Second single of remixes coming out of Fabrice Lig's album "The Mental Bandwidth" by Plaid, Cinthie and Truncate

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Belgian techno OG Fabrice Lig returns to Systematic with one of his most personal and moving EPs to date: ‘Black Monday’ His most substantial release on Marc Romboy’s label since his ‘Purple Raw’ series a few years back, each track is written as a special tribute to four people who’ve had a massively positive impact on Fabrice’s life, but have sadly since passed on. Expressing himself in the most honest, articulate way he can, this one runs deeper than deep.

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Radio Slave’s R-Time returns with three unreleased Fabrice Lig productions from the vaults spanning over two decades. Scanning through his discography, Fabrice Lig’s reputation for producing some of house and techno’s most brilliant music is indisputable. R&S, Subject Detroit, Planet E, F-Communications, Versatile, KMS... these are only a handful of respected labels which the Belgian artist has released on. Lig now joins Matt Edwards’ prestigious vinyl reissue label with three never-released tracks showcasing a sound and style that have withstood the test of time. ‘The Meeting’ is the most recent track on the package, delivering glorious enveloping plucks over shining string chords before Lig’s signature funky melodies glide amidst jazzy cymbal rides. On the flip, ‘Nebula 101’ is a retro minimal track recorded in 2015 featuring a wonky rhythm, Shruti synth bass and piercing Roland Sh101 stabs until the high octane ‘Noise Revolt’, which was recorded in 1995, concludes the package with thundering 909 drums, echoing snares and relentless Sh101 synths.

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Belgium based Fabrice Lig is nothing else than a phenomenon of techno music. The list of high profile imprints where he released his music, like Planet E, R&S, KMS, Third Ear and Playhouse is unique. More than a year has gone by after 'Purple Raw Vol. 2' was dropped on Systematic and since all good things come in threes, it was only a matter of time until he would come up with his third instalment. The wait is finally over and Fabrice returns with a strong 'Pure Raw 3' which has no other intention than making you dance through the night. This four-tracker starts with a driving edit of 'Gravitational Voyage' by Joris Voorn and proceeds it´s journey with three tunes full of raw percussions, bumbing sounds and unpredictable arpeggio synthlines. This EP is just 'Pure Raw'!

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the label say: What is soul really? The answer to that is a various as the music that claims it. We here at WPH HQ do not know the answer either, but we do know an exceptional piece of music when we hear it. Enter Fabrice Lig, Belgian techno legend with his roots in our little country and his ears definitely in that place called Detroit.

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Handpicked by Carl Craig for his first release on the label, veteran producer Fabrice Lig delivers an inspiring album of hi-tek funk, soul, house and breakbeat with his 'Galactic Soul Odyssey' album on Planet E. A high school teacher by day, father of three and deeply passionate music devotee, there's an undeniable sense that Fabrice Lig was cut from a different cloth than most. The Belgian artist, also releasing music under the Soul Designer moniker is responsible for the classic 'Walking On A Little Cloud' album on Laurent Garnier F Communications, as well as a slew of pivotal Detroit-influenced cuts on labels such as KMS and 7th City Records that captured the essence of the iconic hotspot's spirit while retaining Lig's trademark free-flowing funk. For his debut full length on Planet E, the dexterous producer has crafted an album of contrasts that gleefully scribbles outside the lines for an otherworldly 12-track trip of galactic proportions that mines inspiration from everyone from Todd Terje to Marvin Gaye and Quincy Jones, while retaining an undeniable thread to the Motor City. Launching with the steely tension-filled 'Born To Be Wise' that sounds somewhat akin to the opening musical score of a Bond film, if said flick was set on Mars, the tempo is soon set to disco via the ultra smooth vocal injection from Hard Ton on 'Celestial Love Rising'. There's a heavy hint of a future house classic when Lig teams up with lauded vocalist and former Octave One collaborator Ann Saunderson for 'No Judgment' that's already been generating serious heat since being released as a single recently. The masterful 'Oostende Blues' is the Belgian's own masterful tribute to his hero Gaye spanning energetic tech funk that gradually tempers to reveal more tender melodic tones. In a highlight heavy album, the work is fittingly rounded out by the Terje-inspired 'Superstring Theory' that mixes up disco, funk and '90s rave vibes all executed with astounding compositional skill - no mean feat from an artist who's never had a music lesson in his life.

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Lyrics and vocal production by Ann Saunderson, music by Fabrice Lig.


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DJ Bone is a Detroit titan. He plays on the decks with high energy and next-level skill that few can match - which is why they call him the Terminator. He pulls no punches in the studio either, crafting all killer no-filler club weaponry as exemplified here by his new album Further. This is top-level techno on his own Subject Detroit label with lashings of machine soul, futuristic ideals and evocative atmospheres. Some cuts sink into deep inner grooves and take you on a mindful trip and some are more wildly expressive, but all of them bang in the club.

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He may have been making records since the mid 1990s, but DJ Bone has never been in such a rich vein of form. For proof, check out "Beyond", his follow-up to "A Piece of Beyond" and the second part of a trilogy that will conclude in early 2019. Opening with the gleeful Motor City sci-fi futurism of "Dreamers 7", the expansive triple-vinyl set sees the Detroit veteran flit between wonky dancefloor hypnotism ("Multiples of Self"), foreboding late night rumblers ("In The Deep", "With A Vengeance"), starry, beat-free soundscapes ("Techno Ain't Techno"), intergalactic bliss ("Ahhh Life") and carnival rollers rich in layered pots-and-pans percussion ("Bound To Move", "Rosedale Park"). It's another stellar set from a producer who's finally getting his dues.

