Genre: Electronic, Left-field



TRACKLIST:

A1. Quadric Surfaces 7:18
A2. Triquetra 4:11

B1. Ogee 7:21
B2. Cellies 5:04

C1. Brachistochrone 4:35
C2. Conchospiral 7:52

D1. Butterfly Curve 6:07
D2. Diacaustic 8:13




• New album by Hieroglyphic Being features score for abstract animation film.

• Through off-world frequencies and raw primal sounds, ‘Quadric Surfaces’ presents a collection of exploratory left-field dance music.

• 2LP, pressed on black vinyl, printed inners.

• Artwork by Gabriela González.



VIERNULVIER RECORDS presents its new LP release ‘Quadric Surfaces’ by iconic electronic producer Hieroglyphic Being aka Jamal R Moss. It collects the soundtracks Moss wrote for ‘Parellel Spheres’ & ‘Figures in Mynd’, two parts of an abstract animation film by visual artist Gabriela González Rondon. The film premiered in October 2023 during Videodroom / Film Festival Ghent.

In her surreal and trippy gem of analog filmmaking Gonzales draws up whole universes of movement and color that seem to share a spiritual space with likeminded sci-fi writers such as Ursula K Le Guin or filmmaker John Whitney. The soundtrack for this dreamy experiment was provided by kindred soul and psychonaut Hieroglyphic Being.

For over 20 years Moss has been an one-off musical explorer that takes inspiration from House, Industrial, Kraut, Avant-Jazz and Noise to make his spectacularly unique take on radical & psychedelic (dance) music.

VIERNULVIER RECORDS is the Belgian record label by VIERNULVIER Arts Centre (Ghent). The label focuses on music that is unconventional, unafraid to go against the grain. A mix of local and international talent, always linked to visual arts or performances. More

'The Moon Dance' Mark's the come back of one of Chi Towns most innovative and iconic figures to Apnea Records. Jamal Moss (Hieroglyphic Being) sound's were first released on Apnea in 2007. Now, in 2023, he's back with this double 12'' album flooded with synth jazz and cosmic acid explorations in his signature and irreverent style. More

"There is no Acid in this House" is Hieroglyphic Being"s third solo album on Soul Jazz Records, a resolute and powerful statement of Jamal Moss"s raw, vital, pioneering, Afro-Futurist electronic (dance) music. On his new album Moss once-again draws upon the vast scope of experimentation that has defined Chicago"s musical universe over the last half a century - from the birth of house music with the pioneers Ron Hardy, Marshall Jefferson, Lil Louis and others to the radical avant-garde jazz legacy of the city, The Association for the Advancement of Creative Musicians, The Art Ensemble of Chicago and Sun Ra. Chicago"s musical universe continues to push-further forward today with artists such as Hieroglyphic Being, Angel Bat Dawid, Makaya McCraven, and labels such as International Anthem label and Hieroglyphic Being"s own Mathematics, all continuing to explore radical new music while drawing upon the city"s decidedly Afro-futurist lineage.

Tracklist
1.1Communion Of The Highest Order
1.2We Are The Light Vessels
1.3When Situations Get
1.4Look Over There 9 O'Clock
1.5Beyond The Outrage
1.6Frantic Moments
1.7Mephisto's Pulpit Of Stank
2.1Deconstructing The Path
2.2Nights Under The Nubian Sky
2.3Dark Acidic Organs From The Void
2.4Private Runner
2.5Let Me Know How U Really Feel
2.6There Is No Acid In This House (Just Emotions Remix)
2.7Dogs Don't Wear Pants More

Hats off to Jamal Moss for the tongue-in-cheek title of his latest album as Hieroglyphic being, which is naturally another pleasingly wild, freewheeling, imaginative and out-there excursion in his now trademark style. It sees him sprint between mutant electronic jazz ('Circumploar'), out-there analogue techno ('21 Days'), organ-rich post-beatdown chuggers ('Foreboding Self Pleasure'), reverb-laden ambient soundscapes ('A Dream Within a Dream', 'Delta Opus L'), industrial-strength dancefloor weirdness ('The Prograde Direction'), sub-heavy lo-fi deep house ('Black Love On An Early Sunday Morning'), sparse electronic future funk ('Future Shocked'), and jacking, sci-fi seeped brilliance ('The Andromeda Strain'). In other words, it's another excellent collection from one of dance music's genuine geniuses. More

