Tripeo raises a voice for change on his new album “Green Is the New Red“ (BASLP03). “The great thing about (electronic) music is that it’s the most universal art form there is“, says the Dutch producer. “It transcends lingual and cultural barriers more than any other cultural expression and can be a catalyst for change.“ The sound of the coming revolution is manifold: Starting off with A1 “Hope in the Dark“, a soft melody unfolds. B2 “Shifting the Overtone Window“ stands out as the most bass-heavy track, with techno as its musical blueprint. Further into the album, C3 “Fridays For Future“, the artist openly states his sympathy with the global youth movement. His vision for the protest is lo-fi in sound and courageous in mood. Never angry, this album creates urgency without uttering a word.

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Dutch producer Tripeo returns to his self-titled imprint this March to release four ethereal cuts entitled ‘We Have Power In Numbers’.


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Traditionally, Darko Esser's outings as Tripeo have tended towards the hypnotic and trance inducing. It's notable, then, that his latest EP - the first Tripeo 12-inch for 18 months - mixes things up a little. "Food For Thought", for example, fixes melancholic, Convextion style musicality to crunchy, EBM-influenced techno drums, while the fuzzy, dirt-encrusted "Resist" sees the producer give deep electro an angular, lo-fi makeover. "Tuesday Blues", meanwhile, sees him stack layer upon layer of positive electronic melodies atop rubbery, Afro-house influenced techno drums before Bassiani/Horoom resident HVL rounds things off with his skittish, breakbeat-powered revision of "Food For Thought", which sounds like a giddy blast from the past despite the poignant nature of Esser's melodies.

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Wolfskuil founder Tripeo aka Darko Esser presents four esoteric cuts titled ‘Synergy EP’ on Rekids, including collaborations with Doka (as The Leap) and Clone Basement’s Cadans. As Darko Esser the Dutch DJ, producer and label owner has been active for over two decades, helming his illustrious Wolfskuil Records label, which has recently hosted records from Shlømo, Cadans and Rumah. Following a series of releases on his eponymously titled Tripeo imprint, Esser’s appearance on Rekids is his 2018 debut and marks his first outing on another label in nearly five years. Alongside fellow Dutch producer Cadans, who has releases on Neighbourhood and Clone (when not producer drum and bass as Icicle), ‘Rave Tune’ kicks off in emphatic style, delivering alluringly bright strings and oscillating bass slabs. Esser then pairs up with Doka as The Leap, producing alarming synth swirls and thudding percussion for an energy filled spectacle titled ‘Idiocracy’. On the flip, Tripeo balances otherworldly chords with slick drum design in ‘Need For Nuance’ before concluding with ‘Zeitgeist’ with its electro styled groove layered with glistening melodies, eccentric sonics and heavenly leads throughout.

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Darko Esser returns with two powerful, finely crafted techno pieces on the eighth installment of his Trip series, ‘Eighth Trip’ his first release since 2015.


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Darko Esser returns for his seventh edition of his Tripeo series with 'Seventh Trip', featuring two tracks, both exceptionally deep and undulating. Vinyl-only!


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Following the success of the ‘Anipintiros Reworks’, which was a remix double EP of Tripeo’s ‘Antipintiros’ album featuring the likes of Mike Parker, James Ruskin, Blawan, Ben Sims, Cadans and Exium – Tripeo now returns with Sixth Trip. Each side of the release feature different moods yet both equally suited for past the midnight hour. On side A, the track opens straight into full throttle. A thumping techno track with elevating high-hats and deep tones that will punish any dance floor. Side B sets the scene for a battle across the supernovas, with a hypnotic over-drive and galloping notes, enveloping the listener into a mesmerizing state.


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Part 2 of 2 of Tripeo's Anipintiros reworks series featuring Blawan, Ben Sims & Cadans.




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Part 1 of 2 of the Tripeo's Anipintiros reworks series featuring James Ruskin, Exium & Mike Parker.


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For the new Basement Series we have Darko Esser in his Tripeo guise. Classic techno tracks carefully crafted for use in our favorite basements and sweaty clubs. It starts of with Kuebiko, a long drawn-out cut led by a trippy arpeggiated melody matched by a deep pulsating bass. Next is Nargy, an almost completely stripped to the barebones track that draws it energy from an undulating and relentless bassline. This one just keeps on going and going and going... As closer the quirky Qwerty where crisp hi-hats and snares set the pace over a modulating ”Hoodesque” melody that floats in and out of the track.



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(Double Vinyl Album + CD) The Dutch DJ and producer's first record as Tripeo arrived in 2012, and the moniker became an outlet for a more direct side of his techno sound. Anipintiros, features eight tracks of purist techno. Early support from Rodhad!

