Label:kill the dj
Cat-No:ktdj029
Release-Date:25.08.2013
Configuration:12"
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Few words from ivan smagghe to introduce this release : KTDJ met the Margot guys through James Holden who released their first ep. I first heard the epic trance cheese-athon (mature cheese) of magic disco in one of his sets and I felt love. This was fast, delirious, vocodered fluff. Blew me away. James being busy with making the best lp of the last ten years, he passed the baby to us and to our joy. The boys from Rimini (oh yes), brought up in the mecca of italian house but calling their first ep Goblin, covering Soft Cell's Torch and being, as myself, Franco Battiato fans (Bandera Bianca really reminds of them) fitted in perfectly with our plans. Only their mental output made it quite hard to pick up the tracks for the ep. Spoiled we were. Spoiled we are. Spoiled you are. Magico Disco is a non-clicheed homage to Moroder, remixed to great effect by Tel Aviv's Red Axes who bring the tempo down, add their cramps licks but never lose the spaced-outness of the original for their Medical diso remix. Castel is like MD's little brother, a 80 bpm vocoder short shot in space. My sisters and Rockstep show brilliantly the rockier side of Margot, like breakbeat eighties crosses between kraut and house, grunge synths rising. totally fascinating and hard to describe, escapes from all boxes. Voice Chord could seem like a more straightforward club track, but it is spaaaaaaaaced out, believe me. Early (but solid) support by Andrew Weatherall, Tim Paris, My Favorite Robot etc... Finally, I Got is like Moodyman taking acid and being chopped up in a meat grinder. These tracks show the amazing scope of Margot's invention. We have not heard the last of them but this should be enough to leave you drooling for more.
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More records from margot
Label:Life and Death
Cat-No:lad036
Release-Date:01.12.2017
Configuration:12" Excl
Barcode:4012957383606
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Label:Life and Death
Cat-No:lad036
Release-Date:01.12.2017
Configuration:12" Excl
Barcode:4012957383606
Tracklist
A1 Amore a Bordo Pista
A2 Amore a Bordo Pista (Dauwd Remix)
B1 Salsce
B2 Salsce (Kiwi Remix)
Contemporary Italo-Disco and foggy Rave culture mark Margot's first 12" on Life and Death, Amore a Bordo Pista - a welcomed surprise.
Machines breathe on A1, where throbbing synth-bass meets timeless vocoder, as premiered on DJ Tennis' Essential Mix debut. The afterparty and warehouse meld on the flip, a mind-bending time-warp - somewhere between panic and introspection.
Technicolour signee, Dauwd, aces his re-depicton of the title track, hinting at golden-era Chain Reaction, while Kiwi slows down Salsce, retaining all of its drive, adding further cosmic brushstrokes.
Four weapons of the mind, a trippy affair.
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A1 Amore a Bordo Pista
A2 Amore a Bordo Pista (Dauwd Remix)
B1 Salsce
B2 Salsce (Kiwi Remix)
Contemporary Italo-Disco and foggy Rave culture mark Margot's first 12" on Life and Death, Amore a Bordo Pista - a welcomed surprise.
Machines breathe on A1, where throbbing synth-bass meets timeless vocoder, as premiered on DJ Tennis' Essential Mix debut. The afterparty and warehouse meld on the flip, a mind-bending time-warp - somewhere between panic and introspection.
Technicolour signee, Dauwd, aces his re-depicton of the title track, hinting at golden-era Chain Reaction, while Kiwi slows down Salsce, retaining all of its drive, adding further cosmic brushstrokes.
Four weapons of the mind, a trippy affair.
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Label:Internasjonal
Cat-No:int028
Release-Date:29.09.2014
Configuration:12" Excl
Barcode:827170560963
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1
margot - Randomizzami Sto (PT Version)
2
margot - Merdona (PT Version)
3
margot - Goblin (PT Version)
4
margot - Ottocento
UPC: 827170560963 RELEASE: 29.9..2014 Tracklist: A1. Randomizzami Sto (PT Version) , A2. Merdona (PT Version), B1.Goblin (PT Version), B2. Ottocento
Following Up to the very well received INT026HYR here´s Yet Another exclusive Cooperation of Internasjonal / Full Pupp and (Italian) Friends. This Time Thomas Diskomixes a Tribute to "MARGOT" , riccione´s finest dancefloor electronica project, the fortuitous result of the coming together of kindredspirits Pepe and Giaga Robot. Prins Thomas get´s their previosly digital only carreer highlights in example the already classic "Goblin" or "Randomizzami Sto" a twist and - finally- the well deserved release on the classic physical format as well.
