Bosconi is proud to announce the arrival into the family of one of the greatest legend of house music, the oldskool hero A Guy Called Gerald. The release randomly arrives in coincidence with the definitive closing of another legend, the place in berlin that has been a symbol for years of the cultural renaissance of the german capital after the wall, the Tacheles. When Gerald just moved to berlin, he got his house and his studio inside that very inspiring and artistic place, and as a tribute and homage to his legendary figure, some mysterious writer draw G's face on the right side of that building with the shamanic enigma above that giant mural "How Long Is Now", an existential sigh or question that perfectly sums up the uncertain past, present and future of one of Berlin's most important initiatives, as the Tacheles was, and as the things of our life that we love, as the music, can be, uncertain…But for sure this 3 tracker vinyl is real and it will last for long in our bags, these are 3 deadly club weapons by The Master between bass music, micro funk and soul excursions: A1 gives the title to the EP and it's subliminal dark and psychedelic after-hours dope session, while on B1 there's the shady and sexy atmosphere of "Groove of the Ghetto", a driving and funky house tune sustained by an ultra fat synth bass and enriched by soulful vocals and deep pads, while on B2 the EP ends wih the brutal Uk bass bonus beats monster entitled "202". Serious Stuff. In memory of Tacheles and the good old days.
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More records from a guy called gerald
1
A Guy Called Gerald - "Trip City" (4:27)
2
A Guy Called Gerald - "Valentines Theme" (4:20)
3
A Guy Called Gerald - "At The Mambo" (4:57)
4
A Guy Called Gerald - "FX" (6:23)
5
A Guy Called Gerald - "Soho Chances" (5:31)
Repress!
In the summer of 1989, when Trip City was first released with a soundtrack by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark. More
In the summer of 1989, when Trip City was first released with a soundtrack by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark. More
1
A Guy Called Gerald - Old School
2
A Guy Called Gerald - Sugoi
3
A Guy Called Gerald - Flash Fight
4
A Guy Called Gerald - False Religion
For a number of years now, A Guy Called Gerald has largely made music only for
himself. But this special EP is borne from Gerald’s unique and long-lasting
friendship with Analog Room founders Mehdi Ansari, Siamak Amidi and Salar
Ansari. They first met in 2013 when Siamak booked Gerald to play his Analog
Room party in Dubai – a leading underground light in the UAE’s then emergent
scene. Away from the glossy VIP hotels and expensive bottle service parties
typically associated with Dubai, Analog Room only deals with quality bookings of
the caliber of Move D, Roman Flügel, Moritz Von Oswald and the likes. Gerald
immediately fell in love with the party. Its strict music-first, no-nonsense policy
appealed to him and he’s returned many times over the years.
By then, of course, A Guy Called Gerald’s musical legacy was already assured. The
Manchester icon is best known for his 1988 hit single Voodoo Ray – the
touchstone of his hometown’s dawning acid house scene. As well as being an
early member of 808 State, Gerald embraced breakbeat and jungle, ran his own
Juice Box Records label and worked with the likes of Columbia, Perlon, K7! and
many other vital labels. His skills on everything from synths to keys, samplers to
drum machines stood him apart then – and still do today.
“This release is based on a real friendship,” Gerald explains. “I feel part of the
Analog Room family. Back in the early days, that’s how it was. These days, it’s like,
‘Oh, you’re famous, let’s do something.’ I’m not interested in that. I’m not
interested in being a celebrity or living that life. I’m the same as I was 30 years
ago, all I care about is the music. With Mehdi, we have spent hours jamming in
private in Dubai, we have partied together. We’ve vibed together for so long and
he’s shown me new parts of the world I should be making and playing music in,
away from the trendy scenes in other places. So this is an exclusive just for him.
I’m not looking at doing anything else with anyone, and the music is just about
celebrating individuality rather than trying to fit in anywhere.”
When Iranian-born Mehdi decided to start Moozikeh Analog Room – which
translates from Farsi as “the music of the Analog Room” – Gerald was one of the
first artists he asked to release on the label. It might have taken some time for
Britain’s Dirty Little Secret to materialize, but boy it’s been worth the wait.
Says Mehdi, “The magic comes through proper relationships and friendships.
That’s why Analog Room worked. It was a great room, an amazing sound system,
with amazing artists doing their thing. Bookings were so on-point because we had
agents around the world, on the dancefloors, spying up artists who were killing it,
and Gerald was one of them. He was a perfect fit from the first gig and our
friendship grew from there. He’s always been very kind to me. We have this
common language of music without any bullshit, and that is where this EP comes
from.”
The EP is a mixture of different things. Some of it is unreleased material from the
vaults revisited, some of it is brand new. It opens up with the devastating Old
Skool – a writhing, physical track with naughty bass. The drums hark back to
Gerald’s early days of making jungle but reimagined through a modern
perspective. As the synths spray about the mix and the percussion bounces atop
the jostling drums, muttered vocals draw you in deeper. Sugoi is an experimental
track that fuses ambient synth design with the spacious and eerie atmospheres of
jungle. Nimble drums get you on your toes as the spangled synths twist and turn
in all directions. It is a thrillingly original, impossible to define track.
