Over a handful of singles and an album on Bristol labels like Immerse, Idle Hands and BRSTL, it's now time for Jacob Martin and Matt Lambert aka Outboxx to make their debut on Local Talk. Sticking close to what they do best, this EP is filled with house music infused with electronic soul. The opening 'Planet Love' is a warm & sunny chord driven track and has a strong UR/ Galaxy 2 Galaxy feel to it. 'On My Own' is bass-heavy 21st century house music, finely honed for those late evenings in a packed club and finally the end track 'Denim Dreams' is the perfect sun-soaked, heavy groovin' sci-fi jam. This EP confirms Outboxx as fully-formed members of the Local Talk family and the sheer quality of these tracks will further cement their position as two of the most exciting new names in House.

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It’s been exciting to watch Outboxx take shape over the past two years, chasing their vision for a more meaningful kind of deep house music via Jake’s intense attention to detail, Matt’s way with the keys and Naomi’s arresting voice. It’s been a steady progression, reaching out to select labels but keeping things largely close to home on Idle Hands, Immerse and BRSTL, while their tracks have developed in ever more confident strides. They make perfect sense as a Bristol act, but not because of an externally idealised vision of a Bristol house music scene, but more
because their music taps into the same spirit of adventure and soulfulness that has always characterised the most treasured of all music from the city. Like many before them, Outboxx have a gift for capturing emotion and anchoring it with just the right amount of rudeness.
It feels like the right time then for an album from the pair, and upon listening to it you can instantly hear why. Afforded the space of a long player, Jake and Matt’s ideas flourish, both more refined and wilder in the same instance. The tempos move from lo-fi downtempo skit to pumped up house, via haunted minimal techno and snappy garage, and yet the shifts seem barely noticeable between the cohesive sound that they have formed. Most importantly, it’s a record that sounds completely out on its own, marrying together disparate sounds and rhythms and making
them sound natural. It’s a great testament

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Rounding off what has been a busy year for Idle Hands comes a 12" from west country residents Outboxx. This duo, comprised of Jacob Martin (aka Hodge) and Matthew Lambert have steadily built a reputation for themselves with releases on Well Rounded and Immerse. Moving away from the dominant trends in bass music the pair have been forging a sound more akin to early nineties deep house - yet retaining a palette of 2011 sounds.
Here they present two tracks - 'Aporia' is a lesson in wistful house, all pianos and a sneeky bass drop half way through the tune. 'Cromwell' is a straight ahead house roller, but with enough sub to keep the bass enthusiasts happy. Support so far from Ramadanman and Sven Weiseman.


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BRUCE, K-LONE, RHYTHMIC THEORY AND GLANCES line-up on this tearing 12" comp. TIP!

The 12" brings these four artists who have close ties to Chris Farrell’s Bristol based label and shop.

Bruce with a contemplative dancefloor dub in tribute to Alex T, esteemed Leeds record shop worker and DJ - sadly taken from us too young.

K-LONE delivers a subtle and subby house roller.

Rhythmic Theory makes a final appearance with a bumpy and bassy techno track.

Glances bring a deft funkiness to the broken techno sound.

This is the end of a chapter. The last Idle Hands release for the time being. The shop continues and new projects beckon.

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Idle Hands opens up 2021 with a new record from Dream Cycle. While being a new name on the label they continue on from a stellar run of records for Social Sneaker Club. Here they continue their exploration of the hardcore continuum via dubby garage, mellow house and electro.

Record opener ‘Jump Blue’ starts with dreamy pads creating blue moods; opening up into choral pads and a bouncy bassline reminiscent of early records on the label by Facta and Shanti Celeste. Next comes ‘All The Things’ which heads straight to the dancefloor with a swinging 2-step beat, chopped vocals and dubby chords.

On the flip ‘Sonntags’ is an electro track based on subtle keys and suspended chords. Perfect for the end of the night for those willing to experience the journey to the very end. Closing the record we have Deep Dream G rolling at a very casual 92bpm; low tempo vibes with style and grace.

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O$VMV$M the Bristol based production duo of Amos Childs (Jabu) and Sam Barrett (Kahn & Neek) have traditionally dealt in hazy, smoked out vignettes - seen across release for Idle Hands, No Corner and most recently providing music for the Manonmars LP.

