "Paris", a vital document of this ingenious, gifted musician’s endless pursuit of fresh perspectives.
All tracks written, produced and mixed by Nils Frahm.
Mastered by Zino Mikorey, recorded by Terence Goodchild.
Vinyl cut by Andreas Kauffelt at Schnittstelle.
All tracks published by Manners McDade Music Publishing Ltd.
Cover artwork and design by Studio Torsten Posselt. More
1
Hollis P. Monroe - I'm Lonely (Original Mix)
2
Hollis P. Monroe - I'm Lonely (DJ Decent Acid Mix)
3
Hollis P. Monroe - I'm Lonely (Wamdue Remix)
OFFICIAL 2024 REMASTERED REISSUE
More