L+P-2 is Rivet's second album following his acclaimed debut, On Feather and Wire, released on Editions Mego in 2020. The wheels were already in motion for a subsequent album on the same label, but tragedy struck. Peter "Pita" Rehberg, the legendary owner of Editions Mego, suddenly passed away at only 53 years old, leaving the experimental electronic music community in a state of pitch-black grief. Rivet was among the many deeply affected by this loss. The inspiration and support from Rehberg had propelled Rivet to create at a level he himself was uncertain he had mastered. For Rivet, Rehberg's death felt like the death of music.

However, that brooding sentiment was abruptly shattered when Rivet's beloved dog and companion, Lilo, was diagnosed with incurable cancer just a couple of months later. They were inseparable, and now they would be separated nonetheless. The only way Rivet could cope with this double blow was to compose—for Lilo, for Pita, for his own sanity. L+P-2 is the result.

While the album naturally emerges from a place of despair, it's remarkably comforting. Partly, this stems from Rivet's singular ability to make machines not only sound human but also act human—sincere and warm, yet flawed. In more than one track on L+P-2, you'll encounter a distinctive melody and a gnarly bassline dancing hand in hand with Rivet's eccentric and captivating drum patterns. Then, seemingly on a whim, the melody takes off on its own, leaving the faithful bassline behind—much like a dear friend that suddenly vanishes from your life without warning. Yet life goes on, and so does the music. But never unchanged. Never.

L+P-2 is an album of lamentation, yet also of resolve—a dedication to those who go through life losing more than their share because they always carry too much.

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Can you feel it? Time moving faster and faster. ''The next thing'' is always more appealing than what you're holding in your hands right now. But is it better? Well, perhaps. Perhaps not. At this pace, can you really tell? So. Just like Magritte's pipe wasn't a pipe, this is not a record. This is an invitation. An embracement. You see, this round disc may be white, but it is not empty. It is filled with our creativity. Our time. And now we would like you to fill this plain, white sleeve with your creativity and your time. We want you to share this with us. To be a part of this release. To be apart of our SELF. This music spoke to you in some way, and now we want you to speak to us. The language is up to you - do whatever you feel like! Some of you will paint, some of you will print, some of you will do things we couldn't even think of. All of you will be a part of the movement. A movement against the one-sidedness of the producer-consumer relation ship. A movement against the hurried Zeitgeist. A movement against the grain. We are the Swedish Electronic Liberation Front. We don't have customers. We don't have followers. We only have members. And you're invited to join us.





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RIVET is back at it on SKUDGE...3 bold ones! TIP But what you gonna do when your artists keep sending you gems after gems? Well, Rivet gives us little choice, we just had to release this EP as soon as possible as it probably catches the spirit of what we consider the most relevant stuff around. If the concept behind the Driftwood EP can be traced back to an old Swedish theater OST from the 80ies, what you get is probably Rivet's most floor bending material ever. Filled with evil lurking storms of the most timeless kind, the journey starts with a bang as Driftwood crosses over the whole dance music spectrum, taking cues from funk, post punk, Manchester and Chicago house, certainly a challenging bridge building approach.Crane Dance follows a more sinister path with its witchy incantations carving a somewhat demonic take on house, a mesmerizing cascade of beats and eerie pads. Lastly, Line of Moments brings us some apparently more mellow grounds filled with melancholic strings soon to be revealed as deceivingly acidic chimeras. All in all an EP that we take great pride in presenting to your ears! Cheers, Skudge

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By now, Frak needs no formal introduction. Let's just say they are the Swedish House Mafia for people who actually know what house music is. Lately, there has been somewhat of a surge in house and techno influenced by synth, ebm and obscure sub-genres that end with "-wave". So the timing couldn't be better for Frak to return to Kontra-Musik with this remarkable synth and acid flavoured release. This is of course a bit ironic as no-one could possibly care less about trends and hypes than Frak and Kontra-Musik. Time is an illusion. Our music, however, is not. But it may flabbergast you all the same. Machines drifting away is an intriguing piece of music; straightforward and multi-layered; futuristic and old school. The first half of the track molds itself around an ebm-like bassline which seems to be moving through a desolate landscape with hard hitting kicks, claps and drums marching on beside it, while the sky above is filled with the wails of brooding synt hs. The second part introduces a mean 303-bassline as the intensity of the journey heightens. To find a way home has a more elaborate rhythmical body, which only can be described as Frakish. The sound of an echoing metronome sets the tempo at the beginning, soon to be joined by heavy kicks and toms. Several analogue synths then joins in; bending, distorting and moving through the soundscape, almost battling for space. Everything is kept on the right path, though, thanks to an ingenious use of hi-hats - a trademark trick and treat from Frak. Everything is composed and recorded in legendary Studio Styrka, Karlskrona.

