Label:culprit
Cat-No:cp037
Release-Date:29.08.2013
Configuration:12"
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More records from ataxia
Label:Life and Death
Cat-No:LAD072
Release-Date:15.09.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804143103
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Last in:05.09.2023
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Last in:05.09.2023
Label:Life and Death
Cat-No:LAD072
Release-Date:15.09.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804143103
1
Ataxia - A1. Ataxia & Mister Joshooa - Mastermind
2
Ataxia - A2. Ataxia & Mister Joshooa - Doc Rickers
3
Ataxia - B1. Ataxia - Six Days, No Chuck
4
Ataxia - B2. Ataxia - Keep My Youth
5
Ataxia - B3. Ataxia - Skatepark
Tracklist:
A1. Ataxia & Mister Joshooa - Mastermind A2. Ataxia & Mister Joshooa - Doc Rickers B1. Ataxia - Six Days, No Chuck
B2. Ataxia - Keep My Youth
B3. Ataxia - Skatepark
Detroit-based duo Ataxia and Mister Joshooa come together on Life and Death with their new EP 'Mastermind'. The record marks a new installation of Ataxia's punk forward house vibe; however, this time the group has their blinders on - this mini album is 100% dance floor oriented, all suited up to scratch the insatiable itch of the worldwide dance
Starting off strong with 'Mastermind', the collaboration delivers from the second we hit play. The A-side maintains similar elements such as a resonant kick and skipping percussive beats masterfully intertwined with vocals that echo and stutter. Record scratches, cowbell, and classic vocal hits can all be found on the B-side, bringing old-school sounds to the forefront with dynamic, rhythmic grooves.
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Label:Life and Death
Cat-No:LAD059
Release-Date:11.11.2022
Genre:House
Configuration:2LP Excl
Barcode:4062548041842
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Last in:14.06.2022
Label:Life and Death
Cat-No:LAD059
Release-Date:11.11.2022
Genre:House
Configuration:2LP Excl
Barcode:4062548041842
1
Ataxia - Detroit Gospel
2
Ataxia & Andres - Pine Island
3
Ataxia - Language
4
Ataxia & Dj Minx - Maxia
5
Ataxia - Spit In Your Percolator
6
Ataxia - 98 Degrees
7
Ataxia - Number Streets
8
Ataxia - The Formulator
9
Ataxia - The Pusher
10
Ataxia & Mister Joshooa - Feels Like
11
Ataxia - WM
12
Ataxia - Dance the Bridge
Tracklist:
Ataxia - Detroit Gospel
Ataxia & Andres - Pine Island
Ataxia - Language
Ataxia & Dj Minx – Maxia
Ataxia - Spit In Your Percolator
Ataxia - 98 Degrees
Ataxia - Number Streets
Ataxia - The Formulator
Ataxia - The Pusher
Ataxia & Mister Joshooa - Feels Like
Ataxia – WM
Ataxia - Dance the Bridge
Info:
Having torn up raves for well over a decade, the Detroit duo Rickers and Ted Krisko AKA Ataxia present their debut longplayer ‘Out Of Step’. Featuring guest spots from close peers DJ Minx, Andrés and Mr Joshooa, they twist house, techno, electro, breakbeat and rave into revitalized new shapes; embellished with a touch of soul, funk and hip hop. With backgrounds in hardcore and punk, Ataxia’s debut is suffused with that energy, attitude, and approach; this is raw, lean and unashamedly no-nonsense dance floor tackle that goes straight for the jugular. Heavily analogue, the album experiments with tape saturation, which harks back to the duo’s formative years in bands, recording demos to cassettes. These straight-up, in-the-red tracks give preference to overdriven drum machines, rather than generic polished sheen, but conversely, it’s all deceptively well-crafted too; ‘Out Of Step’ is a standout record that’s big in character, bringing to mind the renegade spirit of Underground Resistance, and the bombastic brilliance of The Prodigy and Chemical Brothers.
Defiantly optimistic despite the state of the world, a “life is good” vocal sample meets minor chords sliding over 808 hats on the exemplary house/techno pumper ‘Detroit Gospel’, before a lighter moment on the album, but no less impactful with its hefty low-end thump, is ‘Pine Island’ featuring Motor City hero Andrés. Together they cook up a Motown-inspired house cut awash with horn swells and backup singers, bouncing to wide swung funk bass, in classic 313 style. ‘Language’ turns the club on its head – busting out one of the most distinct basslines in recent times, and bristling with buzzy, undulating chords, whilst ‘Maxia’ features influential Detroit royalty DJ Minx. Inspired by her classic ‘A Walk In The Park’, with a fat distorted kick and stealthy bass groove, this is low-slung, stripped-back, heads-down coolness. The high-tech funk of ‘Spit In Your Percolator’, is laser-guided in its efficiency, with a strobe-like, increasingly intensifying energy, peppered with clever, tripped up vocal chops. With the next cut, conveyor belt noises and fast churning low-end gives way to a dubbed-out breakdown, on the deep breakbeat roller ‘98 Degrees’. Charged with a blistering, rave intensity, ‘Number Streets’, is a futuristic distorted techno workout that booms through the subs, whilst ‘The Formulator’ mixes filtered snippets, abstract synth noises and melodic bleeps with a bassline echoing Paperclip People’s ‘The Floor’. Closer to the UK definition of hardcore, combining 4/4 and breakbeat, ‘The Pusher’ evokes the spirit of late 80s orbital raves, adding a natty keys solo, and deadly bass used sparingly, for even deadlier effect. ‘Feels Like’ sees Rickers and Ted team up their studiomate and fellow TV Lounge resident and club booker, Mister Joshooa. Inspired by Photek but also almost UKG in style, this breakbeat session is stamped with MJ’s signature chopped vocals and intricate rhythmic interplay. The bubbling, wobbly loose swing of ‘WM’ is constructed around a classic chopped-up MTV cribs sample, with a filtered vocal creating a far out psychedelic effect – all of which is propelled apace by a huge bruising LFO. The LP concludes in fine style with ‘Dance The Bridge’, where bouncy beats and wigged-out keys meet bright, gently uplifting synth chords that bring a clear-skied mood; ending the record as it began, on an optimistic note.
