This is the year of Peder Mannerfelt's rebirth. After seven years he's laid The Subliminal Kid to rest. With this new 12", the chains have been locked in and the road map has been obliterated. EP1 is focused like a laser etching out intricate patterns in massive, humming machines. Mannerfelt's ideas have been reduced to a razor's edge and he balances these freeform compositions like a master. This EP could be seen as a prelude to Peder Mannerfelt's debut album under his own name that will be released by Digitalis Industries in February and at the same time is the first part in a ongoing series of self released records by Mannerfelt. Opener "Hook (end)" crashes like waves from a metallic ocean bearing down on the shore. The bass craters beneath, digging its way to the listener's core. Each idea is stripped down and simplified to the point of near exhaustion, resulting in tracks that are relentless and infecting. "Psalms and Songs and Voices" is propelled forward by crushing kick drums and rhythmic bass pounding. Somehow, though, Mannerfelt works unsuspecting hooks in between the peaks. It's incredible. "With Psalms and Songs and Praises," the final track on this 12", everything is pushed to the limit. This is absolute maximalism; an overload of the senses that cannot be escaped. It's the opposite of everything else on the EP, combining everything into a single, massive escape. This is the sound of machines humming. This is the sound of the factory floor in rebellion. And yet, this is only the beginning; the first chapter of a novel yet to come. This is the sound of Peder Mannerfelt finding his voice.
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