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Following Up to the very well received INT026HYR here´s Yet Another exclusive Cooperation of Internasjonal / Full Pupp and (Italian) Friends. This Time Thomas Diskomixes a Tribute to "MARGOT" , riccione´s finest dancefloor electronica project, the fortuitous result of the coming together of kindredspirits Pepe and Giaga Robot. Prins Thomas get´s their previosly digital only carreer highlights in example the already classic "Goblin" or "Randomizzami Sto" a twist and - finally- the well deserved release on the classic physical format as well.
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Label:les disques de la mort
Cat-No:dlm001
Release-Date:21.03.2014
Genre:techhouse
Configuration:12"
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Cat-No:dlm001
Release-Date:21.03.2014
Genre:techhouse
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1
margot - Waldorf (Club Mix)
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margot - Waldorf
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margot - Waldorf (Erol Alkan's Extended Rework)
Les Disques De La Mort is the new and highly anticipated label from Ivan Smagghe & The Ginger Prince. Their first release is by the true originals Rimini maestros Margot, featuring a spellbinding remix courtesy the one and only Erol Alkan. Previously released as a very limited white label, this ecstatic 12" now gets a full release!! Margot who have previously released on luminaries such as Kill The DJ, Border Community and Hell Yeah!, are now given the esteemed honors of opening the Les Disques De La Mort coffin, and we could not have picked up better caretakers. Their Club Mix is an over-fast, Detroit infused earth-shaker, it sparseness balanced with a Franck Tovey / Soft Cell vocal romp sung in an undistinguishable language. The Original version on the inside cut is even more evocative of Marc Almond but shredded backwards through a blender, and slowed down to an almost eighties electronic glam beat. On the flip, Erol Alkan reworks the original to epic proportions. Erol has been a huge fan of Margot (he compiled them on his Bugged Out! "Inside" cd) and his admiration comes to life in a respectful but transcendental interpretation. Managing to combine elements of both versions, Erol then adds his own unique production magic and a transmogrifying piano line (dare we say "italo rave"?) that lifts the whole affair to new heights. This record has already been championed by Andrew Weatherall, James Holden, Erol Alkan, Optimo, Red Axes and Ivan Smagghe...
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Label:holger
Cat-No:holger1
Release-Date:10.10.2013
Configuration:12"
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Label:holger
Cat-No:holger1
Release-Date:10.10.2013
Configuration:12"
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A few words by Steffen Bennemann: »When I heard Margot for the first time, I instantly fell in love with their synth-driven free- form kraut-techno. Strong melodies, insanely well-shaped beats, sometimes driving, sometimes bravely bending the rules. After great releases on James Holden's Border Community, Ivan Smagghe's Kill The DJ and their own label we were more than happy to welcome them in our Holger family. Here they can show their more experimental side, far beyond common floor/listening conventions and full of synapse-tickling synth magic. Plus a secret pop hit (Trentaseitrenta), perfect for closing any exceptional club night.«
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Label:hell yeah
Cat-No:hyr7121
Release-Date:03.04.2013
Configuration:12"
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Cat-No:hyr7121
Release-Date:03.04.2013
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More records from kill the dj
Label:Kill the dj
Cat-No:ktdj043
Release-Date:12.08.2016
Configuration:2LP
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1
it's a fine line - Cardiogram (feat. Olivia De Lanzac)
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it's a fine line - In Slower Motion
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it's a fine line - Greasier
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it's a fine line - Redelivered (feat. Alex Kapranos)
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it's a fine line - The Delivery
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it's a fine line - Disco Cluster
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it's a fine line - Titre Original
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it's a fine line - Weekend Boom Boom (feat. C.A.R)
