South London label and party series Troy Town is proud to present the first release in 3 years from Warren Brown aka Wbeeza, insanely talented South London producer and 1st generation pioneer of what has become affectionately known in dance music as the 'Peckham Sound'. DJs, producers and musicians such as Henry Wu, Bradley Zero and Chaos in the CBD have added to the wealth of a deeply musical community but it was the likes of Brown and another SE15 local, El-Prevost, who first put the area on the dance music map.This 3-track EP covers a variety of moods and situations. Opening with The OD, a heady march to peak time on the dancefloor which has featured heavily in live sets over the last 2 years. The bassline bubbles tantalisingly as it edges through a kinetic, digital riff that sticks with you long after the lights go up. Grove Park is so low slung that the snare sounds like it might fall out of sync at any moment while the lead synth leads you on a drunk walk home, at times holding it's line before stumbling over a pitch bend and veering to find its balance. Bizzle Boogie is equal parts gritty, Midwest-influenced bounce track and shimmering eyes closed rave moments.

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After the Alma EP' by Shanti Celeste, secretsundaze' s 19th release comes from another UK home grown favorite Wbeeza. Beeza is a firm part of the secretsundaze family and although it's his first release on the label, he has been a regular fixture at the parties now for 5 or 6 years playing at both the London events and touring internationally with Giles and James as a live act, as well touring extensively by himself. We hope his music needs no introduction - his sound is quite simply fresh; an amalgamation of so many things from house, techno, jazz, hip hop to more UK leaning garage vibes. Born and bred in South London and the youngest of 6 brothers he has dance music pumping through his veins. Black Moon EP is up there with the very best of his work and all 3 tracks show a level of maturity that comes from releasing over 14 EPs and close to 2 LPs (his second LP entitled Expression Of Love drops next month on Third Ear) Title track Black Moon is a murky, growling techno workout with syncopated lo fi beats, a thunderous bass line that is eq'd to within an inch of its life, and white noise FX. Within the right hands this should be a deadly weapon. Like Butta is a hazy, percussive tool that keeps the tension high while B side track Ferguson is arguably the strongest track of the EP. Referencing the Ferguson case in Missouri that sparked vigorous debate about the relationship between the police and African Americans, the track is a timeless groove, coming on like a modern day version of Maurizio's 'M4' with its heads-down, hypnotic deep techno flow that one could simply listen to on repeat. Wbeeza on secretsundaze.....Need we say more!

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Since its inception in 2002, Third Ear's output has remained ineffably reliable and multifaceted whilst carrying forth a distinct and tangible sense of soul. Now, 13 years on, Wbeeza makes a welcome return home and follows up a slew of lauded EPs on the label as well as his 2010 debut LP, 'Void' with only his second album, 'Expression Of Love'. And what an album it is.

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Wbeeza back on Third Ear after a two year break, during which he set up his P Fly Music label and released two 12s. The Can Of Worms ep is four joints of uncompromising future funk. All different but with one thing in common... unmistakably Warren Brown.

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This EP is 6 unreleased tracks in the Thomas Brinkmann celebrated Max Ernst series of 12", all with female names, released with names ordered alphabetically. Starting with. 1. Anna Beate, the series ran for 12 releases over the 2 years from 1998 to 2000. 2. Clara Doris 3. Erika Frauke 4. Gisela Heidi 5. Inge Jutta 6. Karin Lotte 7. Monika Nikola 8. Olga Petra 9. Susie Trixi 10. Ulla Vera 11. Wanda Xenia 12. Yvette Zara, followed. There was never an ep with Q and R. Number 9 is Susie and Trixie. The tapes were lost. But have come to light nearly 25 years later. So now, here is Q/R; Quila 1-3 and Romy 1-3. What we have here are the original tracks as intended for release, with some minor editing and rearranging for release now. The original series was very successful. The first 3 12", released at the same time were a sensation on release. Suddenly, Thomas Brinkmann was the name to check. Today, these Quila/Romy tracks may well have the same impact as the other tracks in the series had when they were released. There is still nothing that sounds like this music. It seems to be an example of a perfect melding of soul and machine. 25 five years later... a annniversary of sorts, offered up by the machines.

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Mike Agent X Clark returns to Third Ear with four new tracks. His first release for the label in six years, after the River People Edits. The quality and variety which is typical of many Detroit releases is very evident here. Is it house? Is it techno? Is it disco? These genre-defining labels don't really come into the minds of many Detroit producers when making tracks, the music they create often seamlessly blends many genres. What is recognisably Detroit is the weight and the swing of these releases; they do not mess around, and Mike Clark is a master of this.

