Ryo Murakami has own label "Panrecords" .Next one release new 4 track ep that contains a remix of "Lunch of god " by STEREOCiTI (Mojuba /from Tokyo). On the A side. STEREOCiTI takes remix for a deeply and atmosphere .this track already released it from Quintessentials.
Next track is very deep and Slowly beats,on the B side , very dub track from start to end. Last one that a synth phrase and some voice left to the head is impressive.


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Our man Ryo Murakami sends over the next transmission in his exciting and growing catalogue of productions. Always inspired by the raw and soulful sound of chicago and new york, this next EP puts forward his vision and continuation of this timeless house feeling. Lead track ‚Just For This‘ is a wonderful celebration of heavy slow motion house. Classic house references and even a few classic samples meet in a dirty, deep ride into the tweaked out and extended vibes of the late night people. A journey through the city of house, a perfect refl ection of the times, bringing warmth and light in a once colder world. Graeme Clark aka The Revenge, a fi gure who has enjoyed much success with his deviant disco sound, steps up for remix duties - and a fi ne job he does too! Building his mix from the bare bones, adding a little more pace and forward momentum,
his version is also tightly bound within the roots of emotional, deep vibes house. This is an outstanding remix - functional, clear and fully devoted to the classic sound. On the B side a mysterious original, ‚Untitled‘, sees Ryo pushing things a little further still. The energy levels climb higher and higher as this modern hypno-houser phases and pulses upwards over nearly 8 minutes of jacking, sample laden freshness. We love to visit Ryo‘s House, where everybody‘s welcome and there‘s smiles all round!

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Ryo Murakami who's recent releases include Dessous and Moriss Audio and is known for leading the younger generation artists announces his newest release on his very own label "panrecords." The promo is already being heavily played on the Jus-ed radio show. The tunes of the analog drum machine coming from the bottom of the deep seas along with our friend Amr's quiet yet crazy voice sampling echoes on A1's "lost it" and a deep arrangement is added to the coupling track "dive a elevate." The fat analog synthesizer by Dublin's Lerosal that resembles Chicago and Detroit sounds are remixed with the rhythm machine's low range sounds. The sense of flow from beginning to end is at 90.5. The complete 4 songs are sent from Tokyo out to the world scene.


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Tokyo‘s rising star Ryo Murakami has already put his diverse, electronic sound on the map with the ‚Rise‘ EP on Dessous last year, and received great praise for his track ‚My Soul‘, snapped up by Steve Bug for the Fabric mix series, which was piled high with atmosphere and dark, club energy. His next 12“ includes two new tracks, the title cut being ‚Down The Sky‘, cooly influenced by old school house, but also more recent European forays into night music. Ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. The merits of carefully weighing out your ingredients, leaving just the right level of detail; not too little, not too much, have clearly been explored by Ryo here. More to the point though, it’s a track that could string out time and create so much room to groove! Poker Flat‘s young Greek maestro, Argy, creates a stunning hi-tech remix of ‚Down The Sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. Once again carrying on the vibe of the original, but twisting it into an altogether different beast, Argy takes Ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool. Deceivingly constant, it simply builds and builds, making a time stopping, truly hypnotic moment for the dancefloor and for the mind. The B side, ‚Coke‘ (no questions asked) welcomes another one of Ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. Brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. Ryo then leads us head-first into a series of spaced out, jacked-up movements, characterised by risqué, feminine vocal snippets. Wild Pitch rejuvenated!

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Ryo Murakami is a fresh talent from Tokyo, Japan and after two releases on Asian Dynasty and Rebel One we just presented his exclusive track „My Soul“ on „Dessous‘ Best Kept Secrets“.Now „Rise“ is Ryo‘s first full release on Dessous. A percussive beat gently moves the rather reduced titletrack forward and an airy House chord nicely dances on the dark but deep tune.The Stockholm based duo Bangana who already released three albums as S.U.M.O. contributes a brilliant remix of Rise. The two only took very few sounds from the original and deliver a complete new rhythm and an almost completely new song.Their remix is simply a beautiful deep multilayeredmodern House track. Although the two use many instruments and changes, the track always stays focussed and will be a floorfiller for sure. Moodwise Ryo Murakami‘s second track „Monument“ is located somewhere between „Rise“ and it‘s Bangana remix. Still deep and dark, but with a more housey vibe.A brilliant debut by a promising talent!




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-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love

Info:

We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.

A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.

This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.

- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.

- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)




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