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As we step into 2018, DJ Bone brings another fresh fusion of funk and ferocity, Composed for deployment on his own Subject Detroit imprint, A Piece Of Beyond is a detailed and varied cross section of Bone's multidimensional musical mind, journeying along a strong spine of Detroit Techno in all its many shapes, colours and textures...

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Santiago Salazar presents 'October 17'. A song dedicated to his wife and their marriage. The song contains so much captured emotions. From shimmering synths and old school orchestra hits to a solid walking bass line that solidifies the love for the dance floor. On the 'Dub Mix', Santiago stripped the track down for a big sound system leaving a heavy bass line and strings throughout the track."" Esteban Adame presents Guaguanco. ""I wrote this track while playing with G2G and Mike Banks was always pushing us to ""electrify your roots."" Though my family is not Cuban, Cuban music has been a huge part of my musical development as a musician. The track uses traditional Cuban rumba rhythms (Guaguanco) to trigger synths and percussion samples alike to create a dense polyrhythmic cushion for the track to sit on."

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A diverse and damaging three track EP from Bone, exploring and exhibiting Detroit Techno musically, figuratively and spiritually. A1. Here To Stay (Won't Fade Away) A nod to Detroit as an ever-present - a marker by which others are measured, Bone's first track on The Detroit EP, Here To Stay (Won't Fade Away) makes a statement above and beyond just being a fine example the music it refers to. The sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. More rolling percussion and drums are crisply ushered in before the Here To Stay (Won't Fade Away) vocal begins looping over the composition. Linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. A track that is certainly here to stay. A2. Detroit Is ... Soul With more of an emotional focus than symbolic this time, it's clear this one is from Bone's heart. Detroit Is ... Soul, ducks and weaves in the grey area between house and techno; the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. The on/off, cut-and-dry synth chords contrast with the looser fluidity in Here To Stay (Won't Fade Away), and gives a real sense of intent and desire. The real focal point however is the profound vocal that comes swirling over the top, "Detroit is what I love, Detroit is what I need, Detroit is where I'm from, Detroit's the air I breathe?" No explanation necessary. B. Detroit Is ... Hard Bone rounds off part 1 of his Detroit EP with aplomb. Where the previous two tracks have drawn on the emotional and symbolic significance of Detroit as a place and as an ideal, Detroit Is ... Hard, cuts straight to the chase. Utilizing the same vocal sample as Detroit Is ... Soul, Bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends Millsian fury and Red Planet mystique with the archetypal Subject Detroit aesthetic. Chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for Bone's words on this flipside to Detroit Is ... Soul. Detroit is ... Hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world ove

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A1. Motechnique Itokim's opening gambit on Subject Detroit certainly leaves a dent. To true DJ Bone fans, Motechnique will have eyebrows raised and mouths open from the off with it having been a staple component of Bone's three deck attacks in recent months. Weighty but warm kicks start as they mean to go on, bursting with pace and vigour as thrusts and stabs pinprick the brooding chords. The composition continues to explode with ever more rapturous flourishes of orchestral verve as synth and melody are thickened, acting as a backdrop to a brutal yet beautiful assault of wild, stabbing strings. Itokim delivers a magnificent forgery of might and magic with Motechnique, with all the hallmarks of a classic-to-be. A2. Roll Up and Shine The laid back, easy-going connotations of the title are very much the ethos and aesthetic of Itokim's second contribution to the Subject Japan: Rhythm Poems EP. The playful, bubbling melody sets a warm and almost sugary tone from the off before being bolstered by a suave melange of full-bodied kick and dexterous percussion. Swirling and smiling from start to finish, Roll Up and Shine, is a sumptuous merge of insistent groove and radiant warmth that is guaranteed to raise a smile even on the darkest of days. B. The Mood Device Itokim rounds off his first outing on Subject Detroit with The Mood Device, a tothe-point groover that melds elements of both Motechnique and Roll Up and Shine to stunning effect. A genuine builder of a track with a straight and true trajectory, The Mood Device melds innumerable coatings of percussion and synth as stabs are layered and layered again, clotting and coagulating the composition in to one delightfully deep and multidimensional slice of formidable dancefloor composite.


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Label boss DJ Bone mans the controls for the 38th release on Subject Detroit, laying down a typically fierce, three pronged auditory attack. "What He Said" tactfully yet forcefully treads the line between house and techno, cherry picking physiognomies from each side of that ever-blurring line and constructing something fresh but bristling with familiar Subject Detroit elegances. A favourite fixture from Bone's more recent DJ sets, "I Do" sees bubbling, arpeggiated chords simmer and swoop from foreground to background loosely as one solitary, remanipulated ticking hat keeps things in formation. Watch out for the thunderous, doubled-up drum arrangement that crashes in to the picture out of nowhere! B Side track "Rhythm Soul Funk" is a genuine hard hitter and another that tiptoes between the old school and the nouveau.


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