It is time to succumb to the sounds of the Magic Wand label once more and this eighth sonic spell is another one that will leave you happily helpless. It finds the Coyote lads step away from their fine work on Is It Balearic? to cook up two top edits. First up they offer 'Lonely' - a broody, steamy and shimmering tropical Balearic workout and then comes the organic and lazy drums of 'Western Revolution' with an iconic gravelly vocal from Gil Scott Heron. There are folk-tinged Americana sounds on 'Love Home' and laid-back disco licks on the seductive 'Luca' to make this a summer party essential.

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The latest mini LP from Coyote sees them continue to explore the realms of emotionally charged electronic music. From dreamy horizontal soothers to more ecstatic uplifting refrains. 'Both Gone' is an embrace from the sun as it sets gently into the horizon, 'People Take It' is an early afternoon watching the shimmering sea with a mint tea, 'We Got Lost' is a cautioning tale to all, 'Beltane' a celebratory Pagan dub, 'Show Me' is a poolside midday smiler, 'Cirrus' is an ecstatic sunrise anthem. So hurry up, and Live!

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Collecting Orders For Repress!

Coyote's Magic Wand Special Editions EP

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Coyote drop a special 7 inch single. Inspired by recent events over the last 2 years and their continuing love affair with all things dub and reggae sound system.related. They have been playing lots of this type of stuff at their monthly night at The Bodega in Notts. Apparently causing some heat at recent ALFOS parties too. Bubble Up!

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Is It Balearic finally offer up four cuts from Coyote's fantastic The Mystery Light album. First up is Dan Lissvik on the remix of 'Simpsons Sky' with its loose-limbed Balearic drum funk and tropical synth work. Then come Reverso 68 who layer in some superb arpeggiators for the silky piano sounds of sunset gem 'Copacetic.' Japanese downtempo boss Calm brings his signature mellow acid lushness to 'Outsider' and last of all Chris Massey reworks Coyote's 'Cami Sa Valeta' which was a tribute to Tony Pike. Here it is a go-slow, blissed out and cosmic star-gazer.

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Last year's 'Will We Ever Dance Again' 12" was a big one for Coyote who now follow it up and impress once more. First up they do so on 'Baka Re-Rub' by paying their respects to the iconic Jon da Silva remix of The FADS track. It's steamy, tropical, full of loose drum energy and jangling synths that lightened up any club. On the flip you find 'No Entry' which is a big house anthem plenty of classic tops, uplifting arpeggios and pianos, and dramatic strings next to big acid lines. It's an all out, hands in the air gem that brings the good times.

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As NuNorthern Soul gets ready to celebrate its tenth birthday, it seems fitting that the label’s next album release comes from Coyote, whose impact on the 21st century Balearic scene has arguably been even more significant than that of Phil Cooper’s Ibiza-based imprint.

Everything Moves, Nothing Rests is classic Coyote. Musically varied but tied together by a distinctively warm, dreamy and tactile trademark sound, it contains numerous subtle references to musical and cultural themes that have long been an under-reported feature of their work (the title, for example, is a reference to the 7 Hermetic Principles outlined in ancient Greek text The Kybalion, a work that has long fascinated the duo).

Those familiar with the pair’s output will feel right at home. A rich, loved-up musical tapestry rich in drifting chords, dubby basslines, echoing vocal snippets, languid instrumentation, colourful synthesizer motifs and relaxed beats, the album’s multitude of sonic highlights come together to create a coherent musical voyage that seems to reveal new audio details with each successive listen.

And what highlights. There’s opener ‘Free To Choose’, where aural textures reminiscent of vintage Italian dream house tracks rub shoulders with echoing spoken word vocals, cascading synth solos and flashes of acoustic guitar atop a head-nodding groove, the Flamenco-dub shuffle of ‘Freya’s Song’, and the yearning lament of ‘Nothing Rests’, whose lilting trumpet solos, swirling chords, tumbling Marimba melodies and infectious drums sound like a sunrise soundtrack in waiting.

The quality doesn’t stop there, either. Many will gravitate towards the subtly psychedelic electronics, weighty acid bass and evocative ambient house chords of ‘Vine of the Soul’, and ‘Fullness’, whose atmospheric synth strings, sampled spoken word vocals, slow-motion grooves and deep bass are the aural equivalent of a tender embrace. Then there’s ‘Writing on Water’, a rushing, ever-building dancefloor excursion in which spine-tingling piano motifs, life-affirming strings and waves of kaleidoscopic synthesizer sounds lap around a dubby house groove. It provides a stunning conclusion to a fittingly evocative album from Nottingham’s Balearic masters.

