12" Excl
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Last in:28.05.2021
Label:Yore
Cat-No:yre-007ltd
Release-Date:28.05.2021
Genre:House
Configuration:12" Excl
Barcode:827170494169
1
Librah - My love is 4ever (Repress) - A1. My Love is 4ever
2
Librah - My love is 4ever (Repress) - B1. Gravity
Repress
Special Remarks: Limited 200 copies / chrystal clear transparent vinyl
Tracklist 12”:
A1. My Love is 4ever
A2. Gravity
Short info:
Limited Repress of a Deep House Classic. 12inch comes as clear transparent vinyl.
Yore stays on top of the game during this Pandemic, with another repress of one of the labels most sought-after 12 »ches : Librah’s « My Love is 4ever » brings you that Deep and yet playable Classic New York House Sound, which will sure find it’s way into your Bag. Be quick, as these will sell out in just about 2 minutes and 3 seconds.
Not much information is available about Librah aside from the fact that the outfit hails from Sweden and that they released the critically acclaimed deep house twelve-inch “2BWU” on Parkwest in 2012, that brought the Deep House EP of the year for those true Loft heads and lucky clouds. “Out of step”, “Timeless” music. Librah’s follow up release on Yore Records is a sure sign of quality, however, and, true enough, My Love is 4ever is what every House Set needs. The perfect balance between deepness and punch. The release splits two Deep House tracks across its twelve-inch, transparent-coloured vinyl sides (limited to 200 copies), and supplements them with a digital-only bonus mix of the title cut.
The material’s mood is largely one of joy and uplift. The silky smooth title track quickly locks into its snappy house groove at the outset, and then pulls back the curtains to let the sunlight pour in. A bright theme imbues the skipping pulse with flavour, and the track rolls along for seven quietly jubilant minutes, its carefree spirit bolstered by a dreamlike vocal refrain and luscious synthesizer textures.
Unspooling at a slightly slower BPM, the B-side’s “Gravity” opens with a sampled voiceover of grave character (When you live in a poor neighborhood, you’re living in an area where you have to have poor schools / When you have poor schools, you have poor teachers...) before fixating on the tunes insistently swinging and hypnotic instrumental design.
The digital mix of “My Love is 4ever” packs a punch, too, especially when it pounds a bit harder than the original and sweetens the deal with a funky bass part and a twinkly keyboard riff. Despite being obviously similar to the original, the bonus version offers an irresistibly funky and infectious riff on the original, so much so it’s easy to picture the dancefloor filling up in response to it.
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Special Remarks: Limited 200 copies / chrystal clear transparent vinyl
Tracklist 12”:
A1. My Love is 4ever
A2. Gravity
Short info:
Limited Repress of a Deep House Classic. 12inch comes as clear transparent vinyl.
Yore stays on top of the game during this Pandemic, with another repress of one of the labels most sought-after 12 »ches : Librah’s « My Love is 4ever » brings you that Deep and yet playable Classic New York House Sound, which will sure find it’s way into your Bag. Be quick, as these will sell out in just about 2 minutes and 3 seconds.
Not much information is available about Librah aside from the fact that the outfit hails from Sweden and that they released the critically acclaimed deep house twelve-inch “2BWU” on Parkwest in 2012, that brought the Deep House EP of the year for those true Loft heads and lucky clouds. “Out of step”, “Timeless” music. Librah’s follow up release on Yore Records is a sure sign of quality, however, and, true enough, My Love is 4ever is what every House Set needs. The perfect balance between deepness and punch. The release splits two Deep House tracks across its twelve-inch, transparent-coloured vinyl sides (limited to 200 copies), and supplements them with a digital-only bonus mix of the title cut.
The material’s mood is largely one of joy and uplift. The silky smooth title track quickly locks into its snappy house groove at the outset, and then pulls back the curtains to let the sunlight pour in. A bright theme imbues the skipping pulse with flavour, and the track rolls along for seven quietly jubilant minutes, its carefree spirit bolstered by a dreamlike vocal refrain and luscious synthesizer textures.
Unspooling at a slightly slower BPM, the B-side’s “Gravity” opens with a sampled voiceover of grave character (When you live in a poor neighborhood, you’re living in an area where you have to have poor schools / When you have poor schools, you have poor teachers...) before fixating on the tunes insistently swinging and hypnotic instrumental design.
The digital mix of “My Love is 4ever” packs a punch, too, especially when it pounds a bit harder than the original and sweetens the deal with a funky bass part and a twinkly keyboard riff. Despite being obviously similar to the original, the bonus version offers an irresistibly funky and infectious riff on the original, so much so it’s easy to picture the dancefloor filling up in response to it.
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More records from Yore
Label:Yore
Cat-No:YRE-053
Release-Date:27.09.2024
Genre:Detroit House
Configuration:12" Excl
Barcode:4251804182669
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Last in:10.09.2024
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Last in:10.09.2024
Label:Yore
Cat-No:YRE-053
Release-Date:27.09.2024
Genre:Detroit House
Configuration:12" Excl
Barcode:4251804182669
1
Rick Wade - Hustlers Lament (05:58)
2
Rick Wade - Shinjuku Strut (05:14)
3
Rick Wade - After Dark (05:55)
Genre: Deep House / Detroit House
strictly limited to 300 copies
Tracklist 12":
A1. Rick Wade - Hustlers Lament 05:58
B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55
Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
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strictly limited to 300 copies
Tracklist 12":
A1. Rick Wade - Hustlers Lament 05:58
B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55
Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
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Label:Yore
Cat-No:yre-010ltd
Release-Date:13.09.2024
Genre:Chicago House
Configuration:12" Excl
Barcode:4251804183123
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Last in:30.08.2024
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Last in:30.08.2024
Label:Yore
Cat-No:yre-010ltd
Release-Date:13.09.2024
Genre:Chicago House
Configuration:12" Excl
Barcode:4251804183123
1
Andy Vaz - Minimal Acid (07:10)
2
Andy Vaz - He Used To Be An Asian (07:24)
3
Andy Vaz - Imaginary Beings (07:19)
4
Andy Vaz - Still On Time (08:51)
strictly limited to 150 handstamped copies, no repress!