‘Out Of Step’ marks another chapter in the ongoing relationship between Life and Death co-founder DJ Tennis and Ataxia. Their connection goes back to the earliest days of the label, where they played gigs together on some of Tennis’ initial visits to Detroit. It’s a friendship that’s blossomed organically over the last decade through their shared love of punk and hardcore, and led to the fruition of one of Ataxia’s most compelling projects to date. Labels to release Ataxia’s output include legendary Detroit techno imprints Planet E and KMS, plus the seminal American house label Nervous Records. Their catalogue also includes music for Visionquest, Leftroom, 20/20 Vision and Seth Troxler’s Play It Say It.
More
Ataxia - Detroit Gospel
Ataxia & Andres - Pine Island
Ataxia - Language
Ataxia & Dj Minx – Maxia
Ataxia - Spit In Your Percolator
Ataxia - 98 Degrees
Ataxia - Number Streets
Ataxia - The Formulator
Ataxia - The Pusher
Ataxia & Mister Joshooa - Feels Like
Ataxia – WM
Ataxia - Dance the Bridge
Info:
Having torn up raves for well over a decade, the Detroit duo Rickers and Ted Krisko AKA Ataxia present their debut longplayer ‘Out Of Step’. Featuring guest spots from close peers DJ Minx, Andrés and Mr Joshooa, they twist house, techno, electro, breakbeat and rave into revitalized new shapes; embellished with a touch of soul, funk and hip hop. With backgrounds in hardcore and punk, Ataxia’s debut is suffused with that energy, attitude, and approach; this is raw, lean and unashamedly no-nonsense dance floor tackle that goes straight for the jugular. Heavily analogue, the album experiments with tape saturation, which harks back to the duo’s formative years in bands, recording demos to cassettes. These straight-up, in-the-red tracks give preference to overdriven drum machines, rather than generic polished sheen, but conversely, it’s all deceptively well-crafted too; ‘Out Of Step’ is a standout record that’s big in character, bringing to mind the renegade spirit of Underground Resistance, and the bombastic brilliance of The Prodigy and Chemical Brothers.
Defiantly optimistic despite the state of the world, a “life is good” vocal sample meets minor chords sliding over 808 hats on the exemplary house/techno pumper ‘Detroit Gospel’, before a lighter moment on the album, but no less impactful with its hefty low-end thump, is ‘Pine Island’ featuring Motor City hero Andrés. Together they cook up a Motown-inspired house cut awash with horn swells and backup singers, bouncing to wide swung funk bass, in classic 313 style. ‘Language’ turns the club on its head – busting out one of the most distinct basslines in recent times, and bristling with buzzy, undulating chords, whilst ‘Maxia’ features influential Detroit royalty DJ Minx. Inspired by her classic ‘A Walk In The Park’, with a fat distorted kick and stealthy bass groove, this is low-slung, stripped-back, heads-down coolness. The high-tech funk of ‘Spit In Your Percolator’, is laser-guided in its efficiency, with a strobe-like, increasingly intensifying energy, peppered with clever, tripped up vocal chops. With the next cut, conveyor belt noises and fast churning low-end gives way to a dubbed-out breakdown, on the deep breakbeat roller ‘98 Degrees’. Charged with a blistering, rave intensity, ‘Number Streets’, is a futuristic distorted techno workout that booms through the subs, whilst ‘The Formulator’ mixes filtered snippets, abstract synth noises and melodic bleeps with a bassline echoing Paperclip People’s ‘The Floor’. Closer to the UK definition of hardcore, combining 4/4 and breakbeat, ‘The Pusher’ evokes the spirit of late 80s orbital raves, adding a natty keys solo, and deadly bass used sparingly, for even deadlier effect. ‘Feels Like’ sees Rickers and Ted team up their studiomate and fellow TV Lounge resident and club booker, Mister Joshooa. Inspired by Photek but also almost UKG in style, this breakbeat session is stamped with MJ’s signature chopped vocals and intricate rhythmic interplay. The bubbling, wobbly loose swing of ‘WM’ is constructed around a classic chopped-up MTV cribs sample, with a filtered vocal creating a far out psychedelic effect – all of which is propelled apace by a huge bruising LFO. The LP concludes in fine style with ‘Dance The Bridge’, where bouncy beats and wigged-out keys meet bright, gently uplifting synth chords that bring a clear-skied mood; ending the record as it began, on an optimistic note.
