Mark E returns to his own MERC imprint for his first 12 inch vinyl release in 7 years on the label. 4 tracks of unswerving deep house sees Mark explore the underside of house music, evolving his sound into deeper searching electronic territory, pursuing a rich evolving journey along the way. Understate to Intoxicate.

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Underground house and disco maestro Mark E makes a welcome return to Delusions following hot on the heels of last years Leaning Into The Light EP. The revered producer has been steadily doing his thing for almost two decades now, racking up releases on Running Back, Golf Channel and Spectral Sound to name just a few. His sound is a unique, sublime vision of US deep house which transcends the dance floor and he proves his salt once again on the four new tracks that make up this stunning EP. Title track Enchantment Under The Sea sets the mood with a minimal, low slung drum machine groove laying the foundation for layers of Rhodes and synth chords conjuring up images of a sub-aquatic vision of depth and beauty. Up next we have Zone Tonight, the epitome of a late night city scape driving track utilising heavily saturated drums, subtle acid line, distant piano melody and moody Detroit pads to draw you into its deep confines. Flipping over we have Vertigo which treads a similar sonic path as Mark effortlessly fuses rich harmonies and entrancing melodies, inviting listeners to lose themselves in its depths. Closing out this blissful journey we have Bodymap which drops the BPM a little more with simple understated drums, melancholic string line and pulsating bassline. The Zone Tonight EP is a testament to Mark E's unparalleled prowess in crafting immersive, uncompromising and emotive soundscapes for your aural pleasure. He also created the original artwork for this release.

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We’ve been loving underground UK house hero Mark E for time so it’s a great pleasure to welcome him to Delusions Of Grandeur for his debut release for the label. With killer edits and sublime releases on esteemed labels such as Running Back, Golf Channel, Ghostly/Spectral and his own MERC, Mark E has crafted a distinct and original sound that is uniquely blue collar and utilitarian classic, deep house, with a tinge of disco warmth. The Leaning Into The Light EP has more an LP feel and is definitely one for the heads, taking us on a deep trip across five stunning and expansive productions which will leave you well and truly spellbound. From the opener Swimming Through A Diamond with its raw and minimal groove, glacial FM electric Piano and naive synth melodies you know you’re in for a real deep treat with what’s to come. Compact Object treads a similarly subtle yet captivating path with a stripped back groove and entrancing synth pads and stabs which intertwine and bounce off of each other like light refracting through a prism. Heartaches loops up a live electric bassline and jazzy piano chords to brilliant effect, creating a blissed out mood and feeling of being suspended in the air, at once muted, otherworldly and contemplative. The title track follows taking us deeper still with majestic chords and a tone palette which calls to mind Larry Heard and the inimitable sounds of Black Dog, B12 and the golden era of ambient techno and IDM. Closing out this incredible collection of tracks we have Mirrored Cube, another example of Mark E’s mastery of his craft, everything sitting perfectly in its own space and perfect pace rewarding you with its simple beauty. Mark E also created the original artwork for this release.

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The third release on 18437 features one of UK's finest producers and DJs, Mark E.

While many struggle to find their sound or try to reinvent themselves Mark keeps on doing what he does best, deep and atmospheric house music, full of synth pads and warm chords.
It's never been about fast tempos or high energy with Mark, each track is good enough to stand on its own.

Patrice Scott, who always brings a huge amount of passion and soul into his music, provided a remix of Rain that's beautiful.

Excellent late night listening music...

How deep can you go?

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The 12-inch starts on a bone-chilling note with the titular track, a spartan warm-up that’s a creeping bass on the low end, wispy pads in the mids, and a scratchy looped vox sample on top designed to haunt your dreams. A freaky intro that unnerves as it allures. On the move now, Mark burrows deeper into a hypnotic groove with “Shelter,” a midtempo cyborg cut, half round, warm, organic percussion, half cold-tothe-touch synth chord sustains. The energy and urgency feels like new territory, but the execution is signature Mark E. On the reverse is a pair of more melodious tunes, the shuf?ing cyberpunk groove that is “M-54,” then the prickly “Shinkansen,” which has a sputtered and bleary-eyed thrust to make feet jitter and hips shake. A twist on the man's disciplined studio workmanship that we've come to know—arrow-straight arrangements, celery-crisp drums—that’s spiced with a few pinches of psychedelic, inside-out wickedness, devilishness to keep you wired, buzzing

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After a short hiatus the ever-dependable Mark E returns to his own Merc label with three new tracks in his own inimitable style
Displaying a depth and flair for aural innovation like no other, Mark plots a course through a heady trio of beautifully constructed machine-funk jams. 'Twilight Fade' leads us seductively into a slowly unfurling Sound Signature style voyage through the soulful circuits. 'Quarttz' is a super deep, all enveloping synth-led workout, while 'First Thing' on the B, stretches a few simple ingredients into a sonic banquet of heady dancefloor bliss.
This one's super limited folks, so we encourage panic buying !

