House and techno focussed FINA sister label FINA WHITE comes through with more direct dance floor grooves from Bodyjack, aka Chris Finke. The veteran artist serves up two killer tracks, one dub and four locked grooves that provide serious heat for DJs and dancers. Before now, former DMC competitor Finke has established himself with his Bodytrax label in association with the Clone.nl crew, standout mixes for Radio 1 etc and EPs on the likes of UTTU, Hypercolour and DEXT, all while being a famous former resident of titanic techno party Atomic Jam and playing the world's finest clubs for years. Arresting opener 'Measure Twice, Cut Once' is a big, buoyant techno monster with warped acid lines and raves vocal stabs all adding fuel to the fire. The locked grooves serve up scintillating breakbeats that are hugely powerful and ripe for abuse in the club, and then 'Enfant Terrible' is a dark and eerie warehouse monster. The bass is loud, the kicks rock solid and an echoing female vocal lost in the midst of it all draws you in deeper. Closing things out, the dub versions strip things back to gritty chords and heavy, well-swung kicks that make you march. This is high class, high functioning techno from one of the finest in the game. TRACK LISTING: A. Measure Twice, Cut Once (+ Locked Grooves), A2. L'Enfant Terrible, AA. L'Enfant Terrible (Custody Dub)

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Fresh off his recent ''Nataraja EP'' for DEXT and an upcoming appearance on Sunil Sharpe's ''Eel Behaviour'' series on Earwiggle, Bodyjack's Bodytrax label returns from wrongful incarceration, and is seeking revenge via the medium of ''the dance''.

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DEXT Recordings has reached it’s landmark 10th release, and we now enter our next phase with this very special 2 track EP from a vital part of our label: Bodyjack.
Aside from his collaboration with Special Request at the end of last year, this is Chris’s first new music under his Bodyjack alias since the Summer of 2016 (his “Cobra Effect EP” for us). His time away has helped him refocus, and its clearly paid off
“Nataraja” (Hindu for “Lord Of The Dance”) is one of those tracks we can’t actually describe, but it’sBodyjack on rare form. His signature quirky percussion & synthwork is stripped down more than on his previous work, but this is one works in so many situations, we can’t wait to hear what you think.
On the flip, “Tandava” (the name given to the dance of Nataraja!), is a peak-time Detroit Bass style workout with booming drops and razor sharp edits aimed right at the floor.

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With the 10th release milestone on the horizon for DEXT Recordings, a new LTD 10" vinyl sub-label kicks off with 2 heavyweights at the helm.
Special Request (aka Paul Woolford) and Bodyjack are 2 artists who completely embody the label's ethos, and they each provide something very special for the first instalment of the series. Say no more!!



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BodyTrax drops it's second EP of 2016 with another essential 3-tracker from Bodyjack. Laugh It Up opens things up and we are in vintage Bodyjack territory from the outset. Rough (and we mean rough!) beats and percussion, vocal hook and a metallic riff combined with possibly his ugliest bass line to date to make this an essential addition the bag/crate of any house DJ. Slow Clap strips things right down to just drums and bass taking the track into even more raw areas. Warehouse vibes! The title track I'm Here All Week on the flip is one of those simple but infectious house tracks that you're going to remember after a night out. Once again, our man's synth n' bass work duck around those sharply programmed beats he's know for to round off the EP with a bang.

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Bodyjack returns to his BodyTrax label with another 3 outstanding BodyTrax. "Is He Always Like This?" is an infectious groove-based techno workout which has been tried and tested by a select few DJs over the last few months. Kamala's Revenge is a hypnotic tribal roller with darkside vocals, off-kilter rhythms and & tripped out FX. One for the heads down crew. Last but not least, the uptempo house jacker "Disrespect" combines a killer bassline and Bodyjack's now signature razor sharp beats n' stabs to round off the EP. Oh, and there are 4 locked grooves on the 12" release for the heads. Don't sleep on this one!







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Hot on the heels of his "Brock Out" EP on Unknown To The Unknown and ahead of his upcoming remix for Jimmy Edgar's Ultramajic label, Bodyjack is back with the second installment of his BodyTrax series and drops 3 serious dancefloor weapons. The EP kicks off with BodyTrax 4 - a peak-time techno workout with a cheeky vocal hook and a heavy breakdown. On the flip, BodyTrax 5 revisits classic King Street / DJ Sneak territory (with a hint of UKG), before closing off the record with his quirkiest track to date in BodyTrax 6. Fans of Bodyjack will not be disappointed!





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BODYJACK DROPS 2 MELTING HOUSE SLAMMERS ON UTTU BACKED WITH A DJ HAUS REMIX - CLUB USE ONLY BITCH



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New label Bodytrax with three cuts from Bodyjack (Chris Finke). Ranging from the dark subbass heavy stomper on the a-side to wonky jack workouts on the flip. Great no-nonsense tracks as follow-up to his first outings on hypercolour and the Bodyjack ep.



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The Bodyjack label returns with a bang and a split EP with the man himself and fresh talent Soundbwoy Killah. Hot on the heels from EP's on Unknown To The Unknown, his Clone co-run BodyTrax label and a remix for Jimmy Edgar's super hot Ultramajic, Bodyjack is on fire right now. Not much needs to be said about this, other than "Shake That Ass" is an unapologetic main room banger with a rough bassline and cheeky vocal. Also comes with an instrumental version for the heads. Soundbwoy Killah has been turning heads this year (if you have heard his cheeky edits online you know what we are talking about). This brand new artist drops us 2 of the rawest jungle-fused underground party trax you've heard this year and this is just the start for this bwoy...Heavyweight tracks for the floor from the Bodyjack crew.


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