Flash Fight is built on a captivating rhythm that sits in the area where house,
techno and jungle intersect. It is warm and cavernous, physical yet elegant as it
bounces on rubbery kicks and lithe synths roam in and out of earshot. Perfect for
those sweaty, cozy back rooms, it’s another masterclass from Gerald. Closing out
the EP is False Religion, a deep-rooted house track with elastic drums and
haunting, wispy pads. As a subtle acid bassline rises and falls way down below,
Gerald’s own mystic whispers leave listeners hypnotized.
Following on from Analog Room co-founder Salar Ansari’s debut release on the
label, this EP is a statement of intent. More releases will follow from some of
Analog Room’s most frequent international guests, but only when the time is
right. Moozikeh Analog Room is a label of love, one that is focused on putting out
the best possible music at all times rather than chasing hype.
A timely reminder of why A Guy Called Gerald is one of the world’s most enduring
electronic artists. More
himself. But this special EP is borne from Gerald’s unique and long-lasting
friendship with Analog Room founders Mehdi Ansari, Siamak Amidi and Salar
Ansari. They first met in 2013 when Siamak booked Gerald to play his Analog
Room party in Dubai – a leading underground light in the UAE’s then emergent
scene. Away from the glossy VIP hotels and expensive bottle service parties
typically associated with Dubai, Analog Room only deals with quality bookings of
the caliber of Move D, Roman Flügel, Moritz Von Oswald and the likes. Gerald
immediately fell in love with the party. Its strict music-first, no-nonsense policy
appealed to him and he’s returned many times over the years.
By then, of course, A Guy Called Gerald’s musical legacy was already assured. The
Manchester icon is best known for his 1988 hit single Voodoo Ray – the
touchstone of his hometown’s dawning acid house scene. As well as being an
early member of 808 State, Gerald embraced breakbeat and jungle, ran his own
Juice Box Records label and worked with the likes of Columbia, Perlon, K7! and
many other vital labels. His skills on everything from synths to keys, samplers to
drum machines stood him apart then – and still do today.
“This release is based on a real friendship,” Gerald explains. “I feel part of the
Analog Room family. Back in the early days, that’s how it was. These days, it’s like,
‘Oh, you’re famous, let’s do something.’ I’m not interested in that. I’m not
interested in being a celebrity or living that life. I’m the same as I was 30 years
ago, all I care about is the music. With Mehdi, we have spent hours jamming in
private in Dubai, we have partied together. We’ve vibed together for so long and
he’s shown me new parts of the world I should be making and playing music in,
away from the trendy scenes in other places. So this is an exclusive just for him.
I’m not looking at doing anything else with anyone, and the music is just about
celebrating individuality rather than trying to fit in anywhere.”
When Iranian-born Mehdi decided to start Moozikeh Analog Room – which
translates from Farsi as “the music of the Analog Room” – Gerald was one of the
first artists he asked to release on the label. It might have taken some time for
Britain’s Dirty Little Secret to materialize, but boy it’s been worth the wait.
Says Mehdi, “The magic comes through proper relationships and friendships.
That’s why Analog Room worked. It was a great room, an amazing sound system,
with amazing artists doing their thing. Bookings were so on-point because we had
agents around the world, on the dancefloors, spying up artists who were killing it,
and Gerald was one of them. He was a perfect fit from the first gig and our
friendship grew from there. He’s always been very kind to me. We have this
common language of music without any bullshit, and that is where this EP comes
from.”
The EP is a mixture of different things. Some of it is unreleased material from the
vaults revisited, some of it is brand new. It opens up with the devastating Old
Skool – a writhing, physical track with naughty bass. The drums hark back to
Gerald’s early days of making jungle but reimagined through a modern
perspective. As the synths spray about the mix and the percussion bounces atop
the jostling drums, muttered vocals draw you in deeper. Sugoi is an experimental
track that fuses ambient synth design with the spacious and eerie atmospheres of
jungle. Nimble drums get you on your toes as the spangled synths twist and turn
in all directions. It is a thrillingly original, impossible to define track.
Flash Fight is built on a captivating rhythm that sits in the area where house,
techno and jungle intersect. It is warm and cavernous, physical yet elegant as it
bounces on rubbery kicks and lithe synths roam in and out of earshot. Perfect for
those sweaty, cozy back rooms, it’s another masterclass from Gerald. Closing out
the EP is False Religion, a deep-rooted house track with elastic drums and
haunting, wispy pads. As a subtle acid bassline rises and falls way down below,
Gerald’s own mystic whispers leave listeners hypnotized.
Following on from Analog Room co-founder Salar Ansari’s debut release on the
label, this EP is a statement of intent. More releases will follow from some of
Analog Room’s most frequent international guests, but only when the time is
right. Moozikeh Analog Room is a label of love, one that is focused on putting out
the best possible music at all times rather than chasing hype.