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The last of Public Release’s single-digit records is the first from the British West Midlands’ most famous DJ and producer, Mark E. This shouldn’t come as a surprise. If anything, the fact it didn’t happen earlier should; Mark appeared as a remixer on Jeffrey Brodsky’s 2014 Public Release EP, which has earned him the status of esteemed member of the outfit’s inner circle and prime candidate for an extended play of his own. That little bit of context behind us, let’s move on to the actual music that’s been pressed to Sky Horn. The 12” kicks off with the titular track, an abrasive number built around a meaty, sawtoothed synth line that sits snugly atop a hypnotic beat. Happy Family’s remix—Happy Family, for the uninitiated, is Eric Duncan and Justin Van Der Volgen—is a more psychedelic reimagining of the original cut that’ll knock you into an exhilarating stupor. Speedy and demented, it’s an explosive, tantalizing cap to the first record. The second begins with “Midnight Equatic,” a tense yet propulsive number that’s somehow paranoid industrial, tropical disco, and prototypical synthwave all at once. The duo comprised of Dennis McNany and LCD Soundsystem’s Pat Mahoney, Museum of Love, wrap the four-tracker with their remix of the song, which zeroes in on the electro component so elemental to the original and runs with it, taking it into Depeche Mode Violator territories—before making a sharp left turn and exploring the wild sounds of the early 90s UK rave scene. A final hoorah for the party that is this record.

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Mark E has a vivid imagination and everybody knows it. This is his first offering for the ESP Institute. Laurentian Abyss undoubtably conjures narrative images from the depths of a man's soul, trudging through an array of rhythmic pulse, percussion and arpeggiation that resembles the inner workings of a grandfather clock, based on a disorienting 5/4 timing yet culminating in a singular stroke. On the flip side, the title track Emergency begins with the formula for which we know Mark E best, the ultimate tease winding us up for the big payoff, yet here we're forced into a cyclical trance which diverts our attention so effectively that we never actually receive what we've been waiting for, Mark's elusive drop. When a limitless producer such as Mark E, who's spread his talents widely across the face of dance music, seeks a home away from home in the ESP Institute, we consider it an honor to open our doors and present works that stray from not only his celebrated repertoire, but from reality in general.


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Producer Mark E hails from the West Midlands, an area of the UK that was at the heart of the industrial revolution and was also hit hardest by the decline of UK industry in the 1970s, and again by the economic crisis of our own time. It's an area with a distinct sound and atmosphere, one that manifests in the music of artists as diverse as Black Sabbath and The Specials, and one that plays into many of the ideas behind Mark E's 2014 full-length, Product Of Industry. Following that release, Mark E presents a late-year surprise with AVION EP. Featuring two new tracks from the producer plus remixes on two Product Of Industry highlights: "Bog Dance" and "Being Hiding". First up, White Material affiliate Alvin Aronson brings his minimal ambient productions to "Bog Dance" while the collaborate duo of Leon Vynehall and Christian Piers aka Laszlo Dancehall fire things up on "Being Hiding" to close out the EP.

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As the Autumnal nights draw in, Futureboogie show off a slightly darker edge to their ever expanding roster of artists, welcoming re-edit king Mark E to the fold. The Birmingham based DJ and producer has risen steadily through the musical ranks over the last few years, cropping up on a multitude of top drawer labels like Sonar Kollectiv, Running Back, Golf Channel, his own Merc imprint, and most recently a brace of albums for the US label Spectral Sound (home to Matthew Dear, Osborne et al). Title track, 'Activity' chugs at a house music pace but with plenty of techno swagger, bridging the gap between the two genres with ease. A simple and minimal beat is doused in a pacey acid bassline riff that's constantly morphing and transposing, layers of synths join in the infectious melody whilst soaring pads rise up with all the familiarity of a Detroit techno classic.