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it's a fine line - Vaguement Froid
10
it's a fine line - 1880
11
it's a fine line - Blinkar Reprise
We were waiting for this for a long time. Finaly, the first IT'S A FINE LINE' album [ Ivan Smagghe & Tim Paris project ] will be released end of august 2016 on kill the dj records
Two Parisians, Ivan Smagghe and Tim Paris, exiled in London for the better part of the last ten year set out to re-define space. It's a fine line was born from non-restraint, cultivating its own vision of house music and disco, a paradoxical one, a non-functional one. Their first LP (thought, rebuilt, announced, delayed) reveals itself as a collection of tests, of explorations in the shadows and corners of club culture. These are murky roads where counterfeit goes for gold standard, perfect territory to lose oneself in order to find ones way. Leaving behind the smooth highways of club music, they rode more chaotic trails, with dubious reputation or names: white funk, trance groove, electronic psychedelia, greasy, rock'n'roll... A risky path, ambivalent, proud of accidents, crashes and bad taste, but the only real way to discover virgin grounds on well-trodden terrain. They are writing their own (hi)story. For this album, Tim and Ivan recruited three double agents, the flame of Alex Kapranos, singer of Franz Ferdinand, the mysterious voice of Olivia de Lanzac from cult band Quad Throw Salchow and the pitched down, spectre of label companion C.A.R. Three tweaked but prominent voices, joining in an album that confounds through the coherence of its eclecticism and the rigorous mirage of its style.
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Two Parisians, Ivan Smagghe and Tim Paris, exiled in London for the better part of the last ten year set out to re-define space. It's a fine line was born from non-restraint, cultivating its own vision of house music and disco, a paradoxical one, a non-functional one. Their first LP (thought, rebuilt, announced, delayed) reveals itself as a collection of tests, of explorations in the shadows and corners of club culture. These are murky roads where counterfeit goes for gold standard, perfect territory to lose oneself in order to find ones way. Leaving behind the smooth highways of club music, they rode more chaotic trails, with dubious reputation or names: white funk, trance groove, electronic psychedelia, greasy, rock'n'roll... A risky path, ambivalent, proud of accidents, crashes and bad taste, but the only real way to discover virgin grounds on well-trodden terrain. They are writing their own (hi)story. For this album, Tim and Ivan recruited three double agents, the flame of Alex Kapranos, singer of Franz Ferdinand, the mysterious voice of Olivia de Lanzac from cult band Quad Throw Salchow and the pitched down, spectre of label companion C.A.R. Three tweaked but prominent voices, joining in an album that confounds through the coherence of its eclecticism and the rigorous mirage of its style.
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We were waiting for this for a long time. Finaly, the first IT'S A FINE LINE' album [ Ivan Smagghe & Tim Paris project ] will be released end of august 2016 on kill the dj records.
Two Parisians, Ivan Smagghe and Tim Paris, exiled in London for the better part of the last ten year set out to re-define space. It's a fine line was born from non-restraint, cultivating its own vision of house music and disco, a paradoxical one, a non-functional one. Their first LP (thought, rebuilt, announced, delayed) reveals itself as a collection of tests, of explorations in the shadows and corners of club culture. These are murky roads where counterfeit goes for gold standard, perfect territory to lose oneself in order to find ones way. Leaving behind the smooth highways of club music, they rode more chaotic trails, with dubious reputation or names: white funk, trance groove, electronic psychedelia, greasy, rock'n'roll... A risky path, ambivalent, proud of accidents, crashes and bad taste, but the only real way to discover virgin grounds on well-trodden terrain. They are writing their own (hi)story. For this album, Tim and Ivan recruited three double agents, the flame of Alex Kapranos, singer of Franz Ferdinand, the mysterious voice of Olivia de Lanzac from cult band Quad Throw Salchow and the pitched down, spectre of label companion C.A.R. Three tweaked but prominent voices, joining in an album that confounds through the coherence of its eclecticism and the rigorous mirage of its style.