A timely reminder of why A Guy Called Gerald is one of the world’s most enduring
electronic artists. More
1
a guy called gerald - Iland
2
a guy called gerald - Just Soul
3
a guy called gerald - Round Eco
4
a guy called gerald - The Dip
1
a guy called gerald - Dirty Trix
2
a guy called gerald - Indi Vibe
3
a guy called gerald - Mefted
1
a guy called gerald - Dirty Trix
2
a guy called gerald - Indi Vibe
3
a guy called gerald - Mefted
The man known as a Guy Called Gerald returns with his first new tracks in over a year!! "In Ya Head" is the proof we needed that mr Gerald remains at the top of the game... Two dark cuts that balance oomph, melody and the underground perfectly...
More
More records from bosconi
1
Queen Of Coins - Summer Card
2
Queen Of Coins - Bring It To The Top
3
Queen Of Coins - Damaged Souls
4
Queen Of Coins - Oreo Cake
5
Queen Of Coins - 16K Cal
6
Queen Of Coins - Head Tension
Buckle up, electronic aficionados! Queen of Coins is about to drop a six-track sonic odyssey that’s your one-way ticket to Electro, Italo-Disco, and Detroit Techno nirvana. This isn’t just an album, it’s a masterclass in psychedelic dancefloor alchemy, tailor-made for DJs who crave cutting-edge sounds while paying homage to the genre’s founding fathers.
From the slow-burning hypnosis of “Head Tension” to the heart-racing throb of “16K Cal,” this release is a BPM rollercoaster that echoes the spirits of legends like Legowelt, Drexciya, and Francisco. But make no mistake – Queen of Coins isn’t just rehashing the past, the Queen is propelling these influences into the future.
“Bring it to the top” is pure condensed energy, engineered to shake every powerful soundsystem while maintaining an emotional depth that’ll hit you right in the feels. Speaking of feelings, “Damaged Souls” is the track you didn’t know you needed – a poignant electronic love letter to all those “what if” moments that haunt our dreams.
But don’t think for a second that Queen of Coins is all melancholy. “Oreo Cake” swoops in with its irresistible bouncing bassline, serving up a fat slice of low-end theory that’ll give your mind, body, and soul the workout they’ve been craving. It’s a reminder that in the realm of Queen of Coins, the future is bright, and the beat goes on.
Remember the mantra, ravers: Queen of Coins is “Music to grow with Expanding your soul Thriving in Prosperity.”
This isn’t just an album release; it’s a coronation. Long live the Queen of the electronic underground! More
From the slow-burning hypnosis of “Head Tension” to the heart-racing throb of “16K Cal,” this release is a BPM rollercoaster that echoes the spirits of legends like Legowelt, Drexciya, and Francisco. But make no mistake – Queen of Coins isn’t just rehashing the past, the Queen is propelling these influences into the future.
“Bring it to the top” is pure condensed energy, engineered to shake every powerful soundsystem while maintaining an emotional depth that’ll hit you right in the feels. Speaking of feelings, “Damaged Souls” is the track you didn’t know you needed – a poignant electronic love letter to all those “what if” moments that haunt our dreams.
But don’t think for a second that Queen of Coins is all melancholy. “Oreo Cake” swoops in with its irresistible bouncing bassline, serving up a fat slice of low-end theory that’ll give your mind, body, and soul the workout they’ve been craving. It’s a reminder that in the realm of Queen of Coins, the future is bright, and the beat goes on.
Remember the mantra, ravers: Queen of Coins is “Music to grow with Expanding your soul Thriving in Prosperity.”
This isn’t just an album release; it’s a coronation. Long live the Queen of the electronic underground! More
1
Datafreq - Just Like 1981 (Kreuzberg Mix)
2
Datafreq - Deadman Control (Extension)
3
Datafreq - Claudia Brucken's Lips
4
Datafreq - Scene Machine (Machine Scene Mix)
5
Datafreq - Behind The Glass (Shattered Mix)
6
Datafreq - Come Undone (Redesigned Mix)
Bosconi Records Presents Datafreq’s Electrifying EP: “Circuit Garden” Toronto’s electronic music scene luminary, Dave Rout, known as Datafreq, is set to unveil his EP titled “Circuit Garden” on Bosconi Records. With a musical journey as Datafreq spanning 2 decades, and a continuous presence since the mid-80s, he has become a cornerstone in the electronic music scene in Toronto. “Circuit Garden” is a six-track collection that pays homage to Datafreq’s distinctive blend of video game music and electro sounds. A true sonic pioneer, he brings forth his unique musicality that has resonated since he started the project in 2004. This EP features select tracks from his debut album, “Fun for the Whole Family,” originally released in 2006 on the esteemed Berlin label Das Drehmoment. Notably, these tracks, (never before available on vinyl with the exception of “Just Like 1981”), have been reimagined with slight remixing, editing, and remastering to seamlessly align with the vinyl format. Two brand-new tracks make their debut on this release, adding an extra layer of exclusivity and elevating the EP to a truly special status. The unmistakable “Datafreq” sound is prevalent throughout the EP, characterized by eclectic electro techno and vocodered tunes. Infused with a melodic approach, the tracks remain dancefloor-friendly, showcasing Datafreq’s exceptional talent for crafting engaging melodies. The EP is adorned with cosmic arpeggios and space synthesizers, reflecting his prowess in creating immersive sonic landscapes. “Circuit Garden” not only celebrates Datafreq’s enduring legacy but also signifies a new chapter in his sonic exploration, inviting listeners to immerse themselves in Bosconi Records’ consistently precise and insightful musical universe.