Genre: Acid House / Chicago House
Tracklist 12":
A1. Andy Vaz – Minimal Acid 07:10
A2. Andy Vaz - He Used To Be An Asian 07:24
B1. Andy Vaz - Imaginary Beings 07:19
B2. Andy Vaz – Still On Time 08:51
Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.
We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.
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Genre: Acid House / Chicago House
Tracklist 12":
A1. Andy Vaz – Minimal Acid 07:10
A2. Andy Vaz - He Used To Be An Asian 07:24
B1. Andy Vaz - Imaginary Beings 07:19
B2. Andy Vaz – Still On Time 08:51
Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.
We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.
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Label:Yore
Cat-No:YRE-052
Release-Date:06.09.2024
Genre:Detroit House
Configuration:12" Excl
Barcode:4251804181648
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Last in:02.07.2024
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Last in:02.07.2024
Label:Yore
Cat-No:YRE-052
Release-Date:06.09.2024
Genre:Detroit House
Configuration:12" Excl
Barcode:4251804181648
1
Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42
2
Niko Marks - MODEST INTELLECT 06:53
3
Niko Marks - ORGANIZED FUTURE 06:15
Genre: Detroit House, Soulful House, Deep House, Vocal House
Tracklist 12":
A1. Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42
B1. Niko Marks - MODEST INTELLECT 06:53
B2. Niko Marks - ORGANIZED FUTURE 06:15
Detroit's Niko Marks with a Soulful Detroit House EP. Soulful,Jazzy, with vocals
so sweet, your soul's gonna hurt. Strictly limited to 250 copies, no repress.
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Tracklist 12":
A1. Niko Marks - HERE IN PARADISE (Nile River Mix) 06:42
B1. Niko Marks - MODEST INTELLECT 06:53
B2. Niko Marks - ORGANIZED FUTURE 06:15
Detroit's Niko Marks with a Soulful Detroit House EP. Soulful,Jazzy, with vocals
so sweet, your soul's gonna hurt. Strictly limited to 250 copies, no repress.
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Last in:29.04.2024
Label:Yore
Cat-No:YRE-051
Release-Date:28.06.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180924
1
P0lyrhythm - P0lyrhythm – Android Dreams 07:13
2
P0lyrhythm - First Contact 06:24
3
P0lyrhythm - Lake Michigan Breeze 05:49
4
Andy Vaz - Detroit In Me (P0lyrhythm Remix) 05:37
Detroit Techno / Deep Techno / Techno / Deep House
strictly limited to 250 copies, no repress!
Tracklist:
A1. P0lyrhythm – Android Dreams 07:13
A2. P0lyrhythm- First Contact 06:24
B1. P0lyrhyhm - Lake Michigan Breeze 05:49
B2. Andy Vaz – Detroit In Me (P0lyrhythm Remix) 05:37
P0lyrhythm returns with his outstanding Detroit Techno EP: Android Dreams, featuring a Remix of Andy Vaz's “Detroit in Me”, originally released in 2011 on his “Straight Vacationing” LP. If you are looking for early Detroit Techno influenced grooves, you're in the right place.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
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strictly limited to 250 copies, no repress!
Tracklist:
A1. P0lyrhythm – Android Dreams 07:13
A2. P0lyrhythm- First Contact 06:24
B1. P0lyrhyhm - Lake Michigan Breeze 05:49
B2. Andy Vaz – Detroit In Me (P0lyrhythm Remix) 05:37
P0lyrhythm returns with his outstanding Detroit Techno EP: Android Dreams, featuring a Remix of Andy Vaz's “Detroit in Me”, originally released in 2011 on his “Straight Vacationing” LP. If you are looking for early Detroit Techno influenced grooves, you're in the right place.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
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in stock
Last in:02.05.2024
Label:Yore
Cat-No:yre-009ltd
Release-Date:03.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804129442
1
Kaidi Tatham - It never Stops (06:40)
2
Kaidi Tatham - One For The Brain (06:36)
2024 Repress
Genre: House, Jazz, Breaks, Electronic, Beatdown,
Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36
Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.
“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.
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Genre: House, Jazz, Breaks, Electronic, Beatdown,
Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36
Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.
“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.
More
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in stock
Last in:18.03.2024
Label:Yore
Cat-No:YRE-050
Release-Date:05.04.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180634
1
RekaB - Soulful Season 05:58
2
RekaB - My Future and My Past 06:14
3
RekaB - Raw Note 05:43
4
RekaB - Bad Nights Better Nights – 06:43
Deep Techno / Techno / Detroit Techno / Deep House
12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14
B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43
Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.
It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.
Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.
Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14
B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43
Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.
It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.
Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.
Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
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Last in:26.01.2024
Label:Yore
Cat-No:YRE-049
Release-Date:23.02.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804143691
1
Elbert Philips & Andre Espeut - Tears (Acid Dub)
2
Elbert Philips & Andre Espeut - Tears (Sinsay Reprise)
3
Elbert Philips & Andre Espeut - Tears (Loving Tribute Instrumental)
4
Elbert Philips & Andre Espeut - Tears (Andrew Emil's Dreamix)
12", strictly limited to 300 copies, no repress!
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist:
A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)
B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)
More
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist:
A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)
B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)
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Label:Yore
Cat-No:YRE-048
Release-Date:08.12.2023
Genre:Detroit Techno
Configuration:12" Excl
Barcode:4251804143066
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Last in:06.11.2023
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Last in:06.11.2023
Label:Yore
Cat-No:YRE-048
Release-Date:08.12.2023
Genre:Detroit Techno
Configuration:12" Excl
Barcode:4251804143066
1
Shaka - Cosmic Bossa 09:28
2
Shaka - Days of Life 07:22
3
Shaka - Our Instinct 06:20
Genre: Deep House / Soulful House / Bossanova / Detroit House
Tracklist 12":
A1. Cosmic Bossa 09:28
B1. Days of Life 07:22
B2. Our Instinct 06:20
Release Info:
Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova Deep House masterpiece and classic soulful jazzy deep house on the flip. Not to be missed as this will sell out real quick as only very limited copies available. NO REPRESS.
