You can hear, in the songs of No Regular Play, hints at the sounds that inspired the duo to make music in the first place, and sonic whispers of the vast musical lexicon they share. Friends since the age of eight, Greg Paulus and Nick DeBruyn grew up listening to Native Tongues and underground hip-hop and jazz. That love of music never waned: the two traveled to Cuba together to study Afro-Cuban music and Paulus formally studied classical and jazz and toured with the band Beirut. That explains, then, why their output since they began releasing music in 2008 – mostly as part of the Wolf+Lamb collective – has so effectively married diverse sonic influences with smooth house. Nothing Less, their debut release on the HAKT label, very nearly glides through its four songs, bringing along elements and instruments give this release depth, richness and texture. On “Nothing Less,” the opener, Paulus plays trumpet against a backbeat that’s suddenly surrounded by cosmic synths and his own Prince-reminiscent vocals. Track two, “Night Ranger,” feels like an ‘80s summer night, with keys forming elegant patterns beneath Paulus’s vocals and sparse, mournful horns. “Ice Cold Bottle” toys with synthy funk, and fills out with murky keys, thumping beats and lyrics that are smirkily, playfully sleazy (And includes maybe the best lyric of late: “Don't bother with the bathing suit/’Cause that suit will drop.”) And “Indigo,” which starts off with stacks of handclaps and big bottomed bass, unexpectedly weaves in swooning cello and string swells that feel hopelessly romantic. Greg Paulus has played with Matthew Dear and released solo music on Wolf+Lamb and Double Standard Records. NRP has also released music on Supplement Facts and Cut Mistake Music. Their debut full length, Endangered Species, was released in 2012.
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Once a distant message written in the stars, the wisdom of Soul Clap has been beamed down to Earth in the form of EFUNK - Everybody's Freaky Under Natures Kingdom - their debut album on Wolf + Lamb.
Before today there was yesterday and after tomorrow is the future, but what happened in-between? The dark age of lost-cool, a time of dimensional imbalance when music was devoured by a black-hole of wackness. Now, marked by a solar-flare in the funky constellations, Soul Clap delivers a galactic renaissance to fill our ears with interplanetary consciousness and emancipate our booties from the androids of dancefloor repetition. The days of EFUNK are upon us, restoring dopeness in the universe, as we groove on and move on together in intergalactic harmony!
EFUNK: The Album is not just the culmination of two musical lives, it's Soul Clap's statement about the sound of now. After years spent traveling planet earth with only a turntable as transportation and a crate of records as a guide, Soul Clap settled on Earth's tropical Art-Deco paradise of Miami as the perfect spot to build the EFUNK mothership. Limited to 13 songs over 45 minutes to fit on one 12" record and operate the mothership control panel, EFUNK: The Album also tells the story of Soul Clap's journey so far in a concise musical statement that could only be accomplished with the skills of master DJs.
Along their path returning from the outer-reaches to save dance music from the eclipse of darkness, Soul Clap's pop sensibility captured the hearts of many earthlings. A series of game changing edits, originals and remixes, a 2010 summer anthem 'Extravaganza' and edition of the legendary DJ Kicks series saw their reputation reach intergalactic levels. By harnessing the past, they look to the future and their timeless reworks and original formula has led to remixing legends Laid Back, Robert Owens and DJ Harvey as well as modern pop stars like Metronomy and Little Dragon. With summers spent touring the world and winters in Miami training at ping-pong and charting new musical territory, Soul Clap continues their quest to be the hardest working duo in the game.