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1
Italcimenti (Robotnick & Lombardi) - Beyond The Mind (Italo Club Mix)
2
Italcimenti (Robotnick & Lombardi) - Electric Dancer
3
Italcimenti (Robotnick & Lombardi) - Structural Collapse
4
Italcimenti (Robotnick & Lombardi) - Disco Tamarro
5
Italcimenti (Robotnick & Lombardi) - Somewhat You Need
6
Italcimenti (Robotnick & Lombardi) - Trigger Happy
7
Italcimenti (Robotnick & Lombardi) - Bela Lugosi Is Dead (Cover)
8
Italcimenti (Robotnick & Lombardi) - Jimbo
9
Italcimenti (Robotnick & Lombardi) - Lunar Weekend
10
Italcimenti (Robotnick & Lombardi) - Bencio
11
Italcimenti (Robotnick & Lombardi) - Like a Dreamer
Electro / Italo disco Classic!
Ludus Pinsky (Lapo Lombardi) and Alexander Robotnick (Maurizio Dami) are Italcimenti, a fuzz project seeking to re-construct the way to heavy-cement music, so sadly famous in the early 80s.
Thanks to their boldness and daring a new generation of survivors will have the chance again to listen to the sound that makes your legs feel as heavy as cement blocks.
Previously released in a CD in 2005 this is the first ever pressing on vinyl!
It includes an exclusive extended and dj friendly version of "Beyond The Mind" the "Italo Club Mix" not released in the vinyl single, and the electric jumping vocodered ballad "Somewhat You Need" , not be overlooked!
All the other tracks are the same versions of the Cd release, and all tunes have been rewarmed and remastered to get the best sound on Vinyl!
A must have release for all Electro-Techno and Italo-Disco lovers / collectors..
VITAL SALES POINTS:
Very sought after tracks from ROBOTNICK even when they were released in 2005 only on CD format.
This is the FIRST EVER release on Vinyl of these tunes, there has been a single but with different version of "Beyond the Mind" only.
All tracks have been remastered to get the best sound for vinyl
Tracklist:
A1. Beyond The Mind (Italo Club Mix) 6'47"
A2. Electric Dancer 5'52"
B1. Structural Collapse 4'55"
B2. Disco Tamarro 5'24"
B3. Somewhat You Need 3'52"
C1. Trigger Happy 4'33"
C2. Bela Lugosi Is Dead (Cover) 5'37"
C3. Jimbo 3'32"
D1. Lunar Weekend 5'06"
D2. Bencio 4'51"
D3. Like a Dreamer 4'02"
More
Ludus Pinsky (Lapo Lombardi) and Alexander Robotnick (Maurizio Dami) are Italcimenti, a fuzz project seeking to re-construct the way to heavy-cement music, so sadly famous in the early 80s.
Thanks to their boldness and daring a new generation of survivors will have the chance again to listen to the sound that makes your legs feel as heavy as cement blocks.
Previously released in a CD in 2005 this is the first ever pressing on vinyl!
It includes an exclusive extended and dj friendly version of "Beyond The Mind" the "Italo Club Mix" not released in the vinyl single, and the electric jumping vocodered ballad "Somewhat You Need" , not be overlooked!
All the other tracks are the same versions of the Cd release, and all tunes have been rewarmed and remastered to get the best sound on Vinyl!
A must have release for all Electro-Techno and Italo-Disco lovers / collectors..
VITAL SALES POINTS:
Very sought after tracks from ROBOTNICK even when they were released in 2005 only on CD format.
This is the FIRST EVER release on Vinyl of these tunes, there has been a single but with different version of "Beyond the Mind" only.
All tracks have been remastered to get the best sound for vinyl
Tracklist:
A1. Beyond The Mind (Italo Club Mix) 6'47"
A2. Electric Dancer 5'52"
B1. Structural Collapse 4'55"
B2. Disco Tamarro 5'24"
B3. Somewhat You Need 3'52"
C1. Trigger Happy 4'33"
C2. Bela Lugosi Is Dead (Cover) 5'37"
C3. Jimbo 3'32"
D1. Lunar Weekend 5'06"
D2. Bencio 4'51"
D3. Like a Dreamer 4'02"
More
1
Minimono - Run it Back
2
Minimono - Half Way Trough
3
Minimono - Over The Machines
4
Minimono - Revolution
Here you have the second EP part of Minimono "Half Way Trough" mini saga.
Bosco050.5 follows the sound of the previous one serving four most exciting electro, italo-disco and acid infected floor burners!
"Run it Back" is a simple and dry tune, has those big cutting edge sounds typical of the early 2000 80's contaminated electro.. perfect for your starting set or in recreating that unique atmosphere.
On the A side follows "Half Way Trough", an effortlessly driving tech-acid house tune, strangely compelling, with a timeless feeling.. looking like an essential weapon for any dancefloor.
B side starts with the spicy electro-disco tune "Over The Machines" epic and functional at the same time with evocative arpeggios and a mechanical vocodered speach.