‘Out Of Step’ marks another chapter in the ongoing relationship between Life and Death co-founder DJ Tennis and Ataxia. Their connection goes back to the earliest days of the label, where they played gigs together on some of Tennis’ initial visits to Detroit. It’s a friendship that’s blossomed organically over the last decade through their shared love of punk and hardcore, and led to the fruition of one of Ataxia’s most compelling projects to date. Labels to release Ataxia’s output include legendary Detroit techno imprints Planet E and KMS, plus the seminal American house label Nervous Records. Their catalogue also includes music for Visionquest, Leftroom, 20/20 Vision and Seth Troxler’s Play It Say It.
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Last in:13.02.2020
Label:Planet E
Cat-No:ple65400-6
Release-Date:21.02.2020
Genre:House
Configuration:12" Excl
Barcode:4012957940069
1
Ataxia - Oblivion
2
Ataxia - Michaelangelos
Tracklist:
A1 Oblivion
B1 Michaelangelos
Release Info:
Having made a huge impact amid Carl Craig’s celebrated 2019 entry in Planet E's Detroit Love mix compilation series, Ataxia's anthemic ‘Oblivion’ arrives on vinyl for the first time alongside a new cut, ‘Michaelangelos’. Each track takes Ataxia’s notoriously detailed production techniques and applies them to a widescreen, enveloping template.
Constructed from rubbery basslines, wormholes of rave power and a structure that applies tension and release to killer effect, ‘Oblivion’ has continued to engross dancers since it’s digital release, transmitting an increasingly rare blend of minimal yet maximal rave pleasures.
On ‘Michaelangelos’, Ataxia further demonstrates a fluid ability to keep listeners on their toes, shuffling the deck but applying the same irresistible tricks to a rhythmic, tripping cut and the unexpected sample at its core.
Consisting of Eric Ricker and Ted Krisko, Ataxia have previously released on labels including Visionquest, 2020 Vision, Leftroom and Kevin Saunderson's KMS Recordings. They currently hold down long term residencies at the legendary Marble Bar and TV Lounge in their hometown of Detroit.
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A1 Oblivion
B1 Michaelangelos
Release Info:
Having made a huge impact amid Carl Craig’s celebrated 2019 entry in Planet E's Detroit Love mix compilation series, Ataxia's anthemic ‘Oblivion’ arrives on vinyl for the first time alongside a new cut, ‘Michaelangelos’. Each track takes Ataxia’s notoriously detailed production techniques and applies them to a widescreen, enveloping template.
Constructed from rubbery basslines, wormholes of rave power and a structure that applies tension and release to killer effect, ‘Oblivion’ has continued to engross dancers since it’s digital release, transmitting an increasingly rare blend of minimal yet maximal rave pleasures.
On ‘Michaelangelos’, Ataxia further demonstrates a fluid ability to keep listeners on their toes, shuffling the deck but applying the same irresistible tricks to a rhythmic, tripping cut and the unexpected sample at its core.
Consisting of Eric Ricker and Ted Krisko, Ataxia have previously released on labels including Visionquest, 2020 Vision, Leftroom and Kevin Saunderson's KMS Recordings. They currently hold down long term residencies at the legendary Marble Bar and TV Lounge in their hometown of Detroit.
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Label:visionquest
Cat-No:vq068
Release-Date:01.03.2018
Genre:Techno
Configuration:12"
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Last in:24.04.2018
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Last in:24.04.2018
Label:visionquest
Cat-No:vq068
Release-Date:01.03.2018
Genre:Techno
Configuration:12"
Barcode:
1
ataxia - VHS
2
ataxia - Kodak Moment
3
ataxia - Kodak Moment (Reeves & Crosson Edit)
Detroit duo Ataxia offer up their ‘Kodak Moment’ EP via Visionquest this March, accompanied by an edit from label co-founders Shaun Reeves and Ryan Crosson. Eric Ricker and Ted Krisko aka Ataxia have been at the forefront of the contemporary house and techno scene for some time, racking up releases on some of the leading labels across the globe such as Leftroom, Nervous, Culprit and Play It Say It, making the duo one of Detroit’s finest exports in recent years. Here we see them making their debut on Visionquest, the label of fellow Detroit natives Ryan Crosson, Shaun Reeves and Lee Curtiss. ‘VHS’ leads the package with murky synth swells, resonant synth sweeps and fluttering square wave bass tones at it’s core as shuffled drums carry the ever-evolving hypnotic groove along. The original mix of ‘Kodak Moment’ follows, shifting the focus over to snaking bass lines, mind-bending, modulating synth whirrs and dynamic, choppy percussion throughout. Reeves & Crosson’s ‘Edit’ of ‘Kodak Moment’ then rounds out the release, stripping things back to ethereal atmospherics and shuffled drums whilst subtly stirring in the original’s hooky bass groove as the interpretation unfolds.
