Italian duo of deepness pop up on DKMNTL... dope EP! After appearing on Aroy Dee’s MOS label in 2012, Italians Ksoul & Muteoscillator are back with some more dusty and degraded sounding tracks, this time for Holland’s irrepressible Dekmantel imprint. There are three new cuts in total from the pair, each exploring a slightly different yet always knackered house groove. 'Soul Hell' goes first and is built on heavy rubber kick drums. Shakers rustle along next to the drums and a bulbous, molten synth line freewheels up and down the face of it all as distant, soulful key stylings bring a human, jazzy touch to proceedings. 'Stinger' is even more crushed and crumpled sounding as the kicks scrap along, and here the colours from the keys and synths are just as muted and fuzzy edged. Like all three tracks there is a rough, frayed texture to everything hear – nothing is crisp or clean. Finally, 'Detrance' is slow and purposeful with underwater sounding melodies echoing out into a humid night sky. Sharp, laborious hi-hats dangle in mid air as rippling synths offer a more liquid surface and overall the murky sound design really draws you in.


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Scottish producer, Stephen Lopkin is back on M>O>S DEEP with a great double pack of that gleaming sound we love him for!

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Does the world need more acid? Yes it does! the R-A-G trio aka Dutch producers Ma Spaventi, G-String & Aroy Dee deliver three raw acid-jams with Aroy on the couch working the mic. The lyrics of Dreadfully Nervous are based on a Edgar Allan Poe story. 'Dreadfully Nervous (Aryd's Acid Mix)' is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. Coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. 'Dreadfully Stoned' is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. Those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. Last of all is the bright and glistening 'No Soul' with metal hits and claps and prickly acid all bursting out of dusty Chicago drums. It's raw and sure to fire the synapses just like R-A-G productions always do.

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A year after his last outing on the label, Andrew Red Hand is back on MOS Deep with another fine four track offering. Known as the Romanian Underground Resistance, Red Hand also works with labels like Detroit Underground and has a timeless house and techno sound that is always uncompromising.

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Having already released on MOS Recordings’ sub label MOS Deep before now, Stephen Lopkin is now back with a second four track effort, due for release in April. The Scottish artist has been making prickly house and techno for almost a decade now, and on the four cuts here he once again showcases a serene and slick style.
Opener 'Och Aye' is Detroit styled cut with rich synths dancing about above rubber drums. It makes for a shiny, electrified atmosphere that is clean and sleek and emotive. 'Weegie in Wigan' is a much more peak time cut of cackling percussion, sombre chords dampening down raw drums and a wild FM baseline that adds an old school feel. On the flip, 'Ball & Chain' is another busy house effort that has hi hats spinning like plates, thudding kicks and whole eco systems of synths darting about while 'Meall' ends the EP on a masterfully melodic and heavenly groove that journeys through the starry night sky, wired up with electronics and stuffed with machine made soul.

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After two fine EPs on Chiwax, Russian DJ and producer Dmitry Kovyazin aka Kovyazin D now makes his debut on the Dutch label MOS Deep

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After two fine EPs on Chiwax, Russian DJ and producer Dmitry Kovyazin aka Kovyazin D now makes his debut on the Dutch label MOS Deep

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Typically bold and 'playable' gear from this Ann Arbor based machine head. Heavy on the jak, this one.

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Hot on the heels of introducing a new Chilean talent to the MOS ranks with its last release, the Dutch label starts another international affair for its MOS Deep offshoot: Romanian Andrew Red Hand. Andrew, who has been called ‘the Romanian Underground Resistance’, has a long history of DJing and making Detroit inspired techno and electro and across four tracks here, his analogue house with crisp drums and searing acid all burst out of the speakers and into your affections. ‘My Guarding Angel’ is manic and frantic at the same time as been emotionally sensitive thanks to the way cowbells and coarse claps are off set with rich, heart warming chords and teary eyed strings. ‘Never Be The Same’ is then a busy cut stuffed with arpeggiated bass, bright melodies, glassy chords and plenty of reflective surfaces. It’s a feast for your ears that really shines brightly. ‘Shattered Soul’ is another track awash with trilling glassy sounds, echoing melodies and oodles of atmospheric texture all married to hurried techno drums. Calm and serene yet forceful and energetic, that same duality is apparent in ‘Mourning My Mother’, a sombre cut with classic Chi town percussion and drums all weighted down by long tailed pads and poignant chords. This is music that works on head and heel in equal measure.

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Still no one knows who Gerstaffelen is, but with this release the producer becomes a regular on the MOS Deep label and is now back with four more of the rawest cuts you could imagine. Wasting no time in getting gritty, 'Bombara' is a frazzled and gauzy deep techno cut with muffled voices, beams of melodic light and lots of percussive hustle. 'Invisible Ghosts' is a less urgent but equally monstrous track with dark groaning bass, prickly hi hat patterns and frenzied synth lines. 'Night Flowing North' actually offers a slightly lighter sound, with celestial and heartfelt melodies darting about between ping ponging drums and percussive hits before 'Night Flowing South' comes over like a classic jack track from Chicago, with a quick baseline riding up and down the scale and propping the whole track up. This is attention grabbing, dancefloor slaying stuff as ever from MOS and the magically mysterious Gerstaffelen.

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Super strong M>O>S DEEP from this studio master! He's really killing it.... this one really shook the ADE crowd when Aroy Dee slammed it in his set there... Big ITALO style JAK trax...! TIP!

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