Chicago's HIEROGLYPHIC BEING'S "BLACK HANDS VOL 3" presents more incredibly original analog sonics & organic swings. The 5 tracks "BLACK HANDS SOUND 9, 10, 11, 12 & 13" are all killer! Limited & stamped. Support from NINA KRAVIZ. More

Chicago's HIEROGLYPHIC BEING'S "BLACK HANDS VOL 2" features off kilter filthiness, techno fusion style breaks & distorted acid vibrations only he can do. "BLACK HANDS SOUND 5, 6, 7 & 8" is included on this limited & & stamped release. More

"Synth Expressionism/Rhythmic Cubism" LP from Chicago’s Jamal Moss aka Hieroglyphic Being is a collection of idioms that have no past and no future, his jarring use of polyrhythmic polyphony imbues a sense of timelessness.
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HIEROGLYPHIC BEING's Volume 3 of 9 "A SYNTHETIC LOVE LIFE VOL 3" features more uptempo freeform electronic mosh pit sonics that were created a decade ago to cassette. Limited & stamped for MATHEMATICS PLUS.
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Chicago's HIEROGLYPHIC BEING'S "BLACK HANDS VOL 1" features techno vibes with subtle waves of deepness & atmospheric acid. "BLACK HANDS SOUND 1, 2, 3 & 4" is included on this limited & stamped release for MATHEMATICS PLUS. More

HIEROGLYPHIC BEING has materialized with the limited & stamped "A SYNTHETIC LOVE LIFE VOL 1" created a decade ago to cassette & sonically presented to higher plane listeners. Volume 1 of 9 for MATHEMATICS PLUS. More

HIEROGLYPHIC BEING'S Volume 2 of 9 "A SYNTHETIC LOVE LIFE VOL 2" features uptempo electronics & simmering circuit boards stamped with Chicago rhythm patterns. Limited & stamped for MATHEMATICS PLUS. More

The 105th record on MATHEMATICS, freeform electronic artist HIEROGLYPHIC BEING (JAMAL MOSS) offers a selection of audio memoirs (Cosmic Bebop & Experimental House). "THE LANGUAGE OF STRINGS" features sonic madness, frequency enlightenment, & Hedonistic modulation. This DLP is some of his best! Picture sleeve. More

LAST KNOWN TRAJECTORY proudly presents the second album from VISONIA. 'Opal's Sunflowers' continues the new- wave/cold wave theme combined with inimitable romanticism. Limited pressing Artwork by Pavel Javor
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Collaboration project between Jauzas the Shining & Victoria Lukas featuring Ekman and Orgue Electronique. Lukas, drawing upon personal sensations, melds diary-like lyrics into dreamlike ambiance and textures, beautifully fusing with the infectious electro-pop grooves of Jauzas the Shining. Songs encapsulating lost love and longings for sensation, emotional stimulation and experiencing feelings through those of another are conveyed via vocal pieces, ‘Cold Sweat’ and ‘Coral Eyes’. Ekman contributes a driving, acidic groove version of ‘Cold Sweat’ more apt for the dancefloor, while Orgue Electronique pushes the electronic pop vibes into house territory. ‘Shadows’ written, recorded and produced by Jauzas the Shining & Victoria Lukas for Last Known Trajectory 2014