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Label:Play it say it
Cat-No:playit024
Release-Date:31.01.2018
Genre:techhouse
Configuration:12"
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Last in:20.02.2018
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Last in:20.02.2018
Label:Play it say it
Cat-No:playit024
Release-Date:31.01.2018
Genre:techhouse
Configuration:12"
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1
ataxia - Quicksand
2
ataxia - Hot Snakes
3
ataxia - Texas is the Reason
Seth Troxler’s Play It Say It label opens up 2018 with another release from the highly regarded Ataxia, who serve up their third EP for the imprint. The Detroit duo impressed with their previous outings on the label, The Supertouch EP back in July 2017 and The Acid EP in 2016. Since then they have also released on Leftroom and Nervous and continued their eight year residency at prominent Detroit venue TV Lounge. Their fresh take on Motor City techno often comes with flashes of acid and makes cyber punks Ted Krisko and Eric Ricker one of the most interesting pairs in the game. Opening up the essential EP is ‘Quicksand’, an immediately arresting and busy electro track with real machine soul. The bassline bubbles and boils underneath crisp percussion and emotive keys bring a sense of tenderness. It’s a macho cut with robust drums and is sure to win over any crowd. The fresh ‘Hot Snakes’ is a deep, menacing track with dark bass gurgling beneath the airy hi hats. Frazzled synths are dystopian and brain frying, and together the whole thing takes you into hypnotic territory with an intense sense of urgency that is impossible to ignore. Last of all is the freakiest of the lot. The brilliant ‘Texas is the Reason’ has circling bass that is warped and intriguing and will own any club, while the drums drive on and trippy keys are skewed and twisted up top. It’s a truly intense record for late in the night that is sure to become a big tune. This is an expressive and varied EP full of contemporary and innovative Detroit house and techno sounds and marks another step in the Ataxia story.
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Label:play it say it
Cat-No:playit018
Release-Date:21.06.2017
Genre:techhouse
Configuration:12"
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Last in:12.07.2017
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Last in:12.07.2017
Label:play it say it
Cat-No:playit018
Release-Date:21.06.2017
Genre:techhouse
Configuration:12"
Barcode:
1
ataxia - Time Original
2
ataxia - Supertouch
3
ataxia - Villains
Seth Troxler’s agenda setting Play It Say It label is back with more summer heat, this time from Detroit based duo Ataxia. Hailing from Detroit, this pair has recently played the famous Movement Festival in their home city for the fifth time; work with top labels like Nervous Records and Culprit LA and have already impressed with a fine EP on Leftroom this year. Their sound is designed to get the party started, and after already releasing on this label in 2016 they are now back with three more essential tracks. Up first, the terrific ‘Time Original’ is a fluid and wriggling tech cut with busy synth lines scurrying about over driving drums. It’s dark and freaky with poised chord stabs and the whole thing cannot fail to get floors moving. Then comes ‘Supertouch’, which is a superbly slick acid number. Weird bleeps and clipped vocals add an unhinged edge to the urgent rubbery drums and the whole thing is a mind melting number that will take any set to the next level. Last of all is the vital ‘Villains’, seven inventive minutes of gurgling bass, alien sound design and wonky synth lines that all warp around each other and melt your mind as they do so. Colourful and full of character thanks to a rapped vocal line, this one is a real party anthem in the making. Across all three cuts here this talented duo really show off their wide range of studio skills in some style.
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12"
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Label:culprit
Cat-No:cp053
Release-Date:23.04.2015
Configuration:12"
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Last in:28.07.2015
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Label:culprit
Cat-No:cp053
Release-Date:23.04.2015
Configuration:12"
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1
jozif - Soonar
2
jozif - Rondevouz
3
jozif - Soonar (Hanfry Martinez Tropical Mix)
4
jozif - Soonar (Eric Volta Digs You A Deeper Grave Mix)
The glorious creative love affair between Londoner jozif and LA based Culprit continues unabated, with the artist’s fourth release for the imprint in as many years. Six months after the first ‘W?aikiki’?EP by j?ozif,?C?ulprit releases its followup. The five originals that formed the core of the twopart ‘W?aikiki’?were the fruits of the intensely prolific period of musicmaking by jozif. The two originals on ‘W?aikiki 2’?highlight jozif’s inimitable sound: organic in essence, steeped in references that reach beyond the classic house/techno cliche´s, loose and fun, yet with the emotional core and depth of feeling worn proudly on its proverbial sleeve. Remixes arrive courtesy of two exceptional producers of very different styles but equally strong personal voices: E?ric Volta’s idiosyncratic take dives deep into the realm of melodically eerie, perfectly calibrated for the discerning afterhours. H?anfry Martinez is the rising Spanish talent whose love for the ceaseless groove unites him with fellow house groove masters like A?pollonia,?D?jebali?and J?avier Carballo.?
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Last in:09.02.2016
Label:culprit
Cat-No:cp050
Release-Date:26.02.2015
Genre:techhouse
Configuration:12"
Barcode:
1
maxxi soundsystem ft. name one - Medicine
2
maxxi soundsystem ft. name one - Fading Thought
3
maxxi soundsystem ft. name one - Lone Raver
Culprit is delighted to kickstart its sixth year with a 50th EP release Maxxi Soundsystem’s ‘Medicine’. The “Medicine“ EP represents Maxxi Soundsystem’s fullfledged Culprit debut, after providing a standout remix of Burnski & M A N I K’s “YJG” last year. The EP is Maxxi’s reunion with his frequent vocal collaborator Name One their massive “Regrets I Have No Use For” was surely one of the songs of 2012 for the venerable Hypercolour label. Coincidentally, this is a second year running that Culprit begin their year with a record featuring Name One – his work for Adriatique’s “Midnight Walking” got 2014 off to a flying start for the LA imprint. “This EP represents the pick of the tracks I did working with Name One, they are songs but totally focused on the dancefloor initially I thought of these as 3 singles but we did so many tracks together in a relatively short space of time it seemed only right to introduce them to the world on the same record. Working with Jack (Name One) is always a pleasure his lyrics and ideas are in my opinion a huge level above what you find in most dance music”. Maxxi Soundsystem “Medicine” EP is a confident statement of intent from the Brightonbased producer, with three singleready songs combined on one strong release. The hookladen title track, the stark groove of “Lone Raver” and the deeply melodic “Fading Thought” all combine Maxxi’s dynamic composition and crisp production values with Name One’s memorable lyrics that go beyond the typical dance music fodder. Maxxi Soundsystem opens Culprit’s 2015 with a bang and is certain to be one of the label’s leading artists for some time to come.
