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Cat-No:dcr012
Release-Date:28.03.2014
Genre:House
Configuration:12" Excl
Barcode:827170546165
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Last in:19.06.2014
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backorder
Last in:19.06.2014
Cat-No:dcr012
Release-Date:28.03.2014
Genre:House
Configuration:12" Excl
Barcode:827170546165
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groove armada & brodanse - Advancing Man Feat. Kevin Knapp (Original Mix)
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groove armada & brodanse - Advancing Man Feat. Kevin Knapp (Danse Club Remix)
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groove armada & brodanse - Advancing Man Feat. Kevin Knapp (GA Advancing Dub)
UPC 827170546165 Rel date 21.4.2014
Tracklist EP: A1. Advancing Man Feat. Kevin Knapp (Danse Club Remix) B1. Advancing Man Feat. Kevin Knapp (Original Mix) B2. Advancing Man Feat. Kevin Knapp (GA Advancing Dub)
Following on from the 2013 hit 'Sweat Feat. Cari Golden' (which topped the Beatport charts and was played on Radio 1 by Pete Tong) comes 'Part 2' in the collaboration series between Groove Armada and Brodanse. The two duos come together once again but this time they work alongside Kevin Knapp who many will know from his slick productions with Audiojack, Richie Ahmed and Matt Tolfrey. Originally intended as the 'alternate mix' the A1 is actually a remix by some of the original artists themselves: Tom Findlay (Groove Armada), Brodanse and Severino (Horse Meat Disco) in their new alter ego, 'Danse Club' named appropriately after the label. Simply put it is a dark looping groover making full use of the vocals with a killer breakdown, a hypnotic melody and some very addictive vocal hits! The B1 a.k.a. 'The Original Mix' again features the full vocals as written by Kevin Knapp and Austen and Scott Smart (Brodanse). This version however uses a bassline which according to Mr. G is 'just bad to the bone'; add that to very simple but effective lead sound, a dominant shaker and an arrangement made only with 'the main room' in mind and you have a track which in its own right could have easily been then A1. The B2 is called 'GA's Advancing Dub' and it really is that, a dub made for the darkest hours of the night. It makes use of a stripped back groove for the most complimented with sparse vocal stabs and some very unique perc sounds throughout. Written with one thing in mind (dance floor destruction) it makes use of a building chord which just keeps going - into the breakdown and out the other side - this version really is a sure fire thing to take any dance floor up a level (or two)!
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