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Tracklist 12":
A1. Cosmic Bossa 09:28
B1. Days of Life 07:22
B2. Our Instinct 06:20
Release Info:
Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova Deep House masterpiece and classic soulful jazzy deep house on the flip. Not to be missed as this will sell out real quick as only very limited copies available. NO REPRESS.
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Label:Yore
Cat-No:YRE-047
Release-Date:15.09.2023
Genre:Detroit Techno
Configuration:12" Excl
Barcode:4251804141819
in stock
Last in:04.08.2023
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in stock
Last in:04.08.2023
Label:Yore
Cat-No:YRE-047
Release-Date:15.09.2023
Genre:Detroit Techno
Configuration:12" Excl
Barcode:4251804141819
1
P0lyrhythm - 313 Hazy Days 06:55
2
P0lyrhythm - Shimmering Lights 07:27
3
P0lyrhythm - Motor City Dreams 07:41
4
P0lyrhythm - X-Ray Eyes 05:25
Genre: Detroit Techno, Techno, Soulful Techno
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
More
Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27
B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25
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in stock
Last in:23.06.2023
Label:Yore
Cat-No:YRE-046
Release-Date:28.07.2023
Genre:House
Configuration:12" Excl
Barcode:4251804140782
1
Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
2
Change Request - Sunday's Best (Andrew Emil Dreamix)
3
Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Genre: Chicago House, House, Deep House, Jazzy House
Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.
The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
More
Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.
The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
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Last in:27.03.2023
Label:Yore
Cat-No:YRE-045
Release-Date:30.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804140515
1
P0lyrhythm - 1. Starlink 07:07
2
P0lyrhythm - 2. Belleville Dawn 06:13
3
P0lyrhythm - 3. Spaceport Saturn 09:10
4
P0lyrhythm - 4. Techno Boulevard 06:15
Genre: Detroit Techno, Techno, Soulful Techno, Hightech Soul, Detroit
Tracklist 12":
1. Starlink 07:07
2. Belleville Dawn 06:13
3. Spaceport Saturn 09:10
4. Techno Boulevard 06:15
Classic Detroit Techno like they don't make it anymore.
One for all 313 fanatics.
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Tracklist 12":
1. Starlink 07:07
2. Belleville Dawn 06:13
3. Spaceport Saturn 09:10
4. Techno Boulevard 06:15
Classic Detroit Techno like they don't make it anymore.
One for all 313 fanatics.
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in stock
Last in:30.01.2023
Label:Yore
Cat-No:YRE-043
Release-Date:03.03.2023
Genre:House
Configuration:12" Excl
Barcode:4251804137195
1
Sebastian Gummersbach - Rough Edges (05:09)
2
Sebastian Gummersbach - Calming Solitude (05:50)
3
Sebastian Gummersbach - Eden (06:11)
4
Sebastian Gummersbach - Undisclosed Thoughts (04:54)
Genre: Deep House, House, Detroit House , Soulful House, Acid House, Garage House
Tracklist 12":
1. Rough Edges 05:09
2. Calming Solitude 05:50
3. Eden 06:11
4. Undisclosed Thoughts 04:54
Release Info:
Sebastian Gummersbach's Yore debut brings with it a further refinement of the material he's created for the German label Raw Soul. It specializes in material infusing modern house and techno grooves with flavourings of jazz, funk, and soul, the result a timeless take on house music. Anyone who's been keeping tabs on Andy Vaz's Yore releases will realize immediately that the same description could be applied to his imprint.
Given all that, it's easy to understand why Gummersbach, a producer hailing from Neuss, Germany, is such a natural fit for Yore. There's no small amount of artistry in play in the EP's four tracks, each one arguing strongly on behalf of his skills as an arranger and mood shaper. No cut better shows that than the opening “Rough Edges,” which is, frankly, anything but rough. He builds the arrangement methodically, starting with warm, billowing washes and then layering in step-by-step dub atmospherics, a strutting house pulse, congas, and synth ear-worms—a seductively smooth intro to the release.Gummersbach might have been listening to Hall and Oates's “I Can't Go for That (No Can Do)” prior to crafting “Calming Solitude” when the latter sounds so much like a clubby instrumental riff on the hit. Here too silky chords and synth textures merge with a rousing beat pattern to draw listeners to the dance floor.
On the flip side, “Eden” initially changes things up with a classic B-Boy beat and handclaps, but the tune gradually aligns itself to the character of the EP's other body-movers, even if acid-tinged synths become part of the mix. Closing out the release is the most techno-oriented of the four cuts, “Undisclosed Thoughts,” acid once again central to the track's identity and the chugging groove frothy. The word Eden naturally calls to mind the Biblical paradise, and consistent with that the tone of Gummersbach's EP, its A-side cuts especially, is generally smooth, serene, and harmonious; it's also, as stated, a seamless addition to the Yore catalogue.
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Tracklist 12":
1. Rough Edges 05:09
2. Calming Solitude 05:50
3. Eden 06:11
4. Undisclosed Thoughts 04:54
Release Info:
Sebastian Gummersbach's Yore debut brings with it a further refinement of the material he's created for the German label Raw Soul. It specializes in material infusing modern house and techno grooves with flavourings of jazz, funk, and soul, the result a timeless take on house music. Anyone who's been keeping tabs on Andy Vaz's Yore releases will realize immediately that the same description could be applied to his imprint.
Given all that, it's easy to understand why Gummersbach, a producer hailing from Neuss, Germany, is such a natural fit for Yore. There's no small amount of artistry in play in the EP's four tracks, each one arguing strongly on behalf of his skills as an arranger and mood shaper. No cut better shows that than the opening “Rough Edges,” which is, frankly, anything but rough. He builds the arrangement methodically, starting with warm, billowing washes and then layering in step-by-step dub atmospherics, a strutting house pulse, congas, and synth ear-worms—a seductively smooth intro to the release.Gummersbach might have been listening to Hall and Oates's “I Can't Go for That (No Can Do)” prior to crafting “Calming Solitude” when the latter sounds so much like a clubby instrumental riff on the hit. Here too silky chords and synth textures merge with a rousing beat pattern to draw listeners to the dance floor.