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Label:culprit
Cat-No:cp048
Release-Date:23.10.2014
Configuration:12"
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Last in:27.10.2015
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Label:culprit
Cat-No:cp048
Release-Date:23.10.2014
Configuration:12"
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1
aidan lavelle & robbie akbal ft. shawni - Stars feat Shawni
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aidan lavelle & robbie akbal ft. shawni - Stars (Inxec Remix)
3
aidan lavelle & robbie akbal ft. shawni - Stars (Andre Hommen Remix)
Culprit's fall/winter season opens with "Stars" - a truly global collaboration of London's Aidan Lavelle, Mexico's Robbie Akbal and Los Angeles' own, vocalist Shawni. o+ The song organically sprung out of Culprit's second release of 2014, Balcazar & Sordo, Dance Spirit and disCerN's "Calling For You," which also featured Shawni's ethereal vocals and an Aidan Lavelle remix. o+o Over the summer Lavelle has joined forces with Robbie Akbal - a veteran of the deep house scene and the owner of the widely respected label bearing his name. Their first song together, "Solaris Night," has made an impression on Get Physical's "Full Body Workout." o+o+ With Shawni's sultry vocals the centerpiece, the track has the shimmering melodic quality, creating the openair, nocturnal ambiance befitting the song's title. o+o+o The pair of remixes come from two of Culprit's favorite producers - the everinspiring label regular Inxec and the Culprit debut of one of the young rising stars of the moment, Andre? Hommen, who is best known for his work on Dennis Ferrer's Objektivity imprint. o+o+o+o Hommen delivers an epic burner of a rework, that builds and builds tension releasing it in a sweep of melody and voice. Inxec's deep and melancholy take provides another dimension to the single, rounding out the package nicely.
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Last in:23.02.2015
Label:culprit
Cat-No:cp047
Release-Date:01.10.2014
Genre:Deephouse
Configuration:12"
Barcode:
1
jozif - Under The Thumb feat. Jenny Jones
2
jozif - Under The Thumb (No Regular Play Remix)
3
jozif - Good Man
4
jozif - Good Man (Matt Tolfrey EC1M Mix)
The past two years without a jozif release have felt like an eternity at Culprit headquarters. Imagine the collective relief and delight, when one of the label's core artists had a veritable musical outpouring, delivering five delicious originals. Too rich with originality and some of jozif's best ideas to be contained within one collection, "Waikiki" will be released in two parts, accompanied by exciting reworks coming from some of the label's favorite artists. Part 1 shows jozif's unwavering dedication to genre-defying, timeless dance music. Analogue disco meets old school r'n'b and funk, framed by a modern deep house feel, all delivered with jozif's typical poise and a sense of musical adventure. Never the one to hem himself by expectation of others, jozif continues unabated on his unique path. "Waikiki" accomplishes real depth with lightness of touch, yet again rewarding Culprit's faith in the artist with some of the best music in the label's cannon. Remixes on "Waikiki" Part 1 arrive courtesy of Matt Tolfrey and No Regular Play. Tolfrey is another Culprit mainstay, with the working relationship spanning almost the entirety of label's existence. His take on "Good Man" is warm yet trippy, its deadly groove led by a terrific bassline. Brooklyn's No Regular Play are long time friends of Culprit, with Greg Paulus (one half of the duo) having featured on a pair of remixes by Thugfucker and Signal Flow recently. This is the Wolf + Lamb family members' first proper work for Culprit and it's assured electronic funk is a very welcome addition to the release.
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Last in:23.06.2014
Label:culprit
Cat-No:cp044
Release-Date:22.05.2014
Genre:techhouse
Configuration:12"
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1
bambook - Humble Hearts
2
bambook - Humble Hearts (Finnebassen Remix)
3
bambook - Narrow Road
4
bambook - Narrow Road (Kiki Remix)
The new Culprit release has a distinctly Scandinavian flavor. Sweden’s rising talents, the Bambook duo, deliver their Culprit debut with the stunning ‘Hearts & Roads’, backed with remixes by Norway’s Finnebassen and Finland’s finest export but current Berlin resident Kiki.
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Label:culprit
Cat-No:cp043
Release-Date:28.03.2014
Configuration:12"
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Last in:06.05.2014
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Label:culprit
Cat-No:cp043
Release-Date:28.03.2014
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1
Lula Cirus - She Loves Me (PBR Streetgang Remix)
2
jozif - Standard Rising - (Francesca Lombardo Remix)
3
Dirty Channels - On The Way (Daniel Bortz Remix)
4
Lonley Boy - Somewhere Else (Signal Flow feat. Greg Paulus Remix)
Back in 2009, exactly five Marches ago, Culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. With its new release, The Los Angelesbased label celebrates one of its most recognisable elements, The Standard Hotel Rooftop, the site of the label’s signature parties for the past 6 years: It’s been more that just a location – the rooftop has become the essential ingredient of Culprit’s philosophy. Inspiring a successful threepart compilation series, “Above the City,” which has united some of the best young production talent around, the series has showcased a particular brand of warm summertime sound, modern yet timeless. Each remix is a Culprit debut for all of the remixers. Yet, each of them is part of the extended group of friends of the label, a likeminded tightknit collective.
