Mr. Statik is already a constant in the field of electronic music with dozens of releases on labels like Bpitch Control, Karloff, Stock5 and Octopus and remixes for various artists. Now, he has produced his first 12“ record for Mo's Ferry. Not the casual House – and this is not just
another DJ tool, but rather a multifaceted record with a B-side that shouldn't be left cuddling with your slipmat all the time… even though it's hard not to put the needle right back to the beginning of the A-side. Listening to „Come On People“ you could tell immediately that Breakbeat
is one of Mr. Statik's various roots. Short drumloop slices inconspicuosly stacked with the driving hihat give this merrily jumping House track a special touch. The British sound of the Greek producer is formed by an extraordinary symbiosis of House elements, funky guitar licks and a
slightly dubby atmosphere. Without even thinking of picking conventional and worn cheesy stuff to express lightness and happiness, this track does it in a very natural way. The B-side as the logical consequence extends the suspense heading to the afterhour. Referring to the
90s the sound aesthetic is primarly formed by samples. The typical Drum'n'Bass-pad emphasizes the whole concept. A varied bassline and selective talkbox-vocals take „Workin' It Like We Do“ to a higher dimension. Marking the ending oft the suspense, the last track captures you
in a different way. Jazzy drums, a piano and skillfully used reverberation make it a trippy closing piece for our travel through Mr. Statik's world. More

LP
Genre: Ambient


Tracklist

1.Sad monday
MARCO GOMES
05:06

2.Tuesday under the rain
MARCO GOMES
05:33

3.Wednesday dub
MARCO GOMES
06:15

4.A different thursday
MARCO GOMES
06:28

FACE B
1.Friday off
MARCO GOMES
05:23

2.Clouds of saturday
MARCO GOMES
06:32

3.Sunday mornings
MARCO GOMES


Short Info: Marco Gomes is coming with a much personal and intimate album named " week ", as much as a real research on sounds and textures.
It's a day to day travel in which each element of the week, each day, with its particular soundscape, is part of an ensemble that expresses the complexity of emotions and the difficulties to catch the real life in its crudeness.
This album is kind of melancholic, it's hard to deny it, but it's not expressed in a naive or depressed language. Some dark sounds, industrial, are always balanced with melodic or harmonic elements.
Rhythms change along the pieces, the idea remains, in this kind of sharp and sweet poetry, in a kind of spiritual romanticism.
This quest of sound of structures is an existential investigation on the modern life through the prism of ruled time oppression versus sublimation of the machines.


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