On the flip side, “Eden” initially changes things up with a classic B-Boy beat and handclaps, but the tune gradually aligns itself to the character of the EP's other body-movers, even if acid-tinged synths become part of the mix. Closing out the release is the most techno-oriented of the four cuts, “Undisclosed Thoughts,” acid once again central to the track's identity and the chugging groove frothy. The word Eden naturally calls to mind the Biblical paradise, and consistent with that the tone of Gummersbach's EP, its A-side cuts especially, is generally smooth, serene, and harmonious; it's also, as stated, a seamless addition to the Yore catalogue.
More
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in stock
Last in:08.02.2023
Label:Yore
Cat-No:YRE-044
Release-Date:17.02.2023
Genre:House
Configuration:12" Excl
Barcode:4251804137843
1
DUBrazil - Untitled 1 (07:10)
2
DUBrazil - Untitled 2 (07:34)
3
Jordan Fields - Wanna Feel The Music (Piano Mix) (05:39)
4
Tracky Disco - Keep It Going (05:15)
5
Afrolectro - Needs Love 06:20
Genre: Chicago House, House, Deep House, Jazzy House, Disco-House
Tracklist 12":
A1. DUBrazil – Untitled 1 07:10
A2. DUBrazil – Untitled 2 07:34
B1. Jordan Fields – Wanna Feel The Music (Piano Mix) 05:39
B2. Tracky Disco – Keep It Going 05:15
B3. Afrolectro – Needs Love 06:20
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Tracklist 12":
A1. DUBrazil – Untitled 1 07:10
A2. DUBrazil – Untitled 2 07:34
B1. Jordan Fields – Wanna Feel The Music (Piano Mix) 05:39
B2. Tracky Disco – Keep It Going 05:15
B3. Afrolectro – Needs Love 06:20
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in stock
Last in:24.10.2022
Label:Yore
Cat-No:YRE-042
Release-Date:21.10.2022
Genre:House
Configuration:12" Excl
Barcode:4251804128988
Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House, Garage House
Tracklist 12":
1. Better Daze 07:42
2. Your Time 05:51
3. Dance 07:28
4. Inner Monologue 07:35
Release Info:
We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.
More
Tracklist 12":
1. Better Daze 07:42
2. Your Time 05:51
3. Dance 07:28
4. Inner Monologue 07:35
Release Info:
We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.
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Last in:12.08.2022
Label:Yore
Cat-No:YRE-041
Release-Date:02.09.2022
Genre:House
Configuration:12" Excl
Barcode:4251804128599
1
L.D.F. & Javonntte - 1. How We Groove 05:48
2
L.D.F. & Javonntte - 2. From Day to Night 6:53
3
L.D.F. & Javonntte - 3. Believe 05:50
Genre: Deep House, House, Detroit House, Soulful House
Tracklist 12":
1. How We Groove 05:48
2. From Day to Night 6:53
3. Believe 05:50
Release Info:
With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that's natural clubby yet also artful. Di Franco's an Italian DJ and producer who's based in Naples and whose career began in the early '90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren't mere flirtations either; Garrett's interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month's worth of lessons in the mid-'80s with-wait for it-Miles Davis (Garrett's mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that's for another time.
All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong '80s vibe initially oozes from "Believe" in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic "From Day to Night" is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier 'listening' realm. At first it seems as if the title track might venture into gospel territory, what with organ and piano dominating the intro, but soon enough the tune brands itself as a swaggering house cut, albeit one replete with funky drop-outs and trippy vocal effects. No matter how adventurous and experimental the material gets, pumping bass drums and swishing pulses ensure the tracks never lose their identity as floor-fillers.
More
Tracklist 12":
1. How We Groove 05:48
2. From Day to Night 6:53
3. Believe 05:50
Release Info:
With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that's natural clubby yet also artful. Di Franco's an Italian DJ and producer who's based in Naples and whose career began in the early '90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren't mere flirtations either; Garrett's interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month's worth of lessons in the mid-'80s with-wait for it-Miles Davis (Garrett's mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that's for another time.
All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong '80s vibe initially oozes from "Believe" in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic "From Day to Night" is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier 'listening' realm. At first it seems as if the title track might venture into gospel territory, what with organ and piano dominating the intro, but soon enough the tune brands itself as a swaggering house cut, albeit one replete with funky drop-outs and trippy vocal effects. No matter how adventurous and experimental the material gets, pumping bass drums and swishing pulses ensure the tracks never lose their identity as floor-fillers.
More
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in stock
Last in:07.02.2022
Label:Yore
Cat-No:YRE-040
Release-Date:11.03.2022
Genre:House
Configuration:12" Excl
Barcode:4251804127479
1
DJ Compufunk - 1. Inner Vision 07:15
2
DJ Compufunk - 2. Abyss (06:03)
3
DJ Compufunk - 3. Midnight Sky (06:24)
4
DJ Compufunk - 4. Mind Power (6:04)
Genre: Deep House, House, Detroit Techno Detroit House, Techno
Tracklist 12":
1. Inner Vision 07:15
2. Abyss 06:03
3. Midnight Sky 06:24
4. Mind Power 6:04
Tracklist:
Inner Vision also features four cuts, these courtesy of DJ Compufunk, aka Nao from Osaka. He's the founder of Compufunk Records (the longest-running record shop for House and Techno in Japan) and, as the four solidly crafted tracks show, an experienced producer in his own right. The vertigo-inducing title track struts aggressively with a high-velocity swing peppered by tinkling synth accents and acidy squelches, after which “Abyss” cools the pace for a sexier House style (a swishing drum machine detail even gives the cut a rather Kraftwerk-like tinge). On the flip, “Midnight Sky” grooves as boldly, this time with a smattering of Garage worked into its swing and chiming synths brightening the mix, while “Mind Power” changes things up with a swirling bottom end that's so dizzying it's positively gyroscopic. Dj Compufunk sn't averse to packing his productions with layers of dizzying detail, and as a result the stimulation level remains high throughout. Strictly limited 250 copies.