The Ep ends with the cyberfunk stomper "Revolution" , a twisted electro funk groover in typical Minimono vein.
Fabio Della Torre and Ennio Colaci celebrate this 50th.5 release on Bosconi in great style, remodernising the sound that they used to like when they first met in the early 2000, under the influence of those Berlin labels like Areal, Sender, Festplatten, Funkhaus, Beautycase, Lasergun, Gigolo.. and all of those labels who trademarked the sound of those unforgettable Berlin days.
TRACKLISTS:
A1. Run it Back (6'36")
A2. Half Way Trough (6'22")
B1. Over The Machines (6'54")
B2. Revolution (6'08")
More
Bosco050.5 follows the sound of the previous one serving four most exciting electro, italo-disco and acid infected floor burners!
"Run it Back" is a simple and dry tune, has those big cutting edge sounds typical of the early 2000 80's contaminated electro.. perfect for your starting set or in recreating that unique atmosphere.
On the A side follows "Half Way Trough", an effortlessly driving tech-acid house tune, strangely compelling, with a timeless feeling.. looking like an essential weapon for any dancefloor.
B side starts with the spicy electro-disco tune "Over The Machines" epic and functional at the same time with evocative arpeggios and a mechanical vocodered speach.
The Ep ends with the cyberfunk stomper "Revolution" , a twisted electro funk groover in typical Minimono vein.
Fabio Della Torre and Ennio Colaci celebrate this 50th.5 release on Bosconi in great style, remodernising the sound that they used to like when they first met in the early 2000, under the influence of those Berlin labels like Areal, Sender, Festplatten, Funkhaus, Beautycase, Lasergun, Gigolo.. and all of those labels who trademarked the sound of those unforgettable Berlin days.
TRACKLISTS:
A1. Run it Back (6'36")
A2. Half Way Trough (6'22")
B1. Over The Machines (6'54")
B2. Revolution (6'08")
More
1
Minimono - Accelerate
2
Minimono - Overflow
3
Minimono - Discorruption
4
Minimono - Gettin' Gold
Bosconi reaches number 50 milestone on it's main label catalogue and who better than label founders Mimimono could unfold this. Fabio Della Torre & Ennio Colaci come back on their output with this series of two eps forming a mini album named "Half Way Trough" with an intriguing blend of modern electro tech house tunes taking to the next level their concept of moving in between styles. The first ep starts with "Accelerate", an Uk infected tech house tune.. with a distinctly aggressive acid bassline in contrast to the clean synths and bleep sounds.. The result is a floor burner for your peaktime moments on da floor. "Overflow" is more of an hypnotic swing house tune, with some kind of arabic melodies , accompanied by subtle bassline reminding of prince of Persia sounding like environments.. B side starts with "Discorruption", a tribute from Minimono to the electro italo-disco sound , still with their own original approach, where all the arpeggios and synths notes are accompanied by a driving bassline and a funky house groove more typical by the Florentine duo. The record ends with the stylish melodic tech house tune "Getting Gold" where Fabio and Ennio show their ability of condensing melodic elements and synths into a dancefloor track.. for your sugared moments on the floor.
Definitively one to have in your bag.
TRACKLISTS:
A1. Accelerate (6'46")
A2. Overflow (6'18")
B1. Discorruption (6'49")
B2. Gettin' Gold (7'16")
More
Definitively one to have in your bag.
TRACKLISTS:
A1. Accelerate (6'46")
A2. Overflow (6'18")
B1. Discorruption (6'49")
B2. Gettin' Gold (7'16")
More
1
Bosconi Gang Band - 90 Dial
2
Bosconi Gang Band - 122 Merge
3
Bosconi Gang Band - 128 Wave
4
Bosconi Gang Band - 160 Wasp
5
Bosconi Gang Band - 105 Keen
LIMITED release (no repress) 300 units hand numbered, stamped copies with insert.
After the first Jam experiment back in 2019 here we have the second chapter of the Bosconi Gang Band session pressed on this limited white label hand stamped & numbered waxx.
This jam was recorded in front of an actual crowd in an event held at Manifattura tabacchi Florence on the 21st February 2020 just a couple weeks before the pandemic started and the first lockdown happened in Italy.
The concept is the same as the previous one with Fabio Della Torre on the mixer conducting the gang mysitc gulf this time with: from left to right Ennio Colaci from Minimono, Dukwa, Rufus, Andrea Giachetti & Antonio Pecori from "The Clover" and Dj Rou.
As it happened with the previous release, the actual jam follows the order of the live execution which naturally developed in a crescendo of speed and intensity.
The result is a collection of 5 of the best takes slightly mixed and revisited afterwards but very much faithful to those performed live.
This is another adventurous release that goes well off grid, plays with strange temps, original textures and moods.
Bosconi Gang Band aims to be an itinerant live improvisational project open to all artists who have released on Bosconi Records that sets the goal of always being unpredictable and special, naturally affected by the artists who perform always creating something unplanned new, and unexpected.
"A very exciting blueprint for the continued evolution of modern dance music!!"