Where the duos previous work has explored ideas in short bursts which capture you then fades away; IDLE063 takes their sound into unexplored directions and shows an evolution in their output. By extending their ideas into long form tracks within the traditional lineage of bristol soundsystem culture and combining it with their unique ear for sampling Phase 4 / Witch brings O$VMV$M's into a territory which shows how wide their sound can truly reach

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Crump returns to Chris Farrell's label with two deep, dubby and swung minimal house tracks

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Strategy returns to Chris Farrell's Idle Hands label for the first time since his 'Seeds Of Paradise' LP, and his first record of the year following releases for Nite Owl's Diner and Zam Zam's sister label Khaliphonic in 2018.
Here he turns in a bassy house number by the name of 'Tropical Storm', one for those sloppy grins in the summer months. The most requested track ID on Shanti Celeste's Dekmantel mix, here it finally sees the light of day. On the flip is the more paired back 'Evolu

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It has been a good year for Idle Hands. The label reached its 50th release with a release from Livity Sound's Pev and November saw the release of Parris' latest 12' featuring a KMOS remix.
For the labels final vinyl release of 2018 it is the turn of Stockholm's Pistol Pete. Idle Hands boss Chris Farrell has long been a fan of this artists work. He may not have put much out over the years but each release has found a welcome home at the Bristol record shop from which the label operates.
On this release we find three club focused House tracks, each exuding a warmth one would hope for in these cold winter monts. 'Orphan' opens the set with crunchy, swinging drums and the deft use of a sample. 'Lundagatan' continues things apace with some concentrated drum programming and a chopped up soul sample. 'Esqpads' rounds things off with a warm Deep House feel and grooving bassline.

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'Diving Bird' is a series of 12"s on Idle Hands from Cornish artist Andy Mac The third in the series sees Mac draw on Highlife and Dub influences
The A side leads off with 'Sketch 3' a rough hewn House track with live elements. 'Dancehall Style' does what it says on the tin in a concise manner.
On the B side Acido's Dreesen and PST remix 'Longships' from Diving Bird #1 into a hypnotic and subtley subby track with a Dub Techno feel

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Following two previous excursions into degraded tape loops, fuzzed-out ambience and bittersweet moments of tenderness, O$VMV$M return to Idle Hands to complete a trilogy of LPs with 12 vignettes from the underbelly of the Bristol scene.

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Idle Hands continues its quest to support new talent coming out of Bristol with a fresh 12" from local beatsmith Crump. Up to this point, he's been quietly slipping out razor sharp reduced house cuts on various artist releases for Extended Play and Banoffee Pies, but it's high time he had a 12" of his to truly showcase his sound.

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We've been closely watching the rise of A Sagittariun ever since he first popped up with his consistently excellent Elastic Dreams label back in 2011. What started out as an anonymous project has since been revealed as the handiwork of Nick Harris, a long time champion of the Bristol house and techno scene since before most of us were even hitting the dance. His music has been flying out with a no nonsense approach – self-released, minimal promo, just cracking club-ready 12"s that tap into the fierce-but-fun spirit of Detroit techno and albums loaded with smokers delights to appease his West Country roots. "Pseudo Science" wastes no time in imparting a message of bristling kinetic energy for peak time situations. This is maximal techno of the highest order, firing off a body-popping beat, a dazzlingly bright set of chords and a delirious lead that cuts through like the house lights being thrown on in a darkened basement four hours before closing time. There's a confidence that bursts out of this track that could only come from someone who has earned his stripes in the cut and thrust of what can at times be a fickle dance music scene.
"Heavy Manners" plays a foil to this boisterous A-side without dipping the energy levels. Sagi still has his pedal to the metal, but this time he winds through mystical, filter sweeping pads that hark back to synth rich early 90s trance séances of the highest caliber. The bubbling 303 only further fuels this sense of psychoactive flashback, and the hypnotic film sample provides the perfect icing on the cake. Leave your functional subtleties at the door, this is loud and proud body and mind music transmitting from the part of a soul still stomping in a field somewhere near the M25 orbital.

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With releases from Lerosa, Andy Mac and Piezo already under our belts, Idle Hands strides towards the summer with a transmission from a kindred spirit across the pond. Area, sometimes known as m50, has been flying the flag for forward thinking electronic music in Chicago for a long time. His radio shows on WNUR have a distinctive quality one step to the side of the music his hometown is best known for, while his label Kimochi Sound has released incredible music from the likes of Benjamin Brunn, Strategy and many more besides.