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Following the release of the Visonia collaboration with the mighty Dopplereffekt that delivered ‘Die Reisen’ on vinyl and digital formats earlier this year, Visonia returns with the anticipated debut album release entitled, ‘Impossible Romance’. Commencing with ‘Juana de Arco’, which edges finely the fragile border between expectant angst and hopeful optimism, this opening piece pretty much sets the tone for the album. Undulating between the highs and lows of human emotion which beautifully encompasses Visonia’s own conception of art – to hold hands and contribute to humanity; to give beauty, wisdom, or to simply open the listener’s mind in order to reflect and ask questions of one’s own self, one’s own existence; what we have here is at times a poetic soundscape of emotions, feelings, fears and positive expression. The album, in its double vinyl format includes the previously available collaboration with Dopplereffekt, namely ‘Die Reisen’, alongside an equally striking collab with New Wave/Synth Pop artist, Mad Moizel in the form of ‘Beat Frequencies’ and late addition to the album – the sleek, driving vision of ‘Between Lies and Real Looks’.
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Presenting the evolution of IN SYNC’s undisputed UK techno classic, namely ‘Storm’. IN SYNC is of course Lee Purkis, co-founder of the legendary Fat Cat record store in London and a highly-respected figure among the early underground scene. Here, lovingly reinvented by who both In Sync and Last Known Trajectory consider to be some of the finest, and in some instances perhaps most understated artists in the business of true electronic music, LKT proudly presents reinterpretations of this legendary track, alongside new versions of accompanying tracks, ‘Warm’ and ‘Subway Route’. Split over two separately available twelve inch EPs, on this, part two of two, we have stunning reinventions from Terrace (Evo-Lute Muzik) and a bass-rich, subterranean trip-of-a-lifetime from cv313 (echospace [detroit]).
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This exceedingly creative and talented recording artist from Italy now presents his first release for LAST KNOWN TRAJECTORY with a stunning five-track EP of stark, cinematic, ice-cold electronix, sounding as if created from deep within the science laboratories of space. Stunning work from this upcoming and clearly gifted and artistic individual. Limited pressing. All tracks written, recorded and produced by Federico Leocata for Last Known Trajectory 2013 Mastered by Alek Stark @ Fundamental Audio
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Astounding new material beamed via Shemale’s Atomic Allotment, concealed in an outermost shadowy recess of darkest Hyperborea. The musical paintbrush creates a harsh, barren landscape for ‘Hell Transformation Screens’, as deeply brooding electro and dramatic synthesisers propel each musical journey in its own unique style. There is an indescribable and mystifying tension which builds within the work of Shemale, the opening cut, ‘Dead City Photographs’ being a prime example. The soundbite here simply cannot pay justice to this tack as a whole, as the intro (which incidentally cannot be heard in the sample) is quite simply outstanding, with deadly, steely synths preparing the listener for an unmistakable and impending doom, which is ultimately realized in the dense, desolate sense of desperation interpreted in the final ambient-drones of ‘Tomb’. Converted followers of the atmospherically articulate Shemale will need no further persuasion, as this will undoubtedly be a compulsive steal, but for those with an appetite for the darker side of twenty-first century electro, then there has never been a better moment to plunge into the shadows of Atomic Allotment…Special limited edition pack includes matte postcard insert
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The first phase in the breath-taking new musical project from Hadamard, who of course we know from earlier projects via Bunker, Transient Force, Mighty Robot and more recently featuring on compilations via our friends at Solar One Music. As we enter Hadamard’s universe of ‘The Jupiter Cycle’, we hear a synthesis of straight-up electro coalesce with spellbinding ambient and experimental futurism, to create an overall Bladerunner-esque environment. From the offset of our journey, ‘Approach’, dramatically defining the musical landscape with its soundtrack-like and impending atmospherics; ‘Entry Point’, a stealthy, sneering electro fiend ñ expect no mercy here; ‘Magnetodisk’ ñ is unpretentious, energized electro, providing a slightly more upbeat pause between the more serious overtones of ‘Offerings from Io’ ñ electro straight from the core of Jupiter’s volcanic moon; whilst ‘Outpost Jupiter’ and ‘Transition to Chaos’ are most definitely someplace far, far in the future, as this piece can only leave the listener possessing a sense of introspection regarding the technological evolution of our generation. A stunning variety of styles on this limited edition vinyl project for Last Known Trajectory.
Special limited edition pack includes the first in a series of collectable posters.
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‘Emergent Behaviour’ is what one might determine the calm before the storm, as we dive into the second instalment of ‘The Jupiter Cycle’, as the drifting ambience and somewhat ominous synths proceed ‘Abstract Thought’, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, ‘The Ghost in the Machine’, if anything a more traditional styled, yet irresistible electro hit. ‘The Deep’ showcases Hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. Finally, drifting into ‘The Collective’ and ‘Satellite Swarm’, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in The Jupiter Cycle…Special limited edition pack includes the second in a series of collectable posters.
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