TRACKLISTS:
A1. 90 Dial (3'50")
A2. 122 Merge (4'39")
A3. 128 Wave (4'55")
B1. 160 Wasp (5'36")
B2. 105 Keen (5'04")
More
After the first Jam experiment back in 2019 here we have the second chapter of the Bosconi Gang Band session pressed on this limited white label hand stamped & numbered waxx.
This jam was recorded in front of an actual crowd in an event held at Manifattura tabacchi Florence on the 21st February 2020 just a couple weeks before the pandemic started and the first lockdown happened in Italy.
The concept is the same as the previous one with Fabio Della Torre on the mixer conducting the gang mysitc gulf this time with: from left to right Ennio Colaci from Minimono, Dukwa, Rufus, Andrea Giachetti & Antonio Pecori from "The Clover" and Dj Rou.
As it happened with the previous release, the actual jam follows the order of the live execution which naturally developed in a crescendo of speed and intensity.
The result is a collection of 5 of the best takes slightly mixed and revisited afterwards but very much faithful to those performed live.
This is another adventurous release that goes well off grid, plays with strange temps, original textures and moods.
Bosconi Gang Band aims to be an itinerant live improvisational project open to all artists who have released on Bosconi Records that sets the goal of always being unpredictable and special, naturally affected by the artists who perform always creating something unplanned new, and unexpected.
"A very exciting blueprint for the continued evolution of modern dance music!!"
TRACKLISTS:
A1. 90 Dial (3'50")
A2. 122 Merge (4'39")
A3. 128 Wave (4'55")
B1. 160 Wasp (5'36")
B2. 105 Keen (5'04")
More
1
Cixxx J - Triple X
2
Cixxx J - Circuits
3
Cixxx J - 10 Euro
4
Cixxx J - Indigo
Bosconi welcomes Cosimo D'Amicis aka Cixxx J with his first EP on the tuscany's finest imprint.
The artist explains here the essential meaning of the release with his own words:
"Music gives people the gift of connection by making people mirror into each other. Here the recipe is simple: feed your sequencers all the feelings, and let them become grooves you can dance to. These four psycho-synthetic streams are deeply rooted in italo disco classics, and filtered through that whole culture that originated in Chicago and Detroit and that keeps un-becoming. All the ingredients are carefully selected to bring you to another dimension, because there is no such thing as glorious as love at first BITE"
Tracklist:
A1. Cixxx J - Triple X (5'27")
A2. Cixxx J - Circuits (6'42")
B1. Cixxx J - 10 Euro (6'21")
B2. Cixxx J - Indigo (5'05")
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The artist explains here the essential meaning of the release with his own words:
"Music gives people the gift of connection by making people mirror into each other. Here the recipe is simple: feed your sequencers all the feelings, and let them become grooves you can dance to. These four psycho-synthetic streams are deeply rooted in italo disco classics, and filtered through that whole culture that originated in Chicago and Detroit and that keeps un-becoming. All the ingredients are carefully selected to bring you to another dimension, because there is no such thing as glorious as love at first BITE"
Tracklist:
A1. Cixxx J - Triple X (5'27")
A2. Cixxx J - Circuits (6'42")
B1. Cixxx J - 10 Euro (6'21")
B2. Cixxx J - Indigo (5'05")
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Lapucci - LSD Hallucinogen
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Lapucci - Quantum Entanglement
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Lapucci - Density Matrix
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Lapucci - Kinematical Postulates
Bosconi welcomes fellow producer Mattia Lapucci on board with his EP titled Levitated Sensor Detector (LSD) with a massive 4-track that includes a great variety of styles: from Electro to Deep House with a touch of progressive trance reminiscences, all fused in a decidedly original and unique style.
The record opens with "LSD Hallucinogen", surely a floor killer with a retro flavor and EBM inspiration characterized by mechanical grooves with an industrial appeal and a hypnotic voice capable of dragging you into this sonic 'mind bending' vortex.
The second cut of the A side is "Quantum Entaglement" which goes deeper into the territories of the renowned old school 90s Italian house with its recognizable deep basslines and its mysterious sound weaves in full afterhour style.
Side B opens instead with "Density Matrix", a song performed during the quarantine period that resonates in its suggestive hybrid vein between New Beat and Balearic carefree as a nostalgic call to freedom.
The closing piece of this release is finally entrusted to the fluid atmospheres of "Kinematic Postulates" where a relaxed and fascinating proto trance melody will keep you ready for a soft landing in the most psychedelic territories of dance music. One for the Eat Static fans for sure, we hope you dig it!
Tracklisting:
A1. LSD Hallucinogen (6'32")
A2. Quantum Entanglement (6'19")
B1. Density Matrix (5'05")
B2. Kinematical Postulates (6'16")
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The record opens with "LSD Hallucinogen", surely a floor killer with a retro flavor and EBM inspiration characterized by mechanical grooves with an industrial appeal and a hypnotic voice capable of dragging you into this sonic 'mind bending' vortex.
The second cut of the A side is "Quantum Entaglement" which goes deeper into the territories of the renowned old school 90s Italian house with its recognizable deep basslines and its mysterious sound weaves in full afterhour style.