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While she may be based in Berlin now, Shanti Celeste has deep roots within Idle Hands. From working behind the counter when the shop first opened to playing the label parties and co-running the neighbouring Brstl label, Shanti's contributions to the Bristol house music scene have been ever-increasing as she has grown as an artist. Having put out our her second ever 12",Days Like This, back in 2014, it gives us great pleasure to welcome her back as an internationally respected producer with a relentless gig schedule and a rich back catalogue of warm, heartfelt dance music that kicks where it counts. Shanti's stylistic palette may have broadened over the past four years, but she's also retained a natural, unpretentious quality in her tracks that can span all manner of grooves and tempos. "Make Time" certainly chimes with her earliest house productions, but it's also offset by a wistful, meditative maturity. Swooping pads, distant vocal threads and delicate fragments of breakbeat flirting in an aqueous soundscape – whatever city she's based in now, this is surely deep house infused with a quintessential Bristol ruffness. "Thoughts" meanwhile speaks more to the artistic development Shanti has undergone over the past few years, bearing the influence of melodic techno, electro and broken beat while striking a unique chord in the process. It's a hypnotic, alluring track that eschews basic dancefloor demands in favour of a more intimate headspace shaped out by snaking, polyrhythmic synth lines. Both "Make Time" and "Thoughts" stretch out over extended running times - all the better for losing yourself in the heady atmosphere Shanti has created on her very welcome return to Idle Hands.





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Second in the Diving Bird series, a dubwise informed trip into the mind of Cornish producer Andy Mac. Picking up where the first well recieved 12" left off.


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Idle Hands is proud to present our first 12" of 2017 from Lerosa, a four-tracker beamed across the Irish Sea to Bristol. The 'Subcouture' EP sees the esteemed producer operating at the intersection of dubby electro and deep house, taking in the sub-heavy frequencies Bristol is known for, whilst retaining an agile and sleek simplicity. 'Maryelen' is a tight, yet pastoral electro track where dreamy pads contrast against tough, cutting drum programming. 'Line Bass' is a tumbling and bouncy number, that doffs its cap to reggae disco and features vibrant synths peppering the mix.
'Scruffy' takes on a slower and more playful mood, featuring light licks of acid and off kilter keys. 'Subcouture' is a subtle dubbed out house cut with a hint of shuffle.


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Bristol is a tight knit place and there has always been a healthy culture of collaboration in the city, LMYE (Lend Me Your Ears) are the latet in that tradition. Two friends who met, and for a period recorded above the Idle Hands shop on Stokes Croft. They made their debut on Funkineven's Apron label earlier in 2016 with the 'Cali 76'. Here they keep things closer to home with a release on Idle Hands.

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Over the years Jim Coles has turned his hand to a fair few different styles and made them his own. These days, most know his Om Unit alias as a significant force in fresh developments within D&B (recently found larking about with Alix Perez, Binga and more in the Richie Brains project on Exit Records), but it's not always been that way. From initial moves in the dubstep world via Terrorhythm through to shimmering, playful electro-leaning business on Civil Music, he's graced plenty of high profile labels with his many-sided musical dice and come up trumps. A personal favourite moment for us came in the shape of the All City 7" Lavender / Lightgrids in 2010, which matched Jim's knack for rich and detailed production to a slower, more contemplative groove. This new release for Idle Hands comes from that era, a trio of secret weapons sat waiting for the opportune moment to step out into the world. With the warmer months upon us, it feels like the perfect time to let a track like "Friend Of The Day" roll out in a heavy-lidded haze of sun-kissed, ivory-tinkled finery. This being Om Unit, of course there are different shades on offer here as well. "Basement Superman" plumbs aqueous depths with its appropriation of dub techno tropes in a slow-stepping, meditative framework. "What It Is" too revels in introspection, a laconic bassline loping jauntily against the feathery beat in a succinct encapsulation of Bristolian laissez-faire. Jim's current exploits are reaching ever more interesting pastures, and there's an increasing recognition of his past achievements too (check the Kutmah-curated Lost Stories collection of unreleased 2tall bits from his archives), so it's a pleasure to add to the movement and support some truly special gems from a long time friend of the shop.

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