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12"
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Label:culprit
Cat-No:cp042
Release-Date:13.02.2014
Configuration:12"
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Last in:17.06.2014
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Label:culprit
Cat-No:cp042
Release-Date:13.02.2014
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With the second release of the New Year, Culprit delves deeper into the nocturnal, melodic side of its sound by presenting Balcazar & Sordo, Dance Spirit + Discern with ‘Calling For You featuring Shawni’. Following the template set by the title track from Adriatique’s ‘Midnight Walking’ EP that opened 2014 for the label, the ‘Calling For You’ single is another lush piece of pulsating electronic house. The artists behind it are truly a global creative collective that connects Culprit’s home base of Los Angeles with London, Guadalajara (Mexico), and Berlin.
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Label:culprit
Cat-No:cp040
Release-Date:06.12.2013
Configuration:12"
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Label:culprit
Cat-No:cp040
Release-Date:06.12.2013
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Barcelonabased, Argentinian producer Nicolas Abalos – aka Shall Ocin returns for his second helping of Culprit, almost exactly a year after his label debut, ‘Crash into My Love’. The first EP set the inventive and musically adventurous template for Shall and was supported by the likes of Damian Lazarus, Ivan Smagghe and Miguel Campbell, among others. The artist continues to explore the psychedeliatinged, heavy electronic groove territory with the three sparkling originals on the ‘Conception EP’ plus a remix from Edu Imbernon. Each song is brimming with musically sophisticated ideas: Shall’s own effected vocals, at times immediate and emotionally charged, at others – disembodied and spooky; his love of a catchy electric guitar riff; tight and precise basslines; offkilter synth melodies, touches of jazz fusion and shimmering ambient textures.
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Last in:28.10.2013
Label:culprit
Cat-No:cp039
Release-Date:24.09.2013
Genre:Deephouse
Configuration:12"
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Culprit's 39th EP release is an altogether special affair. The masters of epic underground pop, one of the most exciting and respected songwriting/production teams in dance music, Benoit & Sergio enter the label's artistic canon in emphatic fashion. Their two- song Culprit debut glows with the duo's forward thinking musical ideas, at once sweeping and intimate, and which depth and sophistication represents a leap in the Los Angeles-based imprint's growth. . After the irresistible electronic sweep of the duo's last few releases, "Adjustments" EP is a turn to a more intimate scale yet with the usual musical ambition intact. Two songs share a common immediacy but are a ying and yang of the artists' mood. The shimmying playful strut of "Shake Shake," with an incredibly fun interplay of vocoder'd vocal, piano stabs and one of Benoit & Sergio's most infectious basslines is paired with one of their most plaintive and delicate moments in "Adjustments." The title track in particular finds the artists stretching the expected musical palette into a deeply affecting territory, where the poignant lyrics are underpinned by a gently hypnotic groove and luminous ambiance. It is a particular thrill for Culprit to present such confidently eclectic work that goes beyond the mere genre confines and, as a whole, represents one of the creative high points for both the label and the artists.
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Label:culprit
Cat-No:cp038
Release-Date:19.09.2013
Configuration:12"
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Label:culprit
Cat-No:cp038
Release-Date:19.09.2013
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Up steps the prodigiously talented 20year old Justin Jay, a true California golden child, born, raised and nourished within the LA city limits for his Culprit debut with 'The Jaguar'. The threetrack EP has been the result of organically built relationship with the LAbased imprint, with songs inspired by LA and the label's sound and credo. The title track is dedicated to that quintessential Los Angeles icon - a classic car. This is a joyous ode to a topdown drive at sunset with the city sprawled underneath and all around, its possibilities endless. 'Coldwater' is named after one of LA's most striking canyon roads, the song's rapturous tone being the emotive core of the release. 'You and Me' is the sound of the hot LA afternoon, the beach, the girls, the lazy hazy comfort of sunburnt days.
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Last in:13.08.2013
Label:culprit
Cat-No:cp036
Release-Date:25.06.2013
Genre:Deephouse
Configuration:12"
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Criminal Love’ is the welcome return of Culprit’s biggest young discoveries of 2012 – Climbers – to the label. It’s their third Culprit release and yet another single aimed to sweep this summer season’s best daytime parties, in the wake of success of last year’s ‘2 Come Back’.
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Label:culprit
Cat-No:cp035
Release-Date:06.06.2013
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Label:culprit
Cat-No:cp035
Release-Date:06.06.2013
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M A N I K makes his fourth release on Culprit, making him (along with Lee Foss) the label's true "resident" producer. Alongside him Burnski makes his full debut for Culprit, having been responsible for one of the label's most memorable songs of 2012 his remix of Subban's ‘What I Do’.Yellow Jacket Girl’ takes the duo's retro house inspired sound palette and takes into a deeper and more sultry territory, with suggestive lyrics penned and sung by M A N I K adding a subtle element of sleaze to the song's low slung groove. Each artist picked a remixer of his choice Leeds connection between Burnski and Laura Jones; M A N I K selecting fellow rider of the techno/disco line Maxxi Soundsystem. Both remixers are artists Culprit has been eager to add to its roster.