Tracklisting: 1. Activity 2. Night Heart 3. Shapes


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Producer Mark E hails from the West Midlands, an area of the UK that was at the heart of the industrial revolution and was also hit hardest by the decline of UK industry in the 1970s, and again by the economic crisis of our own time. It's an area with a distinct sound and atmosphere, one that manifests in the music of artists as diverse as Black Sabbath and The Specials, and one that plays into many of the ideas behind Mark E's new record Product of Industry. The album's title is a subtle nod to the producer's past and heritage. He explains, "The name lies in the manufacturing past of the area I grew up, [and] the manufacturing past of my family. [It references] how the decline of industry in the Midlands UK changed the landscape physically and socially — I'm now a music producer and DJ, and this is totally different to my grandparents who were truck drivers and sheet metal workers. [The title discusses] how things have changed, and it's also about how I came to be in this position, due to the current global financial situation. I lost my job due to it, [which led to me] trying out music — and here I am, a product of industry, both currently and historically." As befitting its genesis, there's something distinctly mechanistic to the music on Product of Industry — as Mark E says, "The music is grinding, continuous, heavy, relentless." You can hear this idea in the industrial clatter that underpins "Kultra Kafe," the grinding rhythm of "Bog Dance," the pounding beat of "Eganix." Part of this sound is generated by the album's reliance on classic machinery of a musical kind: "My approach was very different on Product of Industry compared to Stonebreaker," Mark E explains. "I approached it with an album in mind. The technique is [also] different — this is majority analogue, whereas Stonebreaker was 100% digital." But just as importantly, this reliance on classic analogue synths also means that the sound of Product of Industry is shot through with a certain warmth, a reminder that there's humanity at the heart of this industrial environment and this industrial sound.. The music, explains the producer, was designed to be "soulful and delicate," and in many ways its abiding warmth is a throwback to the classic sounds of Chicago house. They're firmly located on the other side of the Atlantic, though, and several tracks incorporate "vocal snippets of the language and accent of the West Midlands." The result is an album that's steeped in history — both musical and social — but also sounds utterly contemporary. It's a testament to the way the creative spirit can flourish even in the most adverse of circumstances, and also an album-long evocation of the idea that the machines we build are ultimately expressions and extensions of ourselves.

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4 sublime electronic cuts from Bokhari mainstay Stephen Lopkin and label newcomer Donnara spanning Techno, Electro and Ambient.
As always Lopkin is 100% on point with his opener, the Detroit influenced, tom driven, driving techno banger 'McStay The Maestro'.
Minimal piece 'Ignorance and Want' follows...a dark swirling adventure through the sonic spectrum with a heavy a rolling bassline at the foundation, plus rolling sub, and white noise blips.
On the flip, we are honoured to welcome Donarra to the Bokhari stable with two beautifully crafted cuts.
'Frequences Test' is a is a low flying electro outing a la vintage Drexciya with a dark cinematic feel, conjuring up visions of gliding through an empty dystopian future city landscape on a planet far from home.
Donnara closes the EP with his beautiful and delicate ambient composition Юлия. A light rain falls as the arpeggiated marimbas creep in and the subtle strings float above caressing the ears, relaxing the mind.

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4 sublime electronic cuts from Bokhari mainstay Stephen Lopkin and label newcomer Donnara spanning Techno, Electro and Ambient.
As always Lopkin is 100% on point with his opener, the Detroit influenced, tom driven, driving techno banger 'McStay The Maestro'.
Minimal piece 'Ignorance and Want' follows...a dark swirling adventure through the sonic spectrum with a heavy a rolling bassline at the foundation, plus rolling sub, and white noise blips.
On the flip, we are honoured to welcome Donarra to the Bokhari stable with two beautifully crafted cuts.
'Frequences Test' is a is a low flying electro outing a la vintage Drexciya with a dark cinematic feel, conjuring up visions of gliding through an empty dystopian future city landscape on a planet far from home.
Donnara closes the EP with his beautiful and delicate ambient composition Юлия. A light rain falls as the arpeggiated marimbas creep in and the subtle strings float above caressing the ears, relaxing the mind.

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Another top notch Bokhari outing! Stephen is a Scotsman but sounds like he is from Detroit - he was also on BK013 where he shared an EP with Hiver and provided us with the excellent 'Theme from SAPL'. This time he's on his own... Early 90's UK Electronica and of course, the inescapable Detroit blueprint run deep through this one, the unmistakably chewy, tangible heft of analogue sonics married perfectly with emotive melodies.
A welcome whiff of Azymuth era Kenny Larkin clings to the whole EP, while Cologne collective Noorden regular Ikpathua lays out a spacious and deeply atmospheric rendition too...

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Frankfurt's finest joins Bokhari with a nod to 90's LTJ Bukem coming at you with the kinda track that would've taken the doors off your XR2 : ] Remixes come from a Pepe Braddock-eque Dorylus, and a steroid-induced banger from the one and only Capracara. Mastered by Matt Colton. Artwork by Spencer Fenton, with each sleeve featuring a uniquely ordered combination of hand applied coloured stickers.

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13 is unlucky for some but this could well be the strongest Bokhari EP to date ! Hardware fanatics Hiver illustrate the power of simplicity when matched with perfect production on their two hypnotic slabs of goodness. Lopkin's Theme from SAPL sounds like a missing cut from Autechre's classic Incunabula, and according to Laurent Garnier Speedbird Heavy is 'proper, deep moody Techno' What's not to like ? Limited vinyl pressing - custom made sleeve

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Another Various Artists special from the mighty Bokhari camp... Two fresh tracks from the Lord Lucan-esque disappearing Russian, Kirill Tipo, whom we've been chasing since 2012! Creta Kano on the flip gives us a slice of electro that sounds like it could have been made in 1988, with a bassline that'll be in your head for days. Still high from the Scott Grooves props of his last venture with Bokhari, Joe Europe returns with another slice of deepness for those who like some musical content in their house !