Side B opens instead with "Density Matrix", a song performed during the quarantine period that resonates in its suggestive hybrid vein between New Beat and Balearic carefree as a nostalgic call to freedom.
The closing piece of this release is finally entrusted to the fluid atmospheres of "Kinematic Postulates" where a relaxed and fascinating proto trance melody will keep you ready for a soft landing in the most psychedelic territories of dance music. One for the Eat Static fans for sure, we hope you dig it!
Tracklisting:
A1. LSD Hallucinogen (6'32")
A2. Quantum Entanglement (6'19")
B1. Density Matrix (5'05")
B2. Kinematical Postulates (6'16")
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BSS - No Title
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BSS - No Title
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BSS - No Title
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BSS - No Title
The first track is a mesmerizing progressive house tune with a future retro hi nrg bass line and a hypnotic dreamy arpeggio worth of the early 90’s italo techno & house heritage, in the style of artists like Mystic Force, still with a contemporary attitude both in the house groove and in the sound choice, truly uplifting! “Trail Of Bones” is a badass ravey jam with a crazy and prominent fat bass line going all along the track, inspired by some old school acid trance aesthetics with a funkier feeling
On the flip side “Nove Code di Cristallo Grigio” sounds like an intergalactic trip to some other techno galaxies lead by uncoordinated synthetic structures. “Gattonero” closes the ep with its quirky mood, essential and with a bouncy groove that makes it a super efficient tool for the floor.
Dispel any evil spell !!
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On the flip side “Nove Code di Cristallo Grigio” sounds like an intergalactic trip to some other techno galaxies lead by uncoordinated synthetic structures. “Gattonero” closes the ep with its quirky mood, essential and with a bouncy groove that makes it a super efficient tool for the floor.
Dispel any evil spell !!
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A long and awaited return to todays scene is that of Gareth Oxby, a very active producer since the 90s with numerous Techno, House and Breaks projects among which the prodigious UK label Alien Funk Movement stands out; of which he is the renowned father and founder. Bosconi is proud to include this eclectic and talented producer in its stable through one of his most sought-after aliases, "4th Planet Side Steppers". The EP, titled "Warning", celebrates the UK sound of those early years of which he was one of the greatest exponents and pioneers and which is coming back to prominence today: the foundation of the Tech-House sound, a kind of hybrid dense with spatial and futuristic sounds where electro, dub and breakbeat that merge into the 4/4 rhythm creating a unique and incomparable blend. It starts with the homonymous "Warning" track, where sharp drum sounds support a galaxy of alien bleeps and textures, transporting you into a pacific trance state, a maze-like and hypnotic dimension that is perfect for late night hours or morning awakenings. The second cut of A side brings a previously released track on Gareth’s own AFM label which has been for long time our secret DJ weapon named "Anti-Matter", a funky, rolling, ultra-groovy monster track; an absolute Tech House killer tune with straight and unmistakeable effects on every dance floor we have played. On the flip side the dreamy, sensual and trippy "Phaeton" closes up this three track EP with its smooth vibe and intelligent electro programmed warm beats giving a special touch to the whole record!
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Dan Curtin - No Title
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Dan Curtin - No Title
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Dan Curtin - No Title
With no need for further introduction, the legendary Cleveland and now Berlin based producer Dan Curtin lands on Fabio Della Torre’s Tuscan label Bosconi with 2 previously unreleased gems from his 90’s DAT archive. The release is further enriched by Curtin's very first live rework of one of the tunes. After Releasing on such labels as Headspace, 7th Sign, and Sublime and with the recent repress of his historic Silicon Dawn album on Peacefrog including the supremely modern Population 2, here comes the previously unreleased Population III which moves even more forward into the outer realms of space and time. On the long side the farsighted and futuristic Metamorphic label boss delivers this marvelous continuation of the previous version taking it more into straight forward techno and even further into deep minded synth experimentation and acid bleeping. On the Flip we have a modern live rework of Population III which Dan has been playing around the world in his current live set. The live version goes a bit more into electroid landscapes but still maintains a straight groove for electro and techno purists most playful moments. The third cut is the epic acid banger and previously unreleased Redshift, showing already at those times that Dan Curtin was defying conventions and pushing boundaries and pioneering what we can now consider modern dance music while displaying melting innovation and deeply felt emotional content at the same time.
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Martino Marini aka Mass Prod contributed to spread the seeds of the Bosconi Records nationally and internationally. Unforgettable are his early releases “Bosconi Groove” and “Paris,Texas” which gained a great success, especially thanks to the track “72 Minutes Of Scrubs A Day”. After many years of studying in consevatory of electronic music and improving his already exceptional skills within music production and composition, between a freaked out IDMish album on his own Wo Land label, releases with Herva on Kontra Musik, Marmo Music with the Tru West- The Leftovers projects and the Nightdrivers records with Rufus, the prodigal son is finally back with an edgy four tracker of pure anti-romanticism named “Ears In My Eyes”: the record starts with the perlonish, groovy and funky minimal house jam of Marmeria Mornings feat Vash (collaborator at Marmeria Studios in Genova and well known synth repairer in Italy), while on the second cut there are the sexy, electroish and ultra catchy SH101 bass line riffs of the title track “Ears In My Eyes”. On the flip side instead let’s get back to some swinging beats with the trippy and mysterious atmospheres of “Marmeria Nights” while on the final cut more electro with another flying, rough and subliminal machine funk winner to close up this release called “Aria Fredda”. It’s been a long awaited one!