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Label:culprit
Cat-No:cp033
Release-Date:12.03.2013
Configuration:12"
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Label:culprit
Cat-No:cp033
Release-Date:12.03.2013
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Adeline, - What You Got
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Adeline, - Under The Moon
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Adeline, - Under The Mood
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Adeline, - Unravel My Mind
Culprit makes a fourth stop on its European talent-scouting trip, inviting the London- based Swedish producer Adeline to join the label’s global motley crew.
Adeline’s confident use of her own voice as a major part of her music is a bold but justified choice. Combining it with truly impressive sound design and strong musical ideas, with a touch of the unexpected, adds up to instantly memorably dance music. The three originals on her Culprit debut speak to all these strengths. ‘What You Got’ is that appealing combination of sensuously soft vocals and “muscular” rhythm and low end that many a standout track is made of. The most immediate of the songs on the EP, it has had early champions like Jamie Jones and Russ Yallop. ‘Under The Moon’ goes deeper and a bit sideways, but successfully so, pitching down her distinct vocal and riding a catchy bassline hook on top of a shuffle beat, the song glides and seduces. ‘Unravel My Mind’ is the darker counter-part to the title song. Adeline’s vocals add on a moody dimension, sitting on top of a more sinister bassline and a crisp beat. With its tension and build, one for the early peak hours. The remix by New York-based Thugfucker and Greg Paulus of No Regular Play is a real musical treat. Also making their label debut, the trio come up with a deeply melodic take on ‘Under the Moon.’ Its instrumental sweeps and playful bassline, cleverly arranged and punctuated by some of Paulus’ most accomplished trumpet work add up to something special.
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Adeline’s confident use of her own voice as a major part of her music is a bold but justified choice. Combining it with truly impressive sound design and strong musical ideas, with a touch of the unexpected, adds up to instantly memorably dance music. The three originals on her Culprit debut speak to all these strengths. ‘What You Got’ is that appealing combination of sensuously soft vocals and “muscular” rhythm and low end that many a standout track is made of. The most immediate of the songs on the EP, it has had early champions like Jamie Jones and Russ Yallop. ‘Under The Moon’ goes deeper and a bit sideways, but successfully so, pitching down her distinct vocal and riding a catchy bassline hook on top of a shuffle beat, the song glides and seduces. ‘Unravel My Mind’ is the darker counter-part to the title song. Adeline’s vocals add on a moody dimension, sitting on top of a more sinister bassline and a crisp beat. With its tension and build, one for the early peak hours. The remix by New York-based Thugfucker and Greg Paulus of No Regular Play is a real musical treat. Also making their label debut, the trio come up with a deeply melodic take on ‘Under the Moon.’ Its instrumental sweeps and playful bassline, cleverly arranged and punctuated by some of Paulus’ most accomplished trumpet work add up to something special.
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Label:culprit
Cat-No:cp032
Release-Date:01.02.2013
Configuration:12"
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Last in:25.11.2015
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Label:culprit
Cat-No:cp032
Release-Date:01.02.2013
Configuration:12"
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Yet another gifted and hard working producer who’s successfully crafted his own sound in a very short period of time, Shall Ocin is in the midst of an artistic breakthrough with distinct releases recently on Leftroom and Ellum Audio. Striking in its crisp sound design and adventurous in its sonic ideas, ‘Crash into My Love’ is the work of a self-assured talent. Its three originals fall within the underground dance music spectrum that Culprit specialises in: deep and nuanced, yet propulsive and dance-floor ready; placed perfectly between primal and cerebral, between esoteric and immediate. The EP carries a few coherent themes: its heavy electronic bounce underpinning jazzy instrumental passages that belie the producer’s deep musicality, with slightly eerie vocal touches – Shall’s own – connecting the dots. ‘Crash Into My Life’ is the EP’s most punchy and percussively strong statement and its most dance-floor engaging, with the improvisational electric guitar riffs adding a special element. The vibe is deeply nocturnal and foreboding. ‘Don’t Come Here’ also bristles with the bouncy energy, its processed vocal the most energetic part of the EP. ‘My Little World’ is the most plaintive and emotional track on the release, its acoustic guitar and bassline parts complimenting the hopeful vocal hook. Culprit’s Canadian compadres, My Favorite Robot, make a much welcomed debut appearance on the label, delivering a slice of contagious electro funk with their interpretation of the title track featuring heavy bassline riffs sure to get many a floor moving.
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Label:culprit
Cat-No:cp031
Release-Date:03.01.2013
Configuration:12"
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Label:culprit
Cat-No:cp031
Release-Date:03.01.2013
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Adriatique, - Face to Face
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Adriatique, - Circle of Love
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Adriatique, - Blackbox
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Adriatique, - Need it Now
The four track EP meets the Culprit grade with style: brimming with fine musical ideas, genuinely conceived and precisely executed modern electronic house, perfectly in tune with the times yet projecting an individual and coherent style. Dance floor – ready stuff with depth and verve, it’s the sound of two fine young talents finding a Culprit home. Faithful to Culprit’s credo of focusing the spotlight on artists on the verge of greatness, Adriatique are a duo making a quick and decisive impact on the genre. Their solo and collaborative (with Thyladomid) work has made the boys a legion of fans over the past 2 years. Having been groomed from within the un-stoppable Diynamic family, Adriatique have spread their wings with outstanding work for labels like City Fox and now, Culprit. Quick on the heels of their ‘Trigger Dance’ track (with Thyladomid) – that was part of the ‘Above the City 2’ compilation – comes ‘Face to Face,’ an exciting EP that Adriatique’s now patented electronic bassline-driven groove with the Culprit’s inclination toward warm musicality. The title track is a finely balanced work, irresistibly combining deep chords with the dance-floor destroying bassline and an infectious vocal hook. It’s already a firm favourite with the Culprit and Diynamic DJ camps. ‘Blackbox’ is an on-point example of what makes the EP such a great fit for the LA-based label’s oeuvre, it’s guitar driven bit of psychedelia a counterpoint to jozif’s Culprit work, its electronic plaintiveness in line with M A N I K’s recent EP.
