(180 gr heavyweight vinyl, includes cd) Continuing on from a series of successful EPs on Token including last year's Ostinato, Antigone returns to the label with Rising, his first experiment with the LP format. Rising is an album that exerts itselfto stimulate the mind and the body simultaneously. As such, it's a record that gives the dramatic illusion of having a physical pulse.
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Antigone returns with Ostinato for TOKEN75. Ostinato 1 is mild and disconcerting, with strings that verge on unnatural in their high pitch. Ostinato 2 is more traditionally dramatic, the space this time filled with keys that follow the ongoing theme,building to an ostentatious crescendo reminiscent of the roots of trance.
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Antigone joined Token in 2015 with his grand double EP 'Cantor Dust'. He returned again earlier this year with the Saudade EP for TOKEN59; an overall heavier offering that still manages to retain some of the delicacy of the first. Now he's backwith a 3 tracker for TOKEN68 where employs an advancement on his usual sonic vocabulary.
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We are proud to present this new record of Antigone. Throughout these three tracks, the artist attracts us in his technological and futuristic universe, an immersion in the spirit of this sound architect

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We are proud to present this new record of Antigone. Throughout these three tracks, the artist attracts us in his technological and futuristic universe, an immersion in the spirit of this sound architect

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Subdivision of Construct Re-Form, the purpose of Ars Mechanica is to explore a more mysterious side of the electronic music, an oniric and spatial travel, an endless dive into the sound. For this first opus, Antigone offers us 4 music parts, 4 travels in the confin of the universe, through stars and nebulas. On arrival: the unknown... ONLY ONE PRESSING – NO REPRESS More

Children of Tomorrow back with new Techno EP by Antigone & Rodremix More

For his first release, Antigone already imposes his identity with a very assertive sound, without any concession. Two tracks in the mechanical grooves and sounds for a techno honed sharp and refined. Finally, an energetic and powerful remix signed by the label owner, Zadig.

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you need to know about this "Boite de Quatre Ep":- all tracks have been produced by Rag Dabons.- It's deep with a bit of acid inside. It's all about Jesus and Denver, the last dinosaur.
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Birth of Frequency offered us 3 original tracks, Just perfect to be played at the moment when the sky is changing from black to blue, when people on the dancefloor are stopping to fist pump, preferring to close their eyes and keeping their heads down while travelling through the hynotic vibes. In turn, Luigi tozzi's remix is all about that moment when the sun is spreading its brightness all over the dancefloor, giving a new energy to all the last dancers. Watch out! This Ep will take over your feet and your mind

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We discovered FLORIAN MULLER 3 years ago and fell directly in love with his funky and soulful House music. It took time to make it happen, here it is, his EP on CONCRETE MUSIC 3Pm is FINALLY here!

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This new Concrete Music EP contains 3 Seuil's original tracks. A1 and A2 are directly extracted from his live performance at Weather festival 2015, while the B side has been produced in a slightly different vibe some months later.

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We dont know so many things about H330... except he seems to be from Paris and kept sending us dope music since 2 years...The only thing we know is that the artist behind this name got strong skills, a big knowledge of House Music, and a lot of Soul...Here are the 2 original tracks ( and an edit of one of them) that we decided to release on Concrete Music. Definitely not the last ones...



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"Every week end Im going to Concrete to listen the artists who are playing there. I'm talking about music with them , and do the same with people sharing the dancefloor with me. I collect all these inputs and ideas, all this energy, to define what CONCRETE MUSIC DNA is. Because of this variety of people, tastes, and point of views, the label can't be reduced to one and only genre. To make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... CONCRETE MUSIC 7AM contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. Minimalistic, freaky or mellow, but always DEEP. CONCRETE 3PM is definetly turned to HOUSE MUSIC. 3Pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. CONCRETE MUSIC 4AM aims for the more Techno and black side of the music we love. At 4AM, fists are pumping the air, or heads are down and eyes closed. It's not about how hard or fast the kickdrum beats, but how thick the atmosphere is.
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Every week end Im going to Concrete to listen the artists who are playing there. I'm talking about music with them , and do the same with people sharing the dancefloor with me.I collect all these inputs and ideas, all this energy, to define what CONCRETE MUSIC DNA is.Because of this variety of people, tastes, and point of views, the label can't be reduced to one and only genre.To make the music more easy to apprehend, we are spliting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... CONCRETE MUSIC 7AM contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. Minimalistic, freaky or mellow, but always DEEP. CONCRETE 3PM is definetly turned to HOUSE MUSIC. 3Pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. CONCRETE MUSIC 4AM aims for the more Techno and black side of the music we love. At 4AM, fists are pumping the air, or heads are down and eyes closed. Slow or quick BPM, heavy kick or atmospheric This is what CONCRETE MUSIC is all about..."

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Equally known for dark electro-pop as DK7, muscular club tracks with Tiga or powerful high-profile remixes, Jesper Dahlbäck has dutifully served techno in all its forms over the last two decades and turned into one of the pillars of the scene. As with most electronic heavyweights, the Swedish producer's catalogue holds plenty of more or less hidden sub-projects that experimented with techno or house in the past, and remained pivotal to many. One of them, the Persuader, was among the few names that built cult label Svek, an underground brand of refinement that spawned dozens of forward-thinking and neatly cut house/dub 12 inches between 1996 and 2003. That's this very facet of his music personality that Jesper offered to reincarnate for the 5th installment of the Concrete Music label. More than ever in the Dahlbäck canon, Autumn Leaves veers towards the abstract, as opener "A Hymn To Him" suggests. Under a line of sizzling metallic hi-hats, some sparse piano keys respond to erratic moody chords, suspended amidst an almost beat-less landscape, conjuring both a feeling of space and solitude that one Murcof wouldn't deny. One has to wait until the second track, "Sun Position", to hear a proper techno pulse, though transposed in a dark, puzzling setting made of ominous synthetic slabs that resonate with claustrophobia and gloom. The B face smoothes round the angles and shifts us to more familiar grounds with the softer and friendlier forms of "Jaco's Ladder", a relaxed moment of classic-house warmth caressed by loungey chords. Concrete nights resident and Perlon regular Cabanne then softens the vibe of "Sun Position" and gives it a more comfortable but insidious minimal house background, as a closing to this captivating and contrasted set.

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