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The mighty Bohari return with another in their split-single series, showcasing new and exciting artists. We have no idea who Barrut Fulsara is and he won't tell us a thing - all we know is that he has been in the game for a long time, and that this new moniker is for his excursions into deeper territory.
We're just happy he chose Bokhari as the outlet. Joe Europe on the flip delivers the kind of synth-laden quirky house that we love at Bokhari and we're pleased for this beautiful track to finally see the light of day...


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The ever essential Bokhari label return to showcase yet another vital new artistic talent Scientific Dreamz Of U serve up two fresh, mystical John Carpenter-esque tracks that share the dancefloor and rub shoulders with the darker, pitched down end of the sonic spectrum. This outing, as always comes complete with a superb rework: an 11 minute long chugger from Black Merlin Beautifully packaged, limited edition Bokhari special !


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The ever essential Bokhari label return to showcase yet another vital new artistic talent Scientific Dreamz Of U serve up two fresh, mystical John Carpenter-esque tracks that share the dancefloor and rub shoulders with the darker, pitched down end of the sonic spectrum. This outing, as always comes complete with a superb rework: an 11 minute long chugger from Black Merlin Beautifully packaged, limited edition Bokhari special !


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It's safe to say GAMM are on an extended roll ! One of our consistently best-selling labels starts 2014 with another solid release. This time Turbojazz makes his his debut, with two heavy tunes. We start of with Que Pasa, a latin boogie number with a strong feel-good appeal…summer music! The second tune has a pretty famous jazz-bossa sample that most cats with a history of digging probably might recognize - possibly the best piano loop ever? Anyway, put this on and we're pretty sure all the jazz heads will get down like never before. GAMM is GAMMin' away as we say ;)


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A monster rolling dubby track clocking in at over 8 minutes. Amazing production work. Play loud! Mr BeatnickÂ’s signature organic drum work, coupled with additional melodies and beautiful strings take this track somewhere completely new, while still retaining the feel of the original. 400 hand printed sleeves, made using raised wood grains.



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Big tracks alert! - The third release from the vinyl only Bokhari label with two new artists appearing on a hand screen printed ltd edition 10". Igor Jadranin brings you a heavy dose of percussive, groove-laden house music, packed with tension, swirling sirens, and melodic synth stabs. The ‘for just one thing’ vocal refrain burrows it’s way into your head, before morphing into an inspired neo-soul breakdown. On the flip Glitchell Moore's Skadarlija is an infectious slice of warm, intergalactic deep house. A lost, echo-laden vocal glides in and out of the track, whilst hypnotic keys and a lingering bassline give proceedings a lush, trippy feel. Not a million miles from the nostalgia tinged future boogie of a certain Space Dimension Controller, perfect music for the twilight hours.




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Bokhari Records is a vinyl only label. Bokhari has been inspired by Mo' Wax of old, and Firecracker of present where care was/is also taken on packaging and design. Each release will feature a different illustrator / artist for the design. A very strong and varied 12 for the second release from Bokhari. 300 copies, vinyl only, and featuring wild 3D hand drawn artwork by nocturnal illustrator Ben Cook AKA Synthetics. Siafu's Slunk Dub starts proceedings with a slow, deep, languid house groove, propelled forward by a motoring bassline, murky acid grooves and insanely catchy keys. Acid House survivor Neville Watson's remix is tinged with nostalgia. Slow building mid-90's piano riffs give way to a nagging acid groove and epic synths. Retro futurism of the highest order. On the flip unknown Croatian producer Disrupted Project's 1.2 is an infectious slab of ocean deep, grainy dub techno. Drenched in warm bass and swimming in static - if Basic Channel had stepped it up a notch, this may have been the result.
Label owners Siafu provide a dub mix utilizing a minitaur bass.

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Bokhari Records is a vinyl only label. Bokhari has been inspired by Mo' Wax of old, and Firecracker of present where care was/is also taken on packaging and design. Each release will feature a different illustrator / artist for the design. Musically we will aim to stick loosely within the realms of house and techno, but often with our own slant on it; and as the first release shows, in this case will include some afro percussion and a touch of acid. Bokhari 001 Only 300 copies will be pressed. Artwork for release 001 is by the excellent illustrator Andy Potts (former head of design at Abbey Road Studios), and every single vinyl will be signed and numbered. Remix comes from the ever consistent Mark E, who has taken the Shrunken Head bassline and made a 10 minute druggy, chuggy, loopy, creepy monster (and anything else you want with a 'y' at the end!)

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