Time stands still, but traverses great distances on the EFUNK transmission. Eli Goldstein AKA Elyte and Charles Levine AKA Cnyce have locked secrets from the outer realms into its design, only to be deciphered through careful attention to its soul. Help in the transformational process is obliged from their close knit Wolf + Lamb family, who have shared and shaped their journey into the consciousness of the terrestrial. The young Jules Born of Voices Of Black duo injects his raw funk stamp into 'Let's Groove On'. Baby Prince AKA Gadi Mizrahi of Wolf + Lamb features alongside other members of the family on 'The Clapping Song'. "We were just hanging out in Charlie's bed when this one came together. We all just sang our own versions of the lyrics," says Eli who contributes the saxophone to the jam. Charlie also plays Kazoo, guitar and keys. Greg Paulus of No Regular Play beams in his magnificent trumpet on the serene closing broadcast, 'Islands in Space' as Charlie sings in cosmic frequencies and Eli's father Gary Goldstein strums the bass. Charlie's vocals play a big part of the appeal of the Soul Clap sound. Their 'Lonely C' anthem of last year made it onto BBC Radio 1 daytime and 6Music rotation and EFUNK's 'TroubleTroubleTrouble' shares a similar vibe - wholly connected and real.
Goddess deities lead EFUNK's transmission further into the light. Franceska unveils her Janet Jackson like powers on 'Take It Slow' and Mel Blatt of All Saints fame wrote and sang the lyrics for 'Ecstasy' - a typical slow jam from Soul Clap, defined as a record that pulls the body low to the floor and slows down the energy vibrations. Hijacked by a UFO to study the effects of the spotlight over a decade, Mel recently returned with divine powers. "We met Mel at DC10 closing," explained Charlie, "Her vibe is incredible and the fact that she's seen it through a pop stars eyes is an added bonus." Her lucid voice returns for 'Need Your Lovin'. Originally an edit Charlie created from an intense love for the original, when they shared it with Mel over stargazing, her mutual feelings led to them recording her vocal and replaying all the parts, becoming a reinvigorated fresh interpretation of the rave classic.
Further into un-charted territory 'The Alezby Inn' a cover of legendary west-coast electro don Egyptian Lover, features the humorous genius Genevan Heathen, who shares a Boston connection and unleashes an EFUNK masterpiece, a mischievious jam that speaks its own truth, "its strange but I like it!" 'Let It Go' was resurrected from an early demo Roldy Cezaire gave to the guys during their legendary midweek parties in Boston. It became a staple in their car cd player, never forgot it due to Roldy's vibe and innocence, and finally resurrected it for the EFUNK voyage. South African Lazarus Man's epic 'When The Soul Claps' is a staple accapella in Soul Clap performances since he shared it with them. The EFUNK formula beams a mysterious and powerful skyrocket to the stars. More

Original Release Repress by Popular Demand!
A Nicolas Jaar - A Time for Us
B Nicolas Jaar - Mi Mujer
7:40
6:32
The Classic Liner Notes:
The first Wolf + Lamb release of the new decade comes from the young and gifted Nicolas Jaar, who gives the world ‘Time For Us.’ Dreamt up this summer while living at the Marcy, Wolf + Lamb’s infamous fake hotel, Nicolas Jaar gives us two slow and enveloping productions, adding a new dimension to his signature sound. “I think both tracks evoke a new American in me, or the one that never left while I was in Santiago. ‘Mi Mujer’, with its Spanish title and lyrics was inspired by the countless Puerto Ricans and Dominicans hanging out near the Marcy.”‘Time For Us’ too has embodies this new American, his lyrics sung in English for the first time. The track’s tempo slides down the scale at its peak and sensual deep spoken passages ooze through the gaps. “’Time For Us’ was an instant classic, even though it's quite different from what we would normally feature as an 'A' side, we were both pretty sure about it as soon as we heard it,” says Zev, one half of Wolf + Lamb, “It feels like Nico's departure from making electronic or dance music into more of a songwriter.” An intimate track, ‘Time For Us’ moves away from formulaic club music and inspires with its dynamic approach. “Its different from my other releases in that it comments on club culture as much as it praises it,” says Nico. Seth Troxler has laced it with admiration and the record was more than in tune with the environment when unleashed at Burning Man this summer. New York born Nicolas Jaar was raised in Chile until the age of 11 before returning stateside. At 19 he stands head and shoulders above similar breakthrough producers of the moment. He has more stunning music forthcoming on his own label, Clown and Sunset as well as with his adopted family, Wolf + Lamb music. More