UPC: 827170485464 Release : 18.02.2013
Special Remarks: Cover art by Gustaf Johnsson
Tracklist 12": A1. Reconnect - B1. Receive and Transmit
Establishing itself as a reliable source of music for the soul with "Minilogue - Endlessness", the Stockholm based label Make a Beautiful Corpse now welcomes its new family member. This second release made by the Swedish music artist and producer KAB is a brilliant sequel with a great soundscape and truly distinct beats. KAB, an abbreviation of his name Karl-Axel Bissler, has been active since the early 90's and, back then, released on the renowned NovaMute label along with artists such as Richie Hawtin (Plastikman), Speedy J, and Luke Slater. More lately his works has been released on Mule Electronic and WIR, to mention a few who too have recognized his subtle way of expressing feelings through music. Music that can be experienced either through the little white earbuds in a crowded bus as well as in the total freedom of the open nature. It doesn't matter. As long as you are ready to open yourself up a little bit, "Reconnect" and "Receive and Transmit" will bring you to a wonderful place inside you. We thank KAB for bringing these beats to this world, every beat denoting another heartbeat in the life of the MABC label.
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Special Remarks: Cover art by Gustaf Johnsson
Tracklist 12": A1. Reconnect - B1. Receive and Transmit
Establishing itself as a reliable source of music for the soul with "Minilogue - Endlessness", the Stockholm based label Make a Beautiful Corpse now welcomes its new family member. This second release made by the Swedish music artist and producer KAB is a brilliant sequel with a great soundscape and truly distinct beats. KAB, an abbreviation of his name Karl-Axel Bissler, has been active since the early 90's and, back then, released on the renowned NovaMute label along with artists such as Richie Hawtin (Plastikman), Speedy J, and Luke Slater. More lately his works has been released on Mule Electronic and WIR, to mention a few who too have recognized his subtle way of expressing feelings through music. Music that can be experienced either through the little white earbuds in a crowded bus as well as in the total freedom of the open nature. It doesn't matter. As long as you are ready to open yourself up a little bit, "Reconnect" and "Receive and Transmit" will bring you to a wonderful place inside you. We thank KAB for bringing these beats to this world, every beat denoting another heartbeat in the life of the MABC label.
More
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Tracklist: A1. Endlessness B1. In a Loving Place
In this release minilogue continue their journey through musical landscapes. They invite us all to join them for a guided tour into a range of different feelings. The A-side takes off in a quite serious mood, with a rolling beat to get the body warm whereon an ascending trip begins which is slowly inspiring us to open ourselves up and welcome the feeling of "Endlessness". Feeling at ease with ourselves after the A-side we are ready to take on the playful jam tune on the B-side; finally arriving "In a Loving Place", a place where we all are supposed to be.
"..About the label we're about to start with the same name as our business we think this should be the embodiment of our views. The music released here should be loaded with feelings, organic/acoustic sounds, warmth and be very alive, finding its way close to the heart of the listener. We're appealed by the greatness of being alive. We are also keeping a quite conscious understanding of what the modern society (with consumerism and such) is turning the individuals into, ripping the mind and the body away from our true selves. Make a Beautiful Corpse is to stay true to the real self; be aware of and allow any of your bodies feelings, pay attention and respect for your origin (the nature) and live your life as you want as long as you do it with respect to your fellows. The name comes first from the old saying "live fast, die young [...]" but suggest that your the ruler of your own body and you should fill it with whatever makes you feel good"
More
In this release minilogue continue their journey through musical landscapes. They invite us all to join them for a guided tour into a range of different feelings. The A-side takes off in a quite serious mood, with a rolling beat to get the body warm whereon an ascending trip begins which is slowly inspiring us to open ourselves up and welcome the feeling of "Endlessness". Feeling at ease with ourselves after the A-side we are ready to take on the playful jam tune on the B-side; finally arriving "In a Loving Place", a place where we all are supposed to be.
"..About the label we're about to start with the same name as our business we think this should be the embodiment of our views. The music released here should be loaded with feelings, organic/acoustic sounds, warmth and be very alive, finding its way close to the heart of the listener. We're appealed by the greatness of being alive. We are also keeping a quite conscious understanding of what the modern society (with consumerism and such) is turning the individuals into, ripping the mind and the body away from our true selves. Make a Beautiful Corpse is to stay true to the real self; be aware of and allow any of your bodies feelings, pay attention and respect for your origin (the nature) and live your life as you want as long as you do it with respect to your fellows. The name comes first from the old saying "live fast, die young [...]" but suggest that your the ruler of your own body and you should fill it with whatever makes you feel good"
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Tracklist:
A1. Amsterdam
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Release Info:
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LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART
Released in the same year as Synthesis over on KPM, 1974's Synthesizer and Percussion is its essential companion piece. "This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos" is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett's second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.