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Coyote drop their 7th album The Mystery Light.A double 12 LP. Copacetic is a mellow disco shuffler. Don’t Run It Extra Ordinary is a percussive soft acid groove lamenting the material world. Woosh is Coyotes personal understated reflective tribute to Pete Woosh. Simpsons Sky has touches of Krautrocker about it. Fridays Child hits peak Balearic retro poolside euro chug. Mint Tea is the post breakfast view over the shimmering ocean. Bougainvillea is a moment of calm. Cami de Sa Veleta is an homage to a fav Ibiza road trip for lunch and music. The Outsider is an uplifting reminder to all that you don’t have to play the game and to always remember the Guv

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Rothmans are back with there first release of 2014 - Coyote - The Socrates EP. This time the guys are paying hommage to one of the more contriversial stars of the late 70's/ early 80's , the absolutely legendry Dr Socrates!!. This 6th release by the the retro, football mad, perm loving lot sees them take a step away from the various artists format into the world of EP's. And what a stomper they have in the form of the 'Is It Balearic...?' boys Coyote. Featuring on last years Claudio Gentile Release the boys are back on Rothmans and in fine form with a mixture of psychadelic disco and funky Balearic beats that would make Dr Socrates himself stand up and shake that afro all over the dancefloor. And joining them on the team sheet are a pair of knock out players in the form of Mark E & Ste Spandex. Mark E putting his silky skills, and attacking mark on Passing Memories, and then Ste Spandex bringing it up the rear and joining him in attack with a live VHS remix of Act Like You Know. The Rothmans label seems to be taking shape now and looks like it could be also putting together a dream team of releases.


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Somewhere between Center Parcs in Nottingham and the white sandy perfection of Formentera reside two men dedicated to the art of horizontal dancing. Their mums call them Ampo and Timm (funny names, those Notts lads), though we know them by their collective name of Coyote. In their minds eye, it is 1986 and there are leathery looking Germans with alarming posing pouches dancing to Simply Red records on the shimmering terrace at Ku club while down the road Alfredo is building his legendary reputation at Amnesia. Apart from the clued-up few, most of the Brits are billeted in San Antonio where the beers are cheap and the sunburn is plentiful. Coyote’s music, despite being produced in the east Midlands conjures up a world of sun, sea and ’80s glamour, while still sounding very much like today.

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After last year’s highly sought after collaboration between Coyote and Nesreen Shah that resulted in the dreamy “Moving” on International Feel, Coyote are back for another summer record for 2011 with their equally beautiful ‘Always’ on Needwant. Teaming up again with songstress Nesreen Shah on Always, Coyote have created a hypnotic groove from the outset; a ghostly vocal over a driving slow tempo bassline that keeps you hooked throughout. The results are a sublime piece of haunting dance music laid somewhere between electronica and balearica that manages to trap you in a haze of echoes and drums, perfect for the encroaching long summer days. Neville Watson, here flying solo on this remix, rather than his celebrated partnership with fellow lover of all things 808 – Kink. Neville subtly works the groove of Always, edging up the tempo, adding his trademark old school sound and keeping the full vocal intact. On the House Dub he ups the jack factor and lets the bassline and drums create the raw dancefloor punch to complete what is a great EP for Needwant

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Long time Is It Balearic artist Max Essa returns with two warm weather bombs. Craig Bratley (Magic Feet / Tsuba) pumps up the bass sounds and drops an lovely vocal accent over Sekko Mekko.


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Latest IIB release features the North Easts version of CSN Last Waltz. A double header, The first track Just Hold On is a collaboration between Last Waltz & Smoove. Heartfelt vocals over a pastoral rolling chugger, deep bassline folky guitar strumming making this a favourite at IIB HQ. On the remix Ess O Ess raise the tempo a little bring out the electric guitars and increasing the chug to almost Krautrock levels. On the Flip side Last waltz give us Tribute. A deep atmospheric acid affair. Mellow electric keys and percussion lull you into a false sense of security before the heavy kick and acid bassline drop with dark cello notes. Machete Savane take on the remix. Replacing acid for guitar and adding some machine groove this slowly builds and builds into a top bubbler.


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I-Boat Captain returns to IIB with a real gem of a tune. Major Spam is a chugging nu kraut dub disco bomb. Driving drums and relentless bassline wrapped up in swirling synths and delayed vocals. Almunia beef up the tempo and the kick, adding their trademark guitar melodies. Tiedye turn Major Spam into an big piano Balearic house monster ready for some hands in the air moments. Finally on the remix our friends up north Last Waltz create a beautiful lush disco synth chug out. The extra track on the B side Poly Punk is a slo mo acid treat. Squelching 303 underneath a delayed picked guitar and a soaring pad. Balearic acid dub style.