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rei loci - Deep Blue" (Unedited)
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rei loci - horizons
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rei loci - Serchin
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rei loci - Mal
After 100hz Bosconi is proud to announce another hero from the undergorund uk techno scene joining the family: having previously released on such labels as Down Low, Headspace, 7th Sign and his own Iridite Label, Rei Loci from Glasgow makes his debut on our the florentine imprint with a massive four tracker EP called "Holding Pattern".The record starts with deep driving transportation of the detroitish techno and hard-to-find dancefloor weapon "Deep Blue", previously released on Iridite, here on it's original "Unedited" version, followed by the jacked out swing and soulful vibe of the more atmospheric A2 track "Horizons". Flipside instead consists in the subliminal acidic pump and sensual mood of "Serchin" as B1, while last cut is taken by the ethereal, psychedelic, afterhour jam named "Mal". Oldskool, good school
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Et Bosconi Soundsystem finally has landed on the label with a four tracker EP. Born as a DJ project orginally in 2009, BSS features three of the central personalities those have defined in a way the sound mark of the label through the years since its foundation: label owner Fabio Della Torre, Mass Prod and Rufus. This debut release has named "Back To Front" not only as a work and life statement but also recall one of trio's very intimate baddest habits (please do not misundertand..) First scandalous cut of the Front Side "( She Wipes ) Back To Front" is the powerful combination of a bouncing and tight 909 groove plus a pulsating fat bass enriched here and there by psychedelic synth lines properly made to excite your pelvic moves between the decks and on the dancefloor.A2 is a voyeuristic happy, funky, progressive and glorious deep techno weapon for the ecstatic peak time moments. On the Back side you'll find the cheeky mood of the modular melodic joints of the swinging B1 track named "Three Healthy Birds" and the granitic and new-not-old skool organ vibe of the senselessly titled B2 "I <3 My Pinus". Stripped down club music for no puritans!
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100 hz - rio
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100 hz - Whisper" (String mix)
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100 hz - Rub Tub" (edit)
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100 hz - Whiskey Pineapple
After the much acclaimed coming back with his latest Circles EP, electronic Uk artist 100Hz delivers a new four tracker vinyl on Bosconi of previously unreleased and re-worked tunes. "Immersive" starts with the swinging and mellow funk of "Rio" continuing with the mantric and spiritic vocal theme of "The Whisper", while on the flipside you will find the jazzy boogie of Rub Tub and the atmospheric and elevating mood of "Whiskey Pineapple". This is another journey in the core of modern uk deep techno and house, don't miss it!
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After “Theory Of Strings (part1)” Ennio Colaci and Fabio Della Torre present the second part! The first track of A-side is the one who gives the title to the whole project, " Theory Of Strings", a dubby groover with a funky and psychedelic feel in the vein of a more coloured and dirtier Studio 1 or Soundhack. The "Feeling good vibe" keeps going relaxed and chill with the smart up and down mood of the track "Forty Degrees" while on B side Minimono get drier, minimalistic and more mysterious with the subtle after-hour jam of Rewind. This strong effort by Fabio and Ennio ends trough the cinematic atmosphere and the romantic piano notes of the gentle but raw closing act "Still Mine". Mind the Strings!
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minimono - Get That Groove
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minimono - Back In DC
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minimono - Actually
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minimono - Meningi
Following the well acclaimed comeback on Bosconi "Gang of Fools EP" and the releases on Robsoul and Vibraphone, Fabio Della Torre and Ennio Colaci aka Minimono strike again with a double release that might be considered as a split album in 2 vinyl records named "Theory Of Strings".First of two Eps starts with the chuggy, jazzy and edgy vibe of "Get The Groove", an intelligent partial rework of an underground disco-not-disco old gem. Second cut gets more funky-filtered, bouncing and suspended with the fresh broken atmosphere of "Back in Dc" .On the B side Fabio and Ennio go back to jazziness adding more broken grooves, some twisted rhodes solo goodness and a persistent hypnotic driving feel to the track "Actually", and then ending this first part with another smooth filtered and toolish winner for the summer called Meningi. Mind the Strings and wait for the second part!
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paul johnson - A1. Let’s Sing
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paul johnson - B1. Show Me
Paul Johnson is Back again on Bosconi with a massive two tracker after the 2015 summer hit "I like To Get Down".On the A side "Let's Sing" is a joyful and sunshiny dancefloor winner with a vocal theme reminding us of 60's-70's italian soundtrack a la Piero Piccioni or Armando Trovajoli that will dangerously stuck in your head and, with no doubt, that you're going to sing it again and again…On the flip side instead you will find the sick, filtered and groovy jam of "Show Me", an hypnotic burner enriched by the trademarked, whispering and sexy words unmistakably from Paul himself, pure honey for the ghetto house heads.. just be careful not to get squeezed on the dancefloor!
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