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TRACKLISTING
Mon Amour
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Mile High Swinger (Vers. B)
Auto-Pilot
Pacesetter
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Fanfair
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Mon Amour
Oddball
Daytripper
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Peter Ludemann & Pit Troja - B4 : Nepal Trek
Format Notes:
140g vinyl, remastered from the original analogue tapes, metallic silver sleeve
Territories:
Worldwide no restrictions
Track List:
A1 : The Now Generation (3:29)
A2 : Panama (2:24)
A3 : Inorganic Matter (3:27)
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A5 : Grease Plant (3:20)
A6 : Southerly (2:15)
B1 : Mechanical Heart (7:22)
B2 : Chemical Threat (3:26)
B3 : Steady Going (3:16)
B4 : Nepal Trek (2:47)
Release Notes:
Release Notes:
They Say: “Documentary and industrial underlays for current themes of modern life”.
We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb.
This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.
The record comes galloping out the gate with a pair of rapid synthy-eurodisco bombs - the title-track and “Panama” - before slowing down to a woozy pace on “Inorganic Matter”. “African Nightclub” sounds like it reads, and is a particular favourite of Prins Thomas. Indeed, it was used to great effect on his seminal Cosmo Galactic Prism mix for Eskimo back in 2007. It’s followed by the dark, druggy, slow motion industrial groove of “Grease Plant” before “Southerly” lifts the tempo to close out side A with its Latin funk strut of bells and melancholic keys.
For us, though, it’s all about the opener to side B: “Mechanical Heart”. Seven minutes of building, mid-tempo disco-funk joy, deceptively explosive, club-ready gear for body and soul. The back cover dryly describes the track as “Guitar and percussion, light industrial underlay”. Hmmm. How about, “after finally emerging from a particularly heavy week jamming in a sunless, lawless German warehouse, Chic warily press record on a wayward, illicit instrumental for basement gatherings”. Just wait for those drums at the 3 minute mark…
The beatless ambience and menacing stabs of the proto-electro “Chemical Threat” follows, before the open drums and incredible fills of the metronomic “Steady Going” and fantastically monotonous funk breaks of “Nepal Trek” round out this sensational set.
This is a library masterpiece in no uncertain terms, full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness.
As with our KPM and Themes re-issues, the audio for The Now Generation comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metalic silver glory.
More
140g vinyl, remastered from the original analogue tapes, metallic silver sleeve
Territories:
Worldwide no restrictions
Track List:
A1 : The Now Generation (3:29)
A2 : Panama (2:24)
A3 : Inorganic Matter (3:27)
A4 : African Nightclub (3:18)
A5 : Grease Plant (3:20)
A6 : Southerly (2:15)
B1 : Mechanical Heart (7:22)
B2 : Chemical Threat (3:26)
B3 : Steady Going (3:16)
B4 : Nepal Trek (2:47)
Release Notes:
Release Notes:
They Say: “Documentary and industrial underlays for current themes of modern life”.
We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb.
This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.
The record comes galloping out the gate with a pair of rapid synthy-eurodisco bombs - the title-track and “Panama” - before slowing down to a woozy pace on “Inorganic Matter”. “African Nightclub” sounds like it reads, and is a particular favourite of Prins Thomas. Indeed, it was used to great effect on his seminal Cosmo Galactic Prism mix for Eskimo back in 2007. It’s followed by the dark, druggy, slow motion industrial groove of “Grease Plant” before “Southerly” lifts the tempo to close out side A with its Latin funk strut of bells and melancholic keys.
For us, though, it’s all about the opener to side B: “Mechanical Heart”. Seven minutes of building, mid-tempo disco-funk joy, deceptively explosive, club-ready gear for body and soul. The back cover dryly describes the track as “Guitar and percussion, light industrial underlay”. Hmmm. How about, “after finally emerging from a particularly heavy week jamming in a sunless, lawless German warehouse, Chic warily press record on a wayward, illicit instrumental for basement gatherings”. Just wait for those drums at the 3 minute mark…
The beatless ambience and menacing stabs of the proto-electro “Chemical Threat” follows, before the open drums and incredible fills of the metronomic “Steady Going” and fantastically monotonous funk breaks of “Nepal Trek” round out this sensational set.
This is a library masterpiece in no uncertain terms, full of synth funk, afro beats, exotica, leftfield madness, dance floor dynamite and all-around greatness.
As with our KPM and Themes re-issues, the audio for The Now Generation comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metalic silver glory.
More