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The Two Mamarrachos drop a limited edition 2 track 10" on Is It Balearic..? En Calma is a laid-back balearic shuffler with soft drums and dreamy lead guitar. drenched in Mediterranean sunshine. on the flip Trip to the Light is a slightly more uptempo percussive groove layered with folky strummed guitar. Perfect remedy to the winter nights. Play this and drift back to warmer times.

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Japans 9dw release their first track for Is It Balearic..? Right On is a super chilled loopy slo mo disco gem. Touches of soft acid and boogie bassline make this a certain for the more discerning dancefloor. The Mushrooms Project remix creates an ever growing tribal dubby trip with what sounds like a jews harp thrown in for good measure. Mesmerising. The B side features a track that has been an IIB favourite for a couple of years since it was heard live in Loop Tokyo. This slowave almost out of sync techy chugger is not like anything else. Evolving with analogue synths and stabs to become a heads downs stomper. International man of mystery Man Power adds man power to the track and creates a slightly darker journey into synth land.


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Max Essa returns to Is It Balearic..? Home to some of his more Balearic moments most notably the epic Panorama Suite. The A side is Dovodah! which begins with some Nu-Med atmospheres and acoustic guitar conjuring up 80's Italian beach parties. The loose percussion and a heartfelt vocal (calling the unmistakable sound of Dovodah!) carry you along before dropping into an early 90's italian progressive vibe. Genuinely a real post sunset bomb. Doug Lee turns Dovodah into a more moody basement soundsystem banger -heavy bassline and distorted synths. This needs to be played Loud!
The B side Burning Palms is a moment of sexy strummed acoustic guitar and percussion. Sounding like A Mountain of One on a dusty desert vacation. Summers surely round the corner.
Hardway Bros Sean Johnston brings this tune back inside for some heads down dancefloor vibes while retaining alot of the original feel. Like a gypsy acid mid tempo house party. I want to go. IIB back with a bang



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IS IT BALEARIC continue to provide a steady supply of killer 12's ! Next release from Is It Balearic..? comes courtesy ofBasel's nu disco wizards Pharoa Black Magic. The track Amulet features the vocal talents of Peter Coyle of The Lotus Eaters. This is a mid tempo mellow electronic/Balearic pop groove. Beautifully produced to create a sublime understated sunshine anthem. Top drawer remixers are present and correct as always: Begin takes the original and creates a deep balearic groove with marimbas and soft synth melodies. Reverso 68 add trademark arpeggios and dance it up a touch whilst original balearic pioneer Steve Proctor rearranges the track into a big chugging acid disco groove.



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This latest 12 comes courtesy of Phil Mison & Pete Herbert's much lauded REVERSO 68 project. BAA BOO is exactly the kind of blissfully dreamy groove we've come to expect from this accomplished production duo, musical, melodic and tailormade for sunnier climes. On the flip we have PIANO 89, pretty self explanatory really , but for the benefit of those not pushing 40, it's an old school house jam, drenched in the kind of Italo Piano hook that used to ignite late 80's dancefloors and is destined to do the same some 20 years on - magical

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The Project Club make a welcome and serioulsy classy return to the label El Mar Y La Luna is a warm tribal dub groove that conjures up beachside sunrises or perhaps daytime raving on the beach. Trademark Project Club guitars and top notch production. First up on remix duties we have Shrinkwrap, who keep some of the key elements and carefully craft a mesmerising and addictive deep Acid groove The serious production on this subtle builder ensures it packs quite a punch Finally the celebrated Lovefingers crew create a hypnotic, percussive but perfectly chilled Balearic journey with some beautiful slide pedal guitar action. Definitely one for the summer !

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Somewhere between Center Parcs in Nottingham and the white sandy perfection of Formentera reside two men dedicated to the art of horizontal dancing. Their mums call them Ampo and Timm (funny names, those Notts lads), though we know them by their collective name of Coyote. In their minds eye, it is 1986 and there are leathery looking Germans with alarming posing pouches dancing to Simply Red records on the shimmering terrace at Ku club while down the road Alfredo is building his legendary reputation at Amnesia. Apart from the clued-up few, most of the Brits are billeted in San Antonio where the beers are cheap and the sunburn is plentiful. Coyote’s music, despite being produced in the east Midlands conjures up a world of sun, sea and ’80s glamour, while still sounding very much like today.

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