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(Vinyl only) The last Trip leading up to the Anipintiros album in April. Stripped down, bass fuelled underwater excursion (Untitled #9) and retro Detroit vibes on (Untitled #10).




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DSC is enjoying its most productive year to date, and its not even half way through. Cliche Morph is a mysterious new entity, debuting with Liquid Materia. The title track melts streams of melody, chords dissolve in currents as a steady thump tries to tame the sonorous swash. Claudio PRC, of Prologue fame, interprets the tides of the original. Aquatic ambience floods speaker as sounds are kept below the waves in a dream state. "Impulse Inside Mechanism" pulls you further into the haunted machinery of Cliche Morph. Wraithlike harmonies ache, ghosting between steady percussion for a work of palpable emotion. That tactile quality comes to the fore with "Alternative Solution." Rhythms are given extra girth, bass lines given extra room as strings swim before they soar. First run on purple black marbled vinyl.

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For the tenth instalment of Deep Sound Channel the label is going full circle, back to where it all began. ARC# inaugurated the imprint back in 2013 and now part of the collective, Tom Liem, is flying solo. Well, solo for the opening track. "A Liquid State" is a mellow, melting piece of marshy machine music. Warmth flows as clicks and clacks orbit a soft and soothing syntheline in a track that epitomises the term ambient techno. Acronym, of Northern Electronics and Semantica fame, takes over the controls for the flip. Percussion is folded and refolded, layered into itself into a hypnotic haze. Behind these blurred beats a burbling bass bulges as gentle key strokes scatter for a remix brimming with textures and intensity. Limited to 250 coloured copies.

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Dutch producer Mohlao is next up on Shipwreck offshoot Deep Sound Channel with a four track EP that showcases his specialist dub techno style. It follows on from top releases by Albert Van Abbe and Mike Parker, and means the label starts 2015 in style. Before now the Dutchman has released on labels like Meanwhile and Other Heights, as well as working as VC-118A on Lunar Disko Records and Tabernacle. This four track EP kicks off with 'Cladistic Mutation', a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. 'M2' is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. On the flip, 'Grain' gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effects peppe r the groove. There's a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. Lastly, 'Neurowaves' closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water. Just like the label name suggests, this is seriously deep, comforting and escapist music for the heads.

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Mike Parker is next to release on Deep Sound Channel - a sub label of the Dutch Shipwrec imprint - and as ever the two tracks he offers up are made of twisted analogue frequencies that work their way into your brain. Parker has long been a techno hypnotist releasing on labels like Prologue, Mote Evolver and his own Geophone label, and has been collaborating with the likes of Donato Dozzy in the process. This new vinyl only 12" comes on special silver marbled wax with a silkscreen printed PVC sleeve and again is an essential selection for deep techno fans. 'Modulation Cave 1' is powered by warm, rubber kicks drums and above that are finely teased out synth lines that roam like mischievous spirits above the never ending groove. Parker's subtle synth modulation is all that is needed here for you to be locked from start to finish. 'Modulation Cave 2' is a similarly deep, tunnelling and hypnotic affair with lumpy kicks and hiccupping synths roaming free. This is pure techno for the heads only.

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Mike Parker is next to release on Deep Sound Channel - a sub label of the Dutch Shipwrec imprint - and as ever the two tracks he offers up are made of twisted analogue frequencies that work their way into your brain. Parker has long been a techno hypnotist releasing on labels like Prologue, Mote Evolver and his own Geophone label, and has been collaborating with the likes of Donato Dozzy in the process. This new vinyl only 12" comes on special silver marbled wax with a silkscreen printed PVC sleeve and again is an essential selection for deep techno fans. 'Modulation Cave 1' is powered by warm, rubber kicks drums and above that are finely teased out synth lines that roam like mischievous spirits above the never ending groove. Parker's subtle synth modulation is all that is needed here for you to be locked from start to finish. 'Modulation Cave 2' is a similarly deep, tunnelling and hypnotic affair with lumpy kicks and hiccupping synths roaming free. This is pure techno for the heads only.

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Ghostek graced Shipwrec in 2011 with the excellent Easy Changes. Now the Russian producer returns to the Dutch imprint with two tracks for Deep Sound Channel. A steady drum pattern introduces the mysteriously shrouded "The Morning After." Toms are hollowed out as persistent percussion builds into a lonesome and windswept plateau of otherworldly aspects. Ambient spills into Techno for this cerebral spiral of sounds. "2.5 Miles Abyss" steals the listener below matted waves. Melodies blur, harmonies washing out of focus as aural layers lap overhead. Northern skies of solid permanence shift against cylindrical coils and lost vocals as immense pressures rise and fall under Ghostek's omnipresent control. Colored vinyl (only) release.

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