Sweden’s Peder Mannerfelt returns to Voam with “The Benefits of Living in a Hole”, his third EP for the label. More

Peder heads for the iceberg! More

For their milestone 10th release on their main label series Haven is honoured to be working with celebrated Swedish experimentalist Peder Mannerfelt with a collection of energetic and diverse UK-influenced stompers.

The EP kicks off with "Enter Reoccurring Disparity" on the A1. Fierce synth bleeps, classic drum breaks and creative percussion interplay around the pounding kick in this hectic club banger. Following on the A2 "And That Happened" takes the record in to moody broken beat territory, utilising murky drones and experimental textures alongside wild, morphing drum work in a sludgy mutant roller.

The flip-side launches with "Stockholm Shuffle" on the B1 with grimy bass pulses, half-time snares, and ominous atmospheres in the ideal half-way point between dubstep and 4-4 techno. The EP closes with a driving remix from yung Haven main-stay Tommy Holohan. Rolling drum rhythms, vocal chants and nimble synth work propel the track towards its euphoric breakdown and square-bass melody in another impressive track from Ireland's finest up-and-comer. More

The second 2019 release on Seilscheibenpfeiler is reserved for one of the most unique producers of our times and marks the label’s most experimental moment yet. Peder Mannerfelt’s discography stretches back more than ten years to when he first started putting out techno records as The Subliminal Kid. Amongst other things he helped producing two acclaimed albums by fellow Swedish artists Fever Ray and gained recognition under his real name, especially in recent years with releases for Numbers. or Hinge Finger and critically acclaimed albums like „Controlling Body“ (2016) or „Daily Routine“ (2018) on his own imprint.
Last year Mannerfelt contributed to Modeselektion Vol. 4, now he’s back with a set of four tracks following his unique strain of abstract techno. „Life Without Friction“ is about disruption as well as peculiar moods and rhythms, and other than its title may suggest, there’s a lot of friction and tenseness in these tracks. The title cut and „Un - Air“ show Mannerfelt in almost straightforward mode, always ensuring it never gets boring or too comfortable. „Lucid In The Sky“ and „Hold The Line“ combine mellow sounds with stabs of noise and twisted percussion. As always, Peder Mannerfelt’s productions remain unpredictable, but predictably great.
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This is the year of Peder Mannerfelt's rebirth. After seven years he's laid The Subliminal Kid to rest. With this new 12", the chains have been locked in and the road map has been obliterated. EP1 is focused like a laser etching out intricate patterns in massive, humming machines. Mannerfelt's ideas have been reduced to a razor's edge and he balances these freeform compositions like a master. This EP could be seen as a prelude to Peder Mannerfelt's debut album under his own name that will be released by Digitalis Industries in February and at the same time is the first part in a ongoing series of self released records by Mannerfelt. Opener "Hook (end)" crashes like waves from a metallic ocean bearing down on the shore. The bass craters beneath, digging its way to the listener's core. Each idea is stripped down and simplified to the point of near exhaustion, resulting in tracks that are relentless and infecting. "Psalms and Songs and Voices" is propelled forward by crushing kick drums and rhythmic bass pounding. Somehow, though, Mannerfelt works unsuspecting hooks in between the peaks. It's incredible. "With Psalms and Songs and Praises," the final track on this 12", everything is pushed to the limit. This is absolute maximalism; an overload of the senses that cannot be escaped. It's the opposite of everything else on the EP, combining everything into a single, massive escape. This is the sound of machines humming. This is the sound of the factory floor in rebellion. And yet, this is only the beginning; the first chapter of a novel yet to come. This is the sound of Peder Mannerfelt finding his voice.
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Sweden’s Peder Mannerfelt returns to Voam with “The Benefits of Living in a Hole”, his third EP for the label. More

Voam is proud to present a new EP from Colombian producer, DJ and TraTraTrax co-founder, Verraco. Taking influences from hardgroove, dembow and UK soundsystem music and blending them with cutting edge sound design, these three tracks present a dramatic and forward thinking vision of the hybrid possibilities of techno.

Written & produced by Verraco
Mastered by Rashad Becker
Artwork & design by Atact More

4 curly time wasters

Written & produced by Arthur Cayzer & Jamie Roberts Mastered by Rashad Becker

Artwork and design by Atact More

Repress!

Karenn are proud to present their debut album, “Grapefruit Regret”. Written and recorded during an intense studio session in Berlin over the summer, the resulting 8 tracks, as exuberant and colourful as their titles, serve to both compliment and contrast with their infamous live shows. More

Four oven baked sherbets from Sweden’s SSTROM (Shxcxchcxsh/ Rösten).

Credits:
Written & produced by Hannes Stenström
Mastered by Helmut Erler @ Dubplates & Mastering
Artwork and design by Sean Bell More

Four chewable techno entities from Berlin’s Piska Power More

For their 5th release, Voam present “Portraits of a Collective Hallucination”, the debut EP from Regina Leather (aka Paolo Di Nola/Cosmic Metal Mother), a multimedia artist working primarily with sound and image.

“This project is an experiment revolving around the tones and timbers generated during the break down of machinery and the signals emitted erroneously during malfunction, framed within a musical landscape, where repetition and the depth of the chords creates textures used to recontextualize these cyclical sounds into an organic dialogue between all elements.” - Regina Leather

“Comunicazione Uno” originally appeared on V/A - The Power of Movements in Plants (ELE-R001) in 2012.

Written and produced by Paolo Di Nola

Mastered by Helmut @ D&M

Art and design by Sean Bell More

Peder heads for the iceberg! More

Sweden’s Peder Mannerfelt returns to Voam with “The Benefits of Living in a Hole”, his third EP for the label. More

Voam is proud to present a new EP from Colombian producer, DJ and TraTraTrax co-founder, Verraco. Taking influences from hardgroove, dembow and UK soundsystem music and blending them with cutting edge sound design, these three tracks present a dramatic and forward thinking vision of the hybrid possibilities of techno.

Written & produced by Verraco
Mastered by Rashad Becker
Artwork & design by Atact More

For their 5th release, Voam present “Portraits of a Collective Hallucination”, the debut EP from Regina Leather (aka Paolo Di Nola/Cosmic Metal Mother), a multimedia artist working primarily with sound and image.

“This project is an experiment revolving around the tones and timbers generated during the break down of machinery and the signals emitted erroneously during malfunction, framed within a musical landscape, where repetition and the depth of the chords creates textures used to recontextualize these cyclical sounds into an organic dialogue between all elements.” - Regina Leather

“Comunicazione Uno” originally appeared on V/A - The Power of Movements in Plants (ELE-R001) in 2012.

Written and produced by Paolo Di Nola

Mastered by Helmut @ D&M

Art and design by Sean Bell More

The first in a series of records made up of live tracks cut from our archive of club recordings from over the years. Volume 1 is made up of 8 tracks - 4 available on vinyl, with the other 4 available digitally on our Bandcamp page. More

Four oven baked sherbets from Sweden’s SSTROM (Shxcxchcxsh/ Rösten).

Credits:
Written & produced by Hannes Stenström
Mastered by Helmut Erler @ Dubplates & Mastering
Artwork and design by Sean Bell More

Peder heads for the iceberg! More

Four chewable techno entities from Berlin’s Piska Power More

Repress!

Karenn are proud to present their debut album, “Grapefruit Regret”. Written and recorded during an intense studio session in Berlin over the summer, the resulting 8 tracks, as exuberant and colourful as their titles, serve to both compliment and contrast with their infamous live shows. More