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Rivet puts a lot of effort in his sounds and his production. This is not another copycat. First out on the EP Amid the Roar is Metrist, a sexy march that blends the stiffness 80-ties disco with techno from the future. On the b-side Marcel Fengler takes his turn on Metris. He keeps the string of the original, chops up the bass and creates a dancefloor monster with a big anthem alert stamp on it. Amid the Roar ends with what might be the strongest track on the ep. This EP will make us dance, of course ,as always, with a bit of a Kontra-Musik twist.

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Kondens is collaboration between Swedish electronic music veterans Andreas Tilliander aka Mokira and Stefan Thor aka Folie. The sound is a hybrid of techy dubstep with a twist and banging dub-influenced techno. Pure peak time bliss without losing the love for dub and tape delays. The vinyl debut, First Cut EP, was a success. The Second Coming in now here including a breathtakingly beautiful Substance remix.

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The much-anticipated album from Jonsson/Alter, the new project from Henrik Jonsson (Porn Sword Tobacco/Gunnar Jonsson) & Joel Alter (Joel Alter/Jor-el), has finally arrived. If the very well received preceding EPs, Olidan (km019) and En Livfull Skildring (km020), are future classics, the album Mod, sets a new standard of what a dance music album could be. With personality and grace Jonsson/Alter blend soul, atmosphere and space with heavenly monotone funk. Or as the artists put it: “This album just landed in our laps like the sand falls inside an hourglass, every note is a breath of air and each kick pumps like a woken heart.” Tension is the key word to this album. The raw funk of bass lines and drum programming always grinds against the smooth and beautiful, almost sacral and poetic parts of the music. You can feel the work of two producers, two styles, two ideas, meeting and blending to create something new - a sound of their own. This can cle arly be heard on Acapellan. A sharp acid bass line meets smooth church-bell pads and Pet Sound choirs move freely in and out of the piece. Djup House p


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The much-anticipated album from Jonsson/Alter, the new project from Henrik Jonsson (Porn Sword Tobacco/Gunnar Jonsson) & Joel Alter (Joel Alter/Jor-el), has finally arrived. If the very well received preceding EPs, Olidan (km019) and En Livfull Skildring (km020), are future classics, the album Mod, sets a new standard of what a dance music album could be. With personality and grace Jonsson/Alter blend soul, atmosphere and space with heavenly monotone funk. Or as the artists put it: “This album just landed in our laps like the sand falls inside an hourglass, every note is a breath of air and each kick pumps like a woken heart.” Tension is the key word to this album. The raw funk of bass lines and drum programming always grinds against the smooth and beautiful, almost sacral and poetic parts of the music. You can feel the work of two producers, two styles, two ideas, meeting and blending to create something new - a sound of their own. This can cle arly be heard on Acapellan. A sharp acid bass line meets smooth church-bell pads and Pet Sound choirs move freely in and out of the piece. Djup House p


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There has been a lot of talk about a Nordic house sound lately. Here two guys thatit hit it right on the head! Jonsson/Alter aka Jonsson (Porn Sword Tobacco/Gunnar Jonsson)and Alter (Joel Alter/Jor-el) checking out some abandoned synthesizers Alter found in the streets. A jam session started that has not yet ended. Kontra Musik again manages to pick out some gems. Recommended!



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Part II – 'Axis Audio'. Mokira once told Kontra-Musik that three analog tape echoes are needed to produce one Mokira track. When listening to the track Axis Audio you can hear why. Metallic bursts of sound hits like waves on an Irish shore in autumn. Kept together by a solid bassline and a fragile melody Axis Audio is an excursion in beautiful sounds. On the b-side, Echospace (Deepcord, Modern Love) makes you dance. It is distorted, it is minimal, it is raw and last but last not least, it is oh so funky. This track will move dance floors. Be so sure.



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Part III – 'Manipulation Musik'. Manipulation Musik is the darkest and most cinematic piece on this collection of EPs. Delicate manipulated melodies and melancholic strings moves in and out of a crackling and distorted soundscape, telling an experimental sound tale with a sad ending. On b-side Redshape (Present, Delsin) makes a remix solely using sounds from the original. Redshape described his tape dub version like this: “think disco dub, plonk & pain”. Not much to add to that – it kind of says it all. Enjoy!



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Kontra Music comes up with two mind-blowing techno pieces from Marcel Dettmann. Constructed out of parts, samples and inspiration from Swedish experimental dub/drone act Mokira (Type, Raster Noton & Mille Plateaux), Dettmann delivers two brand new cuts. On the A-side, Factory Report 1, Dettmann takes you on a deep and industrial dub ride. Kicks roll like thunder. Dub chords and processed sounds move gently in and out of this elegant composition. Without disturbing the monotony, Dettmann skillfully creates music generating strong feelings of movement and travel. The B-side is more aggressive. The kick on Factory Report 2 is harder and so is the momentum. Sharp, industrial and reverb-soaked sounds twist the droning soundscape, moving the receiver forward and deeper into this cinematic music piece. A limited series of three Mokira 10-inch records and a digital album will follow this release. Mokira is Swedish producer Andreas Tilliander known for hi s retro futuristic analogue recordings. The vinyl will contain remixes from no less than Redshape, Silent Servant and Echospace. Great new Kontra Music project!



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