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Two Parisians, Ivan Smagghe and Tim Paris, exiled in London for the better part of the last ten year set out to re-define space. It's a fine line was born from non-restraint, cultivating its own vision of house music and disco, a paradoxical one, a non-functional one. Their first LP (thought, rebuilt, announced, delayed) reveals itself as a collection of tests, of explorations in the shadows and corners of club culture. These are murky roads where counterfeit goes for gold standard, perfect territory to lose oneself in order to find ones way. Leaving behind the smooth highways of club music, they rode more chaotic trails, with dubious reputation or names: white funk, trance groove, electronic psychedelia, greasy, rock'n'roll... A risky path, ambivalent, proud of accidents, crashes and bad taste, but the only real way to discover virgin grounds on well-trodden terrain. They are writing their own (hi)story. For this album, Tim and Ivan recruited three double agents, the flame of Alex Kapranos, singer of Franz Ferdinand, the mysterious voice of Olivia de Lanzac from cult band Quad Throw Salchow and the pitched down, spectre of label companion C.A.R. Three tweaked but prominent voices, joining in an album that confounds through the coherence of its eclecticism and the rigorous mirage of its style.
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Label:Kill the dj
Cat-No:ktdj42
Release-Date:04.05.2016
Configuration:12"
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1
yula kasp - Ocean Blues
2
yula kasp - Misled
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yula kasp - Leisure
4
yula kasp - Conscious
Let us introduce the first YULA KASP ep produced by PILOOSKI and remixed by REBOLLEDO & PILOOSKI. Yula Kasp is our " enfant sauvage ", raised by wolves into a wolf. A slav pup in Poland, under the dregs of the communist regime. A teen wolf in Toronto, daughter of immigrants, eating up America through Rock n'Roll rebellion. And a nearly grown Canis Lupus in Paris where she starts going out where the fellow wolves go: Le Pulp, Le Batofar.... The wolf is a social animal, but Yula also makes music alone, on the cheap, in her bedroom. Her first project would be an homage to her grand-mother, Wanda Trampczynska, solely made up of cut-ups of her words. One of leader of her pack that slowly emerges here is Matias Aguayo from Comeme records, for whom she starts making videos (another thing she learned alone). Everybody will remember Rebolledo's Guerrero video (werewolf?), or other works for Philip Gorbachev or Sano. Matias is drumming on two of the tracks of this ep, CONSCIOUS and SENSITIVE PLANT. After the early pick up of the LEISURE by Mauricio Rebolledo for the A VERY NICE COMBINADO compilation of the Pachanga Boys, Pilooski seemed an obvious choice to produce the infused psychedelia of this mini album, a strange mixture of eighties wave tape music, folkish electronic voodoo, dubbed-up disco, her own mental poetry and extracts from Shelley or W.H Davies. This is a world you need to enter with your eyes closed, visions will come by themselves.
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Label:kill the dj
Cat-No:ktdjcd11
Release-Date:30.05.2013
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Label:kill the dj
Cat-No:ktdj27
Release-Date:30.05.2013
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Label:kill the dj
Cat-No:ktdjcd10
Release-Date:20.09.2012
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Great combination of Oliver's crisp angular techno & Zizi's vocals & the lo-fi but intricate use of electronics.
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Label:kill the dj
Cat-No:ktdj023
Release-Date:29.02.2012
Configuration:12"
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1
The eyes in the heat, - Amateur
2
The eyes in the heat, - Amateur
3
The eyes in the heat, - Hold Up
4
The eyes in the heat, - Hold Up
5
The eyes in the heat, - I Used to Be Spanish
6
The eyes in the heat, - I Used to Be Spanish
7
The eyes in the heat, - Amateur
8
The eyes in the heat, - Amateur
This 12" feat. a darkness that is never self-indulgent & grooves that lock you in but leave room for melodies.
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Label:kill the dj
Cat-No:ktdj21
Release-Date:24.08.2011
Configuration:10"
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First glimpse of the new Battant album: Shutter. This is one of the many places where they now stand. A dry, sparse yet catchy romp. On their own edge (between early Cure and meth country if you need ready made tags), Electronics still dance in the corner, reigned in by the sharp It's A Fine Line (Tim Paris & Ivan Smagghe) production. the Live Take of Clearcut is what it says. Ghosts in the machines, spookiness never in vain, this is a real song. The idea of a cover of Westbam and Nena's classic Old School, baby had been in the mind of the team for a while.
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