More
Tracklist 12":
1. Inner Vision 07:15
2. Abyss 06:03
3. Midnight Sky 06:24
4. Mind Power 6:04
Tracklist:
Inner Vision also features four cuts, these courtesy of DJ Compufunk, aka Nao from Osaka. He's the founder of Compufunk Records (the longest-running record shop for House and Techno in Japan) and, as the four solidly crafted tracks show, an experienced producer in his own right. The vertigo-inducing title track struts aggressively with a high-velocity swing peppered by tinkling synth accents and acidy squelches, after which “Abyss” cools the pace for a sexier House style (a swishing drum machine detail even gives the cut a rather Kraftwerk-like tinge). On the flip, “Midnight Sky” grooves as boldly, this time with a smattering of Garage worked into its swing and chiming synths brightening the mix, while “Mind Power” changes things up with a swirling bottom end that's so dizzying it's positively gyroscopic. Dj Compufunk sn't averse to packing his productions with layers of dizzying detail, and as a result the stimulation level remains high throughout. Strictly limited 250 copies.
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in stock
Last in:07.02.2022
Label:Yore
Cat-No:YRE-039
Release-Date:11.02.2022
Genre:House
Configuration:12" Excl
Barcode:4251804127653
1
Niko Marks - 1. Reach Out
2
Niko Marks - 2. Against Violance
3
Niko Marks - 3. Good Bye
4
Niko Marks - 4. You will see the Light
Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House
1. Reach Out
2. Against Violance
3. Good Bye
4. You will see the Light
Release Info:
Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.
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1. Reach Out
2. Against Violance
3. Good Bye
4. You will see the Light
Release Info:
Detroit's Niko Marks brings the Heat as always. Here on Yore-039 he delivers 4 Soulful House Tracks, covering a wide range of styles. From Deep, Soulful to Acid-Inspired driving Vocal Tracks. It's all there. Strictly limited to 250 copies. Grab them while they last & File under: House music that only Detroit can do.
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in stock
Last in:24.05.2022
Label:Yore
Cat-No:YRE-038
Release-Date:29.10.2021
Genre:House
Configuration:12" Excl
Barcode:4251804127424
1
GLENN DAVIS - 1. Soul On My Side
2
GLENN DAVIS - 2. Enter Slowly
3
GLENN DAVIS - 3. All Or Nothing
4
GLENN DAVIS - 4. Small Steps
Genre: Deep House, House, Disco, Nu-Disco, Detroit House
Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps
Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.
More
Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps
Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.
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Label:Rush Hour RSS
Cat-No:RHRSS24
Release-Date:26.02.2018
Configuration:12"
Barcode:
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Last in:19.01.2024
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Last in:19.01.2024
Label:Rush Hour RSS
Cat-No:RHRSS24
Release-Date:26.02.2018
Configuration:12"
Barcode:
1
klein & mbo - Klein & Mbo - The MBO Theme
2
klein & mbo - Warrior - The MBO Theme
Repress!
The 80s Italo disco /proto-house classic ‘MBO Theme’ by the mighty Klein & MBO, repressed! Comes with a heavy South African version on the flip. Huge Tip! “The MBO Theme” (1983) has been a dance floor favorite since decades, created by Mario Boncaldo and Tony Carrasco - the legendary Italian/US duo Klein & MBO. The track got support in NYC and Chicago by greats as Larry Levan, Frankie Knuckles and Ron Hardy.
The rare version on the flip is created by a South-African band called Warrior. Rush Hour explain how they came across the track: “We bumped into this version on a South African record digging trip. It took us a few months to realize the scarcity of this version. Ian Osrin, a well respected engineer in South-Africa who was involved in many 80ties and 90ties Bubblegum, Kwaito and South African disco records, explained us about music distribution in South Africa during apartheid. Because the country was culturally banned at the time, a lot of releases weren’t imported or exported. Even when a track was huge, like “The Klein & MBO Theme”. So South African musicians would create their own versions which were sold locally.
We got in contact with Tony Carrasco from Klein & MBO. He also hadn’t heard Warrior’s version before, but he liked it as much as we do!” More
The 80s Italo disco /proto-house classic ‘MBO Theme’ by the mighty Klein & MBO, repressed! Comes with a heavy South African version on the flip. Huge Tip! “The MBO Theme” (1983) has been a dance floor favorite since decades, created by Mario Boncaldo and Tony Carrasco - the legendary Italian/US duo Klein & MBO. The track got support in NYC and Chicago by greats as Larry Levan, Frankie Knuckles and Ron Hardy.
The rare version on the flip is created by a South-African band called Warrior. Rush Hour explain how they came across the track: “We bumped into this version on a South African record digging trip. It took us a few months to realize the scarcity of this version. Ian Osrin, a well respected engineer in South-Africa who was involved in many 80ties and 90ties Bubblegum, Kwaito and South African disco records, explained us about music distribution in South Africa during apartheid. Because the country was culturally banned at the time, a lot of releases weren’t imported or exported. Even when a track was huge, like “The Klein & MBO Theme”. So South African musicians would create their own versions which were sold locally.
We got in contact with Tony Carrasco from Klein & MBO. He also hadn’t heard Warrior’s version before, but he liked it as much as we do!” More
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Last in:26.01.2024
Label:Yore
Cat-No:YRE-049
Release-Date:23.02.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804143691
1
Elbert Philips & Andre Espeut - Tears (Acid Dub)
2
Elbert Philips & Andre Espeut - Tears (Sinsay Reprise)
3
Elbert Philips & Andre Espeut - Tears (Loving Tribute Instrumental)
4
Elbert Philips & Andre Espeut - Tears (Andrew Emil's Dreamix)
12", strictly limited to 300 copies, no repress!
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist:
A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)
B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)
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Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist:
A1. Tears (Acid Dub)
A2. Tears (Sinsay Reprise)
B1. Tears (Loving Tribute Instrumental)
B2. Tears (Andrew Emil's Dreamix)
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Label:Mad About Records
Cat-No:MAR096
Release-Date:02.02.2024
Genre:Funk
Configuration:LP
Barcode:198026276100
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Last in:13.08.2024
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Last in:13.08.2024
Label:Mad About Records
Cat-No:MAR096
Release-Date:02.02.2024
Genre:Funk
Configuration:LP
Barcode:198026276100
1
Fisher - Cosmic Blues
2
Fisher - Do You Like It
3
Fisher - I'll Be Good To You
4
Fisher - Give Me Lend Me Loan Me Let Me Have
5
Fisher - Energy
6
Fisher - Good Old Days
7
Fisher - The Sunrise
8
Fisher - Music Makes Me Feel Good
DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI
A rare album, “Fisher” was originally released on the Nentu label in 1976.
Think Grant Green meets Eddie Hazel.
This LP has it all: gorgeous Soul Jazz, wahed-out fuzz Rock, dirty, head-nodding Funk Rhythms.
It's a monster psychedelic soul-funk instrumental album. This is less jazzy than the “Third Cup” and “The Next One Hundred Years”, released by Chicago’s Cadet label and more cosmic psych funk across both sides and gets super exploratory and trippy.
More
A rare album, “Fisher” was originally released on the Nentu label in 1976.
Think Grant Green meets Eddie Hazel.
This LP has it all: gorgeous Soul Jazz, wahed-out fuzz Rock, dirty, head-nodding Funk Rhythms.
It's a monster psychedelic soul-funk instrumental album. This is less jazzy than the “Third Cup” and “The Next One Hundred Years”, released by Chicago’s Cadet label and more cosmic psych funk across both sides and gets super exploratory and trippy.
More
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pre-sale
Last in:19.01.2024
Label:Red Laser
Cat-No:RL48
Release-Date:11.10.2024
Genre:House
Configuration:12"
Barcode:
1
Tranquil Elephantizer - Trisha (Felix Dickinson)
2
Tranquil Elephantizer - Trisha Elephantizer (Original Mix)
Repress!
Red Laser's Il Bosco had his mind blown when Felix Dickinson dropped this monster remix when playing the labels club night at the legendary White Hotel in Manchester.
The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix.
Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz. More
Red Laser's Il Bosco had his mind blown when Felix Dickinson dropped this monster remix when playing the labels club night at the legendary White Hotel in Manchester.
The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix.
Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz. More
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Last in:12.09.2024
Label:Synth
Cat-No:SYNTH003
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
Barcode:
1
Mike Huckaby - Sandcastle (The Culture Box re-edit)
2
Mike Huckaby - Flashbacks From The M1" (with Roland King - The Ferox Treatment)
REPRESS!
Hot off the heels of Bassline 88-89, Mike Huckaby returns on SYNTH with a reissue of two of his most sought after productions- "Flashbacks" from M3 Records (1997), and his very own remix of Precession "Sandcastle," taken from the Adventures Of Techno Soul LP on Ferox Records (1996). The wait is now over! More
Hot off the heels of Bassline 88-89, Mike Huckaby returns on SYNTH with a reissue of two of his most sought after productions- "Flashbacks" from M3 Records (1997), and his very own remix of Precession "Sandcastle," taken from the Adventures Of Techno Soul LP on Ferox Records (1996). The wait is now over! More
2x12"
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Label:deep transportation
Cat-No:det04
Release-Date:10.03.2017
Genre:House
Configuration:2x12"
Barcode:
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Last in:25.04.2017
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Last in:25.04.2017
Label:deep transportation
Cat-No:det04
Release-Date:10.03.2017
Genre:House
Configuration:2x12"
Barcode:
1
mike huckaby - The Jazz Republic
2
mike huckaby - Dance
3
mike huckaby - The Rowdy Swing
4
mike huckaby - The Jazz Republic - Groove Box
5
mike huckaby - The Jazz Republic - Mathematics From The Jazz Republic
6
mike huckaby - Flashback 78
When the TSA agent left a little note in Mike Huckaby's DJ case at the airport instructing him to protect the records that he DJs with, little did he know that Mike Huckaby would be compiling his first LP. A collection of previously released tracks that have been in demand ever since. All tracks are much louder now, and are remastered. This is also a collection of classics produced by Mike Huckaby. Enjoy!
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Label:Isle Of Jura Records
Cat-No:ISLE016
Release-Date:18.11.2022
Genre:House
Configuration:12"
Barcode:
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Last in:19.01.2024
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Last in:19.01.2024
Label:Isle Of Jura Records
Cat-No:ISLE016
Release-Date:18.11.2022
Genre:House
Configuration:12"
Barcode:
1
Instant House (Joe Claussell) - Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)
2
Instant House (Joe Claussell) - Lost Horizons Version
3
Instant House (Joe Claussell) - Lost Horizons (Percussion Bonus)
Repress!
Before he co-founded the legendary Sunday afternoon event Body & Soul with fellow New York DJs Danny Krivit and Francois Kevorkian in 1996, Joaquin "Joe" Claussell was the driving force behind Instant House, an eclectic production outift who released a series of uplifting deep house records, several of which were spun by David Mancuso at the 90s iteration of his influential Loft parties.
In 1993, Instant House released their deepest single, Lost Horizons, through Jungle Sounds Recordings. The A-side, ‘Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)’ is a seventeen-minute and twenty-second sojourn into the vibrant club sounds of early 90s NYC. Driven by a Latin-accented man-machine beat that marches into infinity, it comes backed by two shorter mixes, ‘Lost Horizons’ and ‘Lost Horizons (Percussion Bonus)’. Twenty-nine years later, Isle of Jura presents an official vinyl and digital reissue of this slow-burning deep cut.
The Instant House story begins in the late 80s at Dance Tracks, an East Village record store established by the businessman, DJ, and graphic designer Stan Hatzakis. Patronised by New York trendsetters like Frankie Knuckles and Larry Levan, Dance Tracks was considered one of the world's best underground dance music retailers.
During the winter of 1991, Stan got together with one of his best customers, Tony Confusione, to make music. A wall street guy by day and a keyboardist by night, Tony was also a serious DJ. Not long after their first recording sessions, they invited another Dance Tracks fixture, Joaquin "Joe" Claussell, to join them in Tony’s state-of-the-art home studio in Long Island. He brought a vibrant, percussive edge to the sample-based tracks Stan and Tony were cooking up. Emboldened, the three DJs began recording together as Instant House. That year, they released the Dance Trax EP.
In 1992, after Instant House had dropped two certified classics, 'Over' and 'Awade', for Jungle Sounds Records, Stan exited the group and sold Dance Tracks to Joe and his business partner, Stefan Prescott. Following Stan's departure, Joe and Tony headed into the studio for a special recording session. “I just remember how powerful the connection was while we were making that record,” explains Joe, recalling the creation of ‘Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)’. “It was a very spiritual encounter in the studio.”
While laying out the drum patterns, sound effects, and arrangement, Joe explained the vibe to Tony, who played the lush cosmic chords and an effortless keyboard saxophone line over the top. “That was Tony completely feeling himself,” Joe reflects. “He performed majestically.”
After the release of the Lost Horizons 12”, Joe received a phone call from Cisco International Corp. A plane flight later, he was sitting in their label offices in Tokyo, talking to a senior record executive who wanted to introduce Lost Horizons to Japan. “What they were primarily doing at the time was pressing classical records - we’re talking thousand dollar plus classical reissues - and they wanted to license and distribute Lost Horizons,” Joe remembers. Three years later, Joe and Tony released 'Asking Forgiveness', their final 12” as Instant House, before parting ways with full hearts.
In the context of his career as a DJ, remixer, and producer, Joe is known for long songs and compositions. As Lost Horizons illustrates, he’s carried that impulse with him since his foundational days. “When I produce, I don’t believe in the beginning or endpoint of anything,” Joe explains. “I really despise the rules. To me, that’s not true to the art of creation. I just believe there is a flow in creation. When we were making music in the 90s, we were restricted by format, but that record could have gone on forever.”
The 12” is housed in a full sleeve jacket by Bradley Pinkerton based on the original release design. More
Before he co-founded the legendary Sunday afternoon event Body & Soul with fellow New York DJs Danny Krivit and Francois Kevorkian in 1996, Joaquin "Joe" Claussell was the driving force behind Instant House, an eclectic production outift who released a series of uplifting deep house records, several of which were spun by David Mancuso at the 90s iteration of his influential Loft parties.
In 1993, Instant House released their deepest single, Lost Horizons, through Jungle Sounds Recordings. The A-side, ‘Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)’ is a seventeen-minute and twenty-second sojourn into the vibrant club sounds of early 90s NYC. Driven by a Latin-accented man-machine beat that marches into infinity, it comes backed by two shorter mixes, ‘Lost Horizons’ and ‘Lost Horizons (Percussion Bonus)’. Twenty-nine years later, Isle of Jura presents an official vinyl and digital reissue of this slow-burning deep cut.
The Instant House story begins in the late 80s at Dance Tracks, an East Village record store established by the businessman, DJ, and graphic designer Stan Hatzakis. Patronised by New York trendsetters like Frankie Knuckles and Larry Levan, Dance Tracks was considered one of the world's best underground dance music retailers.
During the winter of 1991, Stan got together with one of his best customers, Tony Confusione, to make music. A wall street guy by day and a keyboardist by night, Tony was also a serious DJ. Not long after their first recording sessions, they invited another Dance Tracks fixture, Joaquin "Joe" Claussell, to join them in Tony’s state-of-the-art home studio in Long Island. He brought a vibrant, percussive edge to the sample-based tracks Stan and Tony were cooking up. Emboldened, the three DJs began recording together as Instant House. That year, they released the Dance Trax EP.
In 1992, after Instant House had dropped two certified classics, 'Over' and 'Awade', for Jungle Sounds Records, Stan exited the group and sold Dance Tracks to Joe and his business partner, Stefan Prescott. Following Stan's departure, Joe and Tony headed into the studio for a special recording session. “I just remember how powerful the connection was while we were making that record,” explains Joe, recalling the creation of ‘Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)’. “It was a very spiritual encounter in the studio.”
While laying out the drum patterns, sound effects, and arrangement, Joe explained the vibe to Tony, who played the lush cosmic chords and an effortless keyboard saxophone line over the top. “That was Tony completely feeling himself,” Joe reflects. “He performed majestically.”
After the release of the Lost Horizons 12”, Joe received a phone call from Cisco International Corp. A plane flight later, he was sitting in their label offices in Tokyo, talking to a senior record executive who wanted to introduce Lost Horizons to Japan. “What they were primarily doing at the time was pressing classical records - we’re talking thousand dollar plus classical reissues - and they wanted to license and distribute Lost Horizons,” Joe remembers. Three years later, Joe and Tony released 'Asking Forgiveness', their final 12” as Instant House, before parting ways with full hearts.
In the context of his career as a DJ, remixer, and producer, Joe is known for long songs and compositions. As Lost Horizons illustrates, he’s carried that impulse with him since his foundational days. “When I produce, I don’t believe in the beginning or endpoint of anything,” Joe explains. “I really despise the rules. To me, that’s not true to the art of creation. I just believe there is a flow in creation. When we were making music in the 90s, we were restricted by format, but that record could have gone on forever.”
The 12” is housed in a full sleeve jacket by Bradley Pinkerton based on the original release design. More
Label:Land of hits
Cat-No:901
Release-Date:16.08.2018
Configuration:12"
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1
mistafide - Equidity Funk
Not much is known about the crew behind 'Mistafide', their government names are listed online but this is the only record they put out using this name. Suffice to say, this has no impact on the fury and style with which the MC's deliver their raps, backed with the studio nous of impresario Peter Brown. Across 12 minutes 'Equdity Funk' is a slamming Disco-rap monster, interpolating elements of the evergreen B-boy jam 'Theme From SWAT' it sounds like everyone just got into the studio and went for it. In the style of the times this is the real hip-hop flavour, a live band, some MC's and some death defying bars being dropped, proper old school. A truly rare recording, 'Equidity Funk' has been one of those records fans of the Disco-rap era have been fiending for for decades - often commanding prices over the $1000 mark you can now grab this slice of essential NYC street Funk.
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Label:Chapelle XIV Music
Cat-No:CHXIV08
Release-Date:26.01.2024
Genre:House
Configuration:2LP
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Cat-No:CHXIV08
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Genre:House
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1
Soulstatejazz - Is It Us?
2
Soulstatejazz - Back Again
3
Soulstatejazz - Rebels Reprise
4
Soulstatejazz - Getcha
5
Soulstatejazz - Meaning Shift
6
Soulstatejazz - Memetic Boogaloo
7
Soulstatejazz - Pole Star
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Soulstatejazz - Counter Balance
Soulstatejazz, under the leadership of the multi-talented Tom Ellis, unveils their latest auditory adventure, “SOL 3”, released on Chapelle XIV. This double LP vinyl is a symphonic journey, demonstrating a matured finesse in blending jazz, electronic, and house music. Recorded in the creative hubs of Mark Hand’s studio in Hartlepool and the Malt Barn studio in Wales, “SOL 3” is an embodiment of musical innovation and collaborative spirit.
