SZE is a new London based label emanating from the secretsundaze camp. Born from the age old adage of hearing music from friends and artists that didn't fit with the latter's more refined sound, SZE will serve as a more open platform for other forms of dance music be that techno, breakbeat, bass heavy or ambient sounds. The first release is from London based artist BLM and subsequent releases come from Sheffield's Lo'Shea and Endian. Endian's track 'Finish Me' has already been championed by Joy Orbison on his Essential Mix from late 2014. SZE's first release comes in the shape of the Bush LP from London based BLM who has previously released on the likes of Underground Quality, secretsundaze and of course his own Fear Of Flying imprint. Lead track 'Peckings' is all bleepy acid noises, relentless drums and some ravey off kilter sounds.'Carpenter' is an experimental and emotional ambient trip slowly unfurling with epic synth lines and bubbling acid. 'Unfold' is a broken, steppy, hypnotic number with a repeated spoken word vocal. Last up 'Crossing The Line' takes off where his excellent White Man and The Arab project left off with a more dubby, percussive hypnotic groove interspersed with swathes of atmosphere and a hint of the middle East. Lookout for SZE's up and coming releases from Lo'shea and Endian. More

Another seceretsundaze EP which has its feet firmly rooted to the dance floor by London based Ben Micklewright aka BLM. Early support by Ame, Karotte, Will Saul ,Giles Smith and James Priestley. More

Electric Avenue artist J Cub is at the helm for the third release from Saints & Sonnets, a label that continues to justify the widespread hype laid upon Huxley, the Deep House poster boy that runs it. Much like J Cub's previous work on Electric Avenue and Foot & Mouth, "Crying Over You" is a perfectly judged slice of deep house, with the gently rising emotive production made all the more memorable by a excellent vocal turn from Bibi. Saints & Sonnets also keep up their impressive track record for remix commissions as two of electronic music's best vowel eschewers contribute excellent and varied revisions. Rush Hour's BNJMN elects to dice up the vocal refrain as well adding some rhythmic kinks to the original's straightforward groove, yet it's the way he reinterprets the melodic element as a monstrous wave of synthetic emotion that makes this remix special. In contrast RNDM opts for the kind of stripped down groove you'd expect from a Laid artist, allowing him the space to loop up Bibi's vocal and treat it to all manner of delay atop an increasingly expansive melange of audio vibes. More

Jimmy Posters and Huxley's new imprint Saints & Sonnets present their debut EP from production duo Ethyl & Huxley with the 3 Feet High EP. Deep, powerful and rounded deep house is on the menu for release number one as strong bass holds down light melodies and slurry vocals for an undoubtedly peak time record. Electronic chameleon and self proclaimed dandy Roman Flugel is in for remix duty and his dubby "Mix 2" flirts with push and pull percussion and chopped vocal snippets for a delightfully experimental revision. More