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Label:culprit
Cat-No:cp030
Release-Date:22.11.2012
Configuration:12"
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Last in:10.12.2012
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Label:culprit
Cat-No:cp030
Release-Date:22.11.2012
Configuration:12"
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Lula Circus, - Passive Memories
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Lula Circus, - Theory Of Folds
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Lula Circus, - Theory Of Folds
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Lula Circus, - Theory Of Folds
For its thirtieth EP release, Culprit eagerly dips into the ever-expanding pool of Italian production talent to welcome back Lula Circus. The release also features remixes from one of London’s rising stars Alexis Raphael and L.A favourite Urulu.The two originals on the EP are the work of artists rapidly and confidently coming into their own, marrying their deep but pulsating electronic house style with Culprit’s preference for emotionally charged dance music, with a natural flair for drama and an underlying sense of story-telling. ‘Passive Memories’ has been one of this year’s favourite DJ staples for the Culprit inner circle: a moody mid-paced groover that builds and builds, adding layers of subtle electronic throb, minor melody and deep funk, a track that seduces rather than bashes. ‘Theory of Folds’ is the (slightly) more “maximal,” more overtly joyous take on its counterparts subtlety. It’s modern deep house meets retro Italo Disco, precise in execution and ambitious in its melodic sweep. Two remixes on the EP come courtesy of another two stellar talents, London’s Alexis Raphael and Los Angeles’ own Taylor Freels aka Urulu. Refreshingly, they offer two completely different takes on ‘Theory of Folds’: Raphael’s dance-floor ready, bassline-driven jam and Urulu’s sunny homage to classic 90’s Deep House. They contribute to making this an exceptionally well-rounded release
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Label:culprit
Cat-No:cp029
Release-Date:09.11.2012
Configuration:12"
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Label:culprit
Cat-No:cp029
Release-Date:09.11.2012
Configuration:12"
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M A N I K, - Breakfast Club
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M A N I K, - Heartbeat
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M A N I K, - Wave Eclectic
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M A N I K, - These Days
Returning to Culprit with his third EP of original material is one of the brightest American production talents, Chris Manik aka M A N I K with ‘Ten Times Ten’. For the third October running, M A N I K delivers an EP of assured musicality, profoundly original and accomplished.. Each of the four songs sets a mood and tone of its own, from the deep melodic nostalgia of ‘Breakfast Club’ to the subtle breakbeat of the electro-funk work-out that is ‘Heartbeat’ and the gritty strut of the synth squelch-driven ‘Wave Eclectic’ giving way to M A N I K’s ballsy but completely justified and immaculately pulled off dip into pure Urban Soul territory with ‘These Days’ that showcases the producer’s new favourite original weapon – his own voice. All unified by a shimmering quality of production fast becoming typical of Chris’ music, equal parts retro and forward-thinking, edgy, urbane yet retaining its disarming openness and, even, sweetness. M A N I K’s ‘Ten Times Ten’ shows a talented producer and maturing label in full flight, defining each other’s sensibilities, pushing one another in new and exciting directions while staying true to their credo. ‘Ten Times Ten’ makes M A N I K the LA- based label’s most frequent competitor and the one who will continue to define its sound.
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Label:culprit
Cat-No:cp028
Release-Date:27.09.2012
Configuration:12"
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Label:culprit
Cat-No:cp028
Release-Date:27.09.2012
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Luca Bacchetti, - A Night In Nassau
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Luca Bacchetti, - Such A Dreamer
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Luca Bacchetti, - A Night In Nassau
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Luca Bacchetti, - A Night In Nassau
'Bahamas EP' shows Bacchetti in a confidently melodic and eclectic mood. Inspired in equal measure by disco, Italo and a bit of French House the EP is a mature work of a multi-faceted producer who finds just the right match for his deep sensibility in the Los Angeles-based label. Sun-soaked 'A Night in Nassau' is an exceptionally upbeat slice of modern disco with a twist. A piece of machine soul where strong electronic groove sits comfortably underneath original piano keys and vocals, a stardust-like melodic bassline and those ubiquitous warm guitar licks that are the unifying musical element of Culprit's summer output. 'Such a Dreamer' is a very cutting edge update on the Italo sounds circa 1983, a little bit tough and propulsive but with a soft, piano-led middle and a killer arpeggiated bassline in the finest Moroder tradition. The EP slots in perfectly with its "summer trilogy" predecessors – the A side invisibly connected to jozif's 'Standard Rising,' the flip closer to the Climbers deep electronic edge. Completing the package is two variations on 'A Night in Nassau' that will appeal to DJs in different sonic moods. Never loopy, always evolving and musically sophisticated, 'Bahamas EP' showcases Luca Bacchetti at his best retro, yet uniquely forward-thinking self…fitting Culprit's modus operandi to a tee.
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