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Thomas Brinkmann creates a new moniker for his latest project to push technical limitations and challenge perceptions; classic Brinkmann agendas. Mele is Italian for Apples, and with Mele Boy, Thomas Brinkmann uses Apple Loops and Apple Logic Pro as the foundation of this music, invoking what he terms Apple Incest, apropos the controversy surrounding Serge Gainsbourg and the song Lemon Incest. What he has produced here for the Seduction ep is simply brilliant music regardless of the machines used or the sounds he works with, reinforcing the axiom that it's the artist not the tools that establishes the greatness of the work.. Those who are prejudiced against such ubiquitous tools may not be swayed. But Brinkmann is not attempting to change opinions, instead he is asking us to challenge our perceptions and the fact that we have prejudices at all... through some brilliant music for the body and the soul.

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Sinethemba Mahlangu is from Zola, Soweto, South Africa. Third Ear received some demos from him in 2019 and since then have mentored him and encouraged his talent. The Unorthodox Flow EP is his first release. We are proud and excited to now share his music with the world. The EP shows a prodigious talent creating a original form of music. His choice of tempos demonstrates a fearless approach, while his sounds and arrangements show a knowledge and understanding of house and classic soul and jazz, with an experimental edge.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.

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Following his debut Third Ear release, the Shonky ep in 2018, Third Ear follow up with 8 more Shonky dance floor bombs. Shonky has a signature hypnotic, hard grooving sound, characterised by punishing beats laced with detailed polyrhythms and elusive motifs. On The Run is Shonky's debut album.

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"When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "The ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a eurorack modular system.

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Detroit's Scan 7 drop a fine ep of Motor City electronic Techno Soul on Third Ear.

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Freerotation resident Sam Watson drops his second ep for Third Ear. Techno. Coordinates: Hard. Trippy.

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Detroit's Sean Deason drops the second release in our New Detroit Deep series, following Hazmat's Infinite Silence ep. Sean has delivered an ep of classic Detroit Techno and Breakbeat, showcasing all the Detroit Techno elements of groove and soul.

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From somewhere in Tennessee. Actually, Knoxville Tennessee. Raw Electro and Breakbeats out of the swamps. Techno and Tennessee are not normally thought of together, but here they are. Bumping.

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Norken lands on Third Ear with a true Techno Soul record (Eddie Fowlkes would approve). Gorgeous bass lines. Wonderfully crisp drums. Lush emotive pads and strings. Destined to be regarded as one of his best records.

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Shonky has over the years developed a signature hypnotic hard grooving sound, characterised by punishing beats laced through with detailed polyrhythms and elusive motifs. Sexy and playful, seriously jacking. The result is dance grooves that punch and tickle every surface and joint in the body. It sounds effortless, but it's far from it. Shonky crafts his tracks to deliver a prefect groove every time.

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Thomas Brinkmann is one of the great producers of Techno music and modern dance music. He initially gained notoriety in the experimental electronic music and Techno community for his full-length 'variations' of material by Wolfgang Voigt under his Mike Ink moniker, and Richie Hawtin. The variations were made by playback of the original artist records on a turntable of Brinkmann's design, which has two tone arms with separate outputs for left and right channels. The turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. Both Voigt and Hawtin were sufficiently impressed they released the results on their own labels. Since then Thomas Brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by Thomas Brinkmann himself. There are unreleased tracks, different versions, and tracks that have never been released on vinyl. A full colour 20-page book with track notes by Thomas Brinkmann and photos from his personal collection is included. Limited edition box. Highly Recommended!

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Imprints is back with Audri on his new release! 3 fresh House tracks for all the dancefloors, don't miss it!

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Isolation Diaries is Argentinian producer Alejandro Mosso's 2nd album. It comes more than ten years after his debut, Hiperborea in 2005. He says "I think the album is warm, emotive and nostalgic but not dark nor sad. It is percussive and melodic but not laid back and Balearic. It is tribal and organic but still very precise", as only electronic music can be. The grooves are strong and infectious and the sounds are rich and satisfying, resulting in music that sounds very organic and unpremeditated. The album is accompanied by a Burnt Freidman remix of the track Isolation Diaries, and a Ricardo Villalobos remix of Deardrum.



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New talent from Detroit. HazMat's Infinite Silence ep is as deep as they come, and is the first release in a new series of Detroit artist releases from Third Ear. Following on from Third Ear's landmark Detroit Beatdown series, the New Detroit Deep series of releases is just that. HazMat has played keyboards for artists such as Bilal and Mary J Blige, as well as Detroit legends Kenny Dixon Jr, Amp Fiddler and Delano Smith. Along the way, he started to make his own beats and his own tracks and is now ready to take things to the next level. He also plays keys with Motown legacy artists' touring bands, such as The The Four Tops, The Detroit Spinners, The Gap Band. It's not all about the beats and the synths, though. HazMat's work using the Talkbox is right up there.



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