Tom Ellis, showcasing his virtuosic skills, handles drums, percussion, bass, guitar, piano, and synths, setting a dynamic foundation for the album. Mark Hand’s mastery of the Fender Rhodes and synths adds a melodic depth, complemented by Michiel Renger’s soulful tenor sax. Dave Elson’s contributions with electronic percussion and effects, coupled with Vicky Flint’s mesmerizing trumpet and flute, create a rich, multi-layered soundscape. The inclusion of Bugu Pala and Charles Morgan’s evocative vocals further enriches the album’s diverse palette.
“SOL 3” stands out as an exploration of rhythm, melody, and improvisation. It is an album where each track seamlessly transitions into the next, creating a continuous musical narrative that is both engaging and transformative. The ensemble’s ability to fuse diverse elements into a cohesive sound is remarkable, making “SOL 3” a testament to their creative evolution and a landmark in contemporary jazz and electronic music.
Released by Chapelle XIV Music and distributed by Yoyaku Distribution, “SOL 3” is not just an album; it’s an experience. It’s a vibrant, eclectic mix that is poised to become one of the standout releases of the year. This album is a must-have for aficionados of jazz, house, and electronic music, encapsulating the essence of live, improvisational brilliance.
Tracklist:
Part 1 :
A1. Is It Us? – 09’43
A2. Back Again – 06’14
B1. Rebels Reprise – 07’40
B2. Getcha – 06’43
Part 2 :
C1. Meaning Shift – 07’22
C2. Memetic Boogaloo – 06’51
D1. Pole Star – 06’25
D2. Counter Balance – 11’13 More
Tom Ellis, showcasing his virtuosic skills, handles drums, percussion, bass, guitar, piano, and synths, setting a dynamic foundation for the album. Mark Hand’s mastery of the Fender Rhodes and synths adds a melodic depth, complemented by Michiel Renger’s soulful tenor sax. Dave Elson’s contributions with electronic percussion and effects, coupled with Vicky Flint’s mesmerizing trumpet and flute, create a rich, multi-layered soundscape. The inclusion of Bugu Pala and Charles Morgan’s evocative vocals further enriches the album’s diverse palette.
“SOL 3” stands out as an exploration of rhythm, melody, and improvisation. It is an album where each track seamlessly transitions into the next, creating a continuous musical narrative that is both engaging and transformative. The ensemble’s ability to fuse diverse elements into a cohesive sound is remarkable, making “SOL 3” a testament to their creative evolution and a landmark in contemporary jazz and electronic music.
Released by Chapelle XIV Music and distributed by Yoyaku Distribution, “SOL 3” is not just an album; it’s an experience. It’s a vibrant, eclectic mix that is poised to become one of the standout releases of the year. This album is a must-have for aficionados of jazz, house, and electronic music, encapsulating the essence of live, improvisational brilliance.
Tracklist:
Part 1 :
A1. Is It Us? – 09’43
A2. Back Again – 06’14
B1. Rebels Reprise – 07’40
B2. Getcha – 06’43
Part 2 :
C1. Meaning Shift – 07’22
C2. Memetic Boogaloo – 06’51
D1. Pole Star – 06’25
D2. Counter Balance – 11’13 More
Label:Athens Of The North
Cat-No:ATH176
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818958
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Label:Athens Of The North
Cat-No:ATH176
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818958
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Coast To Coast - Love Is The Same
2
Coast To Coast - Love Is The Same (Instrumental)
Amazing floaty modern soul / disco goodness out of late 70s Queens, NY. 'Love Is The Same' two brilliant and different versions, both dancefloor fire… Mark Beiner met Ben Iverson in 1976 when I was 17 years old, at the time he was a junior at Newtown High School in Elmhurst, Queens. Mark had taken a part time job as a Produce Clerk at Walbaum's Supermarket on Northern Boulevard in Jackson Heights, Queens, where I met Ben Iverson, the "Frozen Food Manager." Back then Mark remembers, 'I was going to work early just to talk to him about his musical background and his time spent in the 50's and 60's with the Ohio Doo Wop Group, "The Hornets", or better known as, "Ben Iverson and The Hornets."' In 1978 after Ben and I discussed getting together and composing music, I started writing poetry and expressing in writing my break-up with my college girlfriend, Paula. Ben and Mark went on to writing two albums worth of material, which in turn gave us a lot of time and presence on stage at our live gigs. The regular Coast to Coast Band members consisted of Ben Iverson on Lead Vocals, Rhythm Guitarist and Co-Executive Producer, Joe Crowley, who is known today as "New York Congressman Joe Crowley." Carl (Woody Wood) Morton on Bass Guitar, Jimmy Johnson on Keyboards. Lead Guitarist, Lou Jimenez, currently owns his own recording studio, Music Labs in Elmont, Long Island. On Drums, Eddie Byam, on Alto Sax, Jay Cohen, who in the 70's used to record for "Gary U.S. Bonds." Gary Pevols on Trumpet. On Bone, Scott Burrows, Trumpet player, Steve Becker, along side Neil Levine, Stan Stockley, Tom Russo.
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Label:Athens Of The North
Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
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Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
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Bô'vel - Check 4 U (Original)
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Bô'vel - It's Not About Me
3
Bô'vel - Best Thing
4
Bô'vel - Knight In Shining Armour
5
Bô'vel - Daydreamer
6
Bô'vel - Coming Back
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Bô'vel - Goodbye Farewell
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Bô'vel - Life Changes You
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Bô'vel - Let Down And Liar
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Bô'vel - My Man
Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for.
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Last in:16.05.2019
Label:synth
Cat-No:synth002
Release-Date:31.07.2012
Genre:Techno
Configuration:12"
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Two tracks on Huckaby's own label SYNTH that complete his "Baseline" series (the first being last years Baseline 87' on Sushitech, which quickly sold out). Two jackin Detroit